scholarly journals Modernization of Chinese Philosophical Methodology

Asian Studies ◽  
2021 ◽  
Vol 9 (2) ◽  
pp. 121-141
Author(s):  
Jana S. Rošker
Keyword(s):  
20Th Century ◽  
Chinese Philosophy ◽  
Cross Cultural ◽  
Philosophical Methodology ◽  
Philosophical System ◽  
Innovative Methodology ◽  
Classical Chinese ◽  
Basic Approaches ◽  
Chinese Intellectuals ◽  
Shed Light

The present paper aims to shed light on certain methodological challenges that Chinese intellectuals faced in the process of coming to terms with Marxist thought. Even at the beginning of these processes, i.e., in the first decades of the 20th century, Chinese theorists faced several difficulties regarding the issue of cross-cultural philosophical syntheses. Thus, in their endeavours to adapt Marxism to the specifically Chinese worldview, they sought suitable adaptations of traditional philosophical methodologies that would enable them to fruitfully integrate classical Chinese and modern Marxist discourses. Zhang Dainian 張岱年 (1909–2004) has played a particularly prominent role in this process. Therefore, this paper aims to shed light on his contribution to the establishment of new Chinese and cross-cultural philosophical methodologies. In terms of exploring general philosophical issues, Zhang established a unique philosophical system known as “neo-materialism” in which he attempted to integrate Marxist materialism with some basic approaches of traditional Chinese philosophy. The crucial features that defined this philosophical system were based on his innovative methodology, which is critically presented in this paper.

The Art of Chinese Philosophy

2020 ◽  
Author(s):  
Paul Goldin
Keyword(s):  
Chinese Philosophy ◽  
Philosophical Tradition ◽  
Current Form ◽  
Han Feizi ◽  
Textual History ◽  
Classical Chinese ◽  
History Of ◽  
Crucial Characteristic ◽  
The Way

This book provides an unmatched introduction to eight of the most important works of classical Chinese philosophy—the Analects of Confucius, Mozi, Mencius, Laozi, Zhuangzi, Sunzi, Xunzi, and Han Feizi. The book places these works in rich context that explains the origin and meaning of their compelling ideas. Because none of these classics was written in its current form by the author to whom it is attributed, the book begins by asking, “What are we reading?” and showing that understanding the textual history of the works enriches our appreciation of them. A chapter is devoted to each of the eight works, and the chapters are organized into three sections: “Philosophy of Heaven,” which looks at how the Analects, Mozi, and Mencius discuss, often skeptically, Heaven (tian) as a source of philosophical values; “Philosophy of the Way,” which addresses how Laozi, Zhuangzi, and Sunzi introduce the new concept of the Way (dao) to transcend the older paradigms; and “Two Titans at the End of an Age,” which examines how Xunzi and Han Feizi adapt the best ideas of the earlier thinkers for a coming imperial age. In addition, the book presents explanations of the protean and frequently misunderstood concept of qi—and of a crucial characteristic of Chinese philosophy, nondeductive reasoning. The result is an invaluable account of an endlessly fascinating and influential philosophical tradition.

scholarly journals The origins of modern cross-cultural European interpretations of Chinese philosophy. New thoughts on China in the work of G. W. Leibniz

Human Affairs ◽  
2020 ◽  
Vol 30 (2) ◽  
pp. 146-163
Author(s):  
Břetislav Horyna
Keyword(s):  
Natural Philosophy ◽  
Chinese Philosophy ◽  
Cross Cultural ◽  
Christian Mission ◽  
Institutional Economic ◽  
The World ◽  
European Philosophy ◽  
The One ◽  
Historical Contribution ◽  
Mutual Agreement

AbstractLeibniz was not the one to discover China, as far as Western culture was concerned. His historical contribution lies in the fact he presented Europe and China as two distinct ways of contemplating the world, as fully comparable and resulting in types of societies at the same high institutional, economic, technological, political and moral level. In this sense he saw China as the “Europe of the Orient” and as such susceptible to investigation by the same tools of natural philosophy which Leibniz knew from the environs of European scholarship. He was the first representative of the classical school of European philosophy to knowingly reject Eurocentrism. Leibniz followed the intentions of learned missionaries in his understanding of the Christian mission as a cultural and civilisational task, a search for mutual agreement and connections, in favour of a reciprocal understanding.

