scholarly journals Figuras impertinentes: Rodrigo Calderón y el Libro de entretenimiento de la pícara Justina (1604)

2021 ◽  
pp. 202-236
Author(s):  
Claudia Mesa Higuera
Keyword(s):  
Social Order ◽  
Cultural Practices ◽  
Early Modern Spain ◽  
Symbolic Forms ◽  
The Social ◽  
Limpieza De Sangre ◽  
The One ◽  
Purity Of Blood ◽  
Editio Princeps ◽  
Coats Of Arms

RESUMEN: Este ensayo propone una lectura de La pícara Justina y sus paratextos, a partir de la relación de complementariedad entre el self-fashioning y las artes plásticas. Este análisis subraya el potencial de emblemas y jeroglíficos, escudos y empresas, de moldear la identidad individual y así contrarrestar la fijación del orden establecido con la genealogía, el abolengo, y la “limpieza de sangre”. El caso de Rodrigo Calderón, poderoso ministro de Felipe III, cuyo escudo de armas figura en la portada de la editio princeps, sirve como ejemplo para investigar la conexión entre la heráldica y el fenómeno del self-fashioning, en la España de la temprana modernidad. Por una parte, la manipulación de la identidad a partir de formas simbólicas representa un desafío al sistema; por otra, la adopción de sus paradigmas perpetúa y sustenta los idearios culturales sobre los que está construido. ABSTRACT: This essay proposes a reading of La pícara Justina and its paratexts based on the complementary relationship between self-fashioning and artistic modes of expression. This analysis emphasizes the potential of emblems and hieroglyphics, imprese and coats of arms, to shape individual identity in order to counteract the establishment’s fixation with genealogy, ancestry, and the so-called “purity of blood”. The case of Rodrigo Calderón, a powerful political figure at the court of Philip III whose coat of arms is featured on the title page of the first edition, offers an example to investigate the connection between heraldry and the process of self-fashioning in early modern Spain. On the one hand, the exercise of shaping one’s public persona through symbolic forms of representation constitutes a challenge to the social order; on the other hand, the adoption of its own paradigms, contributes to perpetuate discriminatory cultural practices and prevailing ideologies.

scholarly journals Literatura policial y policía: reflexiones a partir de dos intervenciones críticas (José Pablo Feinmann y Carlos Gamerro)

2022 ◽  
Vol 9 (17) ◽  
pp. 197-225
Author(s):  
Hernán Maltz
Keyword(s):  
Detective Fiction ◽  
Social Order ◽  
Crime Fiction ◽  
The Political ◽  
Specific Interest ◽  
Four Dimensions ◽  
The Social ◽  
Novela Negra ◽  
The One ◽  
The Relationship

I propose a close reading on two critical interventions about crime fiction in Argentina: “Estado policial y novela negra argentina” (1991) by José Pablo Feinmann and “Para una reformulación del género policial argentino” (2006) by Carlos Gamerro. Beyond the time difference between the two, I observe aspects in common. Both texts elaborate a corpus of writers and fictions; propose an interpretative guide between the literary and the political-social series; maintain a specific interest in the relationship between crime fiction and police; and elaborate figures of enunciators who serve both as theorists of the genre and as writers of fiction. Among these four dimensions, the one that particularly interests me here is the third, since it allows me to investigate the link that is assumed between “detective fiction” and “police institution”. My conclusion is twofold: on the one hand, in both essays predominates a reductionist vision of the genre, since a kind of necessity is emphasized in the representation of the social order; on the other, its main objective seems to lie in intervening directly on the definitions of the detective fiction in Argentina (and, on this point, both texts acquire an undoubtedly prescriptive nuance).

