scholarly journals Primary and secondary discourse connectives: definitions and lexicons

2018 ◽  
Vol 9 (1) ◽  
pp. 50-78
Author(s):  
Laurence Danlos ◽  
Katerina Rysova ◽  
Magdalena Rysova ◽  
Manfred Stede
Keyword(s):  
The Other ◽  
Discourse Structure ◽  
Written Text ◽  
Lexical Representations ◽  
Ongoing Work ◽  
Discourse Parsing ◽  
Theoretical Investigations ◽  
Coherence Relations ◽  
The One ◽  
Discourse Connectives

Starting from the perspective that discourse structure arises from the presence of coherence relations, we provide a map of linguistic discourse structuring devices (DRDs), and focus on those for written text. We propose to structure these items by differentiating between primary and secondary connectives on the one hand, and free connecting phrases on the other. For the former, we propose that their behavior can be described by lexicons, and we show one concrete proposal that by now has been applied to three languages, with others being added in ongoing work. The lexical representations can be useful both for humans (theoretical investigations, transfer to other languages) and for machines (automatic discourse parsing and generation).

The Body in Theory

1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard
Keyword(s):  
Queer Theory ◽  
20Th Century ◽  
The Body ◽  
The Other ◽  
Industrial Capitalism ◽  
Late 20Th Century ◽  
The Social ◽  
Theoretical Investigations ◽  
The One ◽  
Do So

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.

scholarly journals Tilbake til det neumiske: Fortolkning og dialektikk hos Adorno og Harnoncourt

2020 ◽  
pp. 215-242
Author(s):  
Emil Bernhardt
Keyword(s):  
The Other ◽  
Written Text ◽  
Other Hand ◽  
Musical Interpretation ◽  
Dialectical Relationship ◽  
The One ◽  
Shed Light

My aim in this article is to develop a possible understanding of Adorno’s thoughts on musical interpretation as they appear in a collection of fragments posthumously published in 2001 under the title of Zu einer Theorie der musikalischen Reproduktion [Towards a Theory of Musical Reproduction]. I do this by using an actual sounding example, with emphasis on the dialectical relationship between the written text and the sounding realization. On the one hand, I use a passage by Beethoven (Symphony No. 1, First Movement) that is characterized by some philological uncertainties regarding articulation, explained in slightly different ways in three so-called Urtext-editions of the score. On the other hand, I use a recorded interpretation of the Vienna Philharmonic Orchestra conducted by Austrian Nikolaus Harnoncourt. I will argue that, in this performance, Harnoncourt’s articulation of the actual passage provides a useful illustration of the tension between text and sound. Moreover, as the interpretation is also musically intriguing, it seems to function as a thought-provoking example of the dialectical relationship which for Adorno characterizes a successful musical interpretation. Thus, the article aims to shed light on both Adorno’s somewhat intricate speculations and Harnoncourt’s personal practice of interpretation.

LYRICS OF UKRAINIAN EMIGRATION: FROM SURREALISM TO STYLIZATIONS

2019 ◽  
pp. 45-55
Author(s):  
Oleksandr Astafiev
Keyword(s):  
Categorical Imperative ◽  
The Other ◽  
Creative Work ◽  
Written Text ◽  
Outer World ◽  
The World ◽  
The One ◽  
The Mind ◽  
To Receive ◽  
Narrative Language

