scholarly journals „Prošao život“ Jovana Radulovića – roman alegorija o nestanku jednog naroda

2021 ◽  
Vol 18 (2) ◽  
pp. 163-176
Author(s):  
Nataša Bulatović

Јovan Radulovic introduced himself to the readership as a writer of main- land, karst Dalmatia, as well as the literary successor of Simo Matavulj. The first two decades of Radulović’s litarary work were oriented exclusively to the topics related to his homeland. Only since the novel Braća po materi has his interests spread to larger urban areas (Zadar, Šibenik, Zagreb, Belgrade, Ljubljana). By skillfully inserting a multitude of data about the Knin region, about its historical, geographical, social and cultural circum- stances, into the narrative of the novel Prošao život (1997), Radulović highlights the great significance and continuity of Serbian culture in Croatia. In this novel, says the writer, I paid homage to all those who successfully built what was called ’Serbian intelligence on the Coast’. The basic idea that unites all thematic, motivational, characterological, narrative, expressive and qualitative factors of the novel is reduced to the allegory of passed life. It permeates topics, characters, time, events ‒ all elements of the novel. The basic idea is diversified in many different ways and by using different stylistic means: contrasts, sym- bols, allusions, allegories. The idea is particularly emphasized in the passages describing everyday life of the people, as well as cultural and historical events. Even the characters have one common role: to form a coherent whole, to revitalize the collective spirit of the people that, by losing its natural habitat, has ceased to be what it was there. The novel is completely built on Christian symbolism: there is a calendar cycle of the most important Christian and Serbian holidays: Epiphany, Easter, Vidovdan, Saint Nicholas and Christmas; mention is made of Gojko’s Golgotha, wiping feet with a sinner’s hair, mourning the dead, the riders of the apocalypse who come in the form of Ignjat’s killers. The basic idea can also be interpreted as a symbol of the Christ-like suffering of an entire nation.

2021 ◽  
Vol 12 (1) ◽  
pp. 383-396
Author(s):  
Svetlana Kravchenko

[Betrayal of humanity. The red terror of the Bolsheviks in Crimea during the civil war in 1918–1920 in the light of Ivan Szmielev’s novel “The Sun of the Dead”] The article analyzes the novel by the Russian writer Ivan Szmielev “The Sun of the Dead” (1923). It was written on the basis of historical events. I analyze the composition of the work, which is based on two symbols – the sun and death. The sun symbolizes the rich and beautiful Crimea, and deathis a symbol of the new power – the power of the Bolsheviks who destroyed this wonderful land of Crimea. The author of the article emphasizes the autobiographical nature of the story “The Sun of the Dead”. Its narration is based on a firstperson story by Ivan Szmielev. This is a feature of lyrical prose. Describing the tragic events of total red terror, hunger and the struggle for survival, Ivan Szmielevs howsthat death affects everyone – people, animals, birds, trees, plants. The author of the article also emphasizes the philosophical and humanistic aspect of the work, which shows the history of humanity and human survival in an extreme situation, when very few are lucky enough to resist and not become victims of brutal murders of the Bolsheviks or starvation. In the process of the story, the image of the desert appears – a metaphor with which the writer emphasizes the scale of the destructive activity of the Bolsheviks.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Avinash Pawar ◽  
Ashutosh Kolte ◽  
Balkrishan Sangvikar

Purpose The purpose of this paper is to explore the significance of the internet of things (IoT) system for smart cities and deliberate on the technological aspects involved in developing smart cities along with the framework, impact and benefits of IoT for smart cities. Design/methodology/approach This research is based on the review and synthesis of the papers on the broader areas of IoT for the application and implication towards the smart cities. The prime focus of this paper is to realize the IoT systems for smart city’s development and implementation of various technologies in the context of the Indian environment. Findings The outcome of the paper explores the highlights of the importance of the IoT system, including the technological framework, impact and benefits for smart cities. The outcome also highlights the application of IoT for smart cities. This paper provides direction regarding future degrees, potential conceivable outcomes and issues concerning the technological side of smart cities. IoT can change the lives of the people and support evolving urban areas for developing smart cities in India. Originality/value The paper deliberates on the novel techno-managerial approach towards the endeavour of smart cities using the IoT.


2018 ◽  
Vol 1 (126) ◽  
pp. 15-30
Author(s):  
Hanan Younus Mohammed

The aim of this study is to research in figure of the “other” and his relationship to the “ego” and sometimes the “other” with “we” for the purpose of continuing living in life in the novel “The Postman of Neruda” the novel presents a lot of topics like friendship and the struggle of the people of Chile but the topic of love is the main one, all these are presented by the author through the events and dialogues which were simple in language and display in the work. In addition to that there are a lot of elements that moved the events in the work, although the characters were few but they have got a huge effect in their structure, with that we can say that these elements: love, poetry, women, struggle, nature and real historical events. “The Postman of Neruda”  it is a research on sensations and human feelings through his relation with all these elements.


