scholarly journals Polish Immigrants in the Social and Cultural Landscape of Reykjavik

2021 ◽  
Vol 47 (3 (181)) ◽  
pp. 141-166
Author(s):  
Małgorzata Budyta-Budzyńska

The presence of immigrants has the potential to produce significant changes in the social and cultural fabric of a city, although they may equally well remain essentially invisible. In the present article I discuss the presence of Polish immigrants in the urban space of Reykjavik. Since the first decade of the 21st century, Poles have been the largest non-native nationality in the island, this being the fourth such case in the world – aside from Norway, Ireland and the United Kingdom. The numerical dominance of Poles among immigrants to Iceland is such that immigrant, or foreigner, is frequently considered as synonymous to Pole. Does this predominance of Poles among immigrants translate to their visibility in the urban space? In what ways do they mark their presence? In the article I analyze the presence and activity of Poles in the spheres of culture, local politics, business and sports. I describe Polish organisations and associations, and events held by the Polish diaspora. Some of those are focused on cultivating the culture of the country of origin and on integration within the group, thus being typical Oddiseyan associations; the purpose of others is to facilitate the adaptation of Poles to the host society, and to promote Polish culture within the host society– thus they are reminiscent of Rubiconic associations, to refer to Daniel Joly’s wellknown classification. In the article I consider the question: which among the Polish initiatives have gained visibility among the hosts and have the potential to become relatively permanent fixtures of the cultural map of Reykjavik. Is the potential of the Polish diaspora in terms of organisation and culture sufficient to reach a wide audience of Icelanders and foreigners of other nationalities, and to gain their interest?

2019 ◽  
Vol 56 (3) ◽  
pp. 388-404 ◽  
Author(s):  
Stephanie Alice Baker ◽  
Chris Rojek

The Belle Gibson scandal that broke in 2015 is a testament to the growing phenomenon of lifestyle gurus in the 21st century. In this article, our aim is not to explain the psychology behind Gibson’s lies. Rather, we focus on the social, cultural and technological conditions that enabled Gibson’s persona to flourish and their impact on contemporary understandings of the self. Lifestyle gurus embody the para-social, trading off the appeal of intimacy, authenticity and integrity. We demonstrate how social media have increased the levels of emotional investment, trust and attention capital in para-social relationships by providing ubiquitous access to native experts and creating the platform to achieve influence and micro-celebrity status. Finally, we contend that the growing number of lifestyle gurus providing the public with health advice and scientific knowledge points to the need to examine critically the social and cultural landscape that enables micro-celebrities to emerge.


Author(s):  
Kurt Hemmer

James Dean (b. 1931–d. 1955), along with the actors Montgomery Clift and Marlon Brando, ushered onto the American silver screen a type of acting often called the “Method,” which was inspired by the teachings of the Russian director Constantin Stanislavsky. Although a great deal of debate exists over what the Method actually is, it can generally be described as “reacting” rather than “acting,” in order to create a more naturalistic and internally derived style. To what extent Dean absorbed the Method through classes he took with James Whitmore in California and Lee Strasberg in New York, or whether his style of acting was simply “natural,” is a matter of debate. What is indisputable is that his name and reputation are connected to this technique that had a tremendous influence on the New York stage via the Actors Studio before coming in front of Hollywood cameras. Although Dean starred in only three films—East of Eden (1955), Rebel Without a Cause (1955), and Giant (1956)—he is still considered one of the major influences on contemporary acting with actors from his own generation (Paul Newman, Steve McQueen, and Dennis Hopper) to the next generation (Jack Nicholson, Al Pacino, and Robert De Niro) and the following generation (Sean Penn, River Phoenix, Brad Pitt, Leonardo DiCaprio, and Johnny Depp) being inevitably compared to him. Many biographies, journalism, and documentaries have accumulated over the years since Dean’s death, in forms often exploitive and sensational, dealing with his sexuality and psychology. Much vigorous scholarship on the true worth of his acting skills and his place in the cultural landscape of his time and in the 21st century can still be done. Unlike Clift and Brando, Dean did not spend much time refining his craft on the stage and did much of his initial work on television. What makes Dean unique is his position as a cultural icon, largely the result of his tragic death in a car accident on 30 September 1955. His image is recognized throughout the world as a signifier readily filled by several types of, often contradictory, iconography: teenager, rebel, all-American, cowboy, biker, punk, homosexual, among others. Born in Marion, Indiana, and later raised in Fairmount, Indiana, by his aunt and uncle after his mother died when he was nine, Dean achieved in his short lifetime what he claimed was most important to him—immortality.


