scholarly journals Mickey Mantle and Ted Williams Hitting a Baseball

2019 ◽  
Vol 45 (3) ◽  
pp. 4-12
Author(s):  
Tex Sample ◽  

This paper interprets the batting styles of Mickey Mantle and Ted Williams utilizing key concepts of the Michael Polanyi Reader. In doing so it demonstrates the thoughtful organization of Polanyi’s work in the Reader, on the one hand, and the explanatory and descriptive power of Polanyi’s thought about practices on the other. Key Polanyi concepts utilized in this paper include: indwelling, the specifiable and the unspecifiable, connoisseurship, a-critical and critical judgment, knowledge and knowing as action, understanding, and commitment with its personal and universal poles.

Author(s):  
Григорий Исаакович Беневич ◽  
Дмитрий Александрович Черноглазов

В статье рассматриваются толкования прп. Максимом Исповедником события Преображения Господня, которые сопоставляются с его учением о мистическом богословии. Доказывается, что Преображение созерцается прп. Максимом как своего рода «эйдос» или парадигма мистического богословия. Проводится сравнение некоторых ключевых понятий мистического богословия прп. Максима, с одной стороны, с «Ареопагитиками», а с другой - с учением свт. Григория Паламы. Сохраняя верность основным моментам учения «Ареопагитик», прп. Максим придаёт ему более отчетливое христологическое и опытно-антропологическое истолкование. Что касается учения свт. Григория Паламы, то, несмотря на некоторые отличия в терминологии (особенно понимания апофатики), экзегеза Преображения прп. Максима и его учение о мистическом богословии в целом могут быть согласованы с основными положениями Паламы. При этом необходимо помнить, что прп. Максим отвечал на иные вопросы, природа и характер восприятия Фаворского света не были в центре его внимания. The article discusses Maximus the Confessor’s interpretations of the Transfiguration of the Lord, which are compared to his doctrine of mystical theology. It proves that Transfiguration was contemplated by Maximus to be a kind of paradigm of mystical theology. A comparison of some key concepts of Maximus’s mystical theology is made, on the one hand, with that of the Corpus Areopagiticum, and on the other - with the teachings of St. Gregory Palamas. Remaining loyal to the main points of the teachings of the Areopagite, Maxim gave them a clearer Christological and experimental anthropological interpretation. As for the teachings of St. Gregory Palamas, despite some differences in terminology, (especially the understanding of apophaticism), Maximus’s exegesis of the Transfiguration and his doctrine of mystical theology as a whole can be reconciled with the main provisions of Palamas. At the same time, it is necessary to remember that Maximus answered other questions, the nature and character of the perception of the light of Thabor was not at the centre of his discussion.


Author(s):  
Yorghos Apostolopoulos

This chapter contextualizes the volume and describes its organization. It begins by delving into the limitations of the prevailing reductionist paradigm in population health science and the need for a transition from a typically risk factor–based science to a science that recognizes the whole and relationships among parts of pressing population health problems. Next, it walks readers through distinctions between public and population health on the one hand and key concepts of complexity on the other, while offering a shared understanding of population health science and complex systems science. The chapter also lays out the design of and potential audiences for this book.


Author(s):  
Paul Torremans

This chapter first discusses the two roots of copyright. On the one hand, copyright began as an exclusive right to make copies—that is, to reproduce the work of an author. This entrepreneurial side of copyright is linked in with the invention of the printing press, which made it much easier to copy a literary work and, for the first time, permitted the entrepreneur to make multiple identical copies. On the other hand, it became vital to protect the author now that his or her work could be copied much more easily and in much higher numbers. The chapter then outlines the key concepts on which copyright is based.


2017 ◽  
Vol 15 (1) ◽  
pp. 285-301
Author(s):  
THEODORE KODITSCHEK

Since his first year in graduate school, Jerrold Seigel has puzzled over the relationship between modernity and the bourgeoisie. Willing to acknowledge the salience of this class in the making of the modern, he grew increasingly troubled by the failure of every effort to give a clear account of its distinctive historical role. To define the bourgeoisie as simply the group(s) in the middle, “all those who are neither peasants nor workers on the one side, nor aristocrats by birth on the other,” might be empirically accurate, he reasoned, but this provided no analytical insight into the processes of history. The Marxist alternative avoids this vacuity, but only by creating a mythology of the ascendant bourgeoisie—a class that by mere dint of its privileged relation to capital is deemed to be capable of entirely transforming the realms of culture, politics, and the material world. Dissatisfied with these conventional approaches, Seigel introduced a fundamentally new way of thinking in his seminal synthesisModernity and Bourgeois Life, which sought to replace the “traditional nominative formulation [of the bourgeoisie's role] with ones that are more adjectival and historical.” Considering “‘bourgeois’, not in terms of the rise of a class,” he has reconceptualized this term to denote “the emergence and elaboration of a certain ‘form of life’.” It is in connection with this project that Seigel developed the two key concepts that will be considered in this essay, “chains of connection” and “networks of means” (MBL, ix, 6, 25).


