scholarly journals Analisis Kritrik Strukturalis Cerpen Yabu No Naka Karya Akutagawa Ryunosuke

2018 ◽  
Vol 9 (2) ◽  
pp. 147
Author(s):  
Mohammad Faizal Fuad Aziz
Keyword(s):  
Short Stories ◽  
Structural Analysis ◽  
Causal Relationship ◽  
Short Story ◽  
Main Theme ◽  
Main Character

Abstrak Analisis struktural digunakan oleh penulis dalam menganalisis cerpen Yabu no Naka dengan jalan memisahkan unsur-unsur pembentuk cerpen yaitu: tokoh dan penokohan, alur, latar dan pelataran, tema, dan amanat. Dialog-dialog yang dilakukan antar tokoh menyebabkan perwatakan masing-masing tokoh dapat terungkap lebih jelas. Pengaluran dalam cerpen Yabu no Naka menggunakan alur flashback (regresif) dan ada konflik yang terjadi yang berhubungan dengan tokoh utama dan tokoh tambahan serta ada hubungan kausalitas antara peristiwa yang satu dengan peristiwa yang lain. Latar utama dalam cerpen Yabu no Naka ini adalah Yamashina, sebuah kota di Prefektur Kyoto. Tema utama dalam cerpen Yabu no Naka ini adalah pembunuhan dan pembenaran.Kata kunci: analisis struktural, regresif, alur  Abstract Structural analysis is used by the writer in analyzing the short story of Yabu no Naka by separating the forming elements of short stories, namely: character and characterization, plot, background and court, theme, and date. Dialogues made between characters cause the character of each character can be revealed more clearly. The distribution in the short story of Yabu no Naka uses the flashback (regressive) flow and there is a conflict that occurs related to the main character and additional characters and there is a causal relationship between one event and another. The main setting in the short story of Yabu no Naka is Yamashina, a city in Kyoto Prefecture. The main theme in this short story of Yabu no Naka is murder and justification.Keyword: structural analysis, regressive, plot

POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

2019 ◽  
Vol 6 (1) ◽  
pp. 95-113
Author(s):  
Novi Diah Haryanti
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Character ◽  
The Past ◽  
Child Relationship ◽  
Mother And Child ◽  
Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  

The specific characteristics of the "new Bosnian narrative" as exemplified by Karim Zaimović's short stories book Tajna džema od malina

2021 ◽  
Vol 2/2021 (4) ◽  
pp. 27-44
Author(s):  
Antonina Kurtok
Keyword(s):  
Short Stories ◽  
Bosnia And Herzegovina ◽  
Short Story ◽  
Main Theme ◽  
Local Literature ◽  
Great Tradition ◽  
Iconic Status ◽  
Young Writer ◽  
New Generation ◽  
Ideological Context

The article is an attempt to describe the specifics of the „new Bosnian narrative” as exemplified by Karim Zaimovic’s short stories collected in the book Tajna džema od malina. The text synthetically presents the new generation of prose writers clearly referring to the heritage of the so-called „narrative Bosnia” (J. Kršić). The generation of writers contemporary to Zaimovic, which dominated the literary scene in Bosnia and Herzegovina in the last decade of the 20th century and at the beginning of the 21st century, was united by a creative motivation generated by common experiences, which was a reaction to the tragedy of the homeland war. The article briefly characterizes the „new narrative Bosnia”, highlighting the great tradition of narrative (pripovijetka) in local literature. Narrative/Short story is considered to be the most important and valued genre, which in its meaning goes far beyond purely literary boundaries – it has played and still plays an important role in the cultural, social, political and ideological context. In the text, it is shown that Zaimović’s stories, compared with (anti)war writing, are distinguished by: the way of constructing scenes that make up the story adapted from comic art, the presence of fantastic elements known from the work of „Borges writers”, as well as a characteristic, humorous style –where the author deals with the absurdity of war by the use of grotesque and satire, and describes the Sarajevo apocalypse using numerous metaphors and allegories. Even though, Zaimović’s texts cannot be treated as a model or the most representative example of “the new Bosnian narrative“, their unconventional way of presentation of the main theme as well as structural and compositional innovation have earned them an iconic status. The circumstances of the stories, and above all the fate of the young writer, made him a tragic symbol of the drama of war in Bosnia and Herzegovina.

scholarly journals BENTUK KOMUNIKASI TEKS PADA KUMPULAN CERPEN CORAT-CORET DI TOILET KARYA EKA KURNIAWAN

2019 ◽  
Vol 12 (1) ◽  
pp. 1
Author(s):  
Asri Furoidah ◽  
Alberta Natasia Adji
Keyword(s):  
Short Stories ◽  
Structural Analysis ◽  
Gender Bias ◽  
Short Story ◽  
Narrative Theory ◽  
Literary Study ◽  
Short Story Collection ◽  
Communication Method ◽  
Communication Methods

