scholarly journals Canadian Physicians’ Breach of Duty to Patients and Communities from the Acquisition of Indigenous Skulls in the 19th Century to the Abandonment of People with AIDS in the 20th Century

2020 ◽  
Vol 45 (1) ◽  
Author(s):  
Philip Berger
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Modern Medicine ◽  
Jewish Law ◽  
Ethical Considerations ◽  
The World ◽  
William Osler ◽  
The 19Th Century ◽  
Aboriginal Children ◽  
The Impact

The impact of the Vienna Protocol transcends the world of Jewish law and provides important ethical considerations for modern medicine. This article provides a series of examples demonstrating how Canadian medical history intersects with the Vienna Protocol, and why historical insight remains relevant. Investigations into this exploitation include this author's own inquiry and attempt to repatriate Canadian indigenous skulls (a gift from William Osler to Rudolf Virchow), the glaring maltreatment of Aboriginal children in Canadian nutrition experiments, and the maltreatment of Canadian AIDS patients in the 1980s. Rudolf Virchow photo provided by and licensed from Alamy Inc., Brooklyn, NY

7. The impact of Methodism

2019 ◽  
pp. 80-93
Author(s):  
William J. Abraham
Keyword(s):  
Social Movements ◽  
20Th Century ◽  
19Th Century ◽  
Successful Schools ◽  
The Political ◽  
Political Arena ◽  
Temperance Movement ◽  
The World ◽  
The 19Th Century ◽  
The Impact

‘The impact of Methodism’ considers Methodism’s impact on and contribution to social movements, politics, education, and healthcare. Social movements that were deeply influenced by Methodism include the abolition of slavery in the 19th century and the Temperance Movement in the 20th century. The Methodist tradition has always encouraged diversity of judgement in the political arena and Methodists can be found on both the conservative and progressive wings of politics. One of the most important expressions of social holiness in Methodism shows up in its role in education. Methodists founded numerous successful schools and universities around the world. Methodism has also had an impact on popular and high culture.

De la escena a la viñeta:

Neuróptica ◽  
2021 ◽  
pp. 227-240
Author(s):  
Alejandro Silvela Calvo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Oscar Wilde ◽  
Musical Work ◽  
Visual Medium ◽  
Richard Strauss ◽  
The World ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Siglo Xx

Resumen: P. Craig Russell ha destacado, entre otras aportaciones, por su labor a la hora de realizar una larga serie de adaptaciones del mundo de la ópera a la viñeta. El estilo de Russell se caracteriza por partir de la idea de adaptar una obra musical a un medio plástico y visual haciendo que no solo se convierta en la simple narración de una ópera musical, sino que crea una obra en sí misma en la que intenta recoger diferentes sensaciones estilísticas, estructurales y estéticas de la obra y generar una representación de las mismas. En este artículo nos valdremos de su adaptación de Salomé, ópera de Richard Strauss de 1905 basada en la obra teatral homónima de Oscar Wilde. Se tratará la idea de musicalización del cómic y la forma en la que Russell plasma diferentes ideas musicales referentes no solo a timbres, leitmotiv u orquestación, sino atendiendo a diferentes parámetros que engloba la obra de Strauss, en torno a la idea de maximalización y decadencia del arte de finales del siglo XIX y principios del siglo XX. Abstract: P. Craig Russell has stood out, among other contributions, for his work in making a long series of adaptations from the world of opera to comic. Russell's style is characterized by starting from the idea of adapting a musical work to a plastic and visual medium, making it not only become the simple narration of a musical opera, but also creates a work in itself in which he tries to collect different stylistic, structural and aesthetic sensations of the work and generate a representation of them. In this article we will use his adaptation of Salomé, an opera by Richard Strauss from 1905 based on the play of the same name by Oscar Wilde. The idea of musicalization of the comic will be discussed and the way in which Russell expresses different musical ideas referring not only to timbres, leitmotivs or orchestration, but also taking into account different parameters that encompass Strauss's work around the idea of maximalization and decadence of art from the end of the 19th century and the beginning of the 20th century.  

