Texts, Affects, and Relations in Cultural Performance: An Embodied Analysis of Dramatic Inquiry

2013 ◽  
pp. 131-148
Keyword(s):  
Cultural Performance ◽  
Dramatic Inquiry

On the Dimensionality of Measuring Tourist Satisfaction towards Homestay

2015 ◽  
Vol 8 (2) ◽  
Author(s):  
Gangaram Biswakarma
Keyword(s):  
Factor Analysis ◽  
Data Collection ◽  
Exploratory Factor Analysis ◽  
Life Style ◽  
Factor Loading ◽  
Primary Data ◽  
Cultural Performance ◽  
Latent Construct ◽  
Tourist Satisfaction ◽  
The Relationship

This study focuses on measuring tourist satisfaction towards home stay. This paper emphasized to identify the variables that are related to tourist satisfaction during tourist homestay. It is also focused on analyzing the relationship and impact of these latent construct of factors to overall tourist satisfaction towards home stay. In an attempt to visualize the purpose, tourists satisfaction in a homestay in Nepal has taken into as a case, with an aim to identify the underlying dimensions of tourist satisfaction during tourist homestay. Twenty six (26) manifest variables of homestay has been formulated to understand the dimensions. Likewise, for a conforming the latent construct (1) statement as dependent variable of overall satisfaction was developed for the purpose of the primary data collection. The manifest variables are basically focused on aspects of home stay attributes namely cultural attraction, hospitality, amenities and safety & security at the home stay destination. Post Exploratory Factor Analysis indicates factor loading for twenty two (22) items manifest variables as significant, loaded with five (5) factors of home stay attributes named as Amenities & Safety, Reception, Local Cuisine & Accommodation, Local Life style & Costumes, and Cultural Performance. This study contributes to the development of survey instrument for exploring tourist satisfaction for Home stay for future researchers.

Masculinity, Race, and Transculturalism in a Norwegian Context

2017 ◽  
Author(s):  
Stan Hawkins
Keyword(s):  
Popular Music ◽  
Case Studies ◽  
Cultural Critique ◽  
Cultural Performance ◽  
Music Aesthetics ◽  
And Gender

This chapter explores transcultural perspectives on popular music aesthetics and gender in Norway through case studies of male celebrities born around 1980: the duo Madcon, Jarle Bernthoft, Lars Vaular, and Sondre Lerche. The analysis focuses on the practices of self-fashioning a persona in the realm of the popular, involving the aesthetics of masquerade, the ordinary, and escapism. Conceptually, the chapter draws from Bakhtin, Eyerman, Frith, and other influential voices in the literature on cultural performance and identity. The discussion also sheds light on fundamental issues in popular music aesthetics, demonstrating how the musicology of popular music can offer a unique cultural critique of identities that may appear to be “only entertainment” but in fact mediate powerful ideologies.

Home and Vehicle in American Folklore and Folklife

2018 ◽  
pp. 624-642
Author(s):  
Cory Thomas Hutcheson
Keyword(s):  
Final Section ◽  
Public Spaces ◽  
Domestic Space ◽  
Cultural Performance ◽  
Domestic Sphere ◽  
Home Office ◽  
Political Performance ◽  
American Folklore ◽  
And Performance ◽  
Yard Art

This chapter unfolds the intersectionality of the domestic sphere in three parts. First, the home itself presents a multivalent space in which individual locations become realms of practice and performance for different groups, such as bathrooms used by children at slumber parties as the locus of legend ostension. Issues of personal identity and even “solo folklore” appear in spaces like treehouses and apartments, as do considerations of material cultural performance. Questions of gender and occupation appear in rooms like the “man cave” or the “home office” as well. Beyond the domestic space is the intersection of home and public spaces in practices such as holiday decoration, yard art, porch culture, and backyard cookouts. The automobile informs the final section, demonstrating the connection between domestic, familial, social, and political performance.

scholarly journals Cultural Dynamism and Business Vitality in Medium-Sized Cities—Evidence and Proposals for Sustainable Development

2021 ◽  
Vol 13 (13) ◽  
pp. 7325
Author(s):  
Ana Isabel Escalona-Orcao ◽  
Belén Sánchez-Valverde García ◽  
Mª Cruz Navarro-Pérez ◽  
Mariola Pinillos-García ◽  
Alberto Conejos-Sevillano
Keyword(s):  
Sustainable Development ◽  
Positive Relationship ◽  
Cultural Development ◽  
Business Activity ◽  
Cultural Performance ◽  
Creative Performance ◽  
The Sustainable Development ◽  
Creative Cities ◽  
Cultural Policies ◽  
Business Data

This work uses tools recently designed to conduct analyses and proposals around the cultural development of medium-sized cities. The Cultural and Creative Cities Monitor model, or CCCM, is first applied to the 81 cities in Spain with between 50,000 and 100,000 inhabitants. We also refer to the UNESCO Culture/2030 Indicators, specifically indicator 8 (Cultural companies), to investigate whether cultural dynamism is related to business vitality in those cities. Our observation of the 29 CCCM indicators and the C3 index, which synthesizes cultural performance, is explained, and these data are complemented with cultural business data (on assets, benefits, and jobs) from a sample of 13,204 firms. The C3 index values reveal significant differences in the cultural and creative performance of the selected cities according to their location (metropolitan or non-metropolitan) and their administrative rank. Moreover, when comparing the C3 index with the indicators on business activity, evidence indicates a clear positive relationship between cultural dynamism and firm vitality. These results support the contribution of culture to the sustainable development of medium-sized Spanish cities and further establish the suitability of the tools used to assist cities in designing appropriate cultural policies.

‘Insofar as the Ruby Wine Seduces Them’: Cultural Strategies for Selling Wine in Inter-war Burgundy

2009 ◽  
Vol 18 (1) ◽  
pp. 67-98 ◽  
Author(s):  
PHILIP WHALEN
Keyword(s):  
Historical Memory ◽  
Marketing Strategies ◽  
Agricultural Products ◽  
Wine Industry ◽  
World's Fair ◽  
Cultural Performance ◽  
Cultural Strategies ◽  
Cultural Intermediaries ◽  
Regional Leaders ◽  
Popular Festivals

AbstractBurgundians developed new cultural strategies to market their wines during the inter-war years. Regional leaders, cultural intermediaries and the wine industry collaborated to overcome overproduction, prohibition and foreign as well as regional competition by exploiting the concept of terroir to develop a repertoire of popular festivals such as the Gastronomic Fair of Dijon, the Paulée of Meursault, Saint Vincent parades, an annual wine auction at the Hospice in Beaune and a Burgundian Pavilion at the 1937 World's Fair in Paris. These drew attention to the unique qualities of their wines and suggested how they might be best consumed. This aggressive marketing strategy was so successful that it became a model for French agricultural products promoted through the système d'appelation d'origine controlée. The result united natural resources, historical memory, marketing strategies and cultural performance into an imaginative and enduring form of commercial regionalism.

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