The provision of physical and mental space

2021 ◽  
pp. 23-30
Author(s):  
Louise Jackson
Keyword(s):  
Mental Space

A MODERN CITY. LIVING REALITIES OF HISTORY

2021 ◽  
Vol 11 (2) ◽  
pp. 139-154
Author(s):  
Mikhail V. DUTSEV
Keyword(s):  
Civil Engineering ◽  
State University ◽  
Global Trends ◽  
Modern City ◽  
The Past ◽  
Spiritual World ◽  
Material Reality ◽  
Mental Space ◽  
Professional Context ◽  
Archetypal Images

The article is devoted to the reality of the modern historical city in the totality of the actual values of the valuable heritage, traces of the past, mental codes, archetypal images and the memory of civilization. The place of history in today’s socio-cultural fi eld and in the professional context is not clearly defi ned. Together with the understanding of the need to preserve the heritage, traces and memory of the past, there are global trends that mediate the features of the glocal in architecture. However, even this compromise cannot fully demonstrate the complexity of the historical city viability. According to the author, it is necessary to search for reasons that sometimes appear outside the material reality, but address directly to the spiritual world and mental space of a person, which is the main purpose of the article. The emphasis is placed on the artistic dimension of environmental realities, which allows us to determine the living connections of history and modernity on the basis of the author’s concept of artc integration. The article is illustrated by some results of cooperation between the Nizhny Novgorod State University of Architecture and Civil Engineering and the Polytechnic University of Milan (Politecnico di Milano) in the fi eld of reconstruction and renovation of historically valuable territories and author’s photographs.

Trinity Metaphysics

2021 ◽  
pp. 107-116
Author(s):  
Nikita A. Solovyev ◽  
Keyword(s):  
The Body ◽  
Quantum Object ◽  
Material Body ◽  
Modern Cosmology ◽  
Ontological Model ◽  
Mental Space ◽  
The Absolute ◽  
Other World ◽  
The Universe ◽  
Living Being

A ternary ontological model in which the living being is a triad of I – form – substrate is described. I is an intangible subject, contemplating the content of consciousness and controlling the material body, which is the unity of the form and the substrate. The contents of consciousness are connected both with the form of the body, which I contemplate in the inner “mental space” in the form of in­formation, and with the substrate, which embodies the forms of the body and is responsible for sensations and intentions. The problem of control of the material body by the non-material self is solved under the assumption that the human brain is a quantum object. The ternary model of a living being is inscribed in an absolute ontology, in which the Absolute also has a threefold structure and is the unstitched unity of the absolute I, the absolute Form and the absolute Sub­strate. The Absolute creates the other world with its threefold energies, which provides the threefold structure of a living being. The created world arises from the timeless world of the potential possibilities of the Universe, which modern cosmology associates with its wave function. Created entities arise in the process of alienation from the Absolute, resulting in free will.

Mental Space-Time

1966 ◽  
pp. 113-143
Author(s):  
S. Alexander
Keyword(s):  
Space Time ◽  
Mental Space

scholarly journals DEVELOPMENT OF A SYSTEM MODEL FOR THE FORMATION OF MENTAL SPACE IN THE MANAGEMENT OF SECURITY PROJECTS OF TRANSPORT ENTERPRISES

2021 ◽  
Vol 1 (48) ◽  
pp. 358-367
Author(s):  
Khrutba V ◽  
◽  
Ziuziun V ◽  
Lysak R ◽  
◽  
...  
Keyword(s):  
Project Management ◽  
Set Theory ◽  
Safety Management ◽  
Process Analysis ◽  
Project Manager ◽  
System Model ◽  
Transport Safety ◽  
Mental Space ◽  
Object Of Study ◽  
Enterprise Security

In the study, based on the existing approaches to the assessment of mental space in the project management environment, a model of mental space for the implementation of transport safety projects was formed. The purpose of the work is to create a system model of the formation of mental space in the management of security projects of transport enterprises to increase the efficiency of their implementation. Research methods - project and program management methodologies; mechanisms of set theory, system and process analysis. The developed system model includes the mental space of the security project; the mental space of the project manager / project team, to be determined by the general policy of safety management of the enterprise and is formed by the mental space of the transport enterprise; the mental space of stakeholders is defined as the mental space that is formed by the general attitude to ensuring the safety of the transport industry; the mental space of mobile content / environment is determined by the zonal culture of transport safety that exists in a particular region. This comprehensive approach allows us to move towards taking into account all the important components in the management of transport safety and especially in transport companies. The results of the article in the implementation of the procedure of forming a mental space in the management of security projects of transport enterprises to improve their efficiency can be implemented. Predictive assumptions for the development of the object of study - the development of a method of forming a mental space in the management of security projects of transport enterprises. KEY WORDS: PROJECT, PROJECT MANAGEMENT, MENTAL SPACE, TRANSPORT ENTERPRISE, SECURITY, SYSTEM MODEL

scholarly journals Translation Shifts in Spatial and Temporal Deixis: A Trend Towards a More Subjective Narrative Mood in Fiction Translation