scholarly journals Reforming Police: Opportunities, Drivers and Challenges

2005 ◽  
Vol 38 (2) ◽  
pp. 167-180 ◽  
Author(s):  
Philip C. Stenning ◽  
Clifford D. Shearing
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Special Issue ◽  
Quiet Revolution ◽  
The World ◽  
The Creation ◽  
The 19Th Century ◽  
Different Parts

A few years ago, David Bayley and Clifford Shearing (1996) argued that at the end of the 20th century we were witnessing a ‘watershed’ in policing, when transformations were occurring in the practices and sponsorship of policing on a scale unprecedented since the developments that heralded the creation of the ‘New Police’ in the 19th century. In this special issue of the journal, we and our fellow contributors turn our attention to a somewhat neglected aspect of this ‘quiet revolution’ in policing (Stenning & Shearing, 1980), namely the nature of the opportunities for, and challenges posed by, the reform of policing in different parts of the world at the beginning of the 21st century. Our attention in this issue is particularly focused on the opportunities, drivers and challenges in reforming public (state-sponsored) police institutions.

scholarly journals Foreign Layer of the Chuvash Book

2020 ◽  
pp. 28-32
Author(s):  
Alena Mikhajlovna Ivanova ◽  
Eduard Valentinovich Fomin
Keyword(s):  
Foreign Language ◽  
Qualitative Analysis ◽  
20Th Century ◽  
19Th Century ◽  
Publishing House ◽  
Scientific Publications ◽  
The Past ◽  
The World ◽  
The 19Th Century ◽  
Parallel Texts

The article is devoted to the consideration of extraterritorial publications on the Chuvash theme. The purpose of the work is to identify the essential features of the foreign layer of the Chuvash book. The conclusions of the work are based on a quantitative and qualitative analysis of bibliographic indexes and a direct study of the books themselves de visu. The authors of the article consider foreign books as an important component of modern Chuvash culture, endowed with communicative, cognitive-cumulative, ethno-presentative and educational functions. Extraterritorial editions of the Chuvash book appeared in the first half of the 19th century, and only by the end of the 20th century they formed an independent layer. At the same time, one should objectively speak of two exteriorics – the Chuvash and by the poet G. Aygi. Each of them is represented by almost 150 publications. The predominant problematic of the foreign language layer of the Chuvash book proper is the Chuvash language. Moreover, its notable aspect is the publication of books in the Chuvash language or their publication with parallel texts in Sweden and Turkey. G. Aygi’s foreign publications are already represented by collections of poems in Russian, published by the publishing house of the artist N. Dronnikov in France. This work is a publication that should provide an introduction to the scientific use of literature that has not yet become the property of the Chuvash Studies. Its task is to promote the full functioning of modern Chuvash science in conjunction with the world one. The authors come to the conclusion that, in general, the foreign layer of the Chuvash book has an enduring value, and many of the scientific publications published in the past are rightly elevated to the rank of classical ones by the scientists.

scholarly journals Zakopane i Tatry fin de siècle. Jan Kasprowicz – podróże artysty

2020 ◽  
Vol 6 ◽  
pp. 309-335
Author(s):  
Klaudiusz Święcicki ◽  
Keyword(s):  
National Identity ◽  
20Th Century ◽  
19Th Century ◽  
Fin De Siecle ◽  
Tatra Mountains ◽  
Relationship Of ◽  
The 19Th Century ◽  
The Tatra Mountains ◽  
The Impact ◽  
The Relationship

