Thoughts on the Influence of the Climate on the Manner of Human Thought (1759)

2022 ◽  
Keyword(s):  
Human Thought

Science Regained [1962]

2018 ◽  
Author(s):  
Pierre Aubenque
Keyword(s):  
Human Activity ◽  
Human Cognition ◽  
Human Thought ◽  
Motion Time ◽  
First Philosophy

Pierre Aubenque’s “Science Regained” (1962; translated by Clayton Shoppa) was originally published as the concluding chapter of Le Problème de l’Être chez Aristote, one of the most important and original books on Aristotle’s Metaphysics. In this essay, Aubenque contends that the impasses which beset the project of first philosophy paradoxically become its greatest accomplishments. Although science stabilizes motion and thereby introduces necessity into human cognition, human thought always occurs amidst an inescapable movement of change and contingency. Aristotle’s ontology, as a discourse that strives to achieve being in its unity, succeeds by means of the failure of the structure of its own approach: the search of philosophy – dialectic – becomes the philosophy of the search. Aubenque traces this same structure of scission, mediation, and recovery across Aristotelian discussions of theology, motion, time, imitation, and human activity.

Beérkezett könyvek

2005 ◽  
Vol 60 (3) ◽  
pp. 425-427
Author(s):  
Csaba Pléh
Keyword(s):  
Social Interaction ◽  
Cognitive Science ◽  
Evolutionary Psychology ◽  
Well Being ◽  
General Intelligence ◽  
Human Thought ◽  
Number Of Genes ◽  
History Of ◽  
Origin Of Mind ◽  
The Mind

Ádám György: A rejtozködo elme. Egy fiziológus széljegyzetei Carpendale, J. I. M. és Müller, U. (eds): Social interaction and the development of knowledge Cloninger, R. C.: Feeling good. The science of well being Dunbar, Robin, Barrett, Louise, Lycett, John: Evolutionary psychology Dunbar, Robin: The human story. A new history of makind's evolution Geary, D. C.: The origin of mind. Evolution of brain, cognition and general intelligence Gedeon Péter, Pál Eszter, Sárkány Mihály, Somlai Péter: Az evolúció elméletei és metaforái a társadalomtudományokban Harré, Rom: Cognitive science: A philosophical introduction Horváth György: Pedagógiai pszichológia Marcus, G.: The birth of the mind. How a tiny number of genes creates the complexities of human thought Solso, R. D.: The psychology of art and the evolution of the conscious brain Wray, A. (ed.): The transition to language

Quintessence of Truth and Beauty in the Writings of Rabindranath Tagore and Keats A Comparative Analysis

IJOHMN ◽  
2015 ◽  
Vol 1 (3) ◽  
pp. 52-68
Author(s):  
Swati Rani Debnath
Keyword(s):  
Comparative Analysis ◽  
John Keats ◽  
Spiritual Discipline ◽  
Literary Works ◽  
Rabindranath Tagore ◽  
Human Thought ◽  
Spiritual Perspective ◽  
Eye Opening ◽  
Sensual Pleasure ◽  
The Universe

In literary works, truth and beauty have been expressed in a varied number of ways by authors of all genres. Rabindranath Tagore and John Keats, two prominent writers from two languages have linked beauty and truth in philosophical manners in many of their writings. Beauty and truth are not separate entities; they flow from the same spring. Tagore views beauty as linked to eternal characteristics of nature and truth is associated with it. Keats sees beauty from spiritual perspective and according to him, realization of truth leads to the fulfillment of beauty. Readers of Tagore and Keats get eye-opening insights from the viewpoints that are followed by their expressions in regarding the tenets of truth and beauty. Truth and beauty fulfill each other in their harmonious existence in the universe. The authors make us realize that beauty does not emanate merely from sensual pleasure; it is an abstract idea, a spiritual understanding that originates from rhythmic attachment with truth. This article compares and contrasts philosophies of truth and beauty from the writings of Tagore and Keats. In doing so, the paper investigates the literary works of the two writers and explores how they have philosophized truth and beauty in the domain of human thought as well as in the realm of spiritual discipline.