scholarly journals Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan

Asian Studies ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 77-98 ◽  
Author(s):  
Téa Sernelj
Keyword(s):  
20Th Century ◽  
Aesthetic Experience ◽  
Modern Art ◽  
Chinese Modernity ◽  
Material Development ◽  
Modern Chinese ◽  
Chinese Aesthetics ◽  
Basic Approaches ◽  
Art And Society ◽  
The Individual

Proceeding from the inseparable relation between ethics and aesthetics in traditional (and often also modern) Chinese thought, this article aims to illuminate two important approaches to the aesthetic foundations of Chinese modernity. The relation between the individual and society, which is a core question of modern ethics, is reflected in most of the ethical theories of 20th century China. In this context, the article first presents Li Zehou’s theory of aesthetics and his definition of aesthetic experience. In this way, it aims to illuminate Li’s interpretation of modern art and society, and to posit it into a contrastive position to Xu Fuguan’s ethico-aesthetic theories, especially the ones regarding modernity and Western culture. The basic approaches applied by these two important modern Chinese scholars reveal great differences in attitude towards the spiritual and material development of humanity in the 20th century, which is especially interesting since they are both rooted in the abovementioned belief that ethics cannot be separated from aesthetics. Besides, Li Zehou sincerely admired Xu Fuguan’s work on traditional Chinese aesthetics and referred to his comprehension of general concepts of traditional Chinese aesthetics in many of his own works dealing with aesthetics.

scholarly journals “CONVENTIONAL WISDOM” AND THE POLITICS OF SHINTO IN POSTWAR JAPAN

2010 ◽  
Vol 4 (1) ◽  
pp. 68-82
Author(s):  
John Breen
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Final Section ◽  
The State ◽  
Early 20Th Century ◽  
Postwar Japan ◽  
Politics And Religion ◽  
The Supreme Court ◽  
Post War ◽  
Shed Light

In January 2010, the Supreme Court delivered a historic verdict of unconstitutionality in a case involving Sorachibuto, a Shinto shrine in Sunagawa city, Hokkaido. All of the national newspapers featured the case on their front pages. As the case makes abundantly clear, issues of politics and religion, politics and Shinto, are alive and well in 21st century Japan. In this essay, I seek to shed light on the fraught relationship between politics and Shinto from three perspectives. I first analyze the Sorachibuto case, and explain what is at stake, and why it has attracted the attention it has. I then contextualize it, addressing the key state-Shinto legal disputes in the post war period: from the 1970s through to the first decade of the 21st century. Here my main focus falls on the state, and its efforts to cultivate Shinto. In the final section, I shift that focus to the Shinto establishment, and explore its efforts to reestablish with a succession of post LDP administrations the sort of intimacy, which Shinto enjoyed with the state in the early 20th century.

scholarly journals A „Nóra-jelenség” és az ibsenizmus szerepe a 20. századi kínai dráma fejlődésében

2018 ◽  
Vol 9 (2017/2) ◽  
Author(s):  
Blanka Nyirádi
Keyword(s):  
20Th Century ◽  
Pond Water ◽  
Vital Role ◽  
Chinese Society ◽  
Early 20Th Century ◽  
Cultural Reform ◽  
Literary Traditions ◽  
Modern Chinese ◽  
Key Factor ◽  
Chinese Intellectuals

The 19th-century Norwegian playwright, Henrik Ibsen had an unparalleled,posthumous impact on the development of modern Chinese drama. How isit possible that he could influence the literature of a country so remote inspace and so different in its literary traditions? History is a key factor in thisstory. Early 20th century China was at the threshold of taking radical measures in reforming its society, and she was badly in need of a supporting ideology. Ibsen was a thinker and dramatist who, by means of presenting acutesocial problems in his plays, deeply influenced the society of his age. Hedid so in a realistic way and with the help of a clear language, both of whichfactors extremely appealed to modern Chinese intellectuals. It can be stated that it was to a great extent through Ibsen’s plays, mostimportantly through Nora, that modern Chinese intellectuals discovered thelong-range possibilities lying in the adoption of Western dramatic form,namely, transforming minds. Nora stirred the pond water of Chinese society,and came to symbolize the rebellion of the ‘Free Individual’: something that had no precedent whatsoever in China but what has long been in theair. Modern Chinese playwrights began to imitate Ibsen with great fervour,resulting in the flourishing of the social problem play, featuring brave andmodern ‘Chinese Noras’. Although advanced thinkers soon had to realize thatthe ideas of Ibsen cannot simply be adopted but must first be modified to beable to credibly represent contemporary Chinese social, cultural and moralreality, the ‘Nora-phenomenon’ and Ibsenism played a vital role in setting offthe literary and cultural reform in early 20th-century China.