The Form of Text Communication in Eka Kurniawan’s Corat-coret di Toilet Short Story Collection. The purpose of this study is to find the method of text communication in the Corat-coret di Tolet short stories collection. The form of this study is a literary study with structural analysis methods as offered in the narrative theory of Gerard Gennette. The results of the study are the classification of the text communication method of short stories namely: zero and fixed internal focalization; subsequent and simultaneous narrating times; intradiegetic-heterodiegetic, extradiegetic-heterodiegetic, and intradiegetic-homodiegetic types of narrating level and person; the character and writer as a narrator. The findings of the classification of text communication methods indicate the existence of a gender bias that alienates women's position in the story.

scholarly journals Relationship of Characters and Illustration in Short Story 9 Dari Nadira By Leila S. Chudori

2021 ◽  
Vol 1 (2) ◽  
pp. 86-101
Author(s):  
Sri Ayu Kusumaningsih ◽  
Ahmad Bahtiar
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Qualitative Method ◽  
Main Character ◽  
Long Time ◽  
Relationship Of ◽  
The Relationship ◽  
Semiotic Theory ◽  
Descriptive Qualitative

This study is to find out the relationship of characters to illustrations in a collection of 9short stories from NadiraKarya Leila S. Chudori. In the collection, there are four short stories that contain illustrations of the main characters namely "Melukis Langit”, "Tasbih", "Sebilah Pisau", and "At Pedder Bay". The method used in this research is descriptive qualitative method by using Charles Sanders Pierce's Semiotic Theory which includes sign and object. The study of characterization or characterization is done in two methods namely direct (telling) and indirect (showing). The results of  this study indicate that out of the 4 short stories analyzed only 3 short stories that have character relationships with illustrations, namely the short story "Melukis Langit", "Tasbih" and "Sebilah Pisau". Short story of "Melukis Langit" depicts Nadira's character who is strong against her father's behavior since the death of his mother. The short story illustration shows Nadira crying in the bathroom to vent her sadness. Short story "Tasbih" describes Mr. X with a mysterious character illustrated by showing Mr. X's face full of mystery while the short story "Sebilah Pisau" tells Kris who is Nadira's secret admirer. Kris's character is displayed with illustrations illustrating the event when Nadira was surprised to see Kris's table filled with Nadira's picture. Short story "At Pedder Bay" tells Nadira's old friend Marc who is also an admirer of Nadira for a long time. The main character, Marc in this short story is not illustrated in the illustration. The short story shows a background, namely the lake and the figure of the woman sitting pensively. 

scholarly journals Ni Krining, Antara Pengorbanan dan Perlawanan dalam Budaya Patriarki Bali

2018 ◽  
Vol 13 (4) ◽  
pp. 635
Author(s):  
Khothibul Umam
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Real World ◽  
Literary Work ◽  
Main Character ◽  
Cultural System ◽  
Lower Caste ◽  
Patriarchal Culture

A literature is a reflection of real world reality. A writer wrote it in a literary work. One of the themes of short stories in Indonesia is the theme of women's resistance in traditional and cultural circles. The short story "The First Night of a Priest" by Gde Aryantha Soethama tries to offer the theme. The main character in the short story is Ni Krining, a Balinese woman from a lower caste who is married to a Brahman caste. The situation makes Ni Krining must accept polygamy. Behind his sacrifice, Ni Krining has resisted the cultural system in his environment and made his existence recognized. This study uses an existentialist feminism study to explore various reasons that make Ni Krining gain recognition in its environment which is dominated by patriarchal culture.

scholarly journals Aspek Sosial Pada Tokoh Utama dalam Cerpen Mahou Hakase

2019 ◽  
Vol 1 (1) ◽  
pp. 35
Author(s):  
Azimatusy Syahidah ◽  
Idah Hamidah ◽  
Eko Kurniawan
Keyword(s):  
Qualitative Research ◽  
Short Stories ◽  
Short Story ◽  
Public Speaking ◽  
Social Aspects ◽  
Main Character ◽  
Good Relationship ◽  
The Social ◽  
The University ◽  
The Relationship

