Sound symbolism in the history of an Algonkian semantic domain

1996 ◽  
Vol 22 (2) ◽  
pp. 129
Author(s):  
Richard Rhodes
Keyword(s):  
Sound Symbolism ◽  
Semantic Domain ◽  
History Of

n/a

الاشتراكُ الدلاليُّ في لفظِ (الرأس)

2021 ◽  
pp. arabic cover-english cover
Author(s):  
لعبيدي بو عبد الله ◽  
شيماء عبد الله عبد الغفور
Keyword(s):  
Cognitive Linguistics ◽  
Body Part ◽  
Human Cognition ◽  
Semantic Field ◽  
Cognitive Approach ◽  
Human Environment ◽  
Semantic Domain ◽  
History Of ◽  
Analytical Approaches

تُعَدُّ ظاهرةُ الاشتراكِ الدلاليّ ظاهرة مركزية في جميع اللغاتِ الإنسانيّةِ، فهي تستمدُ كينونتها من الهيكل المفاهيمي للإنسان، ومن تفاعل إدراكه مع العالم الخارجي. وقد جاءَتْ هذه الورقة لتقارب ظــاهرة الاشتراك الدلاليّ إدراكيًّا في المعجم العربي -وفق منهج وصفي تحليلي-، متخذةً من كلمة (الرأس) أنموذجًا. وتهدفُ هذه الدراسة للإجابة عن التساؤلات الآتية: ما البنية الإدراكية الكامنة وراء حدوث ظاهرة الاشتراك الدلاليّ في ألفاظ أجزاء الجسد عامة وكلمة (رَأْس) خاصةً؟ وما الحقول الدلاليّة التي امتد إليها واتساعاتها الاستعارية والكنائية؟ كما تعمل الدراسة على الكشف عن البنية الإدراكية التي تجمع المعاني المتعددة للفظ (الرأس) بالإضافة إلى الكشف عن شبكة العلاقات الدلاليّة بين المعاني المتعددة التي يضمها. وقد خَلُصَتْ هذه الورقة البحثية إلى كون التوسعاتِ الدلاليّةِ، والاستعمالاتِ الاستعاريّةِ، والكنائيّةِ لكلمة (رَأْس) تتصلُ بنسقنا التصوّري، وبالتفاعل الدائم بين تجاربنا اليوميّة مع رؤوسنا والعالم الخارجي. الكلمات المفتاحية: (الاشتراك الدلاليّ، اللسانيات الإدراكية، تاريخ اللسانيات الإدراكية، الجسد، رأس) Abstract Polysemy is a central phenomenon in all languages. It shows the interaction between human cognition and human environment. This paper aims to answer the following questions: what is the language mechanisms that is used among Arabs and makes sense of body part terms extend to a new semantic domain? And What are the semantic domains that the word ‘head’ extended to? To achieve the objectives this paper, the researchers adopted the cognitive approach. As well as the descriptive and analytical approaches using the word ‘head’ as a case study and traced its meaning as it developed through metaphor and metonymy. Also, it crossed over from one semantic field to another. It will show that demonstrate of ‘head’ and its semantic extensions derive directly from conceptual patterns that were created as a result of experiences and interaction between our heads, and the outside world. Key words: (polysemy, cognitive linguistics, the history of cognitive linguistics, body, head).

Congruence between Poetry and Music in Schumann's Dichterliebe

2014 ◽  
Vol 38 (1) ◽  
pp. 30-52
Author(s):  
Don Michael Randel
Keyword(s):  
Vocal Music ◽  
Semantic Content ◽  
Narrow Sense ◽  
Tonal Music ◽  
Semantic Domain ◽  
Starting Point ◽  
Word Painting ◽  
History Of ◽  
Roman Jakobson ◽  
Poetry And Music

Abstract Poetry and music have in common various ways of structuring sound. In both, one can speak of rhythm, meter, loudness (e.g., accent), and pitch. Beyond sound in the narrow sense, one can also speak of syntax in that both language and Western tonal music create expectations that are satisfied or not in a variety of ways. These material aspects of poetry and music can be the basis for exploring how poetry and music fit together in vocal music in general and in individual works. The study of poetry in these terms came to prominence in the work of Roman Jakobson and others beginning in 1960 and has more recently been taken up by Marjorie Perloff and colleagues. The study of music with words has in general not considered the materiality that they share, especially not in the analysis of individual works. Writers on music have generally placed emphasis on expression of the semantic content of texts instead, privileging texts that can be read in relation to Romantic lyric theory. This has led to the search for word painting of one kind or another that has shaped the understanding of whole periods in the history of music and that is very much with us still, though this semantic domain cannot ultimately be separated from the material aspect of language. This article analyzes Songs 1, 2, 4, and 6 of Schumann's Dichterliebe in terms of this materiality with a view to showing how closely congruent poetry and music can be in their own terms in individual works without dwelling first on what they might be thought to express. This is to speak not at first about meaning but rather about the means by which meaning is created. Analysis of this kind in no way precludes hermeneutics. It is but one starting point and one that bears directly on the act of listening and perhaps performance.

