scholarly journals THE HISPATAV TRANSLATION TECHNIQUES FOR SUBTITLING: A NEW PEDAGOGICAL RESOURCE FOR AUDIOVISUAL TRANSLATION STUDENTS

2021 ◽  
Vol 8 ◽  
pp. 359-393
Author(s):  
Patrick Zabalbeascoa ◽  
Blanca Arias-Badia
Keyword(s):  
Source Text ◽  
Translation Techniques ◽  
Key Factor ◽  
Audiovisual Translation

Being able to propose a taxonomy of translation techniques has been a long-standing aspiration of translation theorists. By building on previous proposals, this paper presents the HispaTAV typology of translation techniques (ToT), a new list specifically designed for subtitling trainees. The aim of the proposal is to increase students’ awareness of the variety of possible solutions to translate segments of the source text, and to promote creativity, a key factor in the development of translator competence. The proposal has been presented to current translation students, who have provided feedback in terms of its usability for learning purposes. Keywords: translation techniques, subtitling, HispaTAV, audiovisual translation, translator competence

TRANSLATION ANALYSIS OF PROMISING AND OFFERING UTTERANCES IN FORREST GUMP MOVIE

2018 ◽  
Vol 6 (1) ◽  
pp. 10-17
Author(s):  
Anita Dwianasari
Keyword(s):  
Qualitative Method ◽  
Speech Act ◽  
Source Text ◽  
Dynamic Equivalence ◽  
Literal Translation ◽  
Translation Technique ◽  
Translation Analysis ◽  
Translation Techniques

The purpose of the paper is to analyze the promising and offering utterances in commissive of speech act, translation techniques and its equivalences in Forrest Gump movie subtitles. The method used is qualitative method. The results showed several techniques employed, such as adaptation, borrowing, established equivalent, linguistic compression, literal translation, modulation, particularization, reduction, transposition, and variation. The translation technique mostly used is established equivalence. For the shift rendering in source text and target text in Forrest Gump movie subtitles, it is concluded that mostly the data do not occur any shift in promising or offering utterances. Also, in terms of translation equivalence, the dominant kind of translation equivalence in this research is dynamic equivalence.

Literal translation: A study with several translation techniques to get a good translation result

2019 ◽  
Author(s):  
Vartina Riecher
Keyword(s):  
Local Government ◽  
Print Media ◽  
Source Text ◽  
Literal Translation ◽  
Language Style ◽  
Translation Techniques ◽  
Different Cultures

In translating advertisements, there are things to keep in mind. First, ad text has a different type of character from other text, secondly, there are limitations in the ad itself. An advertisement is limited to customs and habits, religion and beliefs, norms and ethics as well as the use of language and language style. This implies that an advertisement cannot freely express the ideas or ideas of producers to potential consumers, especially if the advertisement is aimed at consumers who have different languages ​​and of course different cultures. A picture or sentence that can be considered neutral in one area but has a different interpretation in another. For example: in a print media commercial advertisement issued by the local government, one type of regional superior product is written which is called 'sarong goyor'. If this advertisement is given to an audience outside the area where the source text originates, then the word sarong goyor may become lepas in its meaning. For this reason, in translating a text, the translator needs to understand the approach, strategy and ideology used by the translator.

scholarly journals Impact of Translation Techniques and Ideology Quality Text Translation in Mantra Jamuan Laut

2020 ◽  
Vol 3 (2) ◽  
pp. 1518-1529
Author(s):  
Dewi Kesuma Nasution
Keyword(s):  
Source Text ◽  
Source Language ◽  
Translation Technique ◽  
Translation Techniques ◽  
North Sumatra ◽  
Descriptive Qualitative