This research in entitled “The Social Aspects of the Main Characters in Mahou Hakase Short Stories”. The purpose of this research is to know the social aspects including habitus, capital, domain, and practice of the main character named Genko Sensei in the short story of Mahou Hakase by Iwaya Sazanami. The theory used is the theory of literary sociology popularized by Pierre Bourdieu regarding habitus, capital, domain, and practice. This research uses descriptive qualitative research methods as well as data collection by referring to and taking notes. The data used in the form of paragraphs, sentences, and dialogs in the short story. The results of this study found 38 sosial aspects including 7 habitus, 11 capital, 4 domains, and 16 practices owned by Genko Sensei. Habitus that he had was a good relationship, considered to be good and honest, and able to change bad habits into good. This he combined with capital held in the form of money, a college degree, public speaking skills, do not hesitate to act, confident, good cooperation skills and magic abilities. By utilizing the habitus and capital, Genko Sensei able to do a lot of practice (such as lingers though without legs, grow horns to fight the enemy, and others) to master the realm of Germany, the University, and the Palace. In the end, he was able to become famous, get a degree, defeat the enemy, gain power by winning the hearts of the King at the palace, and received a lot of gifts. Above aligned with Pierre Bourdieu's theory about the relationship habitus, capital, and domains, resulting in practice to seize power.

scholarly journals The Characteristics of Ahmad Tohari's Smile Short Story by Ahmad Tohari

2021 ◽  
Vol 5 (1) ◽  
pp. 8-13
Author(s):  
Ahmad Khoiril Anam ◽  
Yogi Purnama
Keyword(s):  
Short Stories ◽  
Rural Communities ◽  
Short Story ◽  
Main Character ◽  
Descriptive Research ◽  
Research Technique ◽  
Qualitative Descriptive

The purpose of this study is to describe the characters contained in the collection of short stories Senyum Karyamin by Ahmad Tohari. The method used in this research is qualitative descriptive research. The research technique used is the analysis of the contents of collection of short stories and literature studies to find and collect library data in the form of books relating to research sebjects. Research on the characterization of the main characters in a collection of short stories with the use of analytical and dramatic aspects of the story of thirteen sub-chapters. The results found the chacarterization of the main characters in a short stories with use of analytical aspects of 53 findings (51%) and dramatic 51 findings (49%) that appear in the story of thirteen sub-chapters that exist. Short collection of Senyum Karyamin depicts the character of rural communities that reflect daily life.Keywords: Main Character, Analytical Aspects, Dramatic Aspects, Short Stories Senyum Karyamin.

scholarly journals PEREMPUAN BURUK RUPA DI DALAM SASTRA

TELAGA BAHASA ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 109-116
Author(s):  
Wahyu Heriyadi
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Literary Text ◽  
Main Character ◽  
Female Characters ◽  
Literature Research ◽  
Female Authors ◽  
Weak Phase ◽  
Women's Novels ◽  
Concept Of Beauty

AbstractThe concept of beauty written by the authors of Indonesian contemporary women at this time can be said to experience significant changes, these changes can also be said to be a resistance effort in literature that presents the ugly concept of female characters written by female authors. Ugly is no longer a weak phase, but it is increasingly becoming a force and even power that is presented through the ugly main character. Through literature research on contemporary Indonesian women's novels and short stories, namely Saman's novel by Ayu Utami, the short story of Mereka Bilang, Saya Monyet! The work of Djenar Maesa Ayu, the Wanita Berwajah Penyok by Ratih Kumala, and Si Manis dan Lelaki Ke Tujuh by Intan Paramaditha. The result obtained is that even though the ugly woman has been defeated but at the same time she must be presented in a literary text, or give symbolic resistance through the character of a bad female character apparently towards the establishment of a beauty ideology and patriarchy.Key words: Female, Ugly, Short Story, Novel AbstrakKonsep kecantikan yang ditulis oleh pengarang perempuan kontemporer Indonesia pada saat ini dapat dikatakan mengalami perubahan yang signifikan, perubahan tersebut juga dapat dikatakan sebuah upaya perlawanan di dalam sastra yang menghadirkan konsep buruk rupa pada tokoh perempuan yang ditulis oleh pengarang perempuan. Buruk supa bukan lagi sebagai suatu fase yang lemah, tetapi semakin hadir menjadi sebuah kekuatan bahkan kekuasaan yang dihadirkan melalui tokoh utamanya yang buruk rupa tersebut.Melalui penelitian pustaka pada novel dan cerpen karya perempuan Indonesia kontemporer yaitu Novel Saman karya Ayu Utami, cerpen Mereka Bilang, Saya Monyet! Karya Djenar Maesa Ayu, Wanita Berwajah Penyok karya Ratih Kumala, dan Si Manis dan Lelaki Ke Tujuh karya Intan Paramaditha. Hasil yang didapatkan adalah meskipun perempuan buruk rupa telah dikalahkan namun sekaligus ia harus dihadirkan dalam teks sastra, atau memberikan perlawanan yang simbolis melalui karakter tokoh perempuan buruk rupanya terhadap kemapanan ideologi kecantikan dan patriarki.Kata-kata kunci: Perempuan, Buruk Rupa, Cerpen, Novel

