scholarly journals Fan filmmaking and copyright in a global world: Warhammer 40,000 fan films and the case of Damnatus

2010 ◽  
Vol 5 ◽  
Author(s):  
John Walliss

The last decade has witnessed a proliferation, both online and off-line, of films produced by amateurs inspired by mainstream films, TV shows, and novels. As with much other fan production, fan films exist in, at best, a legally gray area since they are produced by amateurs, rather than by the media companies that own the copyrights to the films and novels that provide both their inspiration and settings. I examine the phenomenon of fan filmmaking, focusing on films produced by fans of the Warhammer 40,000 (W40K) tabletop battle game. In particular, I examine the case of Damnatus: The Enemy Within (Damnatus: Feind Im Innern, 2005), a German-made fan film set in the W40K universe, which was banned from release by the game's rights holder, the UK company Games Workshop, in 2007. Damnatus offers an interesting case study in both the ongoing struggle between rights holders and textual poachers and the tensions that can exist between different legal understandings of copyright in an increasingly globalized world.

2021 ◽  
Vol 37 (2) ◽  
pp. 243-256
Author(s):  
Gammara Lenggo Geni ◽  
◽  
Rizki Briandana ◽  
Farid Hamid Umarella ◽  
◽  
...  

This study aims to analyse the media management strategy of Indonesian television stations during the Covid-19 pandemic. In March 2020, an outbreak of the Covid-19 pandemic in Indonesia affected the operations of broadcasting offices, which forced people to work from home. This situation affects the operations, strategy, and content of the television industry. The object of research is Kompas TV, one of the largest media companies in Indonesia, which was the first to implement a digital concept for its customers. The concepts of planning, organising, actuating, and controlling are used to analyse the strategies media utilised. The methodology employed for the current research takes the form of a case study by adopting the qualitative approach through an in-depth interview and observation. The results showed that Kompas TV, through its digital platform in the form of websites, YouTube channels, and social media, achieved an increase in the number of viewers, users, and engagement during the pandemic. In particular, the digital aspect does not only appear in communication, but also in the implementation of the Kompas TV strategy. The results of the study also revealed that strategies carried out on Kompas TV can be used as a model for other television in Indonesia to emulate, in order to sustain its business in times of crisis. Keywords: Strategy, broadcast management, Indonesia television station, pandemic Covid-19, qualitative research.


Author(s):  
Fatih Abdulbari

The most important and fundamental value in democracy is freedom of expression. This freedom is considered a part of human rights and is the most important feature of democracy. In the times, on the one hand, the media to speak out is increasingly numerous and varied, but on the other hand there is a dilemma where this freedom is actually used to sow and spread false information or conspiracy theories without evidence. In addition, the concept of freedom of opinion has not developed much following the latest developments, so this concept is increasingly abstract because there are no clear boundaries for freedom of expression. In Indonesia, the emergence of the Law on Information and Electronic Transactions (UU ITE) is actually used as a threat to criminalize individuals whose opinions are considered to be disturbing and attack others.  The Jerinx case is a very interesting case study of how freedom of opinion has actually created a counterfactual narrative. He was convicted in 2020 for making hate speech on his social media accounts. The ITE Law which allows arrests for expressing opinions is problematic because it clearly contradicts the main principle of democracy, namely freedom of expression. This research will critically examine the Jerinx case from the perspective of democratic values to see and analyze how the right to speak and have an opinion in Indonesia. The extent to which freedom of opinion is actually facilitated is considered not to violate the rights of others, and the extent to which the democratic climate has a place in Indonesia.


2015 ◽  
pp. 70-73
Author(s):  
Loretta Goff

In our increasingly globalized world evolving technologies have developed new networks for connection, primarily through the internet. These allow for the instantaneous spread of information, but also provide greater influence to the media and marketed ideas. Along with these developed technologies and networks, so too have the relationships between countries evolved. Ireland and America have long been connected, with millions of Irish emigrating to America through the years, contributing to its development as a nation and producing today’s nearly forty million Irish-Americans. But what is the current relationship between the two countries and how connected to Ireland are generations removed Irish-Americans? My research uses film, at both levels of production and representation, as a case study for the contemporary hyphenation of Ireland and America into a hybrid space largely constructed for profit, and the problematic performance of identity within this space. Film makes a particularly useful case study for this ...


2020 ◽  
Vol - (5) ◽  
pp. 87-116
Author(s):  
Serhii Proleiev ◽  
Viktoria Shamrai

The article is devoted to the transformations of society in the era of globalization. The global world is seen as a consequence of the successful implementation of the world-historical the Project of Modernity. Its completion results in the loss of its intellectual authority and historical effective- ness. The principal quality of contemporary society became its globality. The paradoxical phenomenon of the world, that had ceased to be a reality, became an integrative shape of the global transformations. Visibility took the privileged place here. The degradation of reality is analyzed in its main forms: dematerialization of reality; decline and destruction of human sensory experience; destruction of the alive contacts with living beings and the capacity to empathize with somebody; the loss of the space of the human existence space features of a stable, predictable, structured se- mantic order. The consequence of that is the destruction of the foundations of the communities and society as a whole, which is fixed by the notion of their «vagueness». The correlation to this social metamorphosis is a new anthropological format — the singularity, which provides for the theoretical abolition of identity as a way for defining a man. It means the loss of an individual’s predictability and its determination as a social character. The network is the way through which the singularities interact, and swarms are the natural form of their association. Swarm is a historically new, unstructured, but subordinated to common impulses union, which consists of points of activity of different intensity. The analysis of society is incomplete without taking into account its discursive-communicative nature. In the global world there is a decline in the discourses. The signs of that process are the lack of legitimacy in classical instances of the meaning (truth, good, beauty, etc.), the degeneration of thinking into mixing, changing criteria of significance (dominance of curiosity and impression), social degradation of the media. The main feature of these changes is the latest phenomenon of information power (the power of depersonalized information space and information technology — those modes of circulation and use of information that became a determining factor in human life in the globalized world).