scholarly journals PHONOSEMANTIC PHENOMENA AS LINGUISTIC REALITIES

2021 ◽  
pp. 166-174
Author(s):  
Volodymyr Kushneryk ◽  
Tetiana Savchuk
Keyword(s):  
Sound Production ◽  
Historical Analysis ◽  
Fundamental Principle ◽  
Sound Symbolism ◽  
Linguistic Sign ◽  
Sound Changes ◽  
History Of ◽  
Level Of Motivation ◽  
Relationship Of ◽  
The Relationship

Phonetic semantics is a phenomenon of natural involuntary phonetically motivated connection between phonemes and the non-sound signs of denotation, which underlies the nomination. In other words, the denotation of the nomination in sound imitation is represented by objects, phenomena, processes, which are characterized by the ability to form sounds that are subconsciously associated with these objects, phenomena, etc. Following the principles of sound symbolism, the denotation of the nomination is represented by objects, phenomena, processes, which are not characterized by sound production. Phonosemantics needs to take into account two aspects of the fundamental principle of an involuntary/arbitrary linguistic sign. The first involves the general relationship of phenomena and objects of reality. In the history of science, there are examples of connections that are established between seemingly incompatible phenomena. The second aspect is related to the fact that the recognition of the arbitrariness of a linguistic sign means the independence of the relationship between the signified and the signifying, which contradicts the system-wide principle of hierarchy, according to which each element of the higher system can be considered as an independent lower system. The sound complex with its meaning has a constantly changing dynamic nature. The processes that take place in language cause constant changes, and this can not but affect the connection between sound and the meaning of the word. The principle of analogy was extremely developed in the early stages of language formation. And, as a consequence of the process of sound changes ceasing, the principle of metaphorical analogy continues performing such functions, obscuring the primary connections between sound and the meaning of the lexeme. Therefore, it seems natural that sound changes are expressed in changes by analogy. Both sound change and the change by analogy involve the creative factor. The study aims to set the level of motivation of the German sound [b]. The sound under study dominates across the continuum of concepts such as water, chatter, movement and fear. Application of such modern research methods as phonosemantic, descriptive and comparative-historical analysis enabled obtaining a palette of semantic associative phonetic meanings of the sound [b]. The analysis of the German vocabulary demonstrated the sound’s semantic charge at the level of both individual lexical units and the text as a whole. There are ongoing studies in the field of both Germanic and other languages.

scholarly journals Lexical patterns in customary sayings

2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Mohammad Fadzeli Jaafar
Keyword(s):  
Criminal Law ◽  
Political System ◽  
Early 20Th Century ◽  
Function Words ◽  
Semantic Domain ◽  
Local Dialect ◽  
History Of ◽  
Corpus Data ◽  
And Function ◽  
Domain Concept

Customary sayings are the traditional words delivered in the form of poetry and practiced in various social activities in Negeri Sembilan in marriage, family, criminal law and administration. Sudeen (1995) recorded that studies on customary sayings have been conducted from the early 20th century in the history of custom, marriage system, political system and the dispensation of inheritance.This study examines the content words and function words in customary sayings that have been categorized based on the semantic domain concept by Gliozzo (2006).  Based on the content words and function words, this study has identified the customary words in the corpus data. The results show that more function words were used in the customary sayings.  However, content words dominated the list of customary sayings, such as Datuk and custom. The function words 'nan' and 'dek' were found in all domains of the study namely, political, social and economic domains. These findings indicate that function words are not only grammatically functional, but also used to give an aesthetic impact through the articulation style of the local dialect.  On the other hand, the analysis of the content words shows that the use of customary words is influenced by the environment and culture of Adat Perpatih.

scholarly journals Sooo Sweeet! Presence of Long Vowels in Brand Names Lead to Expectations of Sweetness