IMAJINASI KE IMAJINASI VISUAL FOTOGRAFI

2017 ◽  
Vol 12 (2) ◽  
pp. 91
Author(s):  
Edial Rusli
Keyword(s):  
Creative Process ◽  
Single Unit ◽  
Digital Images ◽  
Visual Image ◽  
Construction Process ◽  
Multiple Images ◽  
Artistic Process ◽  
Visual Imagination ◽  
Human Thought ◽  
The Media

AbstrakImaji visual fotografi merupakan media rekam visual yang objektif dan representatifkebenarannya dalam merekam suatu realitas. Revolusi teknologi menyebabkan perubahandari teknologi fotografi analog sebagai salah satu media yang menyatakan kebenaran ataubukti dan sebagai media yang representatif kebenarannya ke teknologi digital yang dapatmemungkinkan untuk merekayasa gambar digital melalui perangkat lunak. Teknologi digitaltelah menjadikan kebenaran dalam sebuah foto tidak lagi absolut. Akhirnya fotografi sebagaialat perekam imaji yang representatif kebenarannya semakin diragukan. Karena semakin sulituntuk membedakan foto asli atau palsu, bahkan sebuah foto asli bisa saja dikatakan sebagaihasil manipulasi. Penciptaan imajinasi visual fotografi ini dihasilkan dari suatu olah daya pikirmanusia. Dalam proses tersebut dibutuhkan suatu kreativitas dari penggabungan imaji-imajisebelumnya atau sekarang ini untuk diimajinasikan. Pemaknaan akan bergeser dari imaji visualfotografi menjadi imaji visual fotografi yang baru. Proses artistik imajinasi visual ini diciptakandengan didasarkan pada artistik yang berdasarkan imajinasi, artistik berdasarkan imajinasi danartistik didasarkan pada kombinasi antara kenyataan dan imajinasi. Penciptaan Imajinasi visualfotografi merupakan daya untuk mengonstruksi ataau menggabungkan kembali dari berbagaiimaji-imaji atau foto- secara imajinatif dan kreatif dengan persepsi yang menyertainya untukmenjadi imaji baru yang utuh, logis, dan mungkin terjadi dengan menggunakan teknik danefek fotografi. Proses mengonstruksi membutuhkan suatu kemampuan berimajinasi untukmenggabungkan dan menyatukannya untuk menjadi satu kesatuan (unity) yang utuh dalam satupermukaan gambar/imaji secara ekspresif dan imajinatif melalui proses estetis yang kreatifberdasarkan ciri personal penciptanya. Dengan demikian, hasil dari proses konstruksi tersebutsudah tidak tampak lagi imaji sebelumnya dan pemaknaannya sudah bergeser menjadi karyaimaji dengan pemaknaan baru.AbstractImage to Photography Visual Imagination. Visual image of photography is a visual recordingmedia which is objective and representative in revealing the truth when recording a reality. Thetechnology revolution led to the change in photography, from analog photographic technologyas one of the media for promoting truth or evidence and as media representing truth to thedigital technology which allow people to manipulate digital images through software. Digitaltechnology has made the truth in a photograph is no longer absolute. In the end, photographyas an images recording tool representing truth is doubted. It is getting harder and moredifficult to distinguish the original or fake photo, even an original photo can be said as aresult of manipulation.The creation of visual imagination photography is produced by thepower of human thought. The process requires a creativity of merging the previous or recentimages to imagine. The meanings will be shifted from visual image photography into a newvisual image photography. Visual imagination of the artistic process is created on the basisof artistic imagination, artistic imagination and artistic are based on a combination of realityand imagination.The creation of visual photography imagination is a power to construct orrecombine from multiple images or pictures imaginatively and creatively with the perceptionto be a whole new image, logical, and may occur with the use of techniques and photographiceffects. The process of constructing requires an ability of imagining to combine and unitethem into a single unit as a unity which is intact on s single surface of the picture/image,expressively and imaginatively through an aesthetic creative process based on the personalcharacteristics of the creator. By doing so, the construction process will no longer visible onthe former image and the meaning will shift into an image with a new meaning.

BERPIKIR KREATIF DAN INOVATIF DALAM MEMBANGUN JIWA ENTREPRENEUR

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Jumari Jumari
Keyword(s):  
Thought Process ◽  
Human Thought ◽  
Entrepreneurial Spirit ◽  
The Face ◽  
Innovative Thinking

This article examines the creative and innovative thinking in building the entrepreneurial spirit. With the creative and innovative thinking are the human thought process undertaken to develop themselves, especially in building the entrepreneurial spirit. The figure of the entrepreneur as the ideals of human independence in trying to provide support in realizing the nation’s progress. Evidence that the entrepreneur is able to realize the nation’s progress is the existence in the face of obstacles and challenges as well as creative and innovative thinking so that the obstacles and challenges are not an obstacle to success, but rather as an opportunity. Creative and innovative thinking to try to reverse the mindset that tends to be negative into a positive. The assumption that appear in the form of strong beliefs to himself by maximizing the grace to think the Lord gave humans. Keyword: Berpikir, Kreatif, Inovatif, Entrepreneur.

