scholarly journals Lykken i tilbagetrækningen

2016 ◽  
Vol 44 (121) ◽  
pp. 101-114
Author(s):  
Michael Høxbro Andersen
Keyword(s):  
19Th Century ◽  
French Literature ◽  
Modern Concept ◽  
The Novel

The concept of happiness becomes of great political importance in France during the Great Revolution. But 19th century French literature will question the possibility of producing a truly modern happiness through society. Withdrawing from post-revolutionary society then becomes a topos of the novel. As I argue in my paper, this is the case in the novels of Stendhal in particular. Inspired by Jean-Jacques Rousseau’s modern concept of otium, Stendhal articulates an opposition between an attitude that is strategic and histrionic, and a withdrawal into contemplation, with only the latter procuring any happiness: a happiness of sensation.

Francja, 1870: znak lesbijski i jego ambiwalencje

2010 ◽  
Author(s):  
Przemysław Szczur
Keyword(s):  
19Th Century ◽  
French Literature ◽  
Political Change ◽  
The Novel ◽  
Central Theme ◽  
Subject Formation ◽  
Epistemological Problem ◽  
Bourgeois Society ◽  
19Th Century France

This paper attempts to locate Adolphe Belot's novel Mademoiselle Giraud, my wife (1870), whose central theme is the protagonist's lesbianism, within the process of socio-political change in 19th-century France. This period marked the emergence of the modern "lesbian sign" in French literature as a result of the "discursive explosion" on (homo)sexuality. Lesbianism in the novel seems to be a semiological and epistemological problem facing both the protagonist-narrator and the reader, and can only be articulated by means of a "riddle poetics" within the heterosexual meaning regime that governs the novel's narrative Trying to go beyond the authorial semantic project inscribed in the text, which requires the use of an "epistemology of the closet," this paper reads the lesbian character not only as an "opaque sign" within the heterosexual logic but also as a sign of an obsession of a bourgeois society in the process of redefining its identity as the novel was being written. In the conclusion, the author attempts to assess the possible impact of the normative image of the lesbian on lesbian subject formation, polemicizing with the vision of love between women as an "unrepresented reality" and drawing attention to the emancipatory potential present even in negative representations of homosexuality.

Zum Aufstieg und Niedergang des Normalarbeitsverhältnisses in Deutschland 1800-2010 - ein Forschungsprojekt

2009 ◽  
Vol 50 (2) ◽  
Author(s):  
Toni Pierenkemper ◽  
Klaus F. Zimmermann
Keyword(s):  
Welfare State ◽  
20Th Century ◽  
19Th Century ◽  
Working Hours ◽  
Modern Concept ◽  
Employment Contract ◽  
Unemployment Rates ◽  
The Future ◽  
The 19Th Century ◽  
The Welfare State

AbstractThis paper attempts to trace the construction of the standard employment contract in Germany from the beginning of the 19th century onwards. In 20th century Germany, it was reinforced alongside with the consolidation of the welfare state and developed into the modern concept of the standard employment contract. Due to globalization forces and dynamics of capitalist market economies, the standard employment contract has turned into an obstacle in the way of modern economy’s progress. The future might be determined by increasing work flexibility, rising working hours, falling income and increasing unemployment rates, rendering the standard employment contract anachronistic and obsolete.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

Pinocchio e l’evoluzione

Revue Romane ◽  
2011 ◽  
Vol 46 (2) ◽  
pp. 282-293
Author(s):  
Margareth Hagen
Keyword(s):  
19Th Century ◽  
Fairy Tales ◽  
Public Debate ◽  
The Novel ◽  
The Public ◽  
Continuous Evolution ◽  
Narrative Interpretation ◽  
Theories Of Evolution ◽  
The 19Th Century ◽  
Pedagogical Literature

The first chapters of Carlo Collodi’s Pinocchio were printed in 1881, the same year as the publication of the novel I Malavoglia, Giovanni Verga’s masterpiece of verismo. While every critical reader of Verga’s realism has pointed out his particular narrative interpretation of evolution, Collodi’s has novel very seldom been connected to the theories of evolution, even if Darwin’s ideas were highly present in the public debate in Florence during the last decades of the 19th century. The reasons for this silence are primarily to be found in the genre of Pinocchio, in the fact that it is children literature, and therefore primarily related to the narrative mechanisms of the fairy tales and pedagogical literature. Focusing on Pinocchio, the article discusses to which degree Darwinism can be traced in Collodi’s literature for children, and questions if the continuous metamorphoses of Pinocchio can be read also in connection with the naturalist conception of the literary characters as unstable, in continuous evolution, and not only as part of the mechanisms of fairy tales and mythological narratives.

scholarly journals Ivan Vahylevych’s mystified biography in Yurii Vynnychuk’s novel “Liutetsiia”

2020 ◽  
pp. 6-11
Author(s):  
Halyna Bokshan
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Main Character ◽  
Don Juan ◽  
Material Characteristic ◽  
Public Figure ◽  
Historical Aspects ◽  
Historical Material ◽  
The 19Th Century ◽  
Historical Epoch

The study examines the features of the strategies of mythologization and mystification used by Yurii Vynnychuk in creating his literary version of Ivan Vahylevych’s biography in the novel “Liutetsiia”. First of all the paper emphasizes the writer’s inclination to play with historic material characteristic of postmodernism, manifesting itself in most of his works and in the novel under study, in particular. The research pays special attention to the original interaction of mythological and cultural-historical aspects in the fictionalized biography of the renowned public figure of the 19th century, famous for his activity in Ruska Triitsia. It considers the specific features of the literary visualization of Ivan Vahylevych character in the relation to Ivan Franko’s essay representing the epistolary of the figures of the historical epoch depicted in the novel. The study determines the correlation between the personages in “Liutetsiia” and the characters and motives of the Celtic mythology. It identifies the specificity of the reminiscent relations of the main character with the archetypal figure of Don Juan. The conclusions highlight the use of irony, grotesque and comic modus by Yurii Vynnychuk as the manifestation of the neo-mythological device of deheroization. It also accentuates that the strategies of mythologization and mystification in “Liutetsiia” reflect the manner of interpreting cultural-historical material characteristic of the author.

