scholarly journals The Importance of Painting in Qajar Dynasty Based on the Sociology Point of View

2017 ◽  
Vol 6 (3) ◽  
pp. 985
Author(s):  
Behnam Pedram ◽  
Mahdi Hosseini ◽  
Gholam Reza Rahmani

<p>The paintings of Qajar dynasty are the most thriving and important artworks in Qajar dynasty. Studying Qajar painting helps importantly to identify and study the art and culture of Qajar dynasty. Existence of lots of paintings, diversity of designs, color and subject, combining tradition and modernism were factors for selecting this dynasty to investigate. As the painting is the visual history of each era, sociology studying of painting in this dynasty will make one to understand common culture and thinking of people in that society. Amount of influence of western culture especially during Naser al-Din Shah Era has been at the same time with the creation of these paintings and combination of these paintings with our past legacy schools lead us to the thinking and willing of Qajar artists. As Qajar art and different kinds of painting art were the foundation of contemporary Iran’s painting by a research around this Dynasty, the reasons of excellence, lacks and origins of contemporary painting of Iran can be understood. Research methodology at the beginning was based on library studies while there were little reading resources in books, magazines, internet, documentation, presence in places and photography and then studying of what was seen heard and read.</p>

2021 ◽  
pp. 185-193
Author(s):  
Mironenko Maria P. ◽  

The article is devoted to the fate of an archaeologist, historian, employee of the Rumyantsev Museum, local historian, head of the section for the protection of museums and monuments of art and antiquities in Arkhangelsk, member and active participant of the Arkhangelsk Church Archaeological Committee and the Arkhangelsk Society for the Study of Russian North K.N. Lyubarsky (1886–1920). The Department of Written Sources of the State Historical Museum stores his archive, which sheds light on the history of his struggle to protect churches and other monuments of art and culture dying in the North of Russia during the revolution and civil war, for the creation of the Arkhangelsk Regional Museum.


1939 ◽  
Vol 28 (2) ◽  
pp. 129-140 ◽  
Author(s):  
C. H. V. Sutherland

Mr. M. P. Charlesworth's Raleigh Lecture, ‘The Virtues of a Roman Emperor: Propaganda and the Creation of Belief,’ serves admirably to illuminate a new aspect of the history of the Roman Empire, in which the debt of pure history to numismatics (and notably to the work of Mr. Mattingly in the British Museum Catalogues) will be plain. From the numismatic point of view there is, indeed, one curious omission in Mr. Charlesworth's argument; and attempts to make good the omission have opened up a series of speculations which are here discussed.


2019 ◽  
Vol 41 (4) ◽  
pp. 293-303
Author(s):  
Luca Valera ◽  

The aim of this paper is to focus on the idea of depth developed by Arne Næss, which is related both to his research methodology and some of its anthropological/cosmological implications. Far from being purely a psychological dimension (as argued by Warwick Fox), in Næss’s perspective, the subject of depth is a methodological and ontological issue that underpins and lays the framework for the deep ecology movement. We cannot interpret the question of “depth” without considering the “relational ontology” that he himself has developed in which the “ecological self” is viewed as a “relational union within the total field.” Based on this point of view, I propose that we are able to reinterpret the history of the deep ecology movement and its future, while rereading its politics, from the issue of depth.


2016 ◽  
Vol 54 (2) ◽  
pp. 38-44
Author(s):  
Kateřina Dobrovolná

Saint John’s Museum in Nepomuk, which is dedicated to the Saint of the same name (who was a local native), was reopened in March 2015. It’s original name was the Museum of St. John’s and other religious monuments and the museum was founded in 1930 by Father Jan Strnad. The institution was subsequently closed in the mid-20th Century. The study cursorily reveals the history of the Museum and the overall history and architecture of the building, where the Museum is located and its present status and particularly the reconstruction and the equipment of the Museum’s interior from the point of view of the Museum’s employees, specifically in regard to any problematical display cases. Three semistructured interviews were conducted with people who had contributed to the Museum in varying degrees, focused on the reconstruction of the Museum. This critical study can be of service not only to the Museum staff but also for other professionals from this area during the reconstruction of exhibitions or the creation of new ones.