Representations of Nizam al-Mulk

2018 ◽  
pp. 61-104
Author(s):  
Neguin Yavari
Keyword(s):  
Social Order ◽  
The Social ◽  
Religious Professionals ◽  
The One ◽  
Medieval Historiography

Who was Nizam al-Mulk? In a similar way to ‘Umar II and Charlemagne, Nizam al-Mulk is praised in medieval historiography not just for his political acumen, but also for his knowledge of law, patronage of the clerics, and his ability to stand his ground in religious debate. Nizam al-Mulk crossed the chasm that divided politicians from religious professionals, the one that separated Islamic from Iranian, Sufi from legist, Turk from Persian, Hanafi from Shafi‘i, and sultan from caliph. His uniqueness is reinforced by his enduring legacy, which contrary to current scholarship is shaped not by the Nizamiyya schools, but by his Siyar al-muluk, a guide to good rule written for the Saljuq sultan, Malikshah (r. 1073-1092). This chapter argues that the life of Nizam al-Mulk and its many retellings provide a fulcrum, or an organizing principle, for perceiving the transformation of the social order in medieval Iran.

Rousseau and Critical Theory

2017 ◽  
Vol 1 (1) ◽  
pp. 1-55
Author(s):  
Alessandro Ferrara
Keyword(s):  
Political Philosophy ◽  
Critical Theory ◽  
Social Order ◽  
Political Order ◽  
Negative Effects ◽  
The Social ◽  
The World ◽  
The One

InRousseau and Critical Theory, Alessandro Ferrara argues that among the modern philosophers who have shaped the world we inhabit, Rousseau is the one to whom we owe the idea that identity can be a source of normativity (moral and political) and that an identity’s potential for playing such a role rests on its capacity for being authentic. This normative idea of authenticity brings unity to Rousseau’s reflections on the negative effects of the social order, on the just political order, on education, and more generally, on ethics. It is also shown to contain important teachings for contemporary Critical Theory, contemporary views of self-constitution (Korsgaard, Frankfurt and Larmore), and contemporary political philosophy.

The Employment Contract as Materialization of Social Order. Contracts at Albert Ranft’s Stockholm theatres, 1895-1926

2017 ◽  
Vol 29 (1) ◽  
pp. 81
Author(s):  
Lovisa Näslund
Keyword(s):  
Social Contract ◽  
Social Order ◽  
Employment Contracts ◽  
Dominant Position ◽  
Employment Contract ◽  
The Social ◽  
Theatre Studies ◽  
The One ◽  
The Relationship ◽  
Formal Contract

In the archive, the materialized traces of theatrical organization and performances remain. In this paper, we focus on the employment contract, as a type of source material commonly found but rarely studied in theatre studies. Empirically, the paper is based on a study of contracts from Albert Ranft’s Stockholm theatres, 1895-1926. Ranft built his commercially funded theatrical empire in Stockholm in a period when the competition from subsidized theatre was minimal, and for a time dominated the Stockholm theatres. The study demonstrates how the study of employment contracts allows us to form an understanding of power relations between managers on the one hand, and artists and directors on the other, and also the formal and social aspects of the employment contracts. In the case of Albert Ranft, the contracts bear evidence of his dominant position in Stockholm theatre, which in turn a orded him an unusually powerful position in relation to his employees. The relationship between the formal and social contract is explored, and it is suggested that the formal contract could be seen as a photographic negative of the social contract: if there is an extensive social contract, the formal contract will be more elaborate, and vice versa. The extensive formal contracts of the studied period might therefore be seen as evidence of a relatively thin social contract, implying that industry norms were, at the time, not institutionalized enough to be taken for granted.

scholarly journals Family Firms as Institutions: Cultural reproduction and status maintenance among multi-centenary shinise in Kyoto

2019 ◽  
Vol 40 (6) ◽  
pp. 793-831 ◽  
Author(s):  
Innan Sasaki ◽  
Davide Ravasi ◽  
Evelyn Micelotta
Keyword(s):  
Collective Identity ◽  
Social Order ◽  
Family Firms ◽  
Cultural Practices ◽  
Dark Side ◽  
High Status ◽  
Expressive Function ◽  
Cultural Integrity ◽  
The Social ◽  
High Social Status

