Douglas Gordon and the Gallery of the Mind

2020 ◽  
Author(s):  
Sarah Cooper
Keyword(s):  
Perceptual Experience ◽  
Moving Image ◽  
The Mind ◽  
Mind's Eye ◽  
Made In

Made in collaboration with Rufus Wainwright after the loss of his mother, Douglas Gordon’s Phantom (2011) engages gallery-goers in an embodied perceptual experience of the darkness of grief, which is felt as well as seen. And yet the titular phantom points to what ghosts embodied vision, making space for images of the mind’s eye. Lost love, mourned but also conjured back through memory, dream, or imagination, extends beyond the personal to include a bygone era of classical film. Phantom draws from and returns us to cinema, expanding the experience of the moving image through its insistence upon the importance of both what is present or visible in the gallery space and what exists in the liminal state of mental vision.

Introduction

2018 ◽  
Author(s):  
Nora Goldschmidt ◽  
Barbara Graziosi
Keyword(s):  
Material Culture ◽  
The Body ◽  
Specific Site ◽  
Entire Volume ◽  
The Third ◽  
Religious Significance ◽  
Classical Poetry ◽  
Life Of The Mind ◽  
The Mind ◽  
Made In

The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.

The fierce urgency to create safe spaces for the heart in relation to sustainability

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Louise Livingstone
Keyword(s):  
Creative Thinking ◽  
Design Methodology ◽  
Content Type ◽  
Safe Spaces ◽  
Doctoral Research ◽  
The World ◽  
Moral Superiority ◽  
The Mind ◽  
Practical Implications ◽  
Made In

Purpose The paper aims to rediscover the subtle heart and discuss its importance in relation to conversations regarding sustainability. Design/methodology/approach Based on the imaginal approach of the author’s doctoral research, this paper is informed by the discourse of transpersonal psychology, attempting to open a space through which it becomes possible to perceive the heart differently. Findings This paper discusses the idea that knowledge as generated through the heart has been rendered subservient to knowledge generated through the mind/brain through a dominant/medical narrative (Bound Alberti, 2012). This means that the heart’s wisdom and the heart’s benevolent qualities cannot gain traction at the level at which decisions are made in society. Research limitations/implications While the heart is not unproblematic, and can carry notions of moral superiority, this paper is written as an appeal to create safe enough spaces to bring the heart back into conversation at the level of political discourse. Practical implications This paper suggests that it is the approach of the heart, the qualities and characteristics that the heart embodies, and the different way of being in the world that the heart makes possible, which could play an important role in guiding us towards a more sustainable world. When taken seriously, the heart offers a way of engaging with, and thinking about, ideas of relationship, wholeness and interconnection – all of which have been identified as important by numerous scholars in relation to engaging with global challenges (de Witt, 2016). Social implications This paper suggests that it is the approach of the heart and the different way of being in the world that the heart makes possible, which could play an important role in guiding humanity towards a more sustainable world. Originality/value Since the late 1900s, scholars have been calling for creative thinking in relation to engaging with the myriad of issues facing our planet, and this paper is written as a response to that call – creating a platform for the heart to speak and making a case for its importance in conversations relating to sustainability.

Berkeley v. Locke on Primary Qualities

Philosophy ◽  
1980 ◽  
Vol 55 (212) ◽  
pp. 149-166 ◽  
Author(s):  
Barry Stroud
Keyword(s):  
The State ◽  
History Of Philosophy ◽  
Standard Interpretation ◽  
Secondary Qualities ◽  
Primary Qualities ◽  
History Of ◽  
The Mind ◽  
Made In

Locke was once supposed to have argued that since the colours, sounds, odours, and other ‘secondary’ qualities things appear to have can vary greatly according to the state and position of the observer, it follows that our ideas of the ‘secondary’ qualities of things do not ‘resemble’ anything existing in the objects themselves. And Berkeley has been credited with the obvious objection that similar facts about the ‘relativity’ of our perception of ‘primary’ qualities show that they do not ‘resemble’ anything existing in the objects either, so that both ‘primary’ and ‘secondary’ qualities exist only ‘in the mind’. The falsity of this view of Locke has been amply demonstrated in recent years, but no corresponding revision has been made in what remains the standard interpretation of Berkeley's criticisms of Locke. His objections therefore appear to be based on misunderstanding and to be irrelevant to what is now seen to be Locke's actual view and his reasons for holding it. I think this account of Berkeley, like the old view of Locke, is a purely fictional chapter in the history of philosophy, and in this paper I try to show that Berkeley's criticisms involve no misunderstanding and amount to a direct denial of the view Locke actually held.