The article discusses the process of increased interest in Zakopane and Podhale culture in the second half of the 19th century and at the beginning of the 20th century. Discusses the problem of highlanders acquiring national identity. Characterizes the environment of the intellectual and artistic elite of Zakopane. Attempts to analyse how fascination with the Tatra landscape and highlander culture influenced the formation of one of the myths that fund modern national identity. Tries to show how the artists influenced the development of Zakopane as a holiday spa. It also shows the impact of bohemia on the transformation of the culture of highlanders in the Podhale region. The second part of the article discusses the relationship of the poet Jan Kasprowicz with Podhale. His peregrinations to Zakopane and Poronin were presented. On the selected example from creativity, an attempt was made to analyse the poet’s fascination with the Tatra Mountains and highlander culture.

scholarly journals Influenţe Secession În Lirica Blagiană

2019 ◽  
Vol 20 (1) ◽  
pp. 126-135
Author(s):  
Denisa-Maria Frătean
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Modern Art ◽  
Gustav Klimt ◽  
The Creation ◽  
The 19Th Century ◽  
The Impact

AbstractSecession Influences in Blaga’s Poetry (Influențe Secession în lirica blagiană) – This essay analyses the impact of the years spent in Vienna on the formation of Lucian Blaga, taking into consideration the fact that, at the end of the 19th century and the beginning of the 20th century, the capital of the Empire was the centre of an impressive art movement called the "Vienna Secession". The aim of this paper is to identify the similarities that can be established between the art of the painter Gustav Klimt, a representative figure for that period and the president of Secession, and the poetry of Blaga. The comparison includes the symbols to be found in the works of the two artists, such as the spring flowers and the serpents, the dominant colours, the type of lines used in the creation of their images and the reaction of people to their modern art.

Why the “True” Philosophy of Valisiy Rozanov Is So Consanguineal for Me

2019 ◽  
Vol 60 ◽  
pp. 237-261
Author(s):  
Alexander Tsipko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Political History ◽  
Intrinsic Value ◽  
The World ◽  
Rich People ◽  
The Right ◽  
The 19Th Century ◽  
World Mission

The author of the article analyzes the key directions of Russian philosophic thought starting with the end of the 19th century, as well as the course of Russian political history in the 19th century, and using his fist-hand experience gives his own interpretation of the phenomena of Russian nihilism, Russian socialism and Russian messianism. In particular the author discusses the ascetic Orthodoxy idea of “rich people being worse than poor”, that during long periods united the narratives of various, and very often oppositional to each other, directions of the Russian thought, as well as the purposes of intelligentsia on the whole. That attitude to “richness” according to the author was based on the long-standing tradition of the mobid attitude to asceticism, and he develops Rozanov’s idea that there is no proof of the postulate that a suffering proletarian is closer to spiritual perfection than a so-called “exploiter”. At the bottom of Russian nihilism was the total denial of life, that later led the attitude to any individual as just means in the revolutionary doctrine and in post-revolutionary political practices. On the contrary, the acknowledgement of the world intrinsic value can serve as philosophical prerequisite of the opposition to the interpreting of an individual as “just means”. V.V. Rozanov supported that idea of intrinsic value connecting the divine with the living in his “philosophy of the mundane”, thus defending the right of any Russian man to the joys of commonness. On the basis of that position the author of the article discredits the Russian messianism that was understood as socialist world mission by some thinkers at the beginning of the 20th century. According to the author the paradox lies in the fact that Russian messianism was generated in reality not by the love to Russia, but by the lack of national feelings, he also states that all these problems are still relevant in contemporary Russia.

PLANNING AND CONTROL IN THE 19th CENTURY ICE TRADE

1984 ◽  
Vol 11 (1) ◽  
pp. 19-30 ◽  
Author(s):  
Linda H. Kistler ◽  
Clairmont P. Carter ◽  
Brackston Hinchey
Keyword(s):  
New England ◽  
19Th Century ◽  
Foreign Currency ◽  
Transportation Costs ◽  
Planning And Control ◽  
Geographically Dispersed ◽  
The World ◽  
And Control ◽  
The 19Th Century ◽  
The Impact

This paper describes selected accounting records of the Tudor Ice Company which were devised to manage and control the far-flung business activities of Frederic Tudor, a 19th century entrepreneur who has been called America's first monopolist. Tudor's business genius lay in developing methods of harvesting, transporting, storing, and marketing commercial quantities of ice taken from New England ponds and shipped to tropical ports around the world. Frederic Tudor employed relatively sophisticated accounting techniques to analyze and control transportation costs and the costs of product shrinkage. He also routinely analyzed and translated foreign currency transactions for his geographically dispersed operations and evaluated the impact of competition on his operations.