Our study investigated how multi-centenary family firms in the area of Kyoto – collectively known as shinise – maintain a high social status in the community. Our analysis unpacks the socio-cultural practices through which the ongoing interaction among these actors re-enacts and reproduces the social order that ascribes shinise a distinct social standing in exchange for their continued commitment to practices and structures that help the community preserve its cultural integrity and collective identity. By doing so, our findings trace a connection between status maintenance and the expressive function that a category of firms performs within a community. At the same time, our study reveals a dark side of high status, by showing how their commitments lock shinise in a position of ‘benign entrapment’ that may impose sacrifices on family members and severe limitations to their personal freedom.

scholarly journals When Justice Fails: Jurisdiction and Imprecation in Ancient Egypt and the near East

1992 ◽  
Vol 78 (1) ◽  
pp. 149-162 ◽  
Author(s):  
Jan Assmann
Keyword(s):  
Social Order ◽  
Near East ◽  
Social Institutions ◽  
Ancient Egypt ◽  
The Other ◽  
Near Eastern ◽  
The Social ◽  
The Law ◽  
The Difference ◽  
The One

In this comparative study of ancient belief and practice, the Egyptian evidence is analysed first, then placed in the wider context of the Near East. It is argued that, while laws and curses are both ways of preventing damage by threatening potential evildoers with punishment, the difference lies in the fact that in the one case punishment is to be enforced by social institutions, in the other by divine agents. Curses take over where laws are bound to fail, as when crimes remain undetected and when the law itself is broken or abandoned. The law addresses the potential transgressor, the curse the potential law-changer who may distort or neglect the law. The law protects the social order, the curse protects the law. These points are illustrated by extensive quotation from Egyptian and Near Eastern texts.

scholarly journals The Employment Contract as the Materialization of the Social Order. Contracts at Albert Ranft’s Stockholm theatres, 1895-1926

2018 ◽  
Vol 29 (1) ◽  
pp. 81
Author(s):  
Lovisa Näslund
Keyword(s):  
Social Contract ◽  
Social Order ◽  
Employment Contracts ◽  
Dominant Position ◽  
Employment Contract ◽  
The Social ◽  
Theatre Studies ◽  
The One ◽  
The Relationship ◽  
Formal Contract

In the archive, the materialized traces of theatrical organization and performances remain. In this paper, we focus on the employment contract, as a type of source material commonly found but rarely studied in theatre studies. Empirically, the paper is based on a study of contracts from Albert Ranft’s Stockholm theatres, 1895-1926. Ranft built his commercially funded theatrical empire in Stockholm in a period when the competition from subsidized theatre was minimal, and for a time dominated the Stockholm theatres. The study demonstrates how the study of employment contracts allows us to form an understanding of power relations between managers on the one hand, and artists and directors on the other, and also the formal and social aspects of the employment contracts. In the case of Albert Ranft, the contracts bear evidence of his dominant position in Stockholm theatre, which in turn afforded him an unusually powerful position in relation to his employees. The relationship between the formal and social contract is explored, and it is suggested that the formal contract could be seen as a photographic negative of the social contract: if there is an extensive social contract, the formal contract will be more elaborate, and vice versa. The extensive formal contracts of the studied period might therefore be seen as evidence of a relatively thin social contract, implying that industry norms were, at the time, not institutionalized enough to be taken for granted.

scholarly journals The Impact of the COVID-19 Pandemic on Public Transport Passenger Categorization Practices: The Case of the Moscow Metro

2021 ◽  
Vol 20 (4) ◽  
pp. 111-137
Author(s):  
Ksenia Shepetina
Keyword(s):  
Social Order ◽  
Early Stage ◽  
Erving Goffman ◽  
Cultural Expectations ◽  
The Social ◽  
Harvey Sacks ◽  
The One ◽  
And Behavior ◽  
The Impact ◽  
The City