The Effect of Information Technology on Fluidity of Contemporary Architectural Space

2019 ◽  
Vol 7 (1) ◽  
pp. 62-72
Author(s):  
Shatha Abbas Hassan ◽  
Noor Ali Aljorani
Keyword(s):  
Information Technology ◽  
Communication Systems ◽  
Research Problem ◽  
Architectural Space ◽  
Human Thought ◽  
Technological Developments ◽  
Ease Of Access ◽  
The Impact ◽  
Role Of Information

The increasing importance of the information revolution and terms such as ‘speed’, ‘disorientation’, and ‘changing the concept of distance’, has provided us with tools that had not been previously available. Technological developments are moving toward Fluidity, which was previously unknown and cannot be understood through modern tools. With acceleration of the rhythm in the age we live in and the clarity of the role of information technology in our lives, as also the ease of access to information, has helped us to overcome many difficulties. Technology in all its forms has had a clear impact on all areas of daily life, and it has a clear impact on human thought in general, and the architectural space in particular, where the architecture moves from narrow spaces and is limited to new spaces known as the ‘breadth’, and forms of unlimited and stability to spaces characterized with fluidity. The research problem (the lack of clarity of knowledge about the impact of vast information flow associated with the technology of the age in the occurrence of liquidity in contemporary architectural space) is presented here. The research aims at defining fluidity and clarifying the effect of information technology on the changing characteristics of architectural space from solidity to fluidity. The research follows the analytical approach in tracking the concept of fluidity in physics and sociology to define this concept and then to explain the effect of Information Technology (IT) to achieve the fluidity of contemporary architectural space, leading to an analysis of the Skidmore, Owings and Merrill (SOM) architectural model. The research concludes that information technology achieves fluidity through various tools (communication systems, computers, automation, and artificial intelligence). It has changed the characteristics of contemporary architectural space and made it behave like an organism, through using smart material.

Causal Idealism

2018 ◽  
Author(s):  
Sara Bernstein
Keyword(s):  
Causal Relation ◽  
Mental Activity ◽  
Truth Conditions ◽  
Human Thought ◽  
Causal Judgments

This chapter argues that causal idealism, the view that causation is a product of mental activity, is at least as attractive as several contemporary views of causation that incorporate human thought and agency into the causal relation. The chapter discusses three such views: contextualism, which holds that truth conditions for causal judgments are contextual; contrastivism, which holds that the causal relation is a quaternary relation between a cause, an effect, and contextually specified contrast classes for the cause and the effect; and pragmatism, which holds that causal claims are sensitive to pragmatic factors. This chapter suggests that causal idealism has at least as much explanatory strength as these three theories, and is more parsimonious and internally stable.

A Notion of μηδέv in the Philosophy of Aristotle

1998 ◽  
pp. 286-289
Author(s):  
Jolanta Swiderek
Keyword(s):  
Basic Principles ◽  
Human Thought ◽  
History Of

This article shows that Aristotle created the first notion of a zero in the history of human thought. Since this notion stood in evident contradiction to the basic principles of his metaphysics and logic, he rejected it.

Prehistory in the Call to Abraham

2006 ◽  
Vol 14 (3) ◽  
pp. 189-208 ◽  
Author(s):  
Lyle Eslinger
Keyword(s):  
Natural Environment ◽  
Human Agency ◽  
Well Being ◽  
Human Experience ◽  
Human Values ◽  
Classical Literature ◽  
Common Pool ◽  
Human Thought ◽  
Ancient Israel ◽  
Book Of Genesis

AbstractA common pool of primitive human values fuels the world's religions. These values are evident in classical religions and are found lying on the surface in the book of Genesis, which is among the Bible's richest archetypal repositories. The Genesis pre-history focuses on human well-being. The mythological assumptions underlying this story manifest the rudiments of human thought and experience laid down in the archaic period. A hostile natural environment evokes behaviour to overcome its hazards. The narrative explores the mythological options of agency for achieving human well-being. As in other theistic worldviews two primary agencies are envisioned. Gods and humans, each with strengths and weaknesses, are potential protagonists on the stage of human optimism. Genesis inherits a southwest Asian cosmogony in which the gods are hostile to the advanced potential of collective human agency. Divine hostility complicates agency options, leading to a devotional compromise in the form of God's covenant with Abraham. The essay suggests the value of a renewed awareness of the influence of archaic human experience on the classical literature of ancient Israel. The argument is developed with reference to the traditional figure of Abraham.

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