scholarly journals ARCHITECTURAL RENOVATION USING TRADITIONAL TECHNOLOGIES, LOCAL MATERIALS AND ARTISAN’S LABOR IN CATALONIA

Author(s):  
O. Roselló

Abstract. The use of traditional techniques when restoring a masia is always the primary consideration in the preliminary phase of the project and during the site work. The virtues of traditional techniques compared to industrial production systems are described from multiple points of view: as a sustainable contemporary strategy, as generators of healthy spaces , as virtues of social and territorial scale, as a better formal contextualisation due to the limitations of pre-industrial materials. These are virtues that the industrial system has forgotten. The purpose of the Can Buch project (a masia in Northen Catalonia, Spain) was to restore the main house, some sheds and a barn, to enable rural ecotourism and to create a residence for the owner and future manager of the property. The promoter of the project intended to apply the values of permaculture. Maximising the use of Km0 materials from the start emphasised this intention. If we understand the traditional farmhouse as the site's resource map, applying this reality to the present work means recovering original representative principles. Currently, the project is in the last phase of works, but the results of applying this philosophy are already visible. It is intended to demonstrate the advantages of this self-limitation on a sustainable, environmental, territorial and compositional level.

2020 ◽  
Vol 2 (6) ◽  
pp. 97-99
Author(s):  
I. Yu. PUSHKAREV ◽  

The article shows that when quantifying the effectiveness of production systems that are reported in accounting, it is necessary to take into account not only the direct and local impact on the environment, but also the indirect, global impact, taking into account various points of view on the benefits and consequences that are part of the desired result.


2020 ◽  
Vol 24 (3) ◽  
pp. 195-211 ◽  
Author(s):  
Madeline Judge ◽  
Julian W. Fernando ◽  
Angela Paladino ◽  
Yoshihisa Kashima

What are the consequences of lay beliefs about how things are made? In this article, we describe a Western folk theory of artifact creation, highlighting how intuitive dualism regarding mental and physical labor (i.e., folk psychology) can lead to the perceived transmission of properties from makers to material artifacts (i.e., folk physics), and affect people’s interactions with material artifacts. We show how this folk theory structures the conceptual domain of material artifacts by differentiating the contemporary lay concepts of art/craft and industrial production, and how it influences people’s evaluations of different types of artifacts and their makers. We propose that the folk theory and lay concepts of art/craft and industrial production are best understood within a specific sociohistorical context, and review potential sources of cross-cultural and cross-temporal variation. We conclude by making recommendations for future research and examining the implications for promoting environmental sustainability and social justice in production systems.


Author(s):  
Gleb Valerievich Larionov ◽  
Anton Julievich Nikitin

The article presents the main factors of the industrial system of the enterprise and their development in evolution of scientific organization of production. The main principles underlying the efficient production system have been described. The comparison of the main stages of the development of the science of production organization and management has been done.


Procedia CIRP ◽  
2021 ◽  
Vol 104 ◽  
pp. 324-329
Author(s):  
Stefan Dumss ◽  
Markus Weber ◽  
Clemens Schwaiger ◽  
Clemens Sulz ◽  
Patrick Rosenberger ◽  
...  

Author(s):  
V.V. Kotelevskaya

The article explores the typological principles and genesis of narrative thinking of Thomas Bernhard (1931-1989). It reveals the paradoxical nature of his writing, which combines, on the one hand, archetypal structures, implied ‘genre memory’, and on the other hand, a unique, innovative style. Bernhard’s constructive principle is repetition, which allows the embodiment of the idea of «eternal return» (Eliade) throughout the poetical structure, whether it is a sacred event of a myth or an «obsessive repetition» (Freud) of the traumatic memories of the protagonist or the narrator. The fragmented world is under constant reorganizing with the help of Bernhard’s polyphonic writing, which finds itself mostly in the imitation of the non-figurative, purely expressive, self-referential «art of fugue» (Bach), oriented to the cyclic, rather than linear-historical concept of time. In contrast to the literary interpretation of the «polyphonic novel» (Bakhtin) with its coexistence of multiple points of view, our attention is shifted to the musicological interpretation of the fugue’s polyphony as the embodied idea of the continuity of time, the closeness and infinity of the divine universe.