2021 ◽  
Vol 11 (2) ◽  
pp. 12
Author(s):  
Abhishek Pathak ◽  
Gemma Anne Calvert
Keyword(s):  
Brand Names ◽  
Sound Symbolism ◽  
Short Vowel ◽  
Use Of Self ◽  
Art Form ◽  
Indirect Measures ◽  
Creative Art ◽  
History Of ◽  
Single Category ◽  
Level Of Processing

Throughout the history of languages, poets and writers have used linguistic tools to enhance euphony in their creations. One of the widely used tools to convey melody in any written (or spoken) creative art form is the use of long vowels. This paper examines the linkages between long (vs. short) vowel sounds and taste expectations of sweetness. Across four studies, we demonstrate that people expect products with brand names containing long vowels to taste sweeter than those including short vowel sounds. In studies 1 and 2, we demonstrate this association with the use of self-reported measures, and in studies 3 and 4, we employ indirect measures (implicit taste–shape correspondence and Single Category Implicit Association Test (SC-IAT) paradigm) to show the effect holds at a subconscious level of processing. Previous research in this field has typically linked vowel position (high vs. low or front vs. back) with product or brand attribute expectations. This paper contributes to the growing body of literature in this field by demonstrating the importance of vowel length in sound symbolism, and more precisely, how it pertains to the taste continuum.

Munda mimetic reduplication

2017 ◽  
Vol 62 (2) ◽  
pp. 221-242 ◽  
Author(s):  
Jacob B. Phillips ◽  
K. David Harrison
Keyword(s):  
South Asia ◽  
Large Percentage ◽  
Sound Symbolism ◽  
Semantic Domain ◽  
Empirical Typology ◽  
Phonological Form ◽  
Sensory Qualities ◽  
Definition Of ◽  
Shed Light

AbstractThe Munda languages of South Asia exhibit sound symbolism in their use of mimetic reduplication, to which they devote a surprisingly large percentage of their lexicons, typically upwards of ten percent. We present an extensive empirical typology of mimetic reduplication in seven Munda languages: Ho, Kera Mundari, Kharia, Mundari, Remo (Bondo), Santali, and Sora (Savara). Munda Mimetic forms can depict sensory qualities of sound, space, movement, texture, smell, taste, temperature, feelings, and sensations. The typology of mimetic reduplication in Munda varies across syntactic class, semantic domain and phonological form. This can shed light on the breadth of diverse structures in Munda languages, and may also be extrapolated to other languages and other examinations of reduplication and/or mimesis. This work provides a wealth of data to researchers of mimesis and reduplication, challenging the definition of what it means for forms to be sound-symbolic or reduplicated.

scholarly journals ARBITRARINESS OF SOUND SYMBOLYSM IN ENGLISH AND JAPANESE

2018 ◽  
pp. 89-93
Author(s):  
Dariia Rzhevska
Keyword(s):  
Language Processing ◽  
Neural Mechanisms ◽  
Sound Symbolism ◽  
Cue Validity ◽  
History Of Research ◽  
Behavioral Studies ◽  
Statistical Regularities ◽  
History Of ◽  
External Reasons

The article determines that the form of a word bears an arbitrary relation to its meaning accounts only partly for the attested relations between form and meaning in the world’s languages. A long history of research has considered the role of iconicity in language and the existence and role of non-arbitrary properties in language and the use of language. Recent research in English and Japanese suggests a more textured view of vocabulary structure, in which arbitrariness is complemented by iconicity (aspects of form resemble aspects of meaning) and systematicity (statistical regularities in forms predict function). Sound symbolism is the systematic and non-arbitrary link between word and meaning. Although a number of behavioral studies demonstrate that both children and adults are universally sensitive to sound symbolism in mimetic words, the neural mechanisms underlying this phenomenon have not yet been extensively investigated. Experimental evidence suggests these form to meaning correspondences serve different functions in language processing, development and communication: systematicity facilities category learning by means of phonological cues, iconicity facilitates word learning and communication by means of perceptuomotor analogies, and arbitrariness facilitates meaning individuation through distinctive forms. For one, there can be external reasons why a particular form would go with a given meaning, such as sound symbolism. Also, there are systematicities in English, as well as, in Japanese, where words with similar forms are more likely than chance to have similar meanings. The article also relates to a comparative methods used to test what it is that leads phonæsthemes to be mentally represented, measuring effects of frequency, cue validity, and sound symbolism.

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