The History of Scholarship on Lois McMaster Bujold’s Science Fiction and Fantasy

Author(s):  
Robin Anne Reid

This chapter provides a comprehensive and chronological bibliographic survey of scholarship on Lois McMaster Bujold from 1995 onwards. The chapter is structured chronologically to show changes in the scholarship on Bujold’s work and, in addition, includes selected online articles to demonstrate that Bujold’s readers are engaged with the same issues as the academics: genre, gender politics, and feminisms. The chapter shows the broad areas of scholarly consensus that exist: primarily, the agreement that Bujold’s work subverts, reverses, or complicates the genre conventions of space opera, military sf, and medievalist fantasy. The primary area of disagreement is shown to be the question of feminism in her work. The chapter is explicitly feminist in that the scholar writing the essay is a feminist specializing in feminist and gender theories and speculative fiction who applies those intellectual frameworks in this essay. It therefore pays close attention to citation practices, and puts on record the extent to which the first work on Bujold’s science fiction and fantasy was done by women scholars working in disability, feminist, and gender studies as well as the extent to which their work makes up the majority of the current scholarship.

2017 ◽  
Author(s):  
Babette Hellemans

This pioneering textbook explores the theoretical background of cultural variety, both in past and present. How is it possible to study 'culture' when the topic covers the arts, literature, movies, history, sociology, anthropology and gender studies? Understanding Culture examines the evolution of a concept with varying meanings depending on changing norms. Offering a long-duration analysis of the relationship between culture and nature, this book looks at the origins of studying culture from an international perspective. Using examples from the several scholarly traditions in the practice of studying culture, Understanding Culture is a key introduction to the area. It identifies the history of interpreting culture as a meeting point between the long-standing historical investigation of 'humanism' and 'postmodernism' and is a comprehensive resource for those who wish to further their engagement with culture as both a historical and contemporary phenomenon.


Aspasia ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 20-36
Author(s):  
Julie Hemment ◽  
Valentina Uspenskaya

In this forum, we reflect on the genesis and history of the Tver’ Center for Women’s History and Gender Studies—its inspiration and the qualities that have enabled it to flourish and survive the political changes of the last twenty years, as well as the unique project of women educating women it represents. Inspired by historical feminist forebears, it remains a hub of intergenerational connection, inspiring young women via exposure to lost histories of women’s struggle for emancipation during the prerevolutionary and socialist periods, as well as the recent postsocialist past. Using an ethnographic account of the center’s twentieth anniversary conference as a starting point, we discuss some of its most salient and distinguishing features, as well as the unique educational project it represents and undertakes: the center’s origins in exchange and mutual feminist enlightenment; its historical orientation (women educating [wo]men in emancipation history); and its commitment to the postsocialist feminist “East-West” exchange.


Author(s):  
Robert Shaughnessy

This book examines the modern performance history of one of Shakespeare’s best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goers to explore the pleasures of pastoral, gender masquerade and sexual ambiguity. Powered by Shakespeare’s greatest female comic role, the play invites us into a deeply English woodland that has also been imagined as a space of dreams. Beginning with the situation of the play in the context of early modern rehearsal and theatre practice, the book’s seven chapters successively examine the rich interplay between performance histories, changing relations with the natural world, and gender politics.


Author(s):  
Morny Joy

In 1995, Professor Ursula King published an edited volume, Religion and Gender. This volume comprised a collection of essays that had been presented at the International Association of the History of Religions (IAHR) conference in Rome, 1990. As such, it marked a milestone: it was the first published volume that featured work undertaken solely by women in the history of the IAHR. In her own Introduction, Professor King drew attention to a number of important topics, such as ‘gender’, ‘postmodernism’, that were being debated at that time. The volume remains a testament to Professor King, and her dedication to, as well as support of women’s scholarship in the discipline on the Study of Religions, and to what was then called Comparative Religion. A subsequent volume, edited together with Tina Beattie, Gender, Religion and Diversity: Cross Cultural Perspectives (2004), addressed more complex issues that had emerged in the intervening years. This later volume provided another platform from which to explore not only developments in gender, but a number of other crucial topics, including postcolonialism and globalization. In this essay, I propose to follow the effects of such issues as addressed or acknowledged by Professor King in her various works, as well as to examine the further expansion and qualification of these topics in more recent years. This essay will thus explore issues that have had a formative and even decisive influence on the way that women scholars in the Study of Religions today approach the discipline. I will look to certain of my own essays that appeared in Professor King’s edited volumes as well as essays by other contemporary women scholars in order to illustrate these developments.


