From Paper to Pixel

2018 ◽  
pp. 1-20
Author(s):  
Susan Zieger
Keyword(s):  
Mass Media ◽  
Working Class ◽  
Social Relations ◽  
Mass Culture ◽  
Human Condition ◽  
Theodor Adorno ◽  
Friedrich Kittler ◽  
Eve Sedgwick ◽  
Ink Blot ◽  
Lauren Berlant

The introduction lays out the book’s terms, critical concerns, method, and historical and theoretical contexts. Explaining how printed ephemera transformed the texture of everyday middle- and working-class life throughout the nineteenth century, peaking in the 1860s and 1890s, it then shows how affect, itself an ephemeral human condition, registered the new social relations that mass media reorganized. The introduction explains the book’s engagement with theorists of media and mass media such as Walter Benjamin, Theodor Adorno and Marx Horkheimer, and Friedrich Kittler; and theorists of affect and mass culture such as Eve Sedgwick, Lauren Berlant, and Kathleen Stewart. It describes the cultural evidence the book assembles, such as temperance medals, cigarette cards, ink blot games, and novels; and describes each chapter.

Maus y la ética de la representación después del Holocausto Narrativas post-traumáticas, elaboración y post-memoria. / Maus and the Ethics of Representation After the Holocaust Post-traumatic narratives, elaboration and post-memory.

2012 ◽  
Vol 1 (01) ◽  
pp. 71-113
Author(s):  
Silvana Vetö
Keyword(s):  
Mass Media ◽  
Traumatic Event ◽  
High Culture ◽  
Ethical Problems ◽  
Theodor Adorno ◽  
The Holocaust ◽  
The Face ◽  
German Philosopher ◽  
Post Traumatic ◽  
Medios De Comunicacion

En este trabajo se examinarán algunos de los problemas éticos que el Holocausto ha planteado a los medios de representación de la historia, para luego ligar las distintas narrativas que resultan de dichas representaciones, con las posibilidades de duelo y elaboración. Se abordarán primero los planteamientos de Theodor Adorno respecto de las posibilidades del arte frente al sufrimiento. Luego se expondrán algunos aspectos del debate surgido al final de la década del 70 a propósito de la representación del Holocausto en medios de comunicación de masa y en la “alta” cultura. Se mostrará como persiste en ese debate una perspectiva dicotómica respecto del trauma, de la cual surgen dos tipos de narrativas post-traumáticas supuestamente irreconciliables, que no permiten una adecuada elaboración y un duelo satisfactorio respecto de las pérdidas implicadas en el acontecimiento traumático. Finalmente, analizaremos en detalle la novela gráfica Maus. Relato de un superviviente, cuya narrativa experimental permite cuestionar y deconstruir la dicotomía redención/aporía de manera novedosa, planteando nuevos problemas vinculados a la memoria del Holocausto y a la posibilidades de duelo. In this work, we will focus on some of the ethical problems that the Holocaust has posed to the representation of historical limit-events. We will then link the different narratives emerging from these representations to the possibilities of mourning and elaboration. First, we will examine the German philosopher Theodor Adorno’s propositions concerning the possibilities of art in the face of suffering. Then, we will present some aspects of the debate that arose in the late 70s regarding the representation of the Holocaust in mass media and in ‘high’ culture. It will be shown how in this debate there persists a dichotomist perspective of trauma, which creates two supposedly irreconcilable types of post-traumatic narratives that do not permit an appropriate elaboration and mourning of losses caused by the traumatic event. Finally, we will analyze the graphic novel Maus. A Survivor’s Tale, whose experimental and open narrative allows an original questioning and deconstruction of the redemption/aporia dichotomy, putting forward new problems related to the memory of the Holocaust and the possibilities of mourning.

scholarly journals Влияние масс-медиа на сознание человека в пьесах Александра Марданя

2018 ◽  
pp. 153-164
Author(s):  
Maria Sibirnaya
Keyword(s):  
Mass Media ◽  
Mass Culture ◽  
Real Life ◽  
Point Of View ◽  
Contemporary Culture ◽  
Modern Culture ◽  
Factors Affecting ◽  
The Mass Media ◽  
Music Information ◽  
Modern Mass

