scholarly journals Socialist Realism And The Situation Of Women In Society In The Works Of Maxim Gorky "Mother" (Социалистический Реализм И Положение Женщины В Обществе В Произведении Максима Горького "Мать")

2021 ◽  
Vol 0 (44) ◽  
pp. 269-281
Author(s):  
Hadeel Ismaeel Khalil ◽  
Keyword(s):  
Socialist Realism ◽  
Point Of View ◽  
Social Realism ◽  
Literary Genre ◽  
The Novel ◽  
Female Characters ◽  
Role Of Women ◽  
Maxim Gorky

Maxim Gorky’s Mother is one of the most important literary genre in social realism, in which he depicts female characters with revolutionary fervor and enthusiasm, projecting his social ideologies and dreams. Though the novel unique importance lies in the fact that it has been thoroughly analyzed by many writers, historians and sociologists, there are almost no studies devoted to the role of women out of a Marxist and feminist point of view. The present paper sheds light on the Russian woman‘s important role in overcoming all adversity and gain her position on Social Realism. Одно из центральных мест среди произведений, написанных в таком литературном жанре, как социалистический реализм, занимает произведение Максима Горького "Мать", в котором он изображал женские персонажи с революционным задором и энтузиазмом, проецируя через них свои социалистические мысли и мечты. Актуальность данной работы заключается в том, что произведение Горького "Мать" было анализировано многими литераторами, историками и социологами, однако почти отсутствуют исследования, посвящённые революционной роли женщин с марксистской и феминистской точки зрения. В заключении делается вывод о том, что Максим Горький в романе "Мать" дал чёткий портрет русской женщине в рамках социалистического реализма, которая смогла преодолеть все невзгоды, переродиться и стать полноправным членом общества.

scholarly journals Women's Need of Men in Danielle Steel's First Sight

2021 ◽  
Vol 1 (2) ◽  
pp. 75
Author(s):  
Yusqi Qolbi
Keyword(s):  
Point Of View ◽  
The Other ◽  
The Novel ◽  
Other Hand ◽  
Role Of Women ◽  
Feminism Theory

This study aims to determine and analyze women's choices in the novel First Sight. This research focuses on the role of women who have high careers, and at the same time have feminine characteristics in themselves. Post-feminism theory is used to analyze elements related to women's choices in novels. This novel tells the story of a successful woman who tries to face and transcend her past in love as the background of the story. It shows the point of view of a successful woman in conquering her fears and getting her soul mate. Through this novel, Danielle Steel teaches us that women can have high careers and at the same time apply femininity to themselves. On the other hand, Steel also wants to answer women's concerns about women and mothers who have high careers in society.

scholarly journals Feministic Analysis of Arundhati Roy's the God of Small Things in the Light of Post Colonialism

2019 ◽  
Vol 2 (4) ◽  
pp. 172-181
Author(s):  
Shiva Zaheri ◽  
Sayyed Rahim Moosavinia
Keyword(s):  
Economic Growth ◽  
English Language ◽  
Postcolonial Studies ◽  
Indian Society ◽  
The Novel ◽  
Female Characters ◽  
Role Of Women ◽  
Post Colonialism ◽  
Small Things

This paper attempts to analyze the mentioned novel based on postcolonial studies in Arundhati Roy's The God of Small Things.  The concepts that can be mentioned in this novel are history, diaspora, hybridity, the role of women in Indian society, globalization, resistance and orientalism. These concepts are used from postcolonial theorists, Edward W. Said and Homi K. Bhabha.Prominent issue is the role women in Indian society, because there are several female characters, such as Ammu, Rahel, and so on in TGST. Economic growth causes change in Ayemenem. It becomes a globalized community. Postcolonial resistance is an important issue in the novel. When Roy uses English language which it is a colonial language, she does a kind of resistance against colonization itself. Roy refers to the children’s life as a means of resistance.

The Limit Situation And The Narrative Of War (On The Material Of The Novel “My Lieutenant” By Daniil Granin)

2020 ◽  
Vol 6 (1) ◽  
pp. 90-104
Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Point Of View ◽  
Continuous Limit ◽  
The Novel ◽  
Term Limit ◽  
Abstract Author ◽  
The Third ◽  
Definition Of

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.

scholarly journals The female characters in Branislav Nušić's and Stefan Kostov's selected comedies

Bastina ◽  
2020 ◽  
pp. 95-109
Author(s):  
Đurđina Isić
Keyword(s):  
Small Town ◽  
Point Of View ◽  
Theoretical Point ◽  
Female Characters ◽  
Modern Age ◽  
The Social ◽  
The World ◽  
The Subject ◽  
Bereaved Family