THE BEGINNINGS OF ESTABLISHMENT AND DEVELOPMENT FOR UKRAINIAN ACADEMIC VOCAL PERFORMING

2019 ◽  
pp. 25-36
Author(s):  
A. K. Tereshchenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Scientific Work ◽  
Historical Method ◽  
The World ◽  
Characteristic Features ◽  
Vocal Art ◽  
Opera Singers ◽  
The 19Th Century ◽  
Creative Life

The purpose of this article is disclosing genic underground for germination and evolution of Ukrainian academic vocal performing. The target of this investigation is also revealing the most characteristic features of domestic vocal tradition into the stage concerning to formation of Ukrainian professional vocal art. The methodology of this exploration is formed by researcher on the basis employment of historical method, which connects with studying definite biographical information of Ukrainian academic singers. The systematic manner has the specific significance for special formation the investigative sequence of Ukrainian performers’ the most characteristic vocal criterions. The structurally analytical method26allows to hold out the logic of scientific disquisition, its structure and to texture the general conclusions. The scientific newness of the presented article is determined by appeal to phenomenon of Ukrainian vocal academic art into its stage beginning and further evolutional development. The discovering of not renowned facts from creative life of celebrated Ukrainian singers namely Mykola Ivanov, Semen Hulak-Artemovsky, Alexander Mishug, Kamil Everardy, Alexander Korobeychenko, Anatoly Solovyanenko and Lyudmila Yurchenko is novelty into the scientific work. Conclusions. The world famous creation of Ukrainian opera singers specifically Mykola Ivanov and Semen Hulak-Artemovsky is genic foundation of Ukrainian academic vocal performing. Namely these artists, from the middle of the 19th century, began its approving and passing to descendants on the highest professional level. The permanent connect with Italian vocal tradition as well as Ukrainian-Italian concert-creative relationships are the most peculiar traits, the characterological features of domestic vocal performing, into the stage organization of Ukrainian vocal art’s phenomenon. The successors of such a type art events in the 20th century were celebrated performers, exactly the singers and teachers Alexander Mishug, Kamil Everard, Alexander Korobeychenko, Anatoly Solovyanenko, Lyudmila Yurchenko and others.

The visions of global salvation in Juliusz Słowacki’s messianic thought and the philosophical works of Teilhard de Chardin

2020 ◽  
Vol 35 (2) ◽  
pp. 16-39
Author(s):  
Olaf Krysowski
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
Intellectual Style ◽  
Final Shape ◽  
The World ◽  
The Absolute ◽  
The Mind ◽  
The 19Th Century ◽  
Common Vision

Juliusz Słowacki and Teilhard de Chardin did not have much in common. The former was a Polish poet who wrote in the first half of the 19th century using a literary-pictorial style. The latter, on the other hand, was a French philosopher working in the first half of the 20th century using a scientific and intellectual style. In spite of these differences, one may get the impression that they both followed the same goal: to learn and explain the principles of the development of the world, from its origin to its end, from Alpha to Omega. This aspiration was accompanied by a belief (in Słowacki’s case, a messianic one) that the progress of existence leads to salvation and takes place according to a certain plan. One of the main mecha- nisms of this plan is the process of lifting the consciousness through the evolution of various biological forms towards its final shape – unity with God who is both a person and the absolute which encompasses all of the creation. Although the poet and the philosopher used different communication codes, their works share a common vision of evolution as a transition from an unconscious, dispersed exist- ence to a united being in which the spirit, the knowledge and the mind can achieve a “global”, yet personalized level.

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