Nowadays the influence comprehension of the mass media as one of the most significant factors affecting contemporary culture, acquires the special significance. All kinds of new information receiving by media channels obtain the stereotyped, frequently repeatedly cultural and axiological orientations, which become fixed in people's consciousness. Skillful manipulation of information makes the power of suggestion from mass media practically unlimited. Therefore, the public opinion is created by the mass media. Being so closely intertwined with the mass media, the modern mass culture is coming through all elements of people's lives. Moreover, it appears in the literary works, which reflect the influence of the mass media on the consciousness, mentality, point of view and decisions of the literature characters, using their set example in the literature. Odessian playwright Aleksander Mardan presents his characters in the context of the events, which entails new circumstances both due to the characters decisions and out of more extensive economic and political changes. One may notice the presence of mass media in the form of music, information broadcasts and press almost in all Mardan's play. One may track out the influence on the character’s consciousness and reveal the difference between the official version and what happened in the real life. Using the performance tool, there is the action in the play showing the influence of the stereotypes implicated by the mass media. The performance reveals not only the stereotypes affection influencing the mentality of the characters, but also the viewers whose interpretation of the play’s direction is not always critical enough. Therefore, the question about the relationship between the society and mass media, about the level of freedom in mass media from the society and concerning the influence exerted by mass media on the modern culture and the human's consciousness is repeatedly presented in Alexander Mardаn’s plays.

scholarly journals Engels’s Theory of Social Murder and the Spectacle of Fascism: A Critical Enquiry into Digital Labour and its Alienation

2020 ◽  
Vol 19 (1) ◽  
pp. 52-67
Author(s):  
Aishik Saha
Keyword(s):  
Social Media ◽  
Working Class ◽  
Social Relations ◽  
Authoritarian Regimes ◽  
Digital Capitalism ◽  
The Social ◽  
Theory Of Value ◽  
Forms Of Violence ◽  
The Impact ◽  
Similar Development

In this paper, I shall attempt to respond to the charge that the digital labour theory, as developed by Christian Fuchs, doesn’t faithfully stick to the Marxist schema of the Labour Theory of Value by arguing that Marx’s critique of capitalism was based on the social and material cost of exploitation and the impact of capitalist exploitation of the working class. Engels’s analysis of The Condition of The Working Class in England links the various forms of violence faced by the working class to the bourgeois rule that props their exploitation. I shall argue, within the framework of Critical Social Media Studies, that the rapid advance of fascist and authoritarian regimes represents a similar development of violence and dispossession, with digital capitalism being a major factor catalysing the rifts within societies. It shall be further argued that much like the exploitative nature of labour degrades social linkages and creates conditions of that exaggerates social contradictions, the “labour” performed by social media users degenerates social relations and promotes a hyper-violent spectacle that aids and abets fascist and authoritarian regimes.

Does Queer Political Theory Have a Future?

Shame ◽  
2017 ◽  
Author(s):  
Bogdan Popa
Keyword(s):  
Political Theory ◽  
Political Thinking ◽  
Recent Scholarship ◽  
The Future ◽  
Eve Sedgwick ◽  
Lauren Berlant

In this final chapter I reflect upon the possibilities unleashed by recent scholarship in queer political theory. First, I discuss the future of queer political thinking by insisting that the act of interpretation has to draw on how one becomes both irritated by and surprised by scholarly arguments. As an affective practice, irritation offers the incentive to challenge what is already known while the surprise opens up a new territory for investigation. Second, to enact my interpretative method, I critically engage with the work of Eve Sedgwick, Leo Bersani, José Esteban Muñoz, and Lauren Berlant to argue that queer practices can articulate an equality-oriented vision of politics.

scholarly journals Pass in language, maths... and TV

Comunicar ◽  
2008 ◽  
Vol 16 (31) ◽  
pp. 159-166
Author(s):  
Tania Jiménez-Palacio ◽  
María José Revuelta-Bayod
Keyword(s):  
Mass Media ◽  
Social Relations ◽  
Education System ◽  
Radio Stations ◽  
Alternative Teaching ◽  
Political Interests ◽  
The Social ◽  
El Sistema ◽  
The Relationship ◽  
Medios De Comunicacion

A new debate has arrived to the Education System. It deals with the need of an alternative teaching, an education that exceeds the academic traditions and studies the social relations, such as the relationship between media and society. Citizens must access an audiovisual teaching, because it is important to unders-tand how television, radio stations, newspapers, etc., work when they inform us, show us the culture or even build our dreams. People must know about the media’s economic and political interests, and also how the audience could make use of communication mass media.En el sistema educativo se ha abierto un debate acerca de la importancia de alfabetizar en otros sentidos que sobrepasan la tradición académica y que se adentran en el análisis de relaciones sociales contextualizadas, como puede ser la relación medios de comunicación-sociedad. Las autoras defienden que es importante que los ciudadanos accedan a una alfabetización audiovisual que les permita contar con recursos para entender el funcionamiento de los medios informativos y culturales como fabricantes de sueños, conocer sus intereses como empresas y poderes fácticos que son, captar sus estrategias de manipulación y persuasión, y comprender cómo nosotros, receptores, podemos utilizarlos.