scholarly journals Thérèse Raquin d’Émile Zola : la notion de tempérament entre l’héritage antique et l’apport de la physiologie du XIXe siècle

2020 ◽  
Vol 47 (4) ◽  
pp. 91-100
Author(s):  
Anna Kaczmarek-Wiśniewska
Keyword(s):  
19Th Century ◽  
Mutual Influence ◽  
The Novel ◽  
Important Work ◽  
Xixe Siecle ◽  
The 19Th Century ◽  
Xixe Siècle ◽  
Physiological Theory

Therese Raquin, Zola’s first important work, is based on the modern version of the old physiological theory of “temperaments”, e.g. the combination of four cardinal “humours” that determine a man’s physical and mental constitution. Through the story of two murderers, an adulterous woman and her lover who kill the woman’s husband, the author shows the mutual influence of two temperaments considered in the 19th century as more important than all the others: sanguine and melancholic (or nervous). The novel intends to “verify” a theory dealing with the consequences of each type of temperament for people’s behaviour, their relationships and their internal life.

scholarly journals Mother Behavior to Their Daughters As Seen in ''Pride and Prejudice" and "Little Women"

2019 ◽  
Vol 2 (4) ◽  
pp. 620-625
Author(s):  
Fitri Arniati ◽  
Muhammad Darwis ◽  
Nurhayati Rahman ◽  
Fathu Rahman
Keyword(s):  
19Th Century ◽  
Major Theme ◽  
The Novel ◽  
Pride And Prejudice ◽  
Late 19Th Century ◽  
Early 19Th Century ◽  
Little Women ◽  
Women's Role ◽  
The Right

This research is to study about the mother behavior to their daughters as seen in "Pride and Prejudice" and "Little Women". The mother behavior to their daughters show the different way of women as a mother in bringing up their children according to their social and condition at the time. The data were taken from two novels entitled "pride and prejudice" and "little women" is the topic of the study. The  women held in the early 19th century and the late 19th century was described as one that belonged in the home as a wife and mother, and that should marry a man who can support their family. Also throughout the novel women's role in society was described as one that is to be accomplished in household  chore and those of entertainment, such as singing  and playing music. The role of women in society was a major theme throughout the novel "Pride and Prejudice" and "Little Women" The method used in this research  is a study of comparative literature to analyze mother behavior especially for Mrs. Bennet, Lady Catherine de Bourgh, These women have similarities and different behavior in find the right mate for their daughters. This study shows that every woman has characteristics in caring for their children and paying attention to the survival of their children.

scholarly journals “I cannot act!”: Fanny’s “Inaction” in the Economic Ideology Driving Mansfield Park

2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Morgan O'Neil
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Early 19Th Century ◽  
Mansfield Park ◽  
Inherent Value ◽  
Economic Ideology ◽  
Profit Value ◽  
British Culture

In early 19th century British culture, an ideology founded on economics permeates one of society’s most private affairs marriage between two individuals. In Jane Austen’s Mansfield Park, the characters become a type of currency to be exchanged through marriage in order for others to gain power and wealth. Fanny Price, subjected to this objectification, comes to realize the inherent value that she possesses as a woman. Once she is given agency in the novel, she is able to live beyond the ideology of the novel. Her marriage allows her to recognize herself as being equal to her husband, Edmund Bertram, and join him in ownership of their property. Fanny and Edmund represent a new ideology that is founded on love and equality, rather than profit value. 

The Arabic Novel: New Roots, New Routes

2021 ◽  
Author(s):  
Elizabeth Holt
Keyword(s):  
19Th Century ◽  
Arab World ◽  
Nile Valley ◽  
The Novel ◽  
Arab Nationalism ◽  
Avant Garde ◽  
Nation States ◽  
Islamic Empire ◽  
1001 Nights ◽  
The 19Th Century

In the mid-19th century, the Arabic novel emerged as a genre in Ottoman Syria and khedival Egypt. While this emergence has often been narrated as a story of the rise of nation-states and the diffusion of the European novel, the genre’s history and ongoing topography cannot be recovered without indexing the importance of Arabic storytelling and Islamic empire, ethics, and aesthetics to its roots. As the Arabic periodicals of Beirut and the Nile Valley, and soon Tunis and Baghdad, serialized and debated the rise of the novel form from the 19th century onward, historical, romantic, and translated novels found an avid readership throughout the Arab world and its diaspora. Metaphors of the garden confronted the maritime span of European empire in the 19th-century rise of the novel form in Arabic, and the novel’s path would continue to oscillate between the local and the global. British, French, Spanish, and Italian empire and direct colonial rule left a lasting imprint on the landscape of the region, and so too the investment of Cold War powers in its pipelines, oil wells, and cultural battlefields. Whether embracing socialist realism or avant-garde experimentation, the Arabic novel serves as an ongoing register of the stories that can be told in cities, villages, and nations throughout the region—from the committed novels interrogating the years of anticolonial national struggles and Arab nationalism in the 1950s and 1960s, through the ongoing history of war, surveillance, exile, occupation, and resource extraction that dictates the subsequent terrain of narration. The Arabic novel bears, too, an indelible mark left by translators of Arabic tales—from 1001 Nights to Girls of Riyadh—on the stories the region’s novelists tell.

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