1993 ◽  
Vol 46 (4) ◽  
pp. 497-506 ◽  
Author(s):  
Iain R. Torrance

Hans-Georg Gadamer and Michael Polanyi are interestingly close and yet surprisingly different. I want to illustrate their closeness and divergence at certain crucial points, and then draw from the comparison certain wider implications for understanding authorial intention and textual autonomy on the one hand, and genre and the nature of a gospel on the other.


2020 ◽  
Vol 17 (4) ◽  
pp. 34-40
Author(s):  
Mariia Konovalova ◽  
Ekaterina Kobko

The article is devoted to the representation of the concept death in poem “Autumn” («Höst») written by Stig Dagerman in 1954. Author wrote it 10 days before suicide. Thus, poem may be considered as occurring before death. This writing is one of a number works where Stig Dagerman addresses himself to a topic death. Concept death is one of the key concepts for humanity: philosophers, painters and writers have been studying it for centuries. Death concept realization can be found in language with the help of various linguistic means: direct and indirect naming units (on the form of metonymic and metaphorical transfers), conventional epithets, colours and images which can be either culture-universal or authorial. In poem of interest concept death is present mostly by metaphorical transfers and colour epithets and one realization through the use of metonymic transfer. The poem includes traditional, universal cultural as well as authorial images. On the one part these speak about importance of studying the concept in global culture, on the other part these speak about Stig Dagerman’s high level of excellence as a poet.


Author(s):  
Валерий Вячеславович Волков ◽  
Наталья Васильевна Волкова

Цель данной работы - уточнить жанровую специфику британских и российских литературных антиутопий. В центре внимания авторов, с одной стороны, жанрово-теоретический анализ утопий, с другой стороны, анализ содержания и структуры базового дуального концепта «Время: настоящее - возможное будущее» и концептов, смежных с ним. Ключевые концепты интерпретируются по процедурам, использующимся в филологической герменевтике. В результате исследования выявлены отличительные особенности британских и российских антиутопий. Аксиологическое основание «британской» дистопии - стабильность и упрощенность, что каузирует застылость в рамках линейного времени. «Российская» дистопия в романе Ефремова основывается на идеях коммунизма, которые оказалось невозможным реализовать. Рассказ Чехова «Пари» строится в традициях «духовного реализма», центрирует внимание на соотношении секулярного и религиозного путей к «совершенному человеку». The purpose of the article is to clarify the genre characteristics of the British and the Russian dystopian fiction. The work is focused, on the one hand, on the genre and theory analysis of utopias and, on the other hand, on the content and structure analysis of the main binary concept «Time: the Present and the Possible Future», as well as related concepts. The key concepts are interpreted according to the procedures used in the philological hermeneutics. The distinctive features of the British and the Russian dystopias are revealed. The axiological essence of the «British» dystopia is stability and simplicity leading to stagnation within linear time. The «Russian» dystopia in Efremov’s novel is based on the ideas of communism impossible to implement. Chekhov’s short story «The Bet» is based on the traditions of «spiritual realism» and focuses the reader’s attention on the correlation of the secular and religious paths to the «perfect human being».


2018 ◽  
Author(s):  
Inga Pollmann

This book argues that there are constitutive links between early twentieth-century German and French film theory and practice, on the one hand, and vitalist conceptions of life in biology and philosophy, on the other. By considering classical film-theoretical texts and their filmic objects in the light of vitalist ideas percolating in scientific and philosophical texts of the time, Cinematic Vitalism reveals the formation of a modernist, experimental and cinematic strand of vitalism in and around the movie theater. The book focuses on the key concepts including rhythm, environment, mood, and development to show how the cinematic vitalism articulated by film theorists and filmmakers maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.


Author(s):  
Candice Delmas

The introduction uses the Freedom Rides to set up the book’s discussion of our responsibilities in the face of injustice. It highlights the following gap between theory and practice: on the one hand, philosophers concerned with the rights and duties of citizens often defend a moral duty to obey the law, and consider civil disobedience in terms of permission or right only. On the other hand, activists from Henry David Thoreau to Black Lives Matter have long appealed to a responsibility to resist injustice. The introduction takes seriously both the traditional notion of political obligation and activists’ appeals by outlining a duty to resist injustice, and insisting it is among our political obligations. This chapter also presents the book’s key concepts: injustice, oppression, ideology, legitimacy, resistance, principled disobedience, and civil and uncivil disobedience.


Author(s):  
Sabrina Loufrani-Fedida

This chapter focuses on examining the human resource management (HRM) practices that are used in human capital-intensive firms (HCIFs). In the specialized literature on HCIFs, human resources (HR) are recognized as constituting an infinite value potential. Nevertheless, we know little in the literature about “how to manage” these HR in the specific context of HCIFs. First of all, in this chapter, a literature review provides a clarification of the HR's key concepts (human capital, competence, and talent) on the one hand and introduces the relevance to study HRM practices underlying human capital management on the other hand. Then, based on the case study of IBM Corporation, a synthesis of the wide variety of HRM practices is proposed into three processes: identifying, assessing and developing, and finally, motivating and retaining human capital. The IBM case is representative of the HCIFs insofar as the company puts its human capital at the heart of its overall strategy and, in order to do this, provides a sophisticated HRM policy and, in addition, has implemented formalized HRM practices. For IBM, the aim is to improve resource assets of its employees necessary to generate innovation, value, and performance.


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