Author(s):  
Mary Gilmartin ◽  
Patricia Wood ◽  
Cian O'Callaghan

Questions of migration and citizenship are at the heart of global political debate with Brexit and the election of Donald Trump having ripple effects around the world. Providing new insights into the politics of migration and citizenship in the United Kingdom and the United States, this book challenges the increasingly prevalent view of migration and migrants as threats and of formal citizenship as a necessary marker of belonging. Instead the book offers an analysis of migration and citizenship in practice, as a counterpoint to simplistic discourses. It uses cutting-edge academic work on migration and citizenship to address three themes central to current debates: borders and walls, mobility and travel, and belonging. Through this analysis, a clearer picture of the roots of these politics emerges as well as of the consequences for mobility, political participation and belonging in the 21st century.


2021 ◽  
Vol 3 (4) ◽  
pp. 91-108
Author(s):  
Zhou Lixia

The increasing interest of people around the world towards the popular cultures of China, Korea and Japan leads researchers to question how these countries influence the socio-cultural spaces of other countries through the export of their mass culture products. This study focuses on the analysis of Chinese doramas in the Russian sociocultural space. The increasing number of online fan communities, the activity of translators and dubbers of Chinese TV series, and the widespread use of the Internet in Russia make Chinese dramas easily accessible to a wide audience. Using quantitative methods, the author of the study came to the conclusion that people in Russia are very interested in Asian cultures, and audiences of Asian TV series are growing at a tremendous rate every year. While Korean dramas remain the most popular in Russia, Chinese serials have great competitive potential against their Korean and Japanese counterparts. This article may be useful to all researchers of mass and popular culture and television series.


Author(s):  
Olena Vit. Iarmosh ◽  
Elina Ol. Pasechnik

The article deals with the general approach to understanding the social entrepreneurship essence, the concept of which, unlike entrepreneurship as a whole, its different types in terms of income and employees, is not defined by law; analysis of various information sources to compare approaches to defining the concept of social entrepreneurship; presents socially active entrepreneurs and public figures who have contributed to the social entrepreneurship development in Ukraine. In order to determine the main features of social entrepreneurship, the articlepoints out its differences from a charitable organization and traditional business by such factors as structure, dependence on external and internal financial sources, types of income and directions of profit distribution, and also analyzes the motives of social entrepreneurs. Special attention s paid to the analysis of economic indicators that characterize the social enterprise development effectiveness in the world. In particular, data from the United Kingdom, Israel and Italy were analyzed, which show significant financial prospects for the countries. The authors found that in Ukraine there are already numerous examples of organizations that support social entrepreneurship. The article describes for the selected organizations their activities and the nature of the social entrepreneurship concept. At the same time, five paradoxes that arose in Ukraine in the field of social entrepreneurship were mentioned as following: the main source of income for working in the social sphere entrepreneurs are grants that are not fundamentally in contact with international practice; the carelessness of entrepreneurs who are not concerned about the future of a company created with borrowed funds; absolute lack of support from the state; lack of interest in state supporting; an excess of laws in the country that contradict each other.According to the results of the research, the authors present obstacles to the concept of social entrepreneurship implementation in Ukraine and the steps needed to stimulate development. Taking into account current trends in the world development, the authors outline the global goals of UN sustainable development, which covers social entrepreneurship as a type of economic activity.


2021 ◽  
pp. 194-215
Author(s):  
Olga Lavrenova ◽  

The international scientific conference «Geography of Art» has been considering the interaction of art and space for many years. The first conference was held in 2009. In 2021, the seventh conference was held in a hybrid format, which allowed scientists from remote places and other countries to be invited. The role of art in shaping the cultural landscape, cartographic, artistic, and literary images of the world, and concepts of space in art were discussed. Art creates the meanings of geographical objects of different levels, «sculpting» the semantic form of urban space. «Genius and Place» is a theme that reveals how artists, writers, and poets re-create the meanings of the places they are associated with. Literary geography and local texts are one of the dimensions of this problem. As usual, the conference was characterized by a broad interdisciplinary approach.