2018 ◽  
Author(s):  
AWEJ for Translation & Literary Studies ◽  
Othman Ahmad Ali Abualadas
Keyword(s):  
Point Of View ◽  
The Other ◽  
Strong Tendency ◽  
Literary Works ◽  
Wuthering Heights ◽  
English Novel ◽  
Temporal Location ◽  
Mental Space ◽  
Spatio Temporal ◽  
Arabic Fiction

This study examines the translational deictic shifts in three Arabic translations of the English novel Wuthering Heights and the effect of this shift in the spatio-temporal point of view and stylistic features of the original. The study finds shift in spatial and temporal deixis that manifests a strong tendency towards increasing the ‘level of enunciation’ of narrators’ spatial and temporal location within the narrative. This shift brings the main narrator closer to the other characters in temporal, spatial, and mental space, hence increasing her involvement in events and empathy towards characters. At the same time, it distances the outside frame narrator, who has limited contact with characters, and increases his detachment and antipathy. In both cases more is revealed of narrator-character relationships and the narrator’s evaluations, leading to a more subjective narrative mood. It is hoped that the study will be applicable to different translated literary works to compare the findings and gain more understanding on the norms of English-Arabic fiction translation.

scholarly journals Conceptual integration theory and British humour: an analysis of the sitcom Miranda

2020 ◽  
Vol 7 (4) ◽  
Author(s):  
Joanna Jabłońska-Hood
Keyword(s):  
Language Use ◽  
Meaning Construction ◽  
Integration Theory ◽  
Conceptual Blending ◽  
Conceptual Integration ◽  
Mental Space ◽  
Mental Spaces ◽  
Emergent Structure ◽  
Conceptual Integration Theory ◽  
Different Levels

Conceptual integration theory (henceforth CIT), aka conceptual blending, was devised by Fauconnier and Turner (2002) as a model for meaning construction and interpretation. It is based on the notion of a mental space, which originated in Fauconnier's early research (1998). Mental spaces are structures that constitute information pertaining to a particular concept (Fauconnier and Turner 2002: 40). Interestingly, mental spaces can be linked together and blended so as to produce a novel quality not previously present. In this manner, conceptual integration serves the purpose of a theoretical model which throws light on creativity in language use. In my paper, I will apply CIT to British humour in order to use its multiway blending together with its dynamic, online running of the blended contents for the purpose of comedy elucidation. It is crucial to observe that British humour is a complex phenomenon which pertains to many different levels of interpretation, i.e. a linguistic, cultural or a discourse one. CIT possesses a well suited cognitive apparatus which can encompass the complexity of British humour with all its layers. The primary goal of the article is to analyse a selected scene from a sitcom entitled Miranda in order to show the validity of the theory in respect of humour studies. In particular, I will undertake to demonstrate that CIT, with a special emphasis on its principles such as compression and the emergent structure of the blend can deal with many processes that accumulate within British humour and result in laughter. Simultaneously, I will try to demonstrate that frame-shifting, as proposed by Coulson (2015: pp. 167-190), can be of help to CIT in humour explanation.

scholarly journals Travelling to the described present: mago-space in the Strugatskys’ Monday starts on Saturday

2021 ◽  
Vol 46 (2) ◽  
pp. 93-104
Author(s):  
Наталья Тулякова ◽  
Наталья Никитина
Keyword(s):  
Cultural Heritage ◽  
Science Fiction ◽  
Spatial Organization ◽  
Classical Literature ◽  
Mental Space ◽  
Mental Spaces ◽  
Do So

Fantasy and science fiction genres extensively use imaginary settings and locations different from realistic ones but striving to look real. Arkady and Boris Strugatsky, pioneers of the science fiction genre in Russia, actively exploited the potential of both genres in their early tale, Monday starts on Saturday (1964), which combines features of the two space types. The present paper analyses the principles of creating ‘mago-space’ in the book. To do so, we look at the spatial organization of the events involved in the plot and the personages’ ideas regarding space. The research will enable us to clarify the role of space in conveying the authors’ message, which in this tale is quite explicit. We argue that the space changes significantly within the book, accompanying genre transformations and the development of the protagonist. Since the tale uses ‘mental sublocations’ as the main units of spatial organization, each part is determined by a certain type of cultural heritage. In the first part, it is the mental space of folklore and classical literature, in the second – that of mythology and science fiction, and in the final – philosophy and science. Mental spaces that coexist and follow various laws form a narrative which turns out to be a journey to the described present in the variety of its forms.

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