scholarly journals INTER-RELATIONSHIP OF LIVER AS A PART OF HAYAT AL AZA (MORPHOLOGY) IN THE FORMATION OF TEMPERAMENT IN UNANI SYSTEM OF MEDICINE

Author(s):  
Sameena Firdaus Simmy ◽  
Ferasat Ali ◽  
Mohd Mohsin

Temperament occupies an important place in Unani Medicine and forms the basis of pathology, diagnosis and treatment. This concept was originally introduced by Hippocrates (460-370 BC) in which he stated that “It is more important to know what sort of person has a disease than to know what sort of disease a person has”. Ibn Sina says “Allah most beneficent has furnished every one and each of its member with a temperament which is entirely the most appropriate and best adopted for the performance of its functions and passive state”. Human interest in the liver is as old as the science of medicine. Since time immemorial it has been considered as one of the vital organs of a human body. It was during the Greco-Arabian period of medical history that the intimate relationship between the liver and the health of the individual was established. Considering liver as an important and essential organ, Hippocrates (460-377 BC) says “if we live a good life, it is because of the health of our liver” (Ibn-e-Zohr, 1989). Galen (131-210AD) believed that liver retained a dominant role as the “seat of sanguification and the source of veins”. According to Avicenna- “Physicians regard the liver as the seat of manufacture of the dense part of the humours” (Grunner, 1930). Avicenna further writes- “Liver is a large factory where due to digestive and metabolic changes, the various humours of the body are formed in plenty (Kabiruddin, 1947). According to Unani Physicians, humours play an important and deciding role in the creation of human temperament. Therefore it can be revealed that liver is an important metabolic organ, which plays an important role in the formation of temperament of a person.

Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


Author(s):  
Andrea Del Pilar Rodríguez-Sánchez ◽  
Alberto Cabedo-Mas ◽  
María Elisa Pinto García ◽  
Gloria Patricia Zapata Restrepo

This chapter analyzes the theoretical concept of social fabric, as well as the damage which armed conflict has caused it and how art can contribute to rebuilding it. Affective and symbolic characteristics of art, engaging the body, and the act of collective interpretation-creation may provide the conditions required for the necessary intangible and tangible factors to rebuild a social fabric damaged by war. Artistic spaces, as shown by a case in Colombia, can be an important place to generate, especially, intangible factors which keep the flow of social fabric active, such as values and beliefs, sense of community, confidence, and emotional stability of the individual and the group.


2017 ◽  
Vol 5 (3) ◽  
pp. 272
Author(s):  
Jordi Morell Rovira

The article explores the relationship of the person with the hole through both literal and metaphorical situations. On the one hand, it points up the body in seclusion and suspended in a time interval, as in the case of the accident at the mine in San José (Chile) or works by artists like J. Wall, G. Schneider or R. Ondák. In this way, opposed feelings evoke the experiences of waiting and/or punishment, which are explanatory of a confined body or a hole. Literature, cinema and art deal with these events from multiple aspects, which become existential allegories about the individual. On the other hand, the act of digging gains prominence as a symbol of work, but also of the absurd. Recalling the ambivalence that may suggest a person making a hole, this article carries out a drift through works by artists of different generations and contexts, such as C. Burden, M. Heizer, F. Miralles, Geliti, S. Sierra, F. Alÿs, M. Salum, X. Ristol or N. Güell. A series of clearly performative or conceptual works, where the act of digging, drilling, burying or unburying become common practices that show the diversity of meanings and intentions.


Author(s):  
Annabel S. Brett

This chapter discusses the relationship of the state to its subjects as necessarily physically embodied beings. The primary way in which the commonwealth commands its subjects is through the medium of its law. The law is for the common good and obliges the community as a whole, and thus the ontological status of the law—as distinct from any particular command of a superior to an individual—is intimately tied to that of the body politic. The question, then, concerning the relationship of the state to the natural body of the individual can be framed in terms of the extent of the obligation of the civil law.


