scholarly journals UNSUR FORMALISTIK DALAM KARYA YA BAMBAN YA LUKAH DAN HUMINODUN SPIRIT

2021 ◽  
Author(s):  
Musnin Misdih ◽  
Noorliana Erdenaa
Keyword(s):  
Traditional Medicine ◽  
Visual Art ◽  
Art Criticism ◽  
Cultural Perspective ◽  
Real Situation ◽  
The Real ◽  
Traditional Dance ◽  
Long Time ◽  
Work Production ◽  
The Creation

Karya catan Hassan Majin iaitu Ya Bamban Ya Lukah dan Huminodun Spirits (Kadazandusun) oleh Abdullah Ehlid Al Walid adalah cetusan idea pelukis terhadap tarian tradisi masyarakat Bisaya dan cerita rakyat wanita Kadazandusun. Karya diolah oleh pelukis bertujuan untuk memberi tafsirannya sendiri berdasarkan ekspresi dalam catan seni visual. Karya ini memberi penekanan terhadap penyampaian rasa, emosi dan perasaan yang diolah dalam sapuan berus dan penggunaan warna dalam kanvas karyanya. Naratif cerita diolah melalui pergerakan Spirit Bubu Mengalai dan figura Huminodun. Kajian dilakukan secara kualitatif untuk mentafsir keadaan yang sebenar menerusi pengkaryaan. Penghasilan karya adalah menerusi aplikasi aspek formalistik dalam pengkaryaan dan perspektif budaya. Hasil kajian menjelaskan bahawa terdapat unsur spirit dalam perkaryaan sebagai pernyataan seni visual yang mengupas tentang elemen fomalistik, kepercayaan terhadap figura dan kritikan seni. Justeru, terdapat unsur kepercayaan semangat dan perubatan tradisional menerusi tarian serta semangat menuai padi masyarakat tempatan di Borneo yang mereka warisi sejak dahulu lagi. Oleh hal yang demikian, pelukis dapat memaparkan semula dalam bentuk karya catan seni visual.   Hassan Majin’s painting artwork Ya Bamban Ya Lukah and Huminodun Spirits (Kadazandusun) by Abdullah Ehlid Al Walid is the origin of this painter’s idea of the traditional dance of the Bisaya community and the Sabah folklore of a Kadazandusun woman. The work produced by the artist aims to give his interpretation based on being expressed in visual art paintings. This work focuses on emphasis on the delivery of feelings, emotions and feelings processed in brush strokes and the use of colour in the canvas of his work. The narrative of the story is processed into visual works through the movement of the Bubu Mengalai Spirit and Huminodun figure. The study is done qualitatively to interpret the real situation through the work. Production of works through the application of formalistic aspects in the creation and cultural perspective. The results of the study can explain that there is an element of spirit in the work as a visual art statement that examines the elements of formality, belief in figures and art criticism. Therefore, there is an element of belief in the spirit of traditional medicine through the dance and harvesting of local rice in Borneo that they have inherited for a long time. Thus, the painter can re-display in the form of visual art paintings.

scholarly journals Fotografi Surealisme Visualisasi Estetis Citra Fantasi Imajinasi

2019 ◽  
Vol 15 (1) ◽  
pp. 1-12
Author(s):  
Soeprapto Soedjono
Keyword(s):  
Visual Culture ◽  
Visual Art ◽  
Fine Arts ◽  
Visual Appearance ◽  
The Real ◽  
Visual Elements ◽  
Works Of Art ◽  
Art Works ◽  
The Creation ◽  
Real Forms

