scholarly journals L’amor antiromàntic: exemples valencians de paròdies del Tenorio.

2014 ◽  
Vol 3 (3) ◽  
pp. 239
Author(s):  
Raül Hernàndez Caballer
Keyword(s):  
19Th Century ◽  
Popular Literature ◽  
Don Juan ◽  
Jose Zorrilla ◽  
The Many ◽  
The 19Th Century ◽  
The Relationship

Resum: Resum: L’article comenta dos exemples valencians en català de les nombroses paròdies de Don Juan Tenorio de José Zorrilla que es van redactar durant el segle XIX. Especialment, se centra en les relacions que L’agüelo Pollastre, de Josep Bernat i Baldoví,  i Don Juan Treneta¸ de Vicent Peydró, mantenen amb la literatura popular i amb les idees romàntiques sobre l’amor i la condició femenina contingudes a l’obra mestra de Zorrilla.Paraules clau: Romanticisme, literatura popular, paròdia, literatura valenciana, Bernat i BaldovíAbstract: This article is a brief commentary on two Valencian examples –both written in Catalan-  of  the many parodies composed on José Zorilla’s Don Juan Tenorio  during the 19th century in Spain. It specially focuses on the relationship between Josep Bernat i Baldovi’s L’agüelo Pollastre and Vicent Peydró’s Don Juan Treneta and the Romantic notions  of Love and Womanhood included in Zorrilla’s masterpiece.Keywords: Romanticism, popular literature, parody, Valencian literature, Bernat i Baldoví.

scholarly journals The Disappearing Act: Heritage Making in Charlotte Riddell’s Novels

2020 ◽  
Author(s):  
Silvana Colella
Keyword(s):  
19Th Century ◽  
The Self ◽  
Main Argument ◽  
The Past ◽  
The Many ◽  
Heritage Discourse ◽  
The 19Th Century ◽  
The Relationship

This article examines the strategies of heritage making in Riddell’s City novels, popular in the 19th century, but little known today. Drawing on late Victorian debates about the preservation of the past and its material remains, the article focuses on the relationship between fictional and non-fictional elements, in Riddell’s urban realism, which frequently pivots on heritage concerns. The main argument is twofold: 1) heritage discourse provides an apt frame for the self-validation of the author’s daring narrative choices; 2) Riddell’s understanding of heritage changes as her vision of capitalism darkens, culminating in a vocal denunciation of the destructive forces at work in the very idea of progress. Her novels generate heritage value in the very gesture of recording the many disappearing acts mournfully witnessed by the narrator.

The Germans and their Jewish Neighbors on the Ukrainian Areas at the Second Half of the 19th Century

2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Russian Empire ◽  
Early Years ◽  
Criminal Cases ◽  
South West ◽  
Multiethnic Population ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Relationship

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.

Byelorussian Nationalism and Western Russianism: the Problem of Confrontation

2020 ◽  
Vol 58 ◽  
pp. 161-168
Author(s):  
Alexander D. Gronsky
Keyword(s):  
19Th Century ◽  
Political Representation ◽  
National Policy ◽  
Negative Attitude ◽  
Great Patriotic War ◽  
The Government ◽  
The 19Th Century ◽  
The Relationship

The article examines the relationship between Western Russianism (Zapadnorusizm) and Byelorussian nationalism. Byelorussian nationalism is much younger than Western Russianism, finally shaping only in the end of the 19th century. Before 1917 revolution Byelorussian nationalism could not compete with Western Russianism. The national policy of the Bolsheviks contributed to the decline of Western Russianism and helped Byelorussian nationalism to gain stronger positions. However, Byelorussian nationalists actively cooperated with the occupation authorities during the Great Patriotic war. That caused distinctly negative attitude of Byelorussians towards the movement and collaborators. Currently, Byelorussian nationalism is supported both by the opposition and by the government. Western Russianism has no political representation, but is supported by the majority of Byelorussian population.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