Evolution, Societal Sexism, and Universal Average Sex Differences in Cognition and Behavior

2018 ◽  
Author(s):  
Lee Ellis
Keyword(s):  
Sex Differences ◽  
Cross Cultural ◽  
Past Century ◽  
Sexually Dimorphic ◽  
Social Scientists ◽  
Industrial Countries ◽  
Expression Of Genes ◽  
And Behavior ◽  
Industrial Societies ◽  
Shed Light

During the past century, social scientists have documented many cross-cultural sex differences in personality and behavior, quite a few of which now appear to be found in all human societies. However, contrary to most scientists’ expectations, these so-called universal sex differences have been shown to be more pronounced in Western industrial societies than in most non-Western developing societies. This chapter briefly reviews the evidence bearing on these findings and offers a biologically based theory that could help shed light on why cross-cultural sex differences exist. The following hypothesis is offered: The expression of many genes influencing sexually dimorphic traits is more likely among descendants of couples who are least closely related to one another. If so, societies in which out-marriage is normative (i.e., Western industrial countries) will exhibit a stronger expression of genes for sexually dimorphic traits compared to societies in which consanguineal marriages are common.

Concise Review of Classical Guitar Modelling Technologies

2021 ◽  
Vol 11 (1) ◽  
pp. 25
Author(s):  
Alexandre M. Löw ◽  
Herbert M. Gomes ◽  
César M. A. Vasques
Keyword(s):  
Degrees Of Freedom ◽  
Research Area ◽  
Coupled Systems ◽  
Mode Shapes ◽  
Classical Guitar ◽  
Concise Review ◽  
Lumped Parameter ◽  
Basic Approaches ◽  
Shed Light

Analytical modeling and numerical simulation of multiphysics coupled systems is an exciting research area, even when it comes to intrinsically linear or linearized formulations, as is usually the case with coupled vibroacoustic problems. The combined effect of many localized geometrical miss-modeling with significant uncertainty in mechanical characterization of some organic materials yields large discrepancies in the natural frequencies and mode shapes obtained. The main goal of this work is to compare two basic approaches for the modeling of stringed musical instruments in the frequency domain: simplified lumped-parameter analytic modeling, considering only the most influential degrees of freedom, and discretized finite element modal analysis. Thus, the emphasis is on a review of some key references in this field, including previous work by the authors, which may shed light on some of the most relevant issues surrounding this problem.

Human Dignity in Classical Chinese Philosophy: The Daoist Perspective

2013 ◽  
Vol 40 (3-4) ◽  
pp. 493-510
Author(s):  
Qianfan Zhang
Keyword(s):  
Human Dignity ◽  
Chinese Philosophy ◽  
Human Person ◽  
Modern Society ◽  
Well Being ◽  
The State ◽  
Individual Freedom ◽  
Traditional Morality ◽  
Classical Chinese ◽  
Spiritual Well Being

This article discusses the Daoist contribution to the idea of human dignity in the classical Chinese philosophy, particularly in aspects that had been ignored by the Confucians and the Moists. By criticizing the traditional morality and reviving the faith in a primitive, self-sufficient life, Laozi and Zhuangzi add an important dimension to the classical understanding of human dignity: individual freedom, particularly the freedom of living under minimum burden, direction, and oppression of the state. By comparing the Daoist conception of human dignity with those of the Confucians and Moists, the article concludes that all three classical schools, if rationally construed, should support the view that the establishment of a liberal constitutional scheme is necessary to preserve and protect minimum/basic dignity in both physical and spiritual well-being of every human person who lives in a modern society.

Current and Future State of ICT Deployment and Utilization in Healthcare

2008 ◽  
pp. 2232-2246
Author(s):  
Bernd Carsten Stahl ◽  
Simon Rogerson ◽  
Amin Kashmeery
Keyword(s):  
Cultural Analysis ◽  
Cross Cultural ◽  
Ethical Implications ◽  
Sensitive Areas ◽  
Future State ◽  
Ict Development ◽  
Shed Light ◽  
Cross Cultural Analysis

The ever-changing face of ICT can render its deployment rather problematic in sensitive areas of applications, such as healthcare. The ethical implications are multifaceted and have diverse degrees of sensitivity from culture to culture. Our essay attempts to shed light on these interplaying factors in a cross-cultural analysis that takes into account prospective ICT development.

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