The article states that the base of the non-referent (non-address-communicational) lyrics are parts of stylistic and surrealism. Such poetry is built on principle “text like text”, the artistic world looses its referency completely and is transformed into a sign. The function of such poetry is non-referential (arbitrary). The most common for such lyrics is stimulation and continuousness of the expression plan (not the contests) that commonly is done on the phonic and graphic levels. The main semiotic classificators here are arbitrary convention and symbol sign. They are non-address and non- communicational. If index has illocutive power, then a symbol sign has a power of categorical imperative. The system of non-referential lyrics in its own way is a spere of experimants. One of them, or maybe the most principal, which made “the exploitation” of the subconsciousness possible, and often gave metaphysical results, was so called automatic writing (ecriture automatique). The main point of it was to write having maximum freedom from the control of the mind, moving in the stream of free associations, and not returning to the written text; in any case nothing should be corrected (creative work of Zinoviy Berezhan). Second is orientation on dreams. Formal distinctive mark of “hooked” to the artistic world neurospace is the image of a dreamer – the one who watches a nightdream and tells about its cotntents (it can be either a narrator, as in the majority of the poems by Boychuk, or an animal, plant or an insect as in the works of Andrievska). The image has two functions: 1. to receive and transmit the contents of a dream spiritually; 2. to associate the contents of seen in a dream with the feelings, or in the other words transform it into the concrete feeling images. Semantic variety of expressionalism against impressionalism (the antipode of which it became) has also the character of conversion, and concerning existentionalism -– inversion. The differences between the styles of non-referential lyrics we can imagine in the shape of inversion. Stylizations also pretend to autonomy. Their structure e.g., in the poem by Olexa Stephanovich “From the chronic”, is defined by not immanently “imagined” in the “reality” norms but by convention -– as if a transition from outside, in advance, only to stress the function of a speaker. In the works of Yuriy Lypa, especially in his stylization “About the seamster Kozhumiaka” the artistic shape net catches the breething of a “chronical”, inner and outer world of a character connecting it with his pseudoarchaic way of narration, the poet makes stylization not only of characters’ dialogues (“The Monk and the Death”), but also the language of a storyteller (“The Deivil”, “The demons and the catcher”), receiving in such a way harmony of languages – the vision of the world. The same was done by Euhen Malanuk in his poem “The rye in the field is spoiled by the hoofs”, in which he eliminated from the narrative language expressions, that went away from geographical-phyhological base of our 20-th century’s menthality.

The scope of discourse connectives: implications for discourse organization

1996 ◽  
Vol 32 (2) ◽  
pp. 403-438 ◽  
Author(s):  
Christoph Unger
Keyword(s):  
Hierarchical Organization ◽  
Discourse Structure ◽  
Optimal Relevance ◽  
Coherence Relations ◽  
Discourse Organization ◽  
Discourse Units ◽  
Discourse Connectives

The main aim of this paper is to discuss the claim that discourse connectives are best treated as indicators of coherence relations between hierarchically organized discourse units. It will be argued that coherence relations cannot be seen as cognitively real entities. Furthermore, there is no evidence for hierarchical organization in discourse. The intuitions underlying the notion of hierarchical discourse structure are instead explained in terms of consequences of processing a text in the search for optimal relevance. This account draws attention to a hitherto not widely discussed set of data.

scholarly journals AGREEMENT OF THE WILLS FROM THE CONTRACTUAL PARTIES AS ONE OF THE CONDITIONS TO MAKE A DEAL

2018 ◽  
Vol 28 (6) ◽  
pp. 1953-1957
Author(s):  
Aleksandra Patoska
Keyword(s):  
Administrative Law ◽  
The Other ◽  
Written Text ◽  
Theoretical Structure ◽  
Frequent Use ◽  
The Will ◽  
The Law ◽  
Theory Of Law ◽  
The One ◽  
The Right