Mantra Jamuan Laut is spells or words used by a sea-handler in the process of Ritual Ceremony among Malay society in Kabupaten Serdang Bedagai, North Sumatra - Indonesia. This study deals with translation technique, ideologies and quality of the translated text of sea repast incantation from Malay language into English. There was 82 clauses of translated text as the data. The source of data is the utterances of a sea-handler and FGD. Descriptive qualitative was applied by using Molina and Albir’s theory to find out the translation techniques meanwhile the theory of Nababan & Machali used to figure out the quality of the translation. Considering the fact that the data which consists of four incantations are translated by five translators, then the results of their translation vary. From the analysis, it was found that there were 11 techniques of 18 applied with literal as the most dominant technique. Thereby the translators embraced foreignization ideology that mainly focuses on the source text. The utilization of foreignization ideology and the use of source language-oriented translation techniques showed that intercultural and thematic knowledge of the translators are insufficient. Since the frequency of literal technique was less than 25%, the quality of translated-text was regarded as ‘fair’.

scholarly journals Slovak thinking on audiovisual translation and the issue of the second-hand translation of Russian documentary films

2019 ◽  
Keyword(s):  
English Language ◽  
Translation Studies ◽  
Russian Language ◽  
Documentary Films ◽  
Source Text ◽  
Historical Explanation ◽  
Cultural Space ◽  
Audiovisual Translation ◽  
The Russian Language ◽  
Limited Diffusion

The paper, in its first part, outlines the Slovak research into audiovisual translation (AVT) from the 1950s up to the present, paying attention to the most important scholars as well as publications that helped to shape and establish the discipline within Slovak translation studies. It is based on the ongoing bibliographical research and the historical explanation mapping the development of AVT research in Slovakia by I. Tyšš – e.g. his publication Myslenie o audiovizuálnom preklade na Slovensku: 1952 – 2017 (Thinking on Audiovisual Translation in Slovakia: 1952 – 2017, 2018) – as well as on own findings covering the last two years. In more detail, the first part of the paper highlights that it was primarily thanks to a younger generation of translation studies scholars – especially E. Perez (née Janecová), L. Paulínyová (née Kozáková) and J. Želonka – that in 2012 the Slovak research into AVT finally became systematic. The second part of the paper is devoted to the phenomenon of the so-called second-hand translation of originally Russian audiovisual works that may be observed in Slovakia in recent years. The questionable nature of this phenomenon is stressed since the Russian language is not a language of limited diffusion and definitely not remote in relation to the Slovak cultural space. On the example of two documentary films – Под властью мусора (Held Captive by Rubbish, 2013) and Дух в движении (Spirit in Motion, 2015), the author discusses and analyses the problems that occur when translating originally Russian AV works into Slovak through the English language, i.e. the negative shifts resulting from mis-/overinterpretation of the source text, translation by omission, wrong order of dialogues, cultural specifics and incorrect transcription.

scholarly journals Verbal Humour in Screen Translation: Officer Crabtree’s Case with the Fronch and Hungarian Longwodge

2020 ◽  
Vol 12 (2) ◽  
pp. 25-50
Author(s):  
Zsuzsanna Ajtony
Keyword(s):  
Discourse Analysis ◽  
Source Text ◽  
Fictional Character ◽  
Creative Solutions ◽  
Audiovisual Translation ◽  
Research Domain ◽  
Insight Into

AbstractThe present study aims to gain insight into the translation of audiovisual humour displayed in the verbal manifestations of Officer Crabtree, the fictional character in the BBC sitcom ‘Allo ‘Allo! (1982–1992), especially focusing on its Hungarian dubbed version of the series. Being a research domain with insights from audiovisual translation (AVT), humour studies, and discourse analysis, the article introduces the reader to AVT, more particularly, to dubbing, to research carried out in the domain of audiovisual humour, and to humour studies, especially focusing on incongruity and superiority theory. These theoretical elements are applied in the analysis of the corpus comprising the English voice track as source text (ST) and its Hungarian counterpart as target text (TT), highlighting the humorous effects achieved in both of them and especially pointing at the creative solutions translators resorted to in rendering the idiosyncratically mangled English texts into Hungarian. The analysis aims to provide counterexamples to the frequent claim that verbal humour is untranslatable.

scholarly journals Strategies to Overcome Translation Losses in the Novel “The Grapes of Wrath” by John Steinbeck to Achieve Adequacy in Translation

2020 ◽  
Vol 23 (4) ◽  
pp. 17-32
Author(s):  
Konul Khalilova ◽  
Irina Orujova
Keyword(s):  
John Steinbeck ◽  
Literary Texts ◽  
The Novel ◽  
Source Text ◽  
Grapes Of Wrath ◽  
Thought Patterns ◽  
Translation Techniques ◽  
Current Article ◽  
The Given ◽  
Different Levels

