scholarly journals Օսիպ Մանդելշտամ. Բանաստեղծը և ժամանակը: Հայաստանը նրա կյանքում

2021 ◽  
pp. 46-87
Author(s):  
Անուշավան Զաքարյան
Keyword(s):  
Present Article ◽  
Russian Literature ◽  
Special Place ◽  
Soviet Literature ◽  
History Of

Osip Mandelstam (1891–1938) – a prominent Russian poet (Jewish by origin), art theorist, translator – takes a special place in the history of the Soviet literature. In the 1920–1930s, Mandelstam, being non-party man and not constantly being member of any literary association, tasted all the misfortunes that befell the intellectual class of his generation and great many ordinary Soviet citizens; he faced repressions, he was arrested twice, was sent into exile where he died. Mandelstam’s name is closely related to Armenia and Armenian culture. His visit to Armenia (from May to early October, 1930) was life-changing for him. Under the indelible impressions of the biblical country, he wrote a collection of poems “Armenia” (1931) and an essay “Journey to Armenia” (1933). These pieces of art are among the best works in the Russian literature dedicated to Armenia. There is rich literature on Mandelstam’s life and art: memoirs of contemporaries, a great number of monographs, articles and publications. Nevertheless, there are almost no studies about Mandelstam in the Armenian language: the present article partially fills this gap.

scholarly journals Ironia i nihilizm. Figura bibliotekarza w Posłuchaniu u Lucypera Józefa Sękowskiego

2019 ◽  
pp. 83-94
Author(s):  
Jarosław Ławski
Keyword(s):  
National Identity ◽  
Present Article ◽  
Short Story ◽  
Subject Matter ◽  
Russian Literature ◽  
Absolute Power ◽  
Polish Literature ◽  
The World ◽  
History Of ◽  
The Subject

The subject matter of the present article is the image of library and librarian in a forgotten short story by a Polish-Russian writer Józef Julian Sękowski (1800−1858). Sękowski is known in Polish literature as a multi-talented orientalist and polyglot, who changed his national identity in 1832 and began to write only in Russian. In the history of Russian literature he is famous for Library for Reading and Fantastic Voyages of Baron Brambeus, an ironic-grotesque work, which was precursory in Russian prose. Until 1832 Sękowski was, however, a Polish writer. His last significant work was An Audience with Lucypher published in a Polish magazine Bałamut Petersburski (Petersburgian Philanderer) in 1832 and immediately translated into Russian by Sękowski himself under the title Bolszoj wychod u Satany (1833). The library and librarian presented by the author in this piece are a caricature illustration proving his nihilistic worldview. Sękowski is a master of irony and grotesquery, yet the world he creates is deprived of freedom and justice and a book in this world is merely a threat to absolute power.

scholarly journals TEACHING THE HISTORY OF BYZANTIUM AT GEORGIAN SCHOOLS ACCORDING TO THE ANALYSIS OF CURRICULA AND TEXTBOOKS

World Science ◽  
2018 ◽  
Vol 1 (7(35)) ◽  
pp. 4-8
Author(s):  
Madona Mikeladze
Keyword(s):  
Present Article ◽  
National Curriculum ◽  
Byzantine Empire ◽  
Indelible Mark ◽  
Special Place ◽  
Historical Processes ◽  
Christian Culture ◽  
History Of ◽  
School Books ◽  
Byzantine History

The Byzantine Empire, which existed for more than 1000 years, holds a special place in the history of civilization. It was the largest medieval Christian state on the crossroad of Europe and Asia. The Byzantine culture belongs to the medieval Christian culture, but it has specific peculiarities in comparison to the Western Christian culture.The phenomenon of Byzantium, as the successor of the Roman state tradition and as the source of Christian culture, is of particular importance in the development of Georgia's historical processes.Understanding the historical processes of the V-XV centuries in Georgia is quite difficult without knowing the history of Byzantium. We cannot analyze even the later period without knowing Byzantium, because this country has left an indelible mark on Georgia, especially on its culture. The purpose of the present article is to show what the position of the Byzantine history is in the national curriculum and school books.

FROM THE HISTORY OF THE RUSSIAN POETRY IN AVAR TRANSLATIONS (Based on the work of R. Gamzatov)

2021 ◽  
pp. 38-43
Author(s):  
Ahmed Magomedovich Murtazaliev ◽  
Anisat Gasanovna Suleymanova
Keyword(s):  
Native Language ◽  
Russian Literature ◽  
Special Place ◽  
Russian Poetry ◽  
History Of

The article considers the history of Russian poetry in the translations of Rasul Gamzatov, an outstanding mas-ter of the artistic word, a national poet of Dagestan. Thanks to his activity and talent, the Avar recipient was able to read the works of famous Russian authors in his native language, among which the creative heritage of A. S. Pushkin occupies a special place. The review presented in the article allows not only to recreate in the fullest extent the chronology of R. Gamzatov's activities in translating works of Russian literature into his native language, but also to pay tribute to his titanic work, which has become a vivid phenomenon of the artistic culture of the Avar people.