THE POWER OF MATERNAL IMPRESSION CAUSES THE ALLEGED FATHER'S NAME TO APPEAR IN LEGIBLE LETTERS IN HIS INFANT SON'S RIGHT EYE (1817)

PEDIATRICS ◽  
1976 ◽  
Vol 58 (6) ◽  
pp. 901-901
Author(s):  
T. E. C.
Keyword(s):  
Young Woman ◽  
19Th Century ◽  
Full Length ◽  
The Right ◽  
The Mind ◽  
The 19Th Century ◽  
Mind's Eye

During the 19th century the question of maternal impressions was still unresolved. A curious example of the putative power of this phenomenon is given below. A similar instance was reported about 1825 by Dr. Munro of Edinburgh who frequently exhibited a child in whose eyes many persons imagined they could read the name and age of his father. A young woman in Galloway [Scotland] having proved with child, laid the same to a respectable man of the name John Woods, who denied being the father of the same, and persisted in his denial saying that he would never acknowledge the child unless his name was written at full length on its face; and he accordingly gave his solemn oath before the court to that effect. This made so much impression on the mind of the young woman, who was present, that his name and person remained constantly in her mind's eye, and when the child was born, the name of the father appeared in legible letters in the child's eye, the name of "JOHN WOODS," on the right eye, and "BORN 1817" on the left eye. When John Woods, the alleged father, came to know this circumstance, he instantly absconded and has not since been heard of. This wonderful child has now arrived in this city [Edinburgh], and has been inspected by the Professors and other learned Faculties of this city, and pronounced to be a most wonderful phenomenon of nature, and an astonishing dispensation of Providence in pointing out the truth against the wicked and perjured ways of men.

Copyright and the Commons

2017 ◽  
pp. 106-126
Author(s):  
Erika Balsom
Keyword(s):  
Visual Culture ◽  
Public Domain ◽  
Fair Use ◽  
Moving Image ◽  
The Public ◽  
The Commons ◽  
Digital Reproduction ◽  
Cultural Commons ◽  
Made In ◽  
Do So

This chapter interrogates how artists’ moving image has grappled with the increased ridigification of copyright that has occurred over the last two decades. Many artists champion the freedom to reuse copyrighted materials, but fail to interrogate the particular circumstances that it make possible for them to do so without retribution, while simultaneously avoiding an engagement with the significant encroachments on fair use and the public domain that have been implemented as part of new copyright legislation that seeks to control the unruliness of digital reproduction. As a counterpoint to such positions, this chapter examines Ben White and Eileen Simpson’s Struggle in Jerash (2009), a work made by repurposing a public domain film of the same title made in 1957 in Jordan. Simpson and White contest the increasing privatization of visual culture, insisting on the wealth of the cultural commons precisely as it is under threat.

Mental Models

2011 ◽  
pp. 574-579
Author(s):  
Daniel Churchill
Keyword(s):  
Mental Models ◽  
Mental Model ◽  
Repeated Application ◽  
Internal Representations ◽  
The Mind ◽  
Mind's Eye ◽  
Cognitive Practice

It is widely assumed that mental models are internal representations. Humans are capable of constructing these models when required by demands of an external task or by a self-generated stimulus. “Mind’s eye” can see, run, and interact with these mental models. Rather than stored in strictly fixed form in the mind, mental models are constructed on the spot when needed. Repeated application leads to refinement of a mental model and possible automation of its construction and use processes in one’s cognitive practice.

Seneca on Comets and Ancient Cometary Theory in Natural Questions 7

Ramus ◽  
2007 ◽  
Vol 36 (2) ◽  
pp. 97-117 ◽  
Author(s):  
Gareth Williams
Keyword(s):  
The Right ◽  
The Mind ◽  
Mind's Eye ◽  
The Universe ◽  
Insight Into