2019 ◽  
Vol 43 (6) ◽  
pp. 680-685
Author(s):  
Allan R. Cohen

This essay claims too much and too little for Critical Language Discourse, an interesting subject, but in my view not necessary as a separate topic from Needed Communications Skills Education. Those skills are best learned in context, working on specific challenges with specific audiences where there are particular communications problems to be overcome, then discussed from multiple points of view, including numerous relevant theories and concepts. Frequent iterations between challenges tackled, what works under which circumstances, what does not, and so on, builds a deeper understanding of oral and written communications, without necessarily learning theoretical names for the one form of theory.


Author(s):  
Paul D. Witman

This chapter provides a set of guidelines to assist information assurance and security researchers in creating, negotiating, and reviewing non-disclosure agreements, in consultation with appropriate legal counsel. It also reviews the use of non-disclosure agreements in academic research environments from multiple points of view. Active academic researchers, industry practitioners, and corporate legal counsel all provided input into the compiled guidelines. An annotated bibliography and links are provided for further review.


Author(s):  
Paul D. Witman

This chapter provides a set of guidelines to assist information systems researchers in creating, negotiating, and reviewing nondisclosure agreements, in consultation with appropriate legal counsel. It also reviews the use of nondisclosure agreements in academic research environments from multiple points of view, including the perspectives of both public and private sectors. Active academic researchers, industry practitioners, and corporate legal counsel all provided input into the compiled guidelines. An annotated bibliography and links are provided for further review.


2018 ◽  
Vol 2 (3) ◽  
pp. 25 ◽  
Author(s):  
Hicham Hajj-Hassan ◽  
Anne Laurent ◽  
Arnaud Martin

Environmental data are currently gaining more and more interest as they are required to understand global changes. In this context, sensor data are collected and stored in dedicated databases. Frameworks have been developed for this purpose and rely on standards, as for instance the Sensor Observation Service (SOS) provided by the Open GeoSpatial Consortium (OGC), where all measurements are bound to a so-called Feature of Interest (FoI). These databases are used to validate and test scientific hypotheses often formulated as correlations and causality between variables, as for instance the study of the correlations between environmental factors and chlorophyll levels in the global ocean. However, the hypotheses of the correlations to be tested are often difficult to formulate as the number of variables that the user can navigate through can be huge. Moreover, it is often the case that the data are stored in such a manner that they prevent scientists from crossing them in order to retrieve relevant correlations. Indeed, the FoI can be a spatial location (e.g., city), but can also be any other object (e.g., animal species). The same data can thus be represented in several manners, depending on the point of view. The FoI varies from one representation to the other one, while the data remain unchanged. In this article, we propose a novel methodology including a crucial step to define multiple mappings from the data sources to these models that can then be crossed, thus offering multiple possibilities that could be hidden from the end-user if using the initial and single data model. These possibilities are provided through a catalog embedding the multiple points of view and allowing the user to navigate through these points of view through innovative OLAP-like operations. It should be noted that the main contribution of this work lies in the use of multiple points of view, as many other works have been proposed for manipulating, aggregating visualizing and navigating through geospatial information. Our proposal has been tested on data from an existing environmental observatory from Lebanon. It allows scientists to realize how biased the representations of their data are and how crucial it is to consider multiple points of view to study the links between the phenomena.


2014 ◽  
Vol 23 (2) ◽  
pp. 175-187 ◽  
Author(s):  
Yaxiao Cui

The presentation of consciousness in Mrs Dalloway has long been a focus of study, and many scholars have investigated Woolf’s narrative techniques in this regard, especially her use of Free Indirect Style. However, most of the existing studies mainly concentrate on the consciousness presentation of individual characters. Few studies have provided adequate accounts concerning the arrangement of the shifting narrative viewpoints and the linguistic mechanism that facilitates the ‘multipersonal representation of consciousness’ in this novel (Auerbach, 2003 [1953]: 536). This article attempts to fill this research gap by examining the use of parentheticals in Mrs Dalloway. The syntactic independence of a parenthetical gives it a degree of freedom to digress from its host, which makes this construction a convenient device to bring in new sources of consciousness and thus shift the narrative viewpoint from one character to another. The frequent viewpoint shifts subvert the convention of adhering to a single coherent narrative point of view. Meanwhile, using parentheticals allows Woolf to present multiple points of view within a short stretch of text, even within a single sentence. In this way, a sense of simultaneity is created. Distinct sources of consciousness are brought closer to each other; the very boundaries between individual minds seem to be blurred.


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