The paper is concerned with the social categorizations and perception of social diversity of the Moscow Metro passengers. Drawing on the Goffman’s theory, I assume that the interaction between passengers is based on categorization, which links appearance and behavior of people with their cultural expectations. The categorization allows to make interaction participants identifiable and accountable. In 2020 face masks and gloves, social distancing transformed the process of categorization having directly affected per-sonal front of city dwellers and situational proprieties. Using the theoretical resources of Erving Goffman, Harvey Sacks, and contemporary urban researchers, I compare how passengers of Moscow Metro recog-nized and defined each other under the regular circumstances and during the self-isolation regime, which was enforced by the city authorities at the beginning of the COVID-19 pandemic. The study is built around three general types of “Others” that were developed as abductive notions: non-specific, specific, and stigmatized Others. I analyze how these types are situationally produced and to what extent they change when the localized interactional order undergoes significant transformations. On the one hand, this study is aimed at a detailed documentation of the unique socio-historical situation that occurred at an early stage of the pandemic. On the other hand, I use it as a “natural” breaching experiment that helps to reveal the basic elements of temporal and local specificity of the social order.

scholarly journals Permissibility of Death Penalty as a Hermeneutic Dilemma

Verbum Vitae ◽  
2020 ◽  
Vol 37 (2) ◽  
pp. 311-326
Author(s):  
Michał Kosche
Keyword(s):  
Death Penalty ◽  
Capital Punishment ◽  
Catholic Church ◽  
Social Order ◽  
Common Good ◽  
Human Life ◽  
Starting Point ◽  
The Social ◽  
The One ◽  
The Right

The notion of moral fairness of application of capital punishment is stretched between two poles of opposite interpretative meanings. On the one hand, there is an imperative related to maintaining the social order and good that justifies in some specific cases killing an individual for the good of the community; on the other hand, there is the message of the Gospel about holiness of each human life. In this regard, at the attempt to investigate the fairness of death penalty, a certain hermeneutic tension related to the overlapping of rights and obligations both with regard to the criminal and society that needs to be protected against him or her. The starting point of this article is an outlook on death penalty with due regard of a ‘hermeneutic charge’ contained both in the duty to protect common good and each individual’s life. Next, the ‘genuine paradox’ was analysed that emerges in a situation where the right to live and the right to protect overlap. All the considerations are concluded with a question whether the recent abolitionist interpretation of the Catechism of the Catholic Church should be classified as the continuity hermeneutic or rather the discontinuity hermeneutic.

scholarly journals METAPHYSICAL GOOD GROUNDS

2018 ◽  
Keyword(s):  
Social Relations ◽  
Social Order ◽  
Spiritual Development ◽  
Operating Mode ◽  
Well Being ◽  
The Social ◽  
The World ◽  
The Status ◽  
The One ◽  
Communicative Space

The article is devoted to the consideration of the good ethics metaphysical basis. As a phenomenon whose nature is transcendent, the good reveals itself in two projective optics. It is on the one hand about the ontological aspects of the good ethics, acting as a being together mode. On the other hand, the relevance of the human charitable nature to the good ethics principles. Thus, the good builds the basis, the output operating mode of co-existence. The phenomenon has objective properties and a universal character. In other words, goodness creates the condition, the nature of the order of being. This logic has traces of Socrates, which identifies concepts: good, knowledge and virtue. Good is a living knowledge that acquires the status of Truth – the knowledge of real. It opens to the person the essence of its purpose, improves and transforms its personality. It is about spiritual knowledge that opens to a person who knows, in the process of mastering the world around him. This knowledge fills the personality with the content, gives uniqueness. It is a living knowledge, aimed at improving the image, its spiritual development, growth. And, consequently, the projection of knowledge-good at the level of society acts as a mechanism for organizing and maintaining social order. A person who through the social context knows the ethical principles of good (love, respect, complicity, etc.), comprehends the laws of the spiritual order. She is an integral part of the order, and thus recognizes itself as real, unique, finds a connection to reality. The transformation of these principles into cultural universal, opens the world to the world as a single whole, an integral part of which is itself. With the explication of meanings, culture «introduces» a person in the previously compiled symbolic-communicative space, forming the ability to understand, with the message, with participation, in general forms an orientation to the community, the integrity of social relations. In this perspective well-being issues are opened. This is the principle of the spiritual knowledge power, realized in accordance with human principles of the good ethics.

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