2015 ◽  
Vol 68 (4) ◽  
pp. 381-397
Author(s):  
Susan Wessel

AbstractGregory Nazianzen spoke of a suffering Christ ‘who became weak for us’ in the context of an oration,On Love of the Poor, which dealt at length with the extreme suffering the lepers had endured. The outcasts of the ancient world, lepers figured prominently in Jesus’ ministry as recorded in the Gospels. By juxtaposing their human suffering with divine weakness, Gregory implied that Christ had suffered with the lepers. The comparison not only gave meaning to the human experience of suffering, it also explored the extent of Christ's suffering in the divine economy. There was no affliction too grotesque for Christ to have assumed.Throughout his life, Gregory developed a notion of collective suffering which is relevant to understanding the magnitude of the suffering of Christ. It made the limitless suffering of humanity seem manageable and contained. It normalised the overwhelming sense of misery by expanding individual suffering into the suffering of the group, the suffering of the group into the suffering of neighbours and finally the suffering of neighbours into the collective suffering of the body of Christ. Christ then experienced the fullness of the human condition as the head of this body.The lepers served a purpose in this vision of collective suffering. By making the lepers a synecdoche for all human suffering, Gregory allowed Christ to assume their misery without his listeners having to imagine Christ suffering every aspect of their physical and emotional distress. This transference of collective suffering to the body of Christ worked in the following way: the individual suffering of the leper flowed into the collective suffering of the group, which connected with, and was incorporated into, the collective suffering of the Christian body. The result was a relationship of mutual imitation between Christ and humanity. It implied that human beings suffered with Christ, and that Christ suffered with human beings.By integrating literary techniques and contexts into theological analysis, this article examines the various ways in which Gregory construed the suffering of Christ.


2021 ◽  
Vol p5 (03) ◽  
pp. 2820-2825
Author(s):  
Shreya Talreja ◽  
Shashank Tiwari

Health and well-being are a fundamental in enhancing the quality of life of the individual. Naturopathy is a way of maintaining good health and works as preventive as well as curative technique to either eradicate a disease or maintain well-being. Naturopathy aims at enhancing the overall wellbeing of the body and most of the techniques in it are aimed at enhancing the body’s self-healing tendencies. Principles of naturopathic techniques include fo- cus on healing power of the nature, health workers as teachers, treatment of cause of illness, preventive treatment, and focus on overall well-being of the person. In this paper all the naturopathic approaches like herbal medicine, messages etc. will be discussed in depth. There are various techniques of naturopathy such as Ayurveda, Unani medicine, Yoga and meditation, Chromo therapy etc. will also be discussed in depth in the paper. Naturopathy can be effective in curing various ailments such as various forms of allergies, arthritis, digestive problems, depression and other mental issues, infertility and reduced immunity. Keywords: Naturopathy, well-being, Ayurveda, chromo therapy.


2020 ◽  
Vol 6 (2) ◽  
pp. 47-54
Author(s):  
E. Petrenko

The article discusses the main provisions of the book, in which its author described the development of man with certain differences from the ideas existing in universities on this problem, which arose as a result of his many years of research, analysis of his own and literary data. Human development at different stages, before and after birth, the author studied on the basis of taking into account the close relationship of all parts of the body of the individual, all his organs, such important features of his development as uneven growth rates and directions of organs and asynchronous during ontogenesis development of different emerging organ systems. The greatest novelty of such a representation in the book under discussion concerns the digestive, venous and lymphatic systems, the development of which the author has investigated to the greatest extent, although he has conducted other studies