Author(s):  
Oskar Kaelin

The ancient Egyptians were surrounded by various manifestations of their many gods. Though their gods usually lived in heaven or in the netherworlds, they were permanently represented on earth by monuments, statues, symbols, animals, and plants, as well as by social concepts. The Egyptians described their gods by various names and images, always aware that in the end their true personalities and characters remained elusive. The ancient Egyptian universe comprised heaven, earth, and netherworld, all part of creation and surrounded by eternal darkness. Though separate areas, they were permeable for the gods and the dead. The universe ran smoothly as long as there was respect and cooperation between them and the living. This formed an ideological, social, and economic cohesion. The gods were powerful but benevolent, and approachable in many ways. The divine king was the hub between the world of the gods and the human sphere. He was the main entity responsible for organizing the supply and welfare of the humans, and for keeping order. During official festivals, the living, the gods, and the dead celebrated together, but there were also a number of more personal ways to approach deities. The various sites of interaction between gods and men formed a vast network connecting all the players: the gods were responsible for creation and abundance, the kings and elites were primarily responsible for ensuring that the system ran according to Maat (“Order”), and the people were responsible for living and working throughout the country. The system of ancient Egyptian gods structured Egyptian ideas, policies, and everyday life from the end of the 4th millennium bce to the rise of Christianity and beyond. The ancient Egyptians’ beliefs were polytheistic, acknowledging the existence of thousands of gods and endless deceased humans. At times, the ancient Egyptians appeared to be henotheistic and would exalt a deity in his or her uniqueness. Moreover, with Akhenaten, they were the first to experiment with monotheism, though that did not last much longer than a decade. The ideas and images created for the Egyptian gods and religion had an impact on many contemporaneous cultures, as well as on later religions.


HUMANIS ◽  
2018 ◽  
pp. 288
Author(s):  
Ni Wayan Sutarini Ronthi ◽  
I Made Sendra ◽  
Ida Ayu Laksmita Sari

This research, entitled “Historical Events and Characteristic of Japanese Society in Asakusa Bakuto Ichidai Novel by Saga Jun’Ichi”. The aim of this research is recognizing the historical events experienced by the Japanese community during the Taishou to Shouwa period, as well as the characteristics of the Japanese society described in the novel Asakusa Bakuto Ichidai. The research used descriptive method of abstraction. The theory used is the sociology of literature according to Laurenson. Based on the result of the analysis, the historical events experienced by Japanese society in the novel Asakusa Bakuto Ichidai are Ashio riot, World War I, Kanto earthquake, the death of Taishou Emperor, War Manchuria, rebellion by young officer, Abe Sada events, and World War II. The characteristics of Japanese society reflected in the novel Asakusa Bakuto Ichidai are to have a habit of respecting time, high morale (ganbaru), the tradition of giving each other gifts (okurimono), having a tradition that keeps the belief in Buddhism, the people who respect the Emperor, shame culture. Based on the strong character of having a hard-working soul and holding fast to tradition, it is known that the Japanese people quickly rise from adversity. It is proven by the success of Japanese society through various events, one of them is the World War II. The event of World War II is the most influential event for the Japanese society in the future.    


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Cut Novita Srikandi

Historical events are one source of inspiration for writers to write literary works. Thus, historical events are not only found in historical texts, but also in literary works. One of them is the novel entitled Napoleon dari Tanah Rencong which is a historical novel because it revives the history of the Aceh War in the context of social revolution in Aceh. This study aims to show the representation of jihad in Napoeon dari Tanah Rencong by Akmal Nasery Basral. The concept of representation and hegemony will be used to address problems in this study. The method used in this research is qualitative with descriptive design. The results of the research show that Napoleon dari Tanah Rencong is able to reveal something different about the representation of jihad from what has been known by most of the people of Aceh. Jihad's representation in the novel is related to hegemony, politics and interests.


2011 ◽  
Vol 42 (3) ◽  
pp. 225-230 ◽  
Author(s):  
Janet B. Ruscher

Two distinct spatial metaphors for the passage of time can produce disparate judgments about grieving. Under the object-moving metaphor, time seems to move past stationary people, like objects floating past people along a riverbank. Under the people-moving metaphor, time is stationary; people move through time as though they journey on a one-way street, past stationary objects. The people-moving metaphor should encourage the forecast of shorter grieving periods relative to the object-moving metaphor. In the present study, participants either received an object-moving or people-moving prime, then read a brief vignette about a mother whose young son died. Participants made affective forecasts about the mother’s grief intensity and duration, and provided open-ended inferences regarding a return to relative normalcy. Findings support predictions, and are discussed with respect to interpersonal communication and everyday life.


This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.


2013 ◽  
Vol 3 (2) ◽  
pp. 161-183
Author(s):  
Mary L. Mullen

This article considers the politics and aesthetics of the colonial Bildungsroman by reading George Moore's often-overlooked novel A Drama in Muslin (1886). It argues that the colonial Bildungsroman does not simply register difference from the metropolitan novel of development or express tension between the core and periphery, as Jed Esty suggests, but rather can imagine a heterogeneous historical time that does not find its end in the nation-state. A Drama in Muslin combines naturalist and realist modes, and moves between Ireland and England to construct a form of untimely development that emphasises political processes (dissent, negotiation) rather than political forms (the state, the nation). Ultimately, the messy, discordant history represented in the novel shows the political potential of anachronism as it celebrates the untimeliness of everyday life.


2013 ◽  
Vol 68 (3) ◽  
pp. 396-422 ◽  
Author(s):  
Natasha Moore

This essay explores a peculiarly Victorian solution to what was perceived, in the middle of the nineteenth century, as a peculiarly Victorian problem: the fragmentation and miscellaneousness of the modern world. Seeking to apprehend the multiplicity and chaos of contemporary social, intellectual, political, and economic life, and to furnish it with a coherence that was threatened by encroaching religious uncertainty, Victorian poets turned to the resources of genre as a means of accommodating the heterogeneity of the age. In particular, by devising ways of fusing the conventions of the traditional epic with those of the newly ascendant novel, poets hoped to appropriate for the novelistic complexity of modern, everyday life the dignifying and totalizing tendencies of the epic. The essay reevaluates the generic hybridity of Elizabeth Barrett Browning’s Aurora Leigh (1856) as an attempt to unite two distinct kinds of length—the microscopic, cumulative detail of the novel and the big-picture sweep of the epic—in order to capture the miscellaneousness of the age and, at the same time, to restore order and meaning to the disjointed experience of modernity.


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