Every agreement of the wills among two or more persons who make mutual law relation or changes or calls of the existing law relation is named as a contrast in the theory of law. According its characteristics, the law relations may be different - obligatorious, familliarious, hereditorious, administrativ, merchanditorious etc., because of what the contracts as instruments of law regulations of that relationships are published in different law branches, like: familly law, heretige law, administrative law, merchandise law etc. Regarding its theoretical structure and frequent use and meaning in the law practice, the obligatory contracts are separated - those which may make obligatory relationships.The obligatory relationships are law connection among two or more parties from which one of them has the right to ask for, and the other is obligated to give the asked or to do, or not to do, or to bear it. The essence of the obligatory relation is in the right of the creditor to ak from the debtor to fulfille his obligation, which means - basicly - they are in creditor - debtor's relationships. Therefore, the obligatory contracts are double law acts according to which, in the agreement of the wills between two parties, the one part obeys to give something, to do or not to do something, or to bear something in the benefit of the other part, the part which takes that obligation as its right.The agreement of the wills of the contractual parties is one of the four common conditions of the genezes of a contract. It is realized by equality of the different whishes and different aims which the parties like to reach by making an agreement. There are the questions which I am trying to answer in my written text: about law relevant will, the atributes which the will should possesse, the ways of giving the will and, at the end, coordinating the wills of the two parts which goes to make the contact. The coordinating of the wills should be done on a legalized or usual way, frequently or usually by giving an offer from the first part and reaching the offer from the other one. That is the most usual mode of implementation the reunification of the wills between the contractual parts.

‘Victim playing’ as a form of verbal aggression in the Czech parliament

2017 ◽  
Vol 5 (1) ◽  
pp. 81-107 ◽  
Author(s):  
Martina Berrocal
Keyword(s):  
Political Action ◽  
The Other ◽  
Discourse Structure ◽  
Social Democratic ◽  
Scarce Resources ◽  
Linguistic Style ◽  
The Core ◽  
The People ◽  
Discourse Strategies ◽  
The One

Abstract As the core of political discourse is the struggle for power and scarce resources, conflict seems to be an essential component of political action and interaction. In addition, conflicts in parliament are manifested in many different ways. They range from disputes during the plenary sessions to more personal attacks in the question time. This paper, however, examines an atypical display of parliamentary discourse, namely a speech by a social democratic MP David Rath, which regarded a vote on his extradition and was delivered on 5 June 2012. This speech obviously did not fulfil the primary function of the parliamentary sessions, i.e. legislating and decision-making. Here the MP was given the opportunity to present his own version of events and ask fellow MPs to maintain his parliamentary immunity. The analysis revealed two intertwining discourse strategies. On the one hand, the MP who is charged with several criminal acts presents himself as a victim of a conspiracy. In that, he aims to divert attention from the criminal case while calling for sympathy and providing self-justification. On the other hand, he uses his time to verbally complain about his arrest, the conditions in which he is held in custody, and the people he holds responsible for his current situation; he uses verbal attacks to undermine and disqualify a number of overt and covert enemies. The key aim of the analysis is to explore how victimhood is constructed in discourse, what discourse strategies are observable at the macro-level and how they are reflected in the discourse structure and in the linguistic style.

Zur Verortung von Texten zwischen den Polen maximaler und minimaler Wissenschaftlichkeit. Ein Operationalisierungsvorschlag

Fachsprache ◽  
2017 ◽  
Vol 34 (1-2) ◽  
pp. 2-44 ◽  
Author(s):  
Dániel Czicza ◽  
Mathilde Hennig ◽  
Volker Emmrich ◽  
Robert Niemann
Keyword(s):  
The Other ◽  
Scientific Article ◽  
Scientific Text ◽  
Written Text ◽  
Other Hand ◽  
Written Texts ◽  
Practical Analysis ◽  
The One ◽  
Scientific Degree

In Fachsprache 1–2/2011 Czicza and Hennig proposed a model that explains correlations between grammatical features and pragmatic conditions in communication in sciences. This model now serves as a basis for the practical analysis of the scientific degree of any written text. The authors present a method of analyzing written texts concerning the four parameters ‚economy’, ‚precision’, ‚impersonalization’ and ‚discussion’. The method is being developed by the analysis of a prototypical scientific article on the one hand and a non-scientific text on the other hand. The two texts serve as the two poles of the scale of scientificity. Finally, the applicability of the model and its operationalization is being illustrated by the analysis of two examples of texts that are located between the two poles (one popular scientific text and one juridical teaching article).

