scholarly journals Bones and Concertina: The Sailors’ Instruments that Have Survived Over the Centuries

2020 ◽  
pp. 121-138
Author(s):  
Annika Mikołajko
Keyword(s):  
Complicated Structure ◽  
Secondary Sources ◽  
The Past ◽  
Music Genres ◽  
The World ◽  
History Of ◽  
Concert Halls ◽  
Written Sources ◽  
The Way

The history of the sailors’ instruments is currently a barely investigated area. In the past, bones were used frequently in a variety of music genres, whereas today they seem to be forgotten in certain countries. The simplicity of playing that once was their advantage has also resulted in the small number of written sources concerning the technique of playing as well as the way of producing of this instrument. Despite this fact, bones were the ground for what is called the “musical recycling”. Concertina, in spite of its much more complicated structure and technique of playing, is more popular and has been described in several secondary sources. There are even schools of playing on this instrument available. Unfortunately, concertina is rarely used in concert halls too. Both instruments, thanks to their simplicity and small size, visited almost every part of the world in the era of great sailing ships, but today they remain known and used only in specialised environments.

Marxist Historiography Today

2007 ◽  
Author(s):  
Eric Hobsbawm
Keyword(s):  
Social Sciences ◽  
Human Activities ◽  
Human Society ◽  
The Past ◽  
The Social ◽  
The World ◽  
History Of ◽  
New Perspective ◽  
Methodology Of Science ◽  
The Way

This chapter discusses Marxist historiography in the present times. In the interpretation of the world nowadays, there has been a rise in the so-called anti-Rankean reaction in history, of which Marxism is an important but not always fully acknowledged element. This movement challenged the positivist belief that the objective structure of reality was self-explanatory, and that all that was needed was to apply the methodology of science to it and explain why things happened the way they did. This movement also brought together history with the social sciences, therefore turning it into part of a generalizing discipline capable of explaining transformations of human society in the course of its past. This new perspective on the past is a return to ‘total history’, in which the focus is not merely on the ‘history of everything’ but history as an indivisible web wherein all human activities are interconnected.

A Portrait of Consciousness

2020 ◽  
pp. 63-99
Author(s):  
Garry L. Hagberg
Keyword(s):  
Empirical Model ◽  
Human Perception ◽  
Perceptual Consciousness ◽  
The Past ◽  
The World ◽  
History Of ◽  
The Mind ◽  
The Way

Departing from observations taken from the legal judgment that lifted the ban on Ulysses that concern the intricate way that Joyce in his novel portrays “the screen of consciousness,” this chapter first examines the classical empirical model of human perception where the eye is modeled on the lens of a camera. Moving to a consideration of what that model misses in terms of the webs of associations woven into perception by the experiential history of the perceiver and some philosophical arguments critiquing that oversimplified model, the chapter then looks into some details concerning acts of remembering, moments of recognition, the understanding of human motives, and the way the past can overlay the perception of the present, all of which challenge any reductive model of mere ocular sensation as the fundamental content of perception. With this background the chapter then moves to its main project, a reading of Joyce’s great novel that sees the work as an expansive and encompassing study of the nuances of perception, of the relationally complex ways in which the mind organizes and interacts with the world, and of the structuring power that our language exerts within perceptual consciousness.

The Moral Crisis of the West: The Judaeo-Christian Response

2000 ◽  
Vol 53 (1) ◽  
pp. 1-21
Author(s):  
David Novak
Keyword(s):  
The West ◽  
Communal Life ◽  
The Past ◽  
The World ◽  
History Of ◽  
Moral Crisis ◽  
Western Civilisation ◽  
The Way

To speak of Jewish-Christian relations at the present time requires one to immediately recognise how different these relations are in this more secular period of the history of Western Civilisation than they were in earlier, more religious periods of that history. Jewish-Christian relations today are certainly different in character from the way they were during much of the past two millennia, when ‘Western Civilisation’ was very much a ‘Christian’ civilisation. Throughout this very long, earlier period of history, Jews related to Christians as the masters of the world in which we were continually struggling to survive and maintain our communal life.

THE FAUST LEGEND AND ITS ROLE IN ALFRED SCHNITTKE'S WORK

Tempo ◽  
2009 ◽  
Vol 63 (248) ◽  
pp. 2-11
Author(s):  
Lilia Khanina
Keyword(s):  
Cultural Heritage ◽  
20Th Century ◽  
The Past ◽  
Wide Acceptance ◽  
The World ◽  
International Attention ◽  
History Of ◽  
Concert Halls ◽  
World Class ◽  
Creative Life

Alfred Schnittke (1934–1998) is among the most notable composers in the second half of the 20th century. Over the past 20 years his work has won wide acceptance and greater international attention. His music, performed by world-class musicians in countless countries and in the most prestigious concert halls, has become an integral part of Russian cultural heritage. Schnittke's vast popularity is evident in the existence of so many publications, reviews, and dissertations not only in Russia but all over the world. However, some aspects of the composer's life and music remain unexplored, and a study of Schnittke's work would not be complete without examining one particular subject which influenced Schnittke throughout his creative life: the Faust Legend. The Faustian Legend ‘was among the forces that supported Schnittke's dialogue with the past and shaped his identity’. Before delving into this topic it would be logical to give a brief excursus in the history of the Faustian legend itself.