The current article involves the issues of losses, gains, or survivals contributing to literature in the process of translation. It represents a thorough study based on the novel “The Grapes of Wrath” by John Steinbeck from English and, respectively, its translation into Azerbaijani by Ulfet Kurchayli. It investigates the problematic areas or challenges emerging from the source-text discrepancies. Furthermore, this article also concentrates on the issue of cultural non-equivalence or the losses occurring in translating English literary texts into Azerbaijani. The paper identifies the translation techniques adopted by the translator of John Steinbeck’s The Grapes of Wrath. Adopting certain techniques rather than others has led to many losses on different levels. The translator’s important role as a cultural insider is also emphasized. The wide gap, distance, or the differences between the cultures, languages, and thought patterns of the English and Azerbaijani language speakers are the main factors resulting in various losses in the process of translation. Coping with these extra-linguistic constraints is harder than the linguistic ones as the translator has no choice in the given situations, deleting these elements from the TT or replacing them with elements that do not fit the context. This article aims at determining translation losses and gains, defining ways that the translator employs for compensating losses, through the analysis of John Steinbeck’s style in The Grapes of Wrath. The article concludes that there are some situations where the translation of a certain text from the SL into the TL embraces alteration in the whole informational content of the text, in the form of expressions or words.

scholarly journals Multilingual humour in audiovisual translation. Modern Family dubbed in Italian

2019 ◽  
Vol 7 (1) ◽  
pp. 52 ◽  
Author(s):  
Margherita Dore
Keyword(s):  
Los Angeles ◽  
Contextual Factors ◽  
Code Switching ◽  
Bicultural Identity ◽  
Ethnic Communities ◽  
Source Text ◽  
Modern Family ◽  
Audiovisual Translation

Audiovisual productions are increasingly featuring multi-ethnic communities which also reflect today’s globalised world. Characters in both films and TV series are often depicted as having a bilingual background and heavily relying on code-switching to express their bicultural identity (Monti 2016: 69). As such, this phenomenon poses important challenges for its translation, especially when dubbing is involved. Using this audiovisual translation (AVT) mode involves a necessary technical manipulation(Díaz-Cintas 2012: 284-285). As for Italian dubbing, multilingualism has often undergone a process of neutralization (Pavesi 2005: 56) or local standardization (Ulrych 2000: 410), although recent dubbed films have proved to be geared towards a more faithful rendering of this important feature of the source text (Monti 2016: 90).It should be borne in mind that contextual factors, such as genres, may play a fundamental role in deciding whether to retain or neutralise multilingualism in AVT, especially when it is used for humorous purposes. In those cases, the perlocutionary function of the ST should be considered (Hickey 1998; cf. also Zabalbeascoa 2012: 322). Comedy can make use of multilingualism to entertain and the American mockumentary (or docucomedy) Modern Family(Christopher Lloyd and Steven Levitan, 2009-2019), is a striking example in this sense. It follows the lives of Jay Pritchett and his family in suburban Los Angeles. Linguistically speaking, the most interesting character is Jay’s second wife Gloria Delgado, a young and beautiful Colombian woman who often code-switches or code-mixes English and Spanish (with a marked Colombian accent), thus creating moments of pure comedy. Hence, this study investigates how Gloria’s humorous and multilingual persona has been transferred into Italian. The analysis confirms the current tendency of Italian dubbing to render otherness in the TT (Monti 2016: 89). This may be justified by the genre and scope of the programme, that allow for a more innovative transfer of vernacular matching via what I propose to call functional manipulation.

scholarly journals Metode dan Prosedur Penerjemahan Quote Anime Bahasa Jepang ke dalam Bahasa Indonesia pada Official Akun LINE Bahasa Jepang Bersama