MEDIA-CAPITALISM: COLLOQUIAL MASS CULTURE AND NATIONALISM IN EGYPT, 1908–18

2010 ◽  
Vol 42 (1) ◽  
pp. 83-103 ◽  
Author(s):  
Ziad Fahmy
Keyword(s):  
Mass Media ◽  
Mass Culture ◽  
Premature Death ◽  
Independence Movement ◽  
First Time ◽  
The Voice

In Egypt, during the late 19th and early 20th centuries, older, fragmented, and more localized forms of identity were replaced with new, alternative concepts of community, which for the first time had the capacity to collectively encompass the majority of Egyptians. The activism of Mustafa Kamil (1874–1908) and the populist message of the Watani Party began the process of defining and popularizing urban Egyptian nationalism. After Kamil's premature death in 1908, there was more of an “urgent need,” as described by Zachary Lockman, for “tapping into and mobilizing new domestic constituencies in order to build a more broadly based independence movement.” This article argues that the eventual mobilization of the Egyptian urban masses, and their “incorporation into the Egyptian nation,” was due in large part to the materialization of a variety of mass media catering to a growing national audience. To be more specific, I will examine early Egyptian nationalism through the lens of previously neglected audiovisual colloquial Egyptian sources. This, I argue, is crucial to any attempt at capturing the voice of “ordinary” Egyptians. Finally, the article documents the role of early colloquial Egyptian mass culture as a vehicle and forum through which, among other things, “hidden transcripts” of resistance and critiques of colonial and elite authority took place.

Mass Media Reflect More than Form America's Mass Culture

1964 ◽  
Vol 4 (2) ◽  
pp. 25-27
Author(s):  
Brandel L. Works
Keyword(s):  
Mass Media ◽  
Mass Culture

scholarly journals "Some Ovid of the Films": W. B. Yeats, Mass Media, and the Future of Poetry in the 1930s

2018 ◽  
Vol 3 (1) ◽  
pp. 49-63
Author(s):  
Charles I. Armstrong
Keyword(s):  
Mass Media ◽  
Mass Culture ◽  
New World ◽  
Historical Context ◽  
The Future ◽  
Table Talk ◽  
Brave New World ◽  
The Way

This essay addresses Yeats’s negotiation of poetry’s relationship, during the 1930s, with the emerging mass culture. Rather than contextualizing Yeats’s view on the future with a traditional critical framework such as Romantic apocalyptical discourse, a closeness to Aldous Huxley’s Brave New World and dystopian novels is explored. The main focus is on an unfinished draft for A Vision, “Michael Robartes Foretells,” and the way it envisages the changing situation for literature at the end of an epoch. Yeats’s use of classical parallels and linking of poetry and cinema are given special attention. His suggestion that the poetry of the future may be affected by the emergent medium of cinema provides an ambivalent perspective, not simply suggesting the degeneration of poetry in a context of Americanized mass culture but also possibilities of metamorphosis and spirituality. The interpretation of “Michael Robartes Foretells” is framed by other examples of Yeats’s engagement with mass media in the 1930s, in the form of Virginia Woolf’s diary report of table talk and Yeats’s radio broadcasts. All in all, Yeats’s view on poetry’s position balances between a conservative fear of marginalization and a more hopeful view of its potential to reinvent itself in a new historical context.

scholarly journals Post Media Literacy: Menyaksikan Kuasa Media Bersama Michel Foucault

2017 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
Iswandi Syahputra
Keyword(s):  
Critical Theory ◽  
Mass Media ◽  
Media Literacy ◽  
Mass Culture ◽  
Control Process ◽  
Media Industry ◽  
The Media ◽  
New Space ◽  
New Perspective ◽  
Unique Style

This article would like to present Michel Foucault’s idea concerning Knowledge and Power in media industry. As a contemporary intellectual, Foucault’s thought has a unique style of postmodernism. His thought had gone beyond traditional critical theory whose trying to disclose the relation of power and economic behind the ideology of media. Foucault’s thought had given new perspective in understanding how the media produce truth under tightly control process into something that seems normal. With the assumption of media has the power to create mass culture, which has to be studied critically by media literacy approach, Foucault’s thought had given new space of discursive. An alternative thought on how to estimate the work of mass media as supervisor of truth and creator of information trough normalization practice.

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