Tenses in 19th-century Dutch sentence-grammar

1988 ◽  
Vol 15 (1-2) ◽  
pp. 187-205
Author(s):  
J. A. Le Loux-Schuringa
Keyword(s):  
The Netherlands ◽  
19Th Century ◽  
Morphological Form ◽  
Other Information ◽  
Dutch Language ◽  
One To One ◽  
The 19Th Century ◽  
The Relationship

Summary In this paper some theories on tenses are described. These theories appeared in the Netherlands in the first half of the 19th century. The purpose is not just describing the different tense-systems of P. Weiland (1805), W. Bilderdijk (1826), W. G. Brill (1846) and L. A. te Winkel (1866). In the first half of the 19th century some fundamental changes took place. It is shown that these changes are based upon continuity of research of time and tense in the Dutch tradition. This continuity is found on three levels: (a) The research was concentrated on the verbal forms, no other information from the sentence was used. (b) The grammarians took the relationship between linguistic forms and logical categories as a one-to-one relation. (c) The morphological form of the Dutch language determined the grammatical representation of the tense-systems more and more.

The Relationship between Trade and Foreign Direct Investment: Testing Ahmed Midhat Efendi's Hypothesis

2008 ◽  
Vol 40 (4) ◽  
pp. 547-549
Author(s):  
V. Necla Geyikdagi
Keyword(s):  
Foreign Direct Investment ◽  
Ottoman Empire ◽  
19Th Century ◽  
Subject Matter ◽  
Direct Investment ◽  
The West ◽  
Normative Framework ◽  
The 19Th Century ◽  
The Relationship ◽  
Independent Thinking

“Jack of all trades” Ahmed Midhat Efendi, one of the most famous and popular Ottoman writers of the 19th century, ranged widely in his subject matter, which included economics. Although he was criticized for not having a proper education in the field, his independent thinking made him the most important critic of the laissez-faire system that prevailed in the Ottoman Empire. He disapproved of the liberalism transferred from the West in a normative framework.

scholarly journals Ivan Vahylevych’s mystified biography in Yurii Vynnychuk’s novel “Liutetsiia”

2020 ◽  
pp. 6-11
Author(s):  
Halyna Bokshan
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Main Character ◽  
Don Juan ◽  
Material Characteristic ◽  
Public Figure ◽  
Historical Aspects ◽  
Historical Material ◽  
The 19Th Century ◽  
Historical Epoch

The study examines the features of the strategies of mythologization and mystification used by Yurii Vynnychuk in creating his literary version of Ivan Vahylevych’s biography in the novel “Liutetsiia”. First of all the paper emphasizes the writer’s inclination to play with historic material characteristic of postmodernism, manifesting itself in most of his works and in the novel under study, in particular. The research pays special attention to the original interaction of mythological and cultural-historical aspects in the fictionalized biography of the renowned public figure of the 19th century, famous for his activity in Ruska Triitsia. It considers the specific features of the literary visualization of Ivan Vahylevych character in the relation to Ivan Franko’s essay representing the epistolary of the figures of the historical epoch depicted in the novel. The study determines the correlation between the personages in “Liutetsiia” and the characters and motives of the Celtic mythology. It identifies the specificity of the reminiscent relations of the main character with the archetypal figure of Don Juan. The conclusions highlight the use of irony, grotesque and comic modus by Yurii Vynnychuk as the manifestation of the neo-mythological device of deheroization. It also accentuates that the strategies of mythologization and mystification in “Liutetsiia” reflect the manner of interpreting cultural-historical material characteristic of the author.