1955 ◽  
Vol 49 (1) ◽  
pp. 173-190 ◽  
Author(s):  
Robert E. Lane

The most widely-held and well-supported theories of electoral choice today relate such choice to group membership, socializing, so to speak, the vote decision. In this process the personality of the individual voter has tended to be overlooked or its influence minimized. In focussing in this discussion upon the relationship of authoritarianism to electoral choice, therefore, we hope not only to contribute to our knowledge of a particular personality pattern in a political context but also, more generally, to restore the individual, as contrasted to the group, to an important place in a theory of the electoral process.In an electoral situation, as in any other situation, personality factors play a double role: (1) they affect the perceptions of the individual, screening out some stimuli, distorting others, and admitting others intact; and (2) they shape the responses of a person, selecting among the various possible responses those which are most serviceable to basic personality needs. Every personality develops certain attitudes to assist in this process of selecting among the possible responses. For example, interest in the election, sense of duty, sense of political efficacy, or sense of social integration with the community might form the nucleus of the attitudes bearing on the decision whether or not to vote. Identification with a political party, position on current political issues, candidate preference, anticipation of economic or political advantage, prestige considerations, or identification with a partisan social group might affect the vote itself.


2021 ◽  
pp. 1-18
Author(s):  
Jessica I. Cerezo-Román ◽  
Kenichiro Tsukamoto

Inspired by life course and osteobiography approaches, this article explores the life and death of an individual associated with the lakam title (“banner” in Colonial Yukatek Maya; thus, a “standard-bearer”), a nonroyal elite of Late Classic period Maya society (AD 600–850). Although these elites are depicted on polychrome vessels and carved monuments, little is known about their life experiences and mortuary practices. The present analysis centers on an individual found at Structure GZ1, a temple with a hieroglyphic stairway, at the Maya archaeological site of El Palmar, Mexico. Using osteological, archaeological, and epigraphic data as different lines of evidence, we examine the relationship of the individual to his affiliated group. At the time of interment, there were a wide array of social, cultural, and political events both shaping and reshaping the body and identities of the individual during a period of political turbulence.


2017 ◽  
pp. 87-93
Author(s):  
R. M. Rusin

The historical development of art is a change of paradigms. Each paradigm contains a special understanding of art, defined bothby the act of creativity itself and by the evaluation of its results. It is especially important to identify the origins of these changes, identify their stages, and determine the direction of the evolution of artistic creativity. In this context, corporeality as an artistic paradigm of European sculpture is considered in an article in the historical dimension from classics to postmodernism. Background research driven by changes that have suffered over the past century art not only in terms of formative principles, but also in terms of being a work of art. The term "art" is not given apriori; itis inseparable from the historical conditions of its own realization and filled with different content. In ancient tradition, from which theoretical understanding of artoriginates, provides an understanding of art as mimetic activity. For plastic art of the ancient Greeks man was the epitome of all things, the prototype of all creation and the created. The human body in great shape was almost the only model of art aesthetic. The Greeks thought it only as a stature completeness. For the Greeks, body language was the language of soul, although Greek plastics did not know what analysis characters the cult of the individual, which is typicalfor the art of modern times. Plasticity, the ancient body kinetics can be regarded as some elements of thesemantic structure of a particular language as a kind of mimicry. Plastic modern European sculpture shows opposite tothe ancient classics, Christian traditional relationship of mind and body. Antiquity knew dualism of mind and body, and provided perception of the gods only in the body incarnation. Christianity brought a legislateddualism and brought early naive monism attitudeinto the historically natural decay. In the art of the Renaissance in Europe, due to rethinking of ancient Christian tradition, experience acquires the tendency of forming an image of ideal body oriented on classic examples. In the mid-nineteenth century, under the influence of a new understanding of human corporeality was an appeal to antiquity qualitatively new level due to the growing trend of "naturalization" in human culture and criticism concerning the previous historical periods. In the culture of the twentieth century, there was a quite relevant anthropological stance of negativism. Justification ofindividual values has led to a lack of uniform standards, because itwas perceived as an encroachment on personality. The natural beauty in all its perfection, the image of which was the purpose and content of Antiquity plasticsand the Renaissance art lost all its worthiness and has becomea subject of neglecting within the postmodernism.


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