Author(s):  
Mykola Khshanovskyi

The article describes the stages of development of rhythmic notation, characterizes the essence of the reform of Franco of Cologne. Its significance for the formation of the Ars Nova notation has been revealed. The research methodology is based on a combination of general-historical and theoretical methods. The Franco’s notation reform can be summed up by next basic points. Firstly, in the framework of the already existing and rather long tradition of mensural music, which began condition ally from Johannes de Garlandia (in theory, in practice – even before), the Franco’s treatise had a unifying and systematic meaning. Also, the author brilliantly summarized the groundwork of an entire epoch in the history of western rhythmic notation. If we consider the pre-Franco’s notation to be potentially mensural, then Franco puts it in a classical form that will be relevant for the next two centuries. Secondly, Franco in his reform fixes the transition from a modal notation (which is still not quite stable in terms of unambiguous reading) to the actual mensural (quite stable in this attitude). And finally, in a broader sense, the Franco’s mensural system can be considered a completely emancipated system of musical rhythm. It is not related to the rhythm of the poem, either with the rhythm of prose, or with a priori rhythmic formulas that largely comprise the content of modal rhythm. From this point of view, the mensural system represents a further step in separating music from the word, from the verse, from the grammar. The collapse and interpenetration of modes led to the idea of a triple metric unit, abstraction from modes, to the idea of perfection. The connection with modes remained, since the perfection was a triple one, but it was already a theoretical abstraction, practically equivalent to the modern concept of a bar. Further steps in this direction were made by Vitry and Muris.


2018 ◽  
Vol 24 (4) ◽  
pp. 177-182
Author(s):  
Larissa A. Kozlova

The book reviewed in this article is the result of many years of historical-sociological and historical-biographical studies conducted by B.Z. Doktorov. It contains generalizations of certain results of analyzing biographies, while also introducing the reader to the methodology and procedure of the historical-sociological pursuit. The book was written, in the words of the author himself, in the form of a “mental dialog” with the characters of the biographical narrative; it contains methodological clarifications, as well as descriptions of the creation of the texts included within the book. It contains the author’s previously published work, dedicated to American scientists who conducted studies of public opinion (G. Gallup, H. Cantril, D. Ogilvy), as well as Russian sociologists belonging to the four eldest generations (B.A. Grushin, V.A. Yadov, T.I. Zaslavskaya, Y.A. Levada, A.N. Alekseev, V.B. Golofast, G.S. Batygin). The early activity of the first generation is associated with a period of rebirth (second generation) for Russian sociology during the 1950’s and 1960’s. This review describes the origins of B.Z. Doktorov’s interest towards the research problems; a short summary of the book is given; described is the research methodology of a generational approach; also revealed is the importance of B.Z. Doktorov’s work when it comes to the history of Russian sociology and historical-biographical studies.


2021 ◽  
Vol 5 ◽  
pp. 14-27
Author(s):  
Sergey R. Futo ◽  

The article describes the history of the creation of the Federal Law “On the Police”, the mechanism of its development, as well as the content of the main stages of its discussion and adoption. It seems that this article may be interesting from the point of view of understanding not only the content of the main provisions of the Law on the Police, but also the conditions in which they arose, the reasons for using certain formulations, and the preservation of certain provisions of the previous legislation.


Author(s):  
Dan Stone

This article explores the history of genocide by looking at collective memories, from the point of view of Western culture. Western culture is suffused with autobiographies, especially with traumatic life narratives about the legacies of abusive childhoods. For the individual victims of genocide, traumatic memories cannot be escaped; for societies, genocide has profound effects that are immediately felt and that people are exhorted never to forget. The discussion shows how genocide is bound up with memory, on an individual level of trauma and on a collective level in terms of the creation of stereotypes, prejudice, and post-genocide politics. Despite the risks of perpetuating old divisions or reopening unhealed wounds, grappling with memory remains essential in order to remind the victims that they are not the worthless or less than human beings that their tormentors have portrayed them as such.


space&FORM ◽  
2020 ◽  
Vol 2020 (44) ◽  
pp. 71-78
Author(s):  
Alina Holovatiuk ◽  

This article deals with the notion of meme from the general, web and architectural point of view. The history of the creation and the process of further transformation of the term meme, which gradually penetrated from the initial genetic environment into the environment of media and technologies, is described. The disagreements are mentioned both in the interpretation of the concept of a meme and in the definition of a meme as a certain useful or harmful element of culture. By comparing the Internet meme and its main properties with the architectural meme, the characteristics of the last one are indicated.


Author(s):  
Diana Aksinenko ◽  
◽  
Elena Bogatyreva ◽  

The article tells us about chamber opera "Poor Liza" by L. Desyatnikov, which is based on the novel by N. Karamzin. Also a brief description of the composer's works is given. The history of the creation and releases of the "Poor Lisa" is reviewed. The typical features of the chamber opera genre are revealed. The genre specifics of the work are analyzed from the dramatical point of view with the help of a comparative analysis (textual) of the literary source and the text of the libretto.


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