2021 ◽  
Author(s):  
Claire Tsang

Across Europe, countries are at different stages of dealing with digital archaeological archives and how those archives are dealt with is affected by differences in statutory requirements, legal ownership of archives and infrastructure. In England, there is no single national repository for archaeological archives and there is no legal requirement to deposit either physical or digital archives with public bodies, and deposition rates for digital remain low. The archaeological sector remains aware of the implications of producing ever-growing quantities of born-digital data, which interested parties are attempting to address. The current framework and situation regarding digital archiving in England, therefore, offers an interesting case study for how digital archiving is dealt with through the application of professional standards, rather than legislative requirements. This article aims to summarise the current situation regarding digital archaeological archives in England. Across the UK there has been a great deal of work and focus on archaeological archives, driven by two main factors: archaeological archives are curated by a network of regional and local museums and currently resources are shrinking in terms of storage capacity and archaeological curators. Repositories for physical archives can therefore be ill-prepared for the curation of digital archaeological archives, which can risk loss of archaeological digital data, and in 2017 this was recognised within the UK government's Mendoza Review. This article describes the current work to resolve these issues - including strengthening the planning process, providing standards and guidance for data creators and repositories.


Author(s):  
Stephen Timmons ◽  
Heather Wharrad ◽  
Paraskevas Vezyridis ◽  
Jacqueline Randle ◽  
Joanne Lymn ◽  
...  

This chapter will focus on the process of building and sustaining collaborative reusable e-learning object development across three educational sectors, Higher Education (HE), the UK National Health Service (NHS) and Further Education (FE) Colleges, using the LOLA project as a case study. A qualitative evaluation of ‘process’ ran alongside the entirety of the LOLA project. This chapter reports the findings of this qualitative research, and analyses how collaboration was achieved between the diverse institutions who were project partners. The strengths of this approach included the commitment of the team members to collaboration, while practical challenges included the location of the team members, but also wider issues in the institutions involved, and in particular, the role of the Media Developer and the perception of it by other team members.


2021 ◽  
pp. 1-18
Author(s):  
RAJIV PRABHAKAR

Abstract Over the past decade there have been repeated calls for the greater taxation of wealth. These calls have had little impact on policy. There has been a global trend to reduce or abolish taxes on wealth. The contrast suggests that it may be better now to explore how taxes on wealth may be made a reality rather than designing new tax proposals. What are the barriers to tax wealth? This paper addresses this by conducting a case study of a high profile plan for introducing a one-off wealth tax in the UK. It identifies a tyranny of the status quo, framing and the policy process as key barriers to tax reform. It uses thematic analysis to study how the plans for a one-off wealth tax were discussed in the media and the UK Parliament. This paper argues that there were important shortfalls in both the way the case for a wealth tax was framed as well as the engagement with the policy process. It claims that a stronger framing would have discussed wealth inequality in greater depth and there was a need for a less equivocal case to Parliamentarians.


2021 ◽  
pp. 146144482110285
Author(s):  
Katharine Dommett

Digital platforms, such as Google and Facebook, are under increased scrutiny as regards their impact on society. Having prompted concerns about their capacity to spread misinformation, contribute to filter bubbles and facilitate hate speech, much attention has been paid to the threat platforms pose to democracy. In contrast to existing interventions considering the threats posed by interactions between platforms and users, in this article, I examine platforms’ impact on the democratic work of other bodies. Considering the relationship between platforms and the media, I reveal how platforms affect journalists’ ability to advance their democratic goals. Using a case study of journalistic coverage of digital campaigning at the 2019 UK general election, I show how platforms have hindered journalistic efforts to inform citizens and provide a watchdog function. These findings are significant for our understanding of platforms’ democratic impact and suggest policy makers may wish to regulate platforms’ inter-institutional impact upon democracy.


2018 ◽  
Vol 27 ◽  
Author(s):  
Natalie Chew

When the animated TV shows Young Justice (2010–) and Green Lantern: The Animated Series (2011–13) were canceled, fans of the shows campaigned together to have both shows renewed. I refer to this campaign as #saveYJandGLTAS, a hashtag frequently used on internet posts related to the campaign. This case study investigates how Tumblr served as a counterpublic space for this movement, while other social media platforms served as the more public face of this campaign. Through my analysis, I draw conclusions about how fandoms operate and the changes occurring as a result in the relationships between the media industry, creators, and consumers.


2007 ◽  
Vol 6 (3) ◽  
pp. 419-436 ◽  
Author(s):  
Pille Petersoo

The contextual nature of deictic expressions, including the personal pronoun ‘we’, is a given to linguists, but has only recently caught the interest of social scientists. The following article, firmly grounded in sociology, attempts to introduce some linguistic concepts while looking at the role of the personal pronoun ‘we’ in the discursive construction of national identities in the media. Focusing on Scotland, and looking at media language in the context of constitutional change in the United Kingdom, the article shows how different category relations are created through the ambiguous and under-specified use of deictic expressions. Scotland provides an interesting case study for such analysis, as references to the ‘nation’ during the 20th century have been ambiguous, sometimes referring to Scotland, sometimes to Britain. Consequently, the media/nation relationship has been contested, and this is reflected in media language. The paper introduces the concept of a wandering ‘we’ to describe the shifting reference point of the deictic expressions and situates this phenomenon in the wider nationalism literature. By doing this, the article revisits some of the notions introduced by Billig in his Banal Nationalism.


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