ABSTRAKSebagaimana yang terjadi pada ranah seni sastra dan seni rupa, pengaruh surealisme sebagai moda artistik penciptaan karya seni, ternyata juga memengaruhi perkembangan bentuk dan genre baru di ranah fotografi. Sebagai bagian dari upaya-upaya penciptaan karya kreatif fotografis, beberapa fotografer menggunakan berbagai aspek dalam domain fotografi untuk juga bisa menampilkan karya-karya yang bernuansa surréal dan terkesan bersifat surealistis dengan berbagai teknik-teknik penciptaan visualnya. Prinsip-prinsip surealisme yang berkaitan dengan upaya memadukan elemen visual yang nyata dan yang bersifat tidak nyata (virtual, dream-like, fantasy) dalam karya-karya fotografi merekamenghasilkan sebuah fenomena ‘keraguan’ dalam menyikapi karya fotografinya. Hal ini terjadi karena yang selama ini karya fotografi diyakini sebagai medium penghasil karya seni visual yang nyata/realis dan merupakan satu bentuk representasi realitas yang faktual telah menjadi ‘ragu’ terhadap hasil karya fotografi surrealistic yang diciptakannya.Visualisasi bentuk-bentuk yang riil tertampilkan bertentangan dengan kelayakan konvensi logika visual alamiah realisme media fotografi yang ada. Namun, secara artistik tentunya kehadiran fotografi surealistik ini bisa dijadikan sebagai salah satu upaya alternatif penampilan visual karya seni fotografi yang ekspresif. Dalam arti bahwa ranah fotografi juga memiliki moda ungkapan ekspresif estetik yang juga memiliki kemungkinan untuk mengekplorasi aspek-aspek dunia mimpi bawah sadar, fantasi, yang bernuansa simbolisme visual dalam kancah pengembangan budaya visual yang bernilai ‘nyata - tidak nyata’. Surrealism Photography: Aesthetic Visualization of the Imagination Fantasy Imagery. As appeared in the sphere of literary and fine arts, the influence of surrealism as an artistic mode for the creation of works of art, apparently it also influences the development of new forms and genres in the sphere of photography. As part of the efforts to create photographic creative works, some photographers use various aspects in the photographic domain to also be able to present works which are surreal in nature and seem surrealistic in their various visual creation techniques. The principles of surrealism are associated with the attempts to combine visual elements which are real and not real (virtual, dream-like, fantasy) in photography works produce a phenomenon of ‘doubt’ in addressing the photographic work. This happens because all this time photography is believed to be a medium that produces visual art works that are real or realistic and is a form of factual reality representation which has become ‘doubtful’ of the surrealistic photographic works that it creates. The visualization of the real forms that appear is contrary to the feasibility of the natural visual logic conventions of the realism of the existing photographic media. However, artistically, the presence of this surrealistic photography can be used as an alternative attempt for the visual appearance of expressive photographic artworks. In the sphere of photography, it makes sense that it has an aesthetic expressive mode of expression which also has a possibility to explore the aspects of the subconscious self, fantasy, having the nuance of visual symbolical in the domain of developing visual culture which could be valued as ‘real-not real’.

Concept Of Increasing The Level Of Projects Of Work Production

2020 ◽  
pp. 59-63
Keyword(s):  
Practical Experience ◽  
Production Plan ◽  
The Real ◽  
Master Plans ◽  
General Contractor ◽  
Work Production ◽  
Construction Organization ◽  
Production Plans

The author analyzes the reasons that objectively reduce the importance and quality of the organizational and technological solutions of work production plans and the content of their main documents. Based on a generalization of practical experience, one of the real ways of increasing the level of work production plans is proposed as a result of the development of "The Unified Rules for Work Production on the Site" as part of the construction organization project, in the form of fundamental requirements, followed by the inclusion of this document in the work production plan as an input document. The structure and content of the Unified Rules are described with the disclosure of the main documents - calendar plans of work, construction master plans, technological schemes of works. The first section of the document contains requirements for the content of tasks for the development of the project of work execution, the order of its approval, and requirements for the quality of solutions. The second section presents principal solutions, methods of work execution and their technological schemes. The organizational and technological solutions adopted in the proposed document are specified and detailed by the General Contractor Construction Organization with due regard for the resource capabilities and the actual conditions of construction or reconstruction.

PEMBENAHAN TERHADAP LEMBAGA PEMASYARAKATAN DAPAT MENIADAKAN OPSI HUKUMAN MATI BAGI NARAPIDANA DI INDONESIA (THE IMPROVEMENT OF QUALITY OF PENITENTIARY CAN ELIMINATE THE DEATH PENALTY OPTIONS OF CONVICTED CRIMINALS IN INDONESIA)

2020 ◽  
Vol 10 (2) ◽  
pp. 175
Author(s):  
Nomensen Freddy Siahaan
Keyword(s):  
Death Penalty ◽  
Deterrent Effect ◽  
Criminal Cases ◽  
Psychological Burden ◽  
The Real ◽  
The Public ◽  
Good Citizen ◽  
The People ◽  
Long Time

After a long time was not heard to the public area, lately death penalty toward the criminal cases that classified as extraordinary crime are appear. The author discovers electronic article about the execution of the death penalty which is the prosecutor prepares to execute death penalty toward the drugs dealer. The president of Republic of Indonesia stated that it is necessary to give a deterrent effect to the convicted  criminal and keep the morality of Indonesian teenagers. According to my opinion, the author argues that it will be better and wiser if we discuss about renovating all of the Penitentiary in Indonesia than debating whether death penalty could be done in Indonesia or not, because it will be displeasure many parties, death penalty infringed the human rights of the convicted criminals and cause psychological burden to them, families, the executor of the death penalty, and other parties. Because if we have to improve the quality of the Penitentiary, if the function of Penitentiary for fostering moralily has been optimal or properly enough to the convicted criminals, Indonesia will be no longer need the death penalty option as sanction to the convicted crimanals including for the extraordinary crime (especially for drugs trafficking in our country). Penitentiary is one of the public services which aims for fostering the people that initially have bad habits (commited to the crime), so that they will have the awareness to change their bad attitude into the be better ones, will not harm others, and positively contributed to the society. Already Penitentiary’s conditions should be designed in such a way and as good as possible, so that the inmates feels like at their own home (like having a second home after his own home), and feel humaner to spend their days in the Penitentiary. The author believes that if the Penitentiary has been improved and optimized its function well, then the real purpose of Penitentiary will definitely achieved. As stated in Law Number 12 Year 1995 regarding to Penitentiary Article 2 which states "sanction system are organized in order to fostering the convicted criminals in order to be the real man, aware of their fault, improve themselves, and not to repeat the criminal act so that they can be friendly received by the community, can actively participated in the development of our country, and can socialize themselves as good citizen."Article 3 on this regulation also intensifies the function of Penitentiary "the function of Penitentiary is to prepare convicted criminals to be able to properly integrated to the society, so they can be accepted again as members of the public who are free and responsible ones." 