Seneca's focus on comets inNatural Questions7 concentrates our attention on a phenomenon that is in a sense familiar but so distant, known but so unknown; they are obscurities that ‘both fill and escape our eyes’ (7.30.4), and which challenge us to project the mind's eye beyond the limits of our ordinary vision as we seek insight into nature's mysteries. The broad aim of this paper is to argue that Seneca's treatment of comets shapes, and actively applies in inventive ways within the text, a mindset that moves restlessly from narrow, more ‘terrestrial’ ways of reflecting upon the universe towards an unfettered mode of investigation that looks daringly beyond the limits of the visible and known to speculate on what lies beyond. This mindset proceeds by conjecture and ‘neither with any assurance of finding [the truth] nor without hope’ (7.29.3), but it nevertheless follows the ‘right’ (Senecan) path even in possible error: it reaches dynamically beyond conventional confines—in this case, the zodiac—to engage with the universal immensity in ways that aspire to that main Senecan goal in theNatural Questionsas whole, ‘to see the all with the mind’ (cf.animo omne uidisse, 3 pref. 10).

NEWSPAPER PHOTOGRAPHS’ INFLUENCE ON MADE IN NIGERIA PRODUCTS PATRONAGE IN ANAMBRA STATE, NIGERIA

2020 ◽  
Vol 11 (1) ◽  
pp. 171-184
Author(s):  
Owuamalam Emman-Owums ◽  
Chizoba P. Okonkwo ◽  
Stanley U. Ugboaja
Keyword(s):  
Federal Government ◽  
Research Method ◽  
Anambra State ◽  
Mental Picture ◽  
Goods And Services ◽  
The Core ◽  
Online Platforms ◽  
Integrated Or ◽  
The Mind ◽  
Made In

Pictures they say worth more than a thousand words. Photographs have gained a worldwide acceptance in terms of its usage in newspapers to stimulate the sales of goods and services based on its immense prowess to establish a mental picture in the mind of readers. This study examines newspaper photographs influence on made-in-Nigeria products patronage in Anambra State. The uses and gratifications theory was adopted as the core theoretical framework for this study. The study adopted survey research method with four hundred copies of questionnaire administered to respond-ents across five major cities in Anambra State. The study found that the regular usage of photographs on made-in-Nigeria product campaign by the newspapers have prompted many people to patronize locally made products. Therefore, this study rec-ommends that the use of photographs on made-in-Nigeria products’ campaign should be integrated or replicated on the various newspapers online platforms since majority of the respondents chose online, as their ideal source of accessing newspapers. Also, the study recommends that the federal government should ensure that the newspapers are constantly presenting pictures of quality made-in-Nigeria goods, so that readers’ will inadvertently get to associate these goods with quality and reliability.

scholarly journals Notes on Idiocy

1861 ◽  
Vol 7 (38) ◽  
pp. 232-252
Author(s):  
P. Martin Duncan
Keyword(s):  
Social System ◽  
Well Being ◽  
The Mind ◽  
Scientific Sense ◽  
Made In

It is remarkable, considering the advance which has been made in the study of the diseases of the mind during this century, that so little is still known concerning idiocy and idiots. With an increasing population, there is no decrease in the numbers of these helpless beings; their origin is connected with the, apparently, inevitable results of our social system; their very existence is, in most instances, a natural protest against vexatious and unreasonable interference with those great laws which govern the well-being of communities; and, both in a scientific sense as well as in a philanthropical, they have great claims for consideration.

Must Conceptually Informed Perceptual Experience Involve Non-Conceptual Content?

1996 ◽  
Vol 26 (3) ◽  
pp. 413-431 ◽  
Author(s):  
Sonia Sedivy
Keyword(s):  
Perceptual Experience ◽  
Theory Of Knowledge ◽  
Proper Part ◽  
Nonconceptual Content ◽  
Conceptual Content ◽  
The Mind ◽  
Empirical Thought ◽  
Mental Contents

The idea of nonconceptual contents proposes that there are mental contents at the level of the experiencing person that are individuated independently of ‘anything to do with the mind.’ Such contents are posited to meet a variety of theoretical and explanatory needs concerning concepts and conceptual mental contents which are individuated in terms having to do with the mind. So to examine the idea of nonconceptual content we need to examine whether we really need to posit such content and whether there is a coherent, viable way of doing so. I will examine the idea of nonconceptual contents by considering Christopher Peacocke's attempt, in his Study of Concepts, to posit such contents.Three principal kinds of considerations motivate positing non-conceptual content: epistemological, phenomenological, and explanatory-psychological. A theory of knowledge might posit nonconceptual content in order to show that our experience contains the justificatory base for empirical thought as its own proper part. Non-conceptual content might also be posited in order to account for the finely detailed or determinate phenomenological character of perceptual experience.

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