London narratives: post-war fiction and the city

2007 ◽  
Vol 44 (10) ◽  
pp. 44-5510-44-5510
Keyword(s):  
Post War ◽  
2015 ◽  
Vol 12 (1) ◽  
pp. 1-12
Author(s):  
Sarah Hackett

Drawing upon a collection of oral history interviews, this paper offers an insight into entrepreneurial and residential patterns and behaviour amongst Turkish Muslims in the German city of Bremen. The academic literature has traditionally argued that Turkish migrants in Germany have been pushed into self-employment, low-quality housing and segregated neighbourhoods as a result of discrimination, and poor employment and housing opportunities. Yet the interviews reveal the extent to which Bremen’s Turkish Muslims’ performances and experiences have overwhelmingly been the consequences of personal choices and ambitions. For many of the city’s Turkish Muslim entrepreneurs, self-employment had been a long-term objective, and they have succeeded in establishing and running their businesses in the manner they choose with regards to location and clientele, for example. Similarly, interviewees stressed the way in which they were able to shape their housing experiences by opting which districts of the city to live in and by purchasing property. On the whole, they perceive their entrepreneurial and residential practices as both consequences and mediums of success, integration and a loyalty to the city of Bremen. The findings are contextualised within the wider debate regarding the long-term legacy of Germany’s post-war guest-worker system and its position as a “country of immigration”.


Author(s):  
Aled Davies

This book is a study of the political economy of Britain’s chief financial centre, the City of London, in the two decades prior to the election of Margaret Thatcher’s first Conservative government in 1979. The primary purpose of the book is to evaluate the relationship between the financial sector based in the City, and the economic strategy of social democracy in post-war Britain. In particular, it focuses on how the financial system related to the social democratic pursuit of national industrial development and modernization, and on how the norms of social democratic economic policy were challenged by a variety of fundamental changes to the City that took place during the period....


Author(s):  
Aled Davies

The aim of this book has been to evaluate the relationship between Britain’s financial sector, based in the City of London, and the social democratic economic strategy of post-war Britain. The central argument presented in the book was that changes to the City during the 1960s and 1970s undermined a number of the key post-war social democratic techniques designed to sustain and develop a modern industrial economy. Financial institutionalization weakened the state’s ability to influence investment, and the labour movement was unable successfully to integrate the institutionalized funds within a renewed social democratic economic agenda. The post-war settlement in banking came under strain in the 1960s as new banking and credit institutions developed that the state struggled to manage. This was exacerbated by the decision to introduce competition among the clearing banks in 1971, which further weakened the state’s capacity to control the provision and allocation of credit to the real economy. The resurrection of an unregulated global capital market, centred on London, overwhelmed the capacity of the state to pursue domestic-focused macroeconomic policies—a problem worsened by the concurrent collapse of the Bretton Woods international monetary system. Against this background, the fundamental social democratic assumption that national prosperity could be achieved only through industry-led growth and modernization was undermined by an effective campaign to reconceptualize Britain as a fundamentally financial and commercial nation with the City of London at its heart....


2021 ◽  
pp. 1-26
Author(s):  
Edmund W. Cheng

Abstract This paper surveys the process of discursive contestation by intellectual agents in Hong Kong that fostered a counter-public sphere in China's offshore. In the post-war era, Chinese exiled intellectuals leveraged the colony's geopolitical ambiguity and created a displaced community of loyalists/dissenters that supported independent publishing venues and engaged in the cultural front. By the 1970s, homegrown and left-wing intellectuals had constructed a hybrid identity to articulate their physical proximity to, yet social distance from, the Chinese nation-state, as well as to appropriate their sense of belonging to the city-state, through confronting social injustice. In examining periodicals and interviewing public intellectuals, I propose that this counter-public sphere was defined first by its alternative voice, which contested various official discourses, second by its multifaceted inclusiveness, which accommodated diverse worldviews and subjectivities, and third by its critical platform, which nurtured social activism in undemocratic Chinese societies. I differentiate the permissive conditions that loosened constraints on intellectual agencies from the productive conditions that account for their penetration and diffusion. Habermas's idealized public sphere framework is revisited by bringing in ideational contestation, social configuration and cultural identity.


2021 ◽  
Vol 17 (6) ◽  
pp. 564-575
Author(s):  
Irina I. Rutsinskaya

An artist who finds themselves in the last days of a war in the enemy’s defeated capital may not just fix its objects dispassionately. Many factors influence the selection and depicturing manner of the objects. One of the factors is satisfaction from the accomplished retribution, awareness of the historical justice triumph. Researchers think such reactions are inevitable. The article offers to consider from this point of view the drawings created by Soviet artists in Berlin in the spring and summer of 1945. Such an analysis of the German capital’s visual image is conducted for the first time. It shows that the above reactions were not the only ones. The graphics of the first post-war days no less clearly and consistently express other feelings and intentions of their authors: the desire to accurately document and fix the image of the city and some of its structures in history, the happiness from the silence of peace, and the simple interest in the monuments of European art.The article examines Berlin scenes as evidences of the transition from front-line graphics focused on the visual recording of the war traces to peacetime graphics; from documentary — to artistry; from the worldview of a person at war — to the one of a person who lived to victory. In this approach, it has been important to consider the graphic images of Berlin in unity with the diary and memoir texts belonging to both artists and ordinary soldiers who participated in the storming of Berlin. The combination of verbal and visual sources helps to present the German capital’s image that existed in the public consciousness, as well as the specificity of its representation by means of visual art.