The paper presents the results of research that included comparative study of the place and role of female characters in selected and representative comedies by Serbian comedigrapher Branislav Nušić (eng. MP, Suspicious person, Mrs Minister, Bereaved family, Dr, Deceased; srb. Narodni poslanik, Sumnjivo lice, Ožalošćena porodica, Dr, Pokojnik, Vlast) and Bulgarian comedigrapher Stefan Kostov (eng. Gold mine, Golemanov, Grasshoppers, Nameless comedy; blg. Zlamnama mina, Golemanov, Skakalci, Komediâ bez ime) in order to find similarities and differences in the process of comedigraphic shaping of female characters in the work of these two authors. The subject of the research was viewed primarily from a literary-theoretical point of view, and the dominant methods of study were comparative and analytical-synthetic. During the research, there was a differentiation of female characters in accordance with their motivational structures, psychological assemblies and the nature of the place and the role they play in the social environment in which they are located. Therefore, we can distinguish female characters who live in the province and who are fully representative of the small-town spirit, female characters who live in the capital and are a symbol of the modern age and female characters who dwell in the capital, but in fact, deeply down still carry a small-town view of the world. The structure of this paper is in line with this distinction. Conclusions made at the end of the study show that the representation of female characters in analyzed comedies of both comedigaphers is highly similar in its nature.

scholarly journals KAUSALITAS ANTARA FUNDAMENTAL EKONOMI DAERAH DAN PERAN WANITA DALAM PEMBANGUNAN

2012 ◽  
Vol 13 (1) ◽  
pp. 46
Author(s):  
Amin Pujiati
Keyword(s):  
Granger Causality ◽  
Point Of View ◽  
Reciprocal Relationship ◽  
Causality Test ◽  
Women In Development ◽  
Economic Fundamentals ◽  
Central Java ◽  
Role Of Women ◽  
Women's Role

This study aims to analyze the role of women in development and the causality between regional economic fundamentals and the role of women at Central Java. It uses district level data and supplied by the Indonesian Central Bureau of Statistics during 2001- 2009. The tools of analysis Granger Causality Test. The results of the analysis of the role of women in development is still low, from education, health, women's role and potential of public sector point of view. The Granger Causality tests results shows that a direct relationship between women's role in regional development with economic fundamentals, that also the role of women in development increased, causing increased local economic fundamentals. In this study there is no reciprocal relationship between economic fundamentals and the role of women.

scholarly journals Maïssa Bey : romancière de l’agentivité de femmes Entre réécriture de l’Histoire et invention de soi

Il Tolomeo ◽  
2020 ◽  
Author(s):  
Lila Lamrous
Keyword(s):  
Literary Tradition ◽  
Point Of View ◽  
The Novel ◽  
Female Characters ◽  
Patriarchal Society ◽  
The Feminine ◽  
The Right

The study of Maïssa Bey’s novel Surtout ne te retourne pas allows to examine how the Francophone novel represents an earthquake as a poetic, metaphorical and political shockwave. The novel is part of a literary tradition but also shows the singularity of the writing and the engagement of the Algerian novelist Maïssa Bey. It allows to examine the feminine agentivity in the context of the disaster camps in Algeria: from the ravaged space/country emerge the voices of women who enter into resistance to improvise, invent their lives and their identities. The earthquake allows them to free themselves, to take a subversive point of view at society and their status as women in an oppressive patriarchal society. The staged female characters arrogate to themselves the right to reread history and take their destiny back.

scholarly journals GENDER ASPECTS OF SUFI PRACTICES IN KAZAKHSTAN AND ABROAD

Adam alemi ◽  
2021 ◽  
Vol 90 (4) ◽  
pp. 142-152
Author(s):  
A. Temirbayeva ◽  
◽  
T. Temirbayev ◽  
K. Tyshkhan ◽  
R. Kamarova ◽  
...  
Keyword(s):  
Spiritual Development ◽  
Field Research ◽  
Point Of View ◽  
Muslim Society ◽  
Current Period ◽  
Participation Of Women ◽  
The World ◽  
Gender Aspects ◽  
Role Of Women

Previously, women have played an important role in the development of Sufism. Sufi tradition recognizes the unity of being, regardless of the gender duality of the world. The recognition of this doctrine contributed to the spiritual development of women in Sufism. Sufi women play an important role in tariqah. The study of the female Sufi experience, as well as the influence that women had on the Sufi worldview and Sufi practice, is not only valuable from a cultural and historical point of view, but also helps to better understand the place and role of women in Muslim society. In this regard, the article is devoted to the role of women in modern Sufi groups in the world and in Kazakhstan. Famous women-Sufis in history, modern female Sufi organizations in the world and participation of women in modern Kazakhstani tariqas will be considered. The aim is to examine Sufi organizations through the prism of female actors. The materials of the article are based on data from open information and academic sources. Also on field research of Sufi groups in Kazakhstan and Turkey from 2016 to the current period.