EPITAFIES OF THE RELATIVES OF HADJI IBRAHIM AL-URADI AS A SOURCE ON THE BIOGRAPHY OF THE SCIENTIST AND ON THE HISTORY OF GIDATL

2017 ◽  
Vol 13 (4) ◽  
pp. 13-21
Author(s):  
Sh M Khapizov ◽  
M G Shekhmagomedov
Keyword(s):  
18Th Century ◽  
Medieval History ◽  
Historical Sources ◽  
The Past ◽  
Arabic Script ◽  
History Of ◽  
History Of Culture ◽  
The Look ◽  
Cultural Monuments ◽  
Written Sources

The article is devoted to the study of inscriptions on the gravestones of Haji Ibrahim al-Uradi, his father, brothers and other relatives. The information revealed during the translation of these inscriptions allows one to date important events from the history of Highland Dagestan. Also we can reconsider the look at some important events from the past of Hidatl. Epitaphs are interesting in and of themselves, as historical and cultural monuments that needed to be studied and attributed. Research of epigraphy data monuments clarifies periodization medieval epitaphs mountain Dagestan using record templates and features of the Arabic script. We see the study of medieval epigraphy as one of the important tasks of contemporary Caucasian studies facing Dagestani researchers. Given the relatively weak illumination of the picture of events of that period in historical sources, comprehensive work in this direction can fill gaps in our knowledge of the medieval history of Dagestan. In addition, these epigraphs are of great importance for researchers of onomastics, linguistics, the history of culture and religion of Dagestan. The authors managed to clarify the date of death of Ibrahim-Haji al-Uradi, as well as his two sons. These data, the attraction of written sources and legends allowed the reconstruction of the events of the second half of the 18th century. For example, because of the epidemic of plague and the death of most of the population of Hidatl, this society noticeably weakened and could no longer maintain its influence on Akhvakh. The attraction of memorable records allowed us to specify the dates of the Ibrahim-Haji pilgrimage to Mecca and Medina, as well as the route through which he traveled to these cities.

Profilometry. Using Corneo-scleral topography for scleral lens fitting

The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer
Keyword(s):  
Ocular Surface ◽  
World Wide ◽  
Contact Lenses ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Way

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.

History of Tour de France from the Geographical Point of View

2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník
Keyword(s):  
Point Of View ◽  
The Past ◽  
Advanced Technologies ◽  
The World ◽  
Spatial Dimensions ◽  
Tour De France ◽  
Wide Circle ◽  
History Of ◽  
Expert Community ◽  
Geographical Point

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.

A Long, Long Way

2020 ◽  
Author(s):  
Greg Garrett
Keyword(s):  
People Of Color ◽  
Racial Reconciliation ◽  
Cultural Narratives ◽  
Truth Telling ◽  
Religious Traditions ◽  
The Past ◽  
Hollywood Films ◽  
The World ◽  
History Of ◽  
Race And Culture

Hollywood films are perhaps the most powerful storytellers in American history, and their depiction of race and culture has helped to shape the way people around the world respond to race and prejudice. Over the past one hundred years, films have moved from the radically prejudiced views of people of color to the depiction of people of color by writers and filmmakers from within those cultures. In the process, we begin to see how films have depicted negative versions of people outside the white mainstream, and how film might become a vehicle for racial reconciliation. Religious traditions offer powerful correctives to our cultural narratives, and this work incorporates both narrative truth-telling and religious truth-telling as we consider race and film and work toward reconciliation. By exploring the hundred-year period from The Birth of a Nation to Get Out, this work acknowledges the racist history of America and offers the possibility of hope for the future.

A Long Stagnation, or Capitalism without Growth

2018 ◽  
Author(s):  
Louçã Francisco ◽  
Ash Michael
Keyword(s):  
Great Recession ◽  
World Economy ◽  
Economic Stability ◽  
Secular Stagnation ◽  
The Great Recession ◽  
The Past ◽  
The World ◽  
History Of ◽  
Growth Prospects

Chapter 11 assesses the growth prospects of the world economy. The history of global economic doomsaying is traced briefly, a frequently reasonable position that has not done well with the facts for the past hundred years. Capitalism has been adept at escaping from the pit and pendulum. A set of global imbalances is then reviewed that are seen as posing a severe threat to global economic stability and certainly to the prospects for sustainable and equitable growth. The Great Recession following the Crash of 2007–8 might be “different this time.” Historical and contemporary fears of “secular stagnation” are discussed but the speculative nature of stagnationist assessments is acknowledged.

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

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