2019 ◽  
Vol 44 (2) ◽  
pp. 52-61
Author(s):  
Aysu Arsoy ◽  
Hacer Basarir

Varosha (Famagusta) was one of the richest districts, and best known holiday destination of the region during the 1970's. However, due to the war in 1974, half of Varosha was closed to residents and the other half became a bordered city. The demographic structure, in addition to the physical and cultural structures of the city was therefore completely altered. Postwar displacement and re-settlement in Varosha is the focus of this paper. The main aim is to discuss the lifestyle in Varosha from a cultural perspective using memories from former and current inhabitants. To achieve this, a set of semi-structured interviews were conducted in which two main questions were posed during the interviews: 1) What was the lifestyle in Varosha before 1974? and 2) What was the lifestyle in Varosha after 1974? these questions were intended to shed some light on the post-war landscape of Varosha. For this purpose, researchers followed a chronological order: life before 1974; interview group a, six Greek Cypriots who were former inhabitants of Varosha. Life after 1974: interview group B, six turkish Cypriots who were displaced and settled in Varosha; and interview group C, six immigrant/settlers turks from turkey, who volunteered to move to Cyprus and settle in Varosha. The snowball method has been used to identify former and current residents of Varosha. The findings are based on interviews with the former, displaced and re-settled Varoshian residents. The interviews revealed how displacement affected the city and the former and current inhabitants. Analysis of the findings were categorized under three headings: 1) displacement from/to Varosha; 2) belonging and identity; 3) life style and culture of each group. The categorization is used to describe how displacement affected the city and its citizens. In other words, this research targets to describe pre- and post-war life (styles) in Varosha.


2018 ◽  
Vol 18 (2-3) ◽  
pp. 326-356 ◽  
Author(s):  
Azra Hromadžić

Building on more than ten years of ethnographic research in post-war Bosnia-Herzegovina, this article documents discourses and practices of civility as mutuality with limits. This mode of civility operates to regulate the field of socio-political inclusion in Bosnia-Herzegovina; it stretches to include self-described “urbanites” while, at the same time, it excludes “rural others” and “rural others within.” In order to illustrate the workings of civility as mutuality with limits, the focus is on interconnections and messy relationships between different aspects of civility: moral, political/civil, and socio-cultural. Furthermore, by using ethnography in the manner of theory, three assumptions present in theories of civility are challenged. First, there is an overwhelming association of civility with bourgeois urban space where civility is located in the city. However, the focus here is on how civility works in the context of Balkan and Bosnian semi-periphery, suspended between urbanity and rurality. Second, much literature on civility implies that people enter public spaces in ways that are unmarked. As is shown here, however, people’s bodies always carry traces of histories of inequality. Third, scholarship on civility mainly takes the materiality of urban space for granted. By paying careful attention to what crumbling urban space looks and feels like, it is demonstrated how civility is often entangled with, experienced through and articulated via material things, such as ruins. These converging, historically shaped logics, geographies and materialities of (in)civility illustrate how civility works as an “incomplete horizon” of political entanglement, recognition and mutuality, thus producing layers of distinction and hierarchies of value, which place a limit on the prospects of democratic politics in Bosnia-Herzegovina and beyond.


Author(s):  
N.D. Borshchik ◽  

The article deals with the problems of post-war reconstruction of Yalta – one of the most popular resorts of the Soviet Union. During the great Patriotic war, this all-Union health resort was subjected to barbaric destruction and looting. The fascist occupation regime (1941-1944) caused enormous damage to the health resort Fund of Yalta, the city economy and the entire infrastructure of the southern coast of Crimea. The rapid return to the pre-war structure and the commissioning of social facilities has become a priority for the regional authorities and the population. In addition to traditional methods, the Patriotic «Сherkassov» movement, which began in the liberated Stalingrad in 1943 and spread throughout the country, was widely used. A solid Foundation was laid for the interaction of the city administration of Yalta and the local population with the commanders and soldiers of the red Army. Based on the analysis of archival documents of the State archive of the Republic of Crimea, it was possible to trace the course of restoration work in the fi rst months after the liberation of the Crimean Peninsula from fascism. It is established that for the rapid restoration and functioning of the Yalta resorts, public activists launched a socialist competition on «Сherkassov» methods


Author(s):  
N. V. Lyubomirskiy ◽  
S. I. Fedorkin ◽  
А. S. Bakhtin ◽  
A. L. Hmelnitsky

This article is devoted to the identification of materials and the study of the composition of mortars used in the decoration of the facades of residential buildings that are cultural heritage objects and identified cultural heritage objects to be restored according to a major renovation plan, st. Bolshaya Morskaya and pl. Lazarev in the city of Sevastopol.


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