You Say You Want a Reformation? Parsing the Ubiquitous Rhetoric of an “Islamic Reformation”

2010 ◽  
Vol 4 (1-2) ◽  
pp. 37-73
Author(s):  
Paul R. Powers
Keyword(s):  
Present Article ◽  
Political Change ◽  
September 11 ◽  
Terrorist Attacks ◽  
Protestant Reformation ◽  
Islamic World ◽  
History Of

The ideas of an “Islamic Reformation” and a “Muslim Luther” have been much discussed, especially since the terrorist attacks of September 11, 2001. This “Reformation” rhetoric, however, displays little consistency, encompassing moderate, liberalizing trends as well as their putative opposite, Islamist “fundamentalism.” The rhetoric and the diverse phenomena to which it refers have provoked both enthusiastic endorsement and vigorous rejection. After briefly surveying the history of “Islamic Reformation” rhetoric, the present article argues for a four-part typology to account for most recent instances of such rhetoric. The analysis reveals that few who employ the terminology of an “Islamic Reformation” consider the specific details of its implicit analogy to the Protestant Reformation, but rather use this language to add emotional weight to various prescriptive agendas. However, some examples demonstrate the potential power of the analogy to illuminate important aspects of religious, social, and political change in the modern Islamic world.

Thread of Generations [On the History of N. Krupskaya Astrakhan Regional Research Library]

2009 ◽  
pp. 116-119
Author(s):  
Larisa V. Kolenko
Keyword(s):  
Present Article ◽  
Research Library ◽  
Volga Region ◽  
Regional Culture ◽  
Regional Research ◽  
Research Results ◽  
History Of ◽  
Representing History

The present article is concerned with the research results of the chronicles of N. Krupskaya Astrakhan Regional Research Library, representing history of the largest regional library of the Volga region in the context of development of the country librarianship as well as regional culture.

Selfi es

2018 ◽  
Vol 2018 (1) ◽  
pp. 83-96
Author(s):  
Ramon Reichert
Keyword(s):  
Present Article ◽  
Digital Communication ◽  
Role Expectations ◽  
Digital Culture ◽  
Final Part ◽  
Human Face ◽  
History Of ◽  
The Media ◽  
Front Stage

The history of the human face is the history of its social coding and the media- conditions of its appearance. The best way to explain the »selfie«-practices of today’s digital culture is to understand such practices as both participative and commercialized cultural techniques that allow their users to fashion their selves in ways they consider relevant for their identities as individuals. Whereas they may put their image of themselves front stage with their selfies, such images for being socially shared have to match determinate role-expectations, body-norms and ideals of beauty. Against this backdrop, collectively shared repertoires of images of normalized subjectivity have developed and leave their mark on the culture of digital communication. In the critical and reflexive discourses that surround the exigencies of auto-medial self-thematization we find reactions that are critical of self-representation as such, and we find strategies of de-subjectification with reflexive awareness of their media conditions. Both strands of critical reactions however remain ambivalent as reactions of protest. The final part of the present article focuses on inter-discourses, in particular discourses that construe the phenomenon of selfies thoroughly as an expression of juvenile narcissism. The author shows how this commonly accepted reading which has precedents in the history of pictorial art reproduces resentment against women and tends to stylize adolescent persons into a homogenous »generation« lost in self-love

РАССКАЗЫ В.ШУКШИНА И ПРОБЛЕМЫ ПЕРЕВОДА ИХ НА КЫРГЫЗСКИЙ ЯЗЫК

2020 ◽  
pp. 77-81
Author(s):  
Джээнбүбү Бегеева
Keyword(s):  
Key Words ◽  
Russian Literature ◽  
Main Task ◽  
Stylistic Variation ◽  
Psychological Feature ◽  
Translation Analysis ◽  
History Of ◽  
The Creation ◽  
Problems Of Translation