HUMANIS ◽  
2019 ◽  
Vol 23 (2) ◽  
pp. 141
Author(s):  
Ida Ayu Made Dwi Ratna Komala ◽  
Made Ratna Dian Aryani ◽  
Renny Anggraeny
Keyword(s):  
Research Data ◽  
Target Language ◽  
Source Text ◽  
Literal Translation ◽  
Translation Techniques ◽  
Free Translation ◽  
Translational Equivalence ◽  
Translation Methods ◽  
Text Content ◽  
Bahasa Indonesia

The title of this research is “Method and Procedure of Translation used in Anime Quotes from Japanese to Indonesia at Official Account LINE Bahasa Jepang Bersama”. The purpose of the research is to identify the types of technique, procedure, and method of translation applied in translating anime quotes. Theories used in this research are the theory of translation techniques proposed by Molina and Albir (2002), the procedure of translation by Vinay and Darbelnet (1995), and the translation methods by Newmark (1988). The research data was analyzed by translational equivalence method and glossing. The result of the data analysis indicates that there are several translation techniques applied, they are literal translation, amplification, modulation, linguistic amplification,established equivalence, reduction, and transposition. The most found translation technique is literal translation because its aim is to produce a translation that stick to the originality of the language source text content and form. Then, there are procedures of translation applied, they are literal translation, transposition, and modulation. Thereafter for the method of translation applied they are literal translation, free translation, communicative translation, and idiomatic translation. The most found translation method is free translation because its aim is to produce a translation that fit to the need of target language readers. The translation methods applied tend to be oriented towards the target language.

scholarly journals Translation techniques in voiced-over multilingual feature movies

2013 ◽  
Author(s):  
Katarzyna Sepielak
Keyword(s):  
Qualitative Analysis ◽  
Source Text ◽  
Efficient Tool ◽  
Woody Allen ◽  
Translation Technique ◽  
James Cameron ◽  
Translation Techniques ◽  
Main Language

This paper maps out the use of translation techniques used for multilingual interactions in voiced-over movies. First, the present study aims to determine how multilingual elements are introduced into the films and what implications these elements carry. Secondly, qualitative analysis is used in view of showing which particular translation techniques are employed to transfer multilingual elements in voiced-over translation. Four multilingual movies available with Polish voiced-over soundtrack on DVD were selected: Vicky Cristina Barcelona (directed by Woody Allen, 2008), Nine (Rob Marshall, 2009), Avatar (James Cameron, 2009), and Inglourious Basterds (Quentin Tarantino, 2009). The analysis enabled us to distinguish a type of translation technique which has never been described before: exposition, which in the case of multilingual movies might constitute an efficient tool for recreating the presence of multilingual environment. The results also reveal that translation techniques used to translate multilingual elements do not significantly differ from those used when approaching L1 (main language of the source text) elements. However, the effect they can have on multilingualism might be completely different from that intended when translating L1.

scholarly journals AUDIOVISUAL AND SONG TRANSLATION OF INDONESIAN SUBTITLE IN SHELTER MUSIC VIDEO

2021 ◽  
Vol 5 (2) ◽  
pp. 332-339
Author(s):  
Mohamad Irham Poluwa ◽  
Nafilaturif'ah Nafilaturif'ah
Keyword(s):  
Qualitative Approach ◽  
Target Language ◽  
Music Video ◽  
Translation Theory ◽  
Reduction Theory ◽  
Source Text ◽  
Source Language ◽  
Literal Translation ◽  
Translation Techniques ◽  
Collaboration Project

The current study aimed to find out the translation techniques applied by the translator in creating the Indonesian subtitles for the original lyrics of Shelter – a collaboration project of music video by Porter Robinson and Madeon, A1-Pictures and Crunchyroll uploaded on YouTube in 2016. The data were analyzed based on the audiovisual translation theory, especially the linguistics of subtitling, the translation technical procedures in the compared stylistics, and the choice in song translation. The study also applied qualitative approach which enabled the researchers to emerge data in descriptive way (in the form of words or pictures instead of numbers). Furthermore, the data were also in the forms of an audiovisual content. The study indicated that most of the lyrics were translated based on literal translation that was reflected by the equivalence of the source language and the target language. The audiovisual theory, particularly reduction theory was also applied in creating the subtitles. In addition, the subtitles were created without taking the music into consideration, meaning that the subtitles were devoted as a supplement or no more than another piece of the source text.  

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