1997 ◽  
Vol 50 (2) ◽  
pp. 234-241
Author(s):  
Neil MacDonald Turner

The authors of this paper are the three General Lighthouse Authorities (GLAs) of the United Kingdom and the Republic of Ireland. It was presented on their behalf at the RIN-96 conference by Captain Turner. The paper gives a brief overview of the policy of the GLAs (i.e. the Corporation of Trinity House, the Northern Lighthouse Board and the Commissioners of Irish Lights) regarding the provision of an aids to navigation service with emphasis on the future prospects of traditional aids to navigation over the next 25 years. The three GLAs have recently carried out a consultation exercise on marine aids to navigation into the 21st century. The results of this consultation exercise are discussed. It should be noted that, for clarity, the General Lighthouse Authorities (GLAs) refer to the systems that they provide as ‘aids to navigation’ (AtoN), to differentiate their provision from the equipment carried on board ships for navigational purposes which are referred to by the GLAs as ‘navigational aids’. This paper therefore in the main deals with AtoN.The coastlines within the GLAs' areas of responsibility rank with the most heavily trafficked and dangerous in the world. The coastlines vary from isolated rocks and the steep, Atlantic coastline, to the low-lying relatively featureless coastline of south-east England, off which are shifting sandbanks and channels. The tidal range in GLA waters is significant and tidal streams can reach 10 knots or more in a number of places.


2020 ◽  
Vol 6 (2) ◽  
pp. 59-68
Author(s):  
Fauzia Janjua ◽  
Syeda Aniqah Sabahat ◽  
Sara Anwar ◽  
Sehrish Aslam

The 21st-century world has seen several natural calamities in the form of widespread diseases such as SARS outbreak (2002-2004), swine flu pandemic (2009), and now the Covid-19.  The outbreak of coronavirus has put the world in a state of anxiety and fear. As a result, a considerable social myths content has been disembarked as a dynamic response to the pandemic. Like elsewhere, the social media discourse on Covid-19 myths is being constructed and consumed in Pakistan. Considering Bouchard's concept of configuration of social myths as either "strictly contextualized" or having "universal features with loose ties to social mechanism," the investigation of the configuration of social myths of Covid-19 in Pakistani social media is explored. Furthermore, the myths were analyzed for co-relation and interconnectedness through intertextuality. The study propounds that the social media discourse of dominant social actors hailing from religious, social, and philosophical domains construe locally contextualized ideas of Covid-19. The social actors' coalition of all social myths set the scene for a Pakistani CovidArchemyth, which is intertwined with peculiarities of Pakistani tradition and culture.


Author(s):  
Hon Kai Yee ◽  
Chua Bee Seok ◽  
Shazia Iqbal Hashmi

The society is keen to rely on gadgets in everyday life due to versatile gadgets that help them to connect with the world in the 21st century. On the flip side of using gadgets, several researches argued that screen time is affecting children's psychosocial, behavioural and health problems. The present study interviewed 14 preschool teachers to perceive their knowledge in gadget usage, sedentary behaviour and social skills among preschoolers. Besides that, teaching methods and teachers' opinions on gadget usage were also discussed. Inductive analysis (IA) revealed that parents habitually offer children gadgets at home. Also, the teachers expressed a positive opinion on gadget usage where preschoolers simply learn from media and gadget's applications. However, the teachers asserted that usage time needs to be controlled and the amount of usage depends on the role of parents and teachers. Teachers' attitude and habits were found to be moderate in lesson planning and improving the social skills of preschoolers but minimal for addressing their sedentary behaviour.


2021 ◽  
Vol 18 (1) ◽  
pp. 35-47
Author(s):  
Francesco Della Puppa

Based on a multi-sited ethnography in Italy and the United Kingdom, this contribution focuses on the onward migration of Italian-Bangladeshis to London, that is, Bangladeshi migrants who acquired EU citizenship in Italy and then moved to the British Capital. After the presentation of the reasons for this onward migration, the article will analyse the representation, constructed by the Italian-Bangladeshis interviewed in London, of the relationships between them (coming from different districts of Bangladesh) and the members of the “historical” British Bangladeshi community, in London since generations (originating primarily from the Bangladeshi district of Sylhet). Specifically, it will focus on the on mistrust – sometimes a fully-fledged hostility – between the two communities as it was narrated by the Italian-Bangladeshi respondents, framing it as a dichotomy between British citizens and (Southern) European citizens; as a wider dichotomy between residents of Bangladeshi origin in London, but originating from different regional contexts in Bangladesh; as an effect of the social stratification of the “Bangladeshi Diaspora” in the world.


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