2020 ◽  
Vol 19 (5) ◽  
pp. 22-33
Author(s):  
Maria V. Vasekha ◽  
Elena F. Fursova

Purpose. The article presents a brief overview of the 30-year period of the development of Russian gender studies and reviews the state of gender studies in Siberia in the last decade. Results. The authors came to the conclusion that the gender approach in Russia was very successful in the field of historical disciplines, especially in historical feminology and women’s studies. The authors analyze the emergence of various areas within this issue, the key topics and approaches that have been developed in the Russian humanities. The main directions were reflected in the anniversary collection digest on gender history and anthropology “Gender in the focus of anthropology, family ethnography and the social history of everyday life” (2019). Conclusion. The authors describe the current position of Siberian gender studies and conclude that gender issues in Siberia are less active in comparison with the European part of Russia. In recent years, Siberian researchers have increasingly replaced the category of “gender” with neutral categories of “family research”, “female”, “male”, and so on. More often researchers choose “classical” historical problems raised in historical science before the “humanitarian renaissance”, which began in the 1990s in Russia. In modern gender studies in the Siberian region, the capabilities of critical feminist optics and gender methodology are rarely used, and queer-issues are not developed.


Author(s):  
Alla V. Kirilina ◽  

The issue deals with the transformations taking place at the turn of the XX–XXI centuries in the understanding of gender and gender studies; the presence of two trends is established – the globalist trend towards rejection of the binary model of gender and gender correlation, as well as the fundamentalist patriarchal model of gender and their interaction in our country. The history of development and the main features, results and problems of gender linguistics in Russia are also characterized.


2017 ◽  
Vol 49 (1) ◽  
pp. 143-147 ◽  
Author(s):  
Julia Bray

The idea that there can be histories of everything or anything has not yet taken root in the field of Islamic history, which is still dominated by political history. There has been a revival of women's history, and gender studies is flourishing, but these developments have brought about only one radical rethinking of mainstream narratives: Nadia Maria El Cheikh'sWomen, Islam, and Abbasid Identity, which argues that Abbasid society's construction of early Islam and of its own self-image is profoundly gendered, because “Women, gender relations, and sexuality are at the heart of the cultural construction of identity, as they are discursively used to fix moral boundaries and consolidate particularities and differences.”


Panoptikum ◽  
2020 ◽  
pp. 51-62
Author(s):  
Mary-Elizabeth O’Brien

One of the few female directors employed at DEFA Studios, Iris Gusner directed Die Taube auf dem Dach in 1972. It was banned and thought lost until rediscovered in 1990, only to be lost again and restored a second time for a premiere 37 years after completion. My essay reviews the remarkable production history of Die Taube and explores what made Gusner’s work unacceptable for public consumption and debate. Attentive to discourse analysis and gender studies, I argue that Die Taube was censored largely because it assaulted the core ideal of selfless socialist construction and revealed the unsuitability of the hegemonic modes of masculinity for building successful heterosexual relations. I argue that Gusner’s disparagement of outdated and progressive masculine heroic identities contributed to the film’s censorship, disappearance, and near elimination from film history.


2021 ◽  
pp. 244-258
Author(s):  
A. B. Tanaseichuk ◽  
O. Yu. Osmukhina

The article is devoted to the discussion of the problem of periodization and the study of the features of the late stage of the work of the outstanding American prose writer Francis Bret Hart (1836—1902). The relevance of the article is due to the need to build a coherent and consistent history of the development of American literature at the turn of the 19th and 20th centuries, an important part of which is the writer’s prose heritage. The authors comprehend Western (J. Stewart, G. Scharnhorst, A. Nissen and others) and domestic (A. V. Vaschenko, L. P. Grossman, P. E. Schegolev, A. I. Startsev, V. A. Libman, E. Yu. Rogonova, A. B. Tanaseichuk) studies on biography and various aspects of the prose writer. The scientific novelty of the work lies in the fact that for the first time in American studies a gap in the reception of F. Bret Hart's work was filled (the absence of clear criteria for periodization); the tradition of a disdainful attitude to the European period of his work, established in American literary criticism, is refuted, in particular, it is proved that in the stories and novels of the 1880s and 1890s Bret Hart boldly goes beyond the usual themes and images: the “Californian theme”, traditional for his early prose, takes on a new dimension — in the aspect of understanding national and gender psychology (“Maruga”); amorous and melodramatic collisions are combined with an appeal to science fiction (“The Secret of the Hacienda”).


2021 ◽  
Author(s):  
Colombe Nadeau-O’Shea

Taken from Introduction: The purpose of this paper is to examine in detail the existing literature addressing the history of Western women in the workplace, the importance of first impressions, gender discrimination and stereotypes in the workplace, and the cognitive and behavioural effects of clothing on both wearers and perceivers. These topics will be analyzed across various fields of study, such as economics, psychology, sociology and gender studies. This review focuses on women as they relate to appearance and professional settings because many of the issues faced by women in professional settings are unique. It would not, therefore, be appropriate to address these issues as they relate to both men and women within the same framework; women’s experiences in regards to these notions deserve special attention. Once these theories are explored and analyzed, they will be expanded upon using ideas of executive presence and how it affects these particular areas of study, as well as how it can be used by women to overcome many of these issues.


Sign in / Sign up

Export Citation Format

Share Document