A Review of The Sundanese Scale Theory

2022 ◽  
Vol 21 (2) ◽  
pp. 318-329
Author(s):  
Mariko Sasaki ◽  
Juju Masunah
Keyword(s):  
19Th Century ◽  
Performing Arts ◽  
Educational Institutions ◽  
West Java ◽  
Scale Theory ◽  
The 19Th Century ◽  
The Relationship

This article aims to discuss Kusumadinata’s scale theory in Sundanese music which has been taught in educational institutions in West Java, Indonesia. According to Kusumadinata’s scale theory, sorog and pelog are scales derived from salendro scale in gamelan salendro performance. In my previous research, I investigated three genres of Sundanese performing arts which have existed since the Hindu era, namely goong renteng, pantun, and tarawangsa. The results indicate that the pelog scale has independently existed since the Hindu era. Then, I analyzed the phenomenon that occurs in the gamelan salendro performance, i.e., its melody (rebab and vocals) conventionally modulate into scale ‘like sorog’, occasionally into scale ‘like pelog’. In contrast, the instruments of gamelan are in the salendro scale. However, the analysis on the sorog in the previous research was not enough, so that in this paper, I will focus on the sorog. To find out the relationship between melody (vocal and rebab) and gamelan instruments, I examined the actual performances of gamelan salendro and wayang golek purwa. It became clear that the salendro scale derives four types of sorog. The findings of this study indicate that sorog has existed since the 19th century by this phenomenon, and the scale now called sorog is a scale derived from salendro.

The “Entente cordiale” and the rivalry of Great Britain and France in North Africa in 1830s–1840s. The example of Morocco

2021 ◽  
pp. 71
Author(s):  
Natalia Zherlitsina
Keyword(s):  
Great Britain ◽  
19Th Century ◽  
North Africa ◽  
Open Phase ◽  
Liberation Struggle ◽  
The 19Th Century ◽  
The Relationship ◽  
Peace In Europe ◽  
Independent Country ◽  
Dominant Influence

The article examines the relationship between the two leading powers of the 19th century, Great Britain and France, against the background of colonial rivalry in North Africa. Analyzing relevant English, French, and Moroccan diplomatic documents, the author concludes that the issue of establishing a dominant influence in Morocco was one of the main issues in the relations between Great Britain and France in 1830–1840. The French takeover of Algeria disrupted the regional and European balance of influence and gave a conflicting character to the relations between the competing powers. The “Entente Cordiale” (“Cordial Accord”), designed to contribute to the preservation of peace in Europe, acted as a deterrent that did not allow Great Britain and France to move to an open phase of confrontation in the Maghreb. The sharp phase of the rivalry between the two powers in Morocco occurred in 1837–1844 and was associated with the name of the hero of the liberation struggle of Algeria from the French invaders, Emir Abd al-Qadir. The Franco-Moroccan War of 1844 ended with the defeat of Morocco, facing the threat of French occupation. Due to the pressure from British diplomacy, the Franco-Moroccan treaty was concluded, and the sultanate existed as an independent country for about sixty years, although in fact the European powers did not stop systematically undermining the country's sovereignty.

Yuly Aykhenvald’s “Natural Symbolism” (on the Question of the Aesthetic Method)

2021 ◽  
pp. 188-203
Author(s):  
Elena A. Tacho-Godi ◽  
◽  
◽  
Keyword(s):  
Literary Criticism ◽  
19Th Century ◽  
Oscar Wilde ◽  
Philosophy Of Life ◽  
Methodological Principles ◽  
The Aesthetic ◽  
The 19Th Century ◽  
The Relationship

The paper considers the methodological principles of Yu.I. Aykhenvald’s literary criticism. Attention is drawn to the relationship between Aykhenvald’s declared “immanent method” and “principled impressionism” and his own “philosophy of life”. It is proved that Aykhenvald’s version of “impressionism” is much closer to the theory of symbolism than it seemed to contemporaries and researchers. The analysis takes into account both the aesthetic “sympathies” (Apollon Grigoryev, Vladimir Solovyov, Oscar Wilde, Remy de Gourmont, Émile Faguet) and “antipathies” (Vissarion Belinsky, Vasily Rozanov), that influenced Aykhenvald’s interpretation of the heritage of literary critics, philosophers, and writers of the 19th century — Pushkin, Tolstoy, Chekhov.

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