Grief

2022 ◽  
Vol 3 (1) ◽  
pp. 30-43
Author(s):  
Steven Ross ◽  

What does it mean to have faith? If you have absolute proof God did not exist, would it change your moral duty to others? In this work of philosophical short story fiction God, literally, lives in a temple as a being among the people. He has guided and instructed them for centuries until, one day, he declares he has nothing more to teach, and leaves. The local clergy go into a period of grief while the cities fall into lawless chaos. The clergy/narrator, likewise, falls into a deep depression as he sees the temples and religious infrastructures quickly fall into disarray. He meets at the “first temple” with the remaining leaders who are equally distraught and lack answers. He burns his religious belongings and falls into a deep depression. His church is ransacked and later turned into an elementary school. In the end, narrator gets a job working at a museum.

Author(s):  
Avinash Paliwal

Modern India’s diplomatic ties with Afghanistan were officially instituted in 1950. But relations between the people of these countries are civilizational, and based on extensive cultural exchange. Starting with the impact of Rabindranath Tagore’s legendary short story, Kabuliwallah, on India’s imagination of Afghanistan and its people, this chapter offers a long historical view of India-Afghanistan relations. Its main focus, however, remains on British India’s approach towards Afghanistan and the 1947-1979 phase when India fought three wars with Pakistan and one with China. This historical overview allows for the teasing out the aforementioned drivers of India’s Afghanistan policy.


2011 ◽  
Vol 53 (4) ◽  
pp. 722-756
Author(s):  
Jon Adams ◽  
Edmund Ramsden

Nestled among E. M. Forster's careful studies of Edwardian social mores is a short story called “The Machine Stops.” Set many years in the future, it is a work of science fiction that imagines all humanity housed in giant high-density cities buried deep below a lifeless surface. With each citizen cocooned in an identical private chamber, all interaction is mediated through the workings of “the Machine,” a totalizing social system that controls every aspect of human life. Cultural variety has ceded to rigorous organization: everywhere is the same, everyone lives the same life. So hopelessly reliant is humanity upon the efficient operation of the Machine, that when the system begins to fail there is little the people can do, and so tightly ordered is the system that the failure spreads. At the story's conclusion, the collapse is total, and Forster's closing image offers a condemnation of the world they had built, and a hopeful glimpse of the world that might, in their absence, return: “The whole city was broken like a honeycomb. […] For a moment they saw the nations of the dead, and, before they joined them, scraps of the untainted sky” (2001: 123). In physically breaking apart the city, there is an extent to which Forster is literalizing the device of the broken society, but it is also the case that the infrastructure of the Machine is so inseparable from its social structure that the failure of one causes the failure of the other. The city has—in the vocabulary of present-day engineers—“failed badly.”


2017 ◽  
Vol 4 (1) ◽  
pp. 27
Author(s):  
R. Cecep Eka Permana ◽  
Isman Pratama Nasution ◽  
Yogi Abdi Nugroho ◽  
Hutomo Putra

The Baduy society has a local wisdom on disaster mitigation that many people outside the Baduy society are not aware of. Therefore, the Baduy community program is socializing the local wisdom to the people outside the community. The partnership of this effort is the youth of the elementary school to high school in the border area of the Baduy vicinity. In the beginning of the program, the students did not have any indication about the local wisdom of the Baduy people. However, after a period of lectures and discussions, their knowledge and understanding about the Baduy people and their wisdom on disaster mitigation have significantly increased.


2019 ◽  
Vol 2 (3) ◽  
pp. 109
Author(s):  
Desy Ika Ratna Furi ◽  
Sugeng Riyanto

Literacy culture needs to be instilled early on, because it can foster students' interest in reading. Serut Muhammadiyah Elementary School is one of the schools implementing a literacy culture program. This study aims to explain the planning, implementation, evaluation of literacy culture programs at SD Muhammadiyah Serut, as well as describing the independence of students in literacy culture at SD Muhammadiyah Serut. This type of research uses descriptive research with a qualitative approach. The research subjects were school principals, class III teachers and class IV teachers, librarians, class III and IV students taken randomly. The objects in this study are all matters relating to the independence of students in literacy culture in SD Muhammadiyah Serut. Data collection techniques used include observation, interviews, and documentation. Data were analyzed using the Miles and Huberman models, while to test the validity of the data using source triangulation and technique triangulation. The results showed: that literacy program planning is related to the vision, mission and goals of the library, while the literacy culture has been running smoothly. Literacy cultural activities include reading iqra, reading Juz 'Amma, reading activities 15 minutes before the lesson begins, short story activities and bulletin classes. The next stage is the evaluation at Serut Muhammadiyah Elementary School conducted once a semester, to find out the extent of the literacy culture program. In the independence of students in the culture of literacy at Serut Muhammadiyah Elementary School as students do not read when the teacher does not ask. Then students are not confident when reading the results of their work.