Communicative Functions Lucid Dreams in Short Story by Valery Bryusov “And Now, — When I’ve Awoke... Notes of Psychopaologist”

2020 ◽  
Vol 9 (2) ◽  
pp. 40-44
Author(s):  
O. Sergeev
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Theme ◽  
Classical Approach ◽  
New Approach ◽  
Central Object ◽  
Communicative Functions ◽  
Literary Device ◽  
Conscious Level ◽  
Scientific Essay

I’ve made a conclusion about the main theme of Bryusov′s short stories in this scientific essay: it’s concern with dreams as a common communication at same the narrative’ level. It is a literary device here. The basin of this study is a classical approach to such terms as “communication” and “communicativity”. N. Schedrin and F. Dostoevsky use them in their worship to literature. The new approach in this old theme is a problem and perversion of interfere situations, laid in the basis of plot and characters’ structures. New aspects in this article determined by paradoxes of irrational forces: they attack protagonist and lead him to emotional catastrophe, madness and crime. Central object in the study is lucid dreams. I work with this term as a synonym of the dreams on the conscious level. We used to read about unconscious dreams of literature characters, otherwise in this essay I’ve bear in mind both levels in their mutual communicative interferences.

scholarly journals Cerita “Hibat” Karangan R.H. Moehamad Meosa sebagai Embrio Cerita Pendek Sunda dalam Wacana Kolonialisme Abad ke-19

LOKABASA ◽  
2019 ◽  
Vol 10 (1) ◽  
pp. 12
Author(s):  
Darpan Darpan
Keyword(s):  
Short Stories ◽  
Structural Analysis ◽  
Short Story ◽  
Modern Concept ◽  
The West ◽  
Analysis Techniques ◽  
History Of ◽  
Story Writing ◽  
Colonial Government ◽  
The 19Th Century

The research is based on the assumption that literary works written in the second half of the 19th century were the result of the efforts of the Dutch colonial government to incorporate the ideology of colonialism in culture field, and tried to instill modern ideas from the West through literacy activities. Some of these texts are stories written in short prose that are realistic. The story of "Hibat" is one of them. Based on the narrative characteristics, it can be concluded that the story can be regarded as a Sundanese short story embryo in its modern concept. The analysis of the story "Hibat" was carried out with the aim of finding the form of writing configuration and its narrative characteristics so that the elements of the story were found to be different from the traditions of the previous story writing. Through descriptive methods and structural analysis techniques, it is known that the story "Hibat" is unique and different when compared to the tradition of story writing in more traditional Sundanese. The story shows new features including its configuration written in short prose, leaving the tradition of old story writing that indulges in fantasy, myths, and irrationality, and written with the awareness of wanting to portray everyday life in its environment. The implications of this study must be corrective efforts in the history of Sundanese literature, which considered the birth of Sundanese short stories beginning with the emergence of the Parahiangan magazine (1929-1942) and the publication of Dogdog Pangréwong by G.S. in 1930.AbstrakPenelitian ini didasarkan pada asumsi bahwa karya sastra yang ditulis pada paruh kedua abad ke-19 adalah hasil dari upaya pemerintah kolonial Belanda untuk memasukkan ideologi kolonialisme dalam bidang budaya, dan mencoba menanamkan ide-ide modern dari Barat melalui kegiatan literasi. Beberapa dari teks-teks tersebut adalah cerita yang ditulis dalam prosa pendek yang realistik. Cerita "Hibat" adalah salah satunya. Berdasarkan ciri-ciri naratifnya, dapat disimpulkan bahwa cerita “Hibat” dapat dianggap sebagai embrio cerita pendek Sunda dalam konsepnya yang modern. Analisis cerita "Hibat" dilakukan dengan tujuan menemukan bentuk konfigurasi penulisan dan ciri-ciri naratifnya sehingga ditemukan unsur-unsur cerita yang berbeda dari tradisi penulisan cerita sebelumnya. Melalui metode deskriptif dan teknik analisis struktural, diketahui bahwa cerita "Hibat" mengandung keunikan dan berbeda jika dibandingkan dengan tradisi penulisan cerita dalam bahasa Sunda yang lebih tradisional. Cerita ini menunjukkan unsur-unsur baru antara lain konfigurasinya ditulis dalam prosa pendek, meninggalkan tradisi penulisan cerita lama yang menonjolkan fantasi, mitos, dan irasionalitas, serta ditulis dengan kesadaran ingin menggambarkan kehidupan sehari-hari di lingkungan pengarangnya. Implikasi dari penelitian ini harus ada upaya korektif dalam sejarah sastra Sunda, yang menganggap kelahiran cerita pendek Sunda dimulai dengan munculnya majalah Parahiangan (1929-1942) dan penerbitan buku Dogdog Pangréwong karangan G.S pada tahun 1930.

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