Richard Sisson and Leo E. Rose. War and Secession: Pakistan, India and the Creation of Bangladesh. New Delhi: Vistaar Publications. 1990. 338 pp.Price Rs 225.00 (Hardbound).

1991 ◽  
Vol 30 (1) ◽  
pp. 95-99
Author(s):  
Ziaul Haque
Keyword(s):  
Political Polarization ◽  
The Political ◽  
New Delhi ◽  
Historical Events ◽  
National Elections ◽  
The Real ◽  
Global Issues ◽  
Political Processes ◽  
Political Events ◽  
The Creation

After thirteen long years of military dictatorship, national elections on the basis of adult franchise were held in Pakistan in December 1970. The Awami League, led by Sheikh Mujibur Rahman, and the Pakistan Peoples Party, under Zulfiqar Ali Bhutto, emerged as the two majority political parties in East Pakistan and West Pakistan respectively. The political party commanding a majority in one wing of the country had almost no following in the other. This ended in a political and constitutional deadlock, since this split mandate and political exclusiveness gradually led to the parting of ways and political polarization. Power was not transferred to the majority party (that is, the Awami League) within the legally prescribed time; instead, in the wake of the political/ constitutional crisis, a civil war broke out in East Pakistan which soon led to an open war between India and Pakistan in December 1971. This ultimately resulted in the dismemberment of Pakistan, and in the creation of Bangladesh as a sovereign country. The book under review is a political study of the causes and consequences of this crisis and the war, based on a reconstruction of the real facts, historical events, political processes and developments. It candidly recapitulates the respective roles of the political elites (both of India and Pakistan), their leaders and governments, and assesses their perceptions of the real situation. It is an absorbing narrative of almost thirteen months, from 7 December, 1970, when elections were held in Pakistan, to 17 December, 1971 when the war ended after the Pakistani army's surrender to the Indian army in Dhaka (on December 16, 1971). The authors, who are trained political scientists, give fresh interpretations of these historical events and processes and relate them to the broader regional and global issues, thus assessing the crisis in a broader perspective. This change of perspective enhances our understanding of the problems the authors discuss. Their focus on the problems under discussion is sharp, cogent, enlightening, and circumspect, whether or not the reader agrees with their conclusions. The grasp of the source material is masterly; their narration of fast-moving political events is superbly anchored in their scientific methodology and political philosophy.

The Supply-Demand Research of Cultural and Tourism Industries Policies in China with the Impact of COVID-19

2020 ◽  
Vol 11 (1) ◽  
pp. 24-24
Author(s):  
Dr. Jianfei Yang
Keyword(s):  
Tourism Industry ◽  
Chinese Government ◽  
Cultural Industries ◽  
Real Situation ◽  
The Real ◽  
The World ◽  
The Impact ◽  
Near Future ◽  
Post Period

COVID-19 has made a bad influence on economic and society including cultural and tourism industry in China，2020.The industry has received a huge loss in the first quarter of the year and the situation is getting worse in the near future. It is believed that there will be a long impact for the country even the world. In order to recover the industry, Chinese government has published series of policies to support the enterprises and clusters to reduce the bad influence of COVID-19. This paper mainly uses filed survey and documentary research to map the real situation of the industry. It tries to find the policy demand of the industries and then analyze the policies published by government to conquer COVID-19. Meanwhile it will focus on whether the supply meet the demand and give suggestions on how to promote the policy efficiency in the post period of COVID-19 in China. Keywords: Evaluation; Cultural Industries; Policy; Park; Pandemic

Discerning the Real Situation

1964 ◽  
Vol 45 (529-530) ◽  
pp. 302-307
Author(s):  
Walter Stein
Keyword(s):  
Real Situation ◽  
The Real

Оксана Кукуруз, Взаимодействие политики и права в процессе общественной трансформации в Украине и Республике Польша

2021 ◽  
pp. 158-162
Author(s):  
Ivanna Kyliushyk
Keyword(s):  
Public Interest ◽  
Book Research ◽  
Social Transformation ◽  
Common Goal ◽  
The Real ◽  
The Public ◽  
The Creation ◽  
The Republic ◽  
Effective Development ◽  
Politics And Law

The author of the book research the interaction of politics and law as two important social regulators that have a common goal the effective development of society. The author defines the real models of interaction between politics and law, which have formed in Ukraine and the Republic of Poland in the process of social transformation, and the creation of an appropriate model, which should be based on the goal of ensuring the public interest.

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