2022 ◽  
Vol 04 (01) ◽  
pp. 192-200
Author(s):  
Sevsen Aziz HILAYIF

Orhan Pamuk is considered one of the most important novelists and short story writers in Turkish Literature. The full name is Ferit Orhan Pamuk. He was born in Istanbul in 1952. He is now 69 year old and still alive. He is considered the first Turkish writer who wins Noble Prize for literature for the year 2006. He won several other prizes, one of which is Noble Prize because he has several short stories and novels. The White Castle is one of the most important novels for the author Orhan Pamuk who won the Noble Prize. It is considered a historical novel that belongs to the Ottoman Empire era in the 17th century. The novel revolves on one of the passengers who travels to Napoli through the sea. The Ottoman pirates captivate him and sell him to one of the Turkish people as slave. Both the master and the slave almost share the same features although they are from different geographic areas. The novel deals with the similarities and differences among the people of the and the people of the west in an accurate way. The concept of dream is to wish something favorable in the future. There were several types and ways of daydreams. This concept is different from one person to another. This term cannot be clearly defined because of its subjective nature. It appears in a very wide area, from the ability to maintain the thing dreamt to achieve to the world of dreams of the dreamer. Hence, the reality of daydreams is a wonderful art that is different from one person to another. We start the research by giving inclusive summary. In the Introduction, there is short summary for the life and literary personality of the Turkish author Orhan Pamuk as well as his works. The research introduces information about the novel which is the subject of the research paper. It introduces, through detailed study for the novel The White Castle, a detailed explanation about the art of dreams.


MADRASAH ◽  
2013 ◽  
Author(s):  
M. Zubad Nurul Yaqin

<p>Learning of reading literature (in this concerning short story) in formal education scope (as in Islamic elementary school, especially at advanced grade) wasn’t maximal yet. In objective condition, learning of reading short story at advanced grade, generally still definite in structure analyzing, didn’t administer in activities that able to train students in reading and appraising literature critically. Thus, learning activities by applying some strategy to achieve learning objectives need to do. Some strategy which can be used are SQ3R strategy.SQ3R strategy is one of strategy in learning of reading to help reader understand whole and detail about content of the text. By using SQ3R strategy, reader (students) will be faster to find mind idea in the text. Steps of SQ3R application are <em>survey, question, read, recite, dan review. </em>To achieve learning objectives maximally, that steps should be apllied systematically.</p>


2020 ◽  
pp. 255-268
Author(s):  
Stephen Poland

In 1941, the writer Nogawa Takashi (1901-1944) was both nominated for the Akutagawa Prize in Japan and arrested in Manchukuo for his involvement in the Cooperative Movement (gassakusha undō) in rural north Manchuria. This dissonance between the literary recognition of Nogawa in the imperial metropole and his tragic fate—he died in prison three years after his arrest—marks him as an emblematic figure of the complexities of Manchukuo and the Japanese empire. Drawing on Naoki Sakai’s concept of heterolingual address, this chapter examines how Nogawa’s short story “The People Who Go to the Hamlet” (“Tonzu ni iku hitobito”) narratively stages ethnic interaction in the Cooperative Movement as a process of articulation between individuals in order to explore the (im)possibility of cross-class, cross-ethnic alliance. In contrast with the dominant state metaphor of “ethnic harmony” as a state of being between different peoples, Nogawa’s fiction both portrays and performs acts of “harmonization” and dissonance through grassroots organizing in a way that acknowledges the reality of class and ethnic difference, while also scrutinizing these differences and maintaining their possible permeability.


2019 ◽  
Vol 14 (2) ◽  
pp. 136
Author(s):  
Fajrul Falah

This study aims to express the trust and hegemony in the "Broker" short story by Sri Lima R.N. This research is motivated by the idea that language in fiction or short stories is meaningful and indicated not to be neutral.  The language in the short story, became the media for sending message content to the author as a reflection of the social community referred to. The approach used in this study is the sociology of literature, specific to the study of Gramsci hegemony. The research method used is descriptive qualitative.  Research data obtained from text, words, phrases, sentences, contained in short stories related to trust and hegemony. The research data is then described and expressed based on the approach used. The results of the study show that there was a change in the characteristics of Handoko's character as a broker who was initially good, become opportunist. Brokerage profession is used as a tool to hegemony the public to get profits. Community trust in brokers and people who are considered smart also grow. However, Handoko's figure was eventually protested by people who had used their services and failed. Handoko or brokers run away from the protests and demands of the people.


Author(s):  
Karen Stohr

This chapter explores and defends the idea that the etiquette conventions governing dinner parties, whether formal or informal, have moral significance. Their significance derives from the way that they foster and facilitate shared moral aims. I draw on literary and philosophical sources to make this claim, beginning with Isak Dineson’s short story, “Babette’s Feast.” I employ the concept of ritual from Confucius and Xunzi, as well as Immanuel Kant’s detailed discussion of dinner parties in the Anthropology. Kant’s account, in particular, helps illuminate how properly conducted dinners can enhance our understanding and promote moral community among the people who attend. I conclude that dinner parties play an important role in the moral life, and that the etiquette conventions governing them derive their binding force from their contribution to that role.


1985 ◽  
Vol 16 (1) ◽  
pp. 129-140 ◽  
Author(s):  
Josef Silverstein

“If you want to write a real Burmese story”, U Nu once told an audience of Burmese writers, you “must know the real Burmese background”. It is advice that applies to foreign as well as indigenous writers and, in most cases, non-Burmese writers have followed it. The recommendation is important because fiction provides a popular entryway for the “average” reader to reach beyond his normal range of knowledge and imagination; it is more likely that he will have read a novel or short story rather than a history or a scholarly work and it is from this source that he will have formed his ideas and adopted his stereotypes. Thus, it is necessary that the available literature is good, that it is accurate in its descriptions of the locale and the behaviour of the people, that it catches the nuance of local speech and expression, that it reflects the psychology of the subjects when it discusses them rather than imputing alien speech, values, and attitudes.


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