Language as Freedom in Sartre’s Philosophy

1998 ◽  
pp. 16-22
Author(s):  
Salam Hawa
Keyword(s):  
The Other ◽  
Personal Freedom ◽  
Written Text ◽  
Space And Time ◽  
Other Hand ◽  
Lasting Impression ◽  
The One ◽  
Definition Of

I argue that Sartre posits language as a medium of communication that is capable of safeguarding the development of subjectivity and freedom. Language does this in a twofold manner: on the one hand, it is an action that does not phenomenally alter being, but that has the capacity of altering consciousness; on the other hand, language, more particularly written text, is a mode of communication that is delayed, hence that occurs outside the present, i.e. in a different space and a deferred time. As such, it preserves the subjectivity of both writer and reader. The argument is as follows: first, I present Sartre’s definition of freedom and subjectivity in terms of his definition of consciousness of the For-itself and In-itself in Being and Nothingness; second, I draw on examples from La Nausée to illustrate the link between language, consciousness and the expression of freedom and subjectivity; third, I refer to The Psychology of Imagination and What is Literature? to illustrate further the importance that Sartre places on writing and reading as means to establish a lasting impression of personal freedom and subjectivity in a manner that defies space and time.

scholarly journals Els mecanismes de referència en la interfície gramàtica-discurs. Cohesió, coherència i cognició

2018 ◽  
Vol 23 (23) ◽  
pp. 9
Author(s):  
Josep E. Ribera i Condomina ◽  
Maria Josep Marín Jordà ◽  
Núria Alturo Monné
Keyword(s):  
Cognitive Processes ◽  
The Other ◽  
Semantic Relations ◽  
Lexical Cohesion ◽  
Thematic Progression ◽  
Other Hand ◽  
Coherence Relations ◽  
Zero Anaphora ◽  
Textual Cohesion ◽  
The One

Referential cohesion integrates a series of phoric-type lexical grammatical mechanisms that exhibit syntactic and semantic links between discursive entities. By means of referential devices, textual meanings interweave so that a series of coreferential and meaning networks are created through which nouns are linked in order to contribute to textual cohesion. As a phenomenon that includes pronominalisation, ellipsis or zero anaphora, textual deixis (which essentially materialises in a non-exophoric use of demonstratives) and a variety of lexical cohesion devices (relationships of repetition, reiteration and association), referential cohesion is located at the interface between grammatical and pragmatic-discursive levels. On the one hand, it establishes structural and hierarchical syntactic-semantic relations between sentence constituents; on the other hand, it reveals the degree of activation of discursive entities in the memory of interlocutors and therefore shows evidence of discursive organisation, which licences an interpretation of thematic progression and coherence. Thus, the variety of referential mechanisms is linked to textual cohesion in the microstructural level. It stands as an obvious and tangible trace of coherence relations at the level of macrostructure and allows to track the cognitive processes by which interlocutors interact in order to communicate - the main aim of discourse - at the contextual and pragmatic levels.

scholarly journals Modeling word order variation in discourse: On the pragmatic properties of VS order in Old High German

2011 ◽  
Vol 3 (3) ◽  
Author(s):  
Svetlana Petrova
Keyword(s):  
Word Order ◽  
The Other ◽  
Discourse Structure ◽  
Old High German ◽  
Initial Matrix ◽  
Factors Influencing ◽  
Word Order Variation ◽  
Order Variation ◽  
Initial Placement ◽  
The One

In Old High German, verb-initial matrix declarative clauses display a variety of functions which are broadly related to discourse structure. However, the tho-V2 construction also correlates with the factors triggering verb-initial placement. The paper shows that the preference of the one pattern over the other cannot be explained in terms of a single, straightforward criterion. Rather, several factors influencing the choice process are recognized in the literature. The paper tests the effect of these factors by using methods and tools developed to capture variability in sociolinguistics.

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