Аннотация. В статье анализируется качество переводов рассказов В.Шукшина, осуществленных в середине 70-х годов С. Наматбаевым. Переводоведческий анализ вывил многочисленные стилевые расхождения между оригиналом и переводом. При переводе одного из лучших рассказов Шукшина «Чудик» искажения стиля не передали психологические тонкости рассказа. При переводе рассказа «Дядя Ермолай» философский аспект рассказа выпал, так как переводчик исказил жанровую специфику. Перевод рассказа «Два письма» оказался более качественным по сравнению с предыдущими. Переводчик рассказа «Два письма» сумел приблизиться к оригиналу, расшифровать его основную тональность, воспроизвести атмосферу напряженных поисков истины героем рассказа Николаем Иванычем. Этот перевод оказался более качественно выполненным по сравнению с предыдущим рассказом «Дядя Ермолай». Причину переводческого успеха можно объяснить, прежде всего, доступностью содержания рассказа, да и сам герой не столь сложная и глубокая личность, как повествователь в рассказе о дяде Ермолае. В целом, переводы С.Наматбаева являются своеобраз- ным этапом в переводческом деле. В настоящее время необходимо более полное и глубокое восприятие творчества В.Шукшина и создания новых адекватных переводов. Ключевые слова: качество переводов, стилевые расхождения, психологические тонкости, философский аспект, этапом. Аннотация. Макалада В.Шукшиндин аңгемелеринин кыргыз тилине которуудагы сапаты каралат, котормолор 1970-жылдары котормочу С.Наматбаев аркылуу жаралган. Котормонун сапатына талдоо жүргүзгөндө көпчүлүк каталар табылган, алардын эң олуттуусу стилдердин айырмасы, негизги чыгарма менен котормонун ортосунда. Мисалы, “Чудик” деген аңгеменин психологиялык мүнөздөмөсү жоголуп кеткен. “Ермолай байке” деген аңгемеде жанрдын туура эмес берилишинен жазуучунун негизги ою жоголуп кеткен. “Эки кат” деген аңгеме беркилерге караганда сапаттуу которулган. Котормочу " Эки кат" деген аңгемени оригиналга жакындатып которгон. Башкы каарман Николай Иванычтын изденүүлөрүн, ойлорун, чындыкты табууга аракеттерин Шукшинден кем эмес окуучуларга жеткирген. Котормочунун жетишкендиги аңгеменин түшүнүктүү мазмуну менен түшүндүрсө болот, жана Николай Ивановичтин жөнөкөйлүгү менен. С.Наматбаевдын котормолору каталарына карабастан котормочулук иште алдыга жылуу болгон. Бирок, азыркы заманда сапаттуу котормо жаратууда мезгил келди. Түйүндүү сөздөр: которуудагы сапаты, стилдердин айырмасы, психологиялык мүнөздөмөсү, негизги ою жоголуп. Annotation. The quality of translation of the Shukshins stories is analyzed in the Middle 70- years. By S.Namatbaev. The translation analysis had idenh hed numerous style discrepancies between the original and the translation. The psychological feature of the compasihion were not be hansfered by the translation one the bestand famous story by. V.Shukshin due to distorhion of the style. By the translation of the story “The uncle Ermolai” had full a phisichal aspect of the story, because the translator had distorted the genre specifics. The translation of the stories “Two letters” was wade more qualitative comparated with another stories. Generally, the Namatbaevs translation are a sui generis stage in the translatiobs. We need currently more total and profound perception of the creation by V.Shukshin. The create of the new adeavate translation is the main task. The head of the theory and history of Russian literature department. V. Shukshin’s stories and problems of translation them into Kyrgyz language. This article is analysed the quality of translation of V. Shukshin’s stories, which were written in 70 th with S. Namatbaev. Translation analyse deduced many stylistic variations between translated version and original. There is a misrepresentation, was not transmitted psychological subtleties of the story in translation of one of the best V. Shuk- shin’s story “Wierdo”. Metaphysical dimension is disappeared in translation of the story “Uncle Ermolai”, since translator destort the genre specificity. The translation of the story “Two letters” has been more qualitative in comparison with previous translations. In common, S. Namatbaev’s translation is a genius stage in translation. It needs more full and deep comprehension of S. Shukshin’s work and to establish new suitable translation. Key words: Quality of translation, stylistic variation, psychological subtleties, metaphysical dimension, stage.

IDIOMS WITH A FLORAL COMPONENT AND DIFFICULTIES OF THEIR TRANSLATION

2019 ◽  
pp. 144-153
Author(s):  
Kamola Alimova
Keyword(s):  
Present Article ◽  
The World ◽  
History Of

This article is devoted to the study of English idioms with flora component, their meaning and use in speech. The aim of the work is to define the concept of "idioms", the history of idioms with the component of flora, centuries-old human observations of the world of flora and the attitude of people to this area of reality. The article also reveals the peculiarities of English idioms with flora component important for translation and considers the problem of adequacy and equivalence in translation, as well as the ways of translation of English idioms into Uzbek. The present article is devoted to investigation of idioms with the component of the flora, their importance and use in speech. The aim of the work is to define the concept of "idiom". The history of occurrence of idioms with flora component is considered. Identify the features of idioms that are important for translation and methods of translation of English idiom with the component flora. Ушбу мақола флора компонентига эга бўлган инглиз идиомаларининг мазмуни ва уларни нутқдаги аҳамиятини ўрганишга бағишланган. Мақоланиниг мақсади флора компонентига эга бўлган инглиз идомаларининг моҳияти ва келиб чиқиш тарихини ўрганиш ва флора дунёсининг кўп асрлик инсон томонида кузатилиши ва унга муносабатини кўриб чиқишдан иборат. Шунингдек, мақолада флора компонентига эга бўлган инглиз идиомаларининг ўзбек тилига таржима қилиш жараёнидаги муҳим жиҳатлари, айниқса, таржимада адекватлик ва эквалентлик муаммоси ҳамда таржима қилиш усуллари кўриб чиқилган. Cтатья посвящена изучению английских идиом с компонентом флора, их значению и употреблению в речи. Целью работы является определение понятия идиома, история идиом с компонентом флора, многовековые наблюдения человека за миром флоры и отношение людей к этой области действительности. В статье также раскрываются особенности перевода английских идиом с компонентом флора, рассматривается проблема адекватности и эквивалентности в переводе и способы перевода английских идиом на узбекский язык.

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