Dining with the Perpetrators. Eva Diamantstein's Performative Exploration of the Role of Women in National Socialism

2004 ◽  
Vol 29 (1) ◽  
pp. 66-77
Author(s):  
ANJA I. KLÖCK
Keyword(s):  
National Socialism ◽  
Collective Communication ◽  
Female Characters ◽  
Research Project ◽  
Frankfurt Am Main ◽  
Role Of Women ◽  
Experiential Quality

Eva Diamantstein's play and production of Nachtmahl (Supper) premiered during the Spielart Theatre Festival in Munich, Germany, in November 2001, and subsequently toured to Frankfurt am Main, Hamburg and Vienna in 2002. Both a research project and a theatrical enterprise, Nachtmahl is based on the biographies of four women who actively participated in various Nazi projects. Seated at a long table and having a four-course dinner together with the female characters, the spectators gradually discover their histories while the theatre becomes a dynamic space of coexistences, in which the continuities between past and present acquire a material and experiential quality. By situating Nachtmahl within the historiographical strategies crystallizing around women and National Socialism, the author discusses the production's use of social rituals, strategies of domination and intimidation and mechanisms of collective communication. The production explores how culturally conditioned strategies of exoneration function as devices for separating oneself from a seemingly distanced past.

scholarly journals The semantics of Lermontov's poetic myth of the Demon N. S. Leskov’s “The Islanders”

Litera ◽  
2021 ◽  
pp. 1-9
Author(s):  
Vurgun Georgievich Mekhtiev
Keyword(s):  
Russian Literature ◽  
Point Of View ◽  
The Novel ◽  
Semantic Transparency ◽  
Special Contribution ◽  
Romantic Poetry ◽  
The Subject ◽  
Literary Myth ◽  
The Demonic

The subject of this research is the negative-axiological, satirical layers of the novel “The Islanders”, associated with the image of the demonic character, which M. Y. Lermontov turned into the archetype and poetic myth in the Russian literature. The object of this research is the stylistic techniques and ideological motifs of N. S. Leskov underlying “desacralization” of the romantic myth. The author meticulously examines the following aspects: 1) role of Lermontov's poem “The Demon” and romantic poetry of the 1840s in creation of the myth of the demonic character; 2) semantic deformations that led Leskov to wander from the conventional meanings of the myth ; 3) satirical modus used as the key technique in creation of the the image of Istomin. Particular attention is given to Leskov’s satire in its function of “recoding” of the myth. The conclusion is made that the image of the painter Istomin is appointed with the task to dispel the romantic myth. Therefore, the axiological-emotional lexis, as well as elements of satire that reflect the point of view of the “subjective” narrative are arrayed around him. All of that imparts semantic transparency to the character, which contradicts the “mysterious code” of the myth of romanticism. The author’s special contribution consists in the establishment of correlation between the myth of about the demon and the myth of Prometheus, which is important for assessing the complexity and multifacetedness of the semantic core of the phenomenon under review. The novelty of this research lies in revelation of underlying motif of the satirical style of N. S. Leskov. Its point is not to create a “myth about the myth” or an “anti-myth”; the novel forms the “non-myth” to achieve complete elimination of the literary myth of the demonic character. The writer uses satire for typification, rather than individualization of the character.

scholarly journals THE STUDY OF FEMINISM IN THE NOVEL NAYLA BY DJENAR MAESA AYU

2019 ◽  
Vol 3 (1) ◽  
pp. 27
Author(s):  
Ni Ketut Veri Kusumaningrum ◽  
I Wayan Rasna ◽  
Gde Artawan
Keyword(s):  
Narrative Structure ◽  
The Novel ◽  
The Public ◽  
Library Research ◽  
The Social ◽  
Show Business ◽  
The Status ◽  
Role Of Women ◽  
Relationship Of

This research aims to determine (1) the narrative structure of novel Nayla by Djenar Maesa Ayu, (2) the role of women figure in the novel Nayla by Djenar Maesa Ayu, (3) the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. This research uses feminism study with qualitative research. The data was collected by using library research. The library method was used at finding out the data in the novel Nayla by Djenar Maesa Ayu and in other literature which supports this research. The analyzed data are narrative structure, the role of women figure and the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. The data were analyzed through the stage of reduction, presentation and data collection. The subject of this research is the novel Nayla by Djenar Maesa Ayu, the object of this research is the narrative structure, the role of women figure and the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. The result of this research refers to (1) The Narrative structure in the novel Nayla by Djenar Maesa Ayu was include figure, characterization, plot and background. (2) The role of women figure in the novel Nayla by Djenar Maesa Ayu was found in the social domain, domestic and public. (3) The struggle of women figure in the novel Nayla by Djenar Maesa Ayu was manifested by struggling in maintaining in the status as women, the struggle in maintaining the gender. The form of feminism was described in the novel Nayla as never surrender, not dependent to the parents, and behaves deviate. Novel Nayla to present the relationship of gender that leads to a superior. Novel Nayla as the main character show business to make a women who has the dignity of which is equivalent to the men. Based on the results of analysis and advice for women in order to improve the quality of the field of education, domestic, and the public so that gender equality can be achieved.

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