Artistic reality of the TV series “The Marvelous Mrs. Maisel”

This article analyzes the artistic reality of the popular TV series “The Marvelous Mrs. Maisel”. There author discusses the feedback of the viewers, including negative. The question is raised on the reasons of its series, as in terms of rigorous analysis it seems mosaic and contradictory. The article explores the artistic techniques (split mind of the hero, bringing modern problems to the past, which create the artistic reality). It is demonstrated that the TV series enjoys popularity namely for representation of the modern problems and situations, despite the use of historical records. Following the logic of comedy-drama streaming TV series, its creators my Sherman-Palladino and Rachel Brosnahan readjusted all historical and non-historical themes and plotline so it would be entertaining for the audience, rather than give knowledge of history. The reality of the series is not a stand-up story based on the example of Mrs. Maisel, but the artistic reality in the comedy-drama genre. Detailed analysis is conducted on the techniques of depicting split personality of the hero, as well as presentation of the actor’s personal life and problems as a skillful acting. The author wonders whether the TV series “The Marvelous Mrs. Maisel” reflects rather the structure of the mosaic mentality of the modern viewer, oriented towards entertainment and aesthetic experiences than the knowledge of life. At the end of the research, the author discusses how the producers managed to create a holistic and organic artistic reality of the TV series.

Soviet man as sociocultural type

The article examines the evolution of attitudes towards the psychological characteristics of the Soviet man in national socio-humanitarian science. The author shows that there are three positions on this issue. The first, dating back to the time when it was impossible to write about the negative qualities of the Soviet personality, is based on singling out exclusively its positive properties. The second, characteristic of the time when the “fashion for repentance” was relevant, consists in associating the Soviet person mainly with negative qualities. The third, more objective position, which has established itself in recent years, is that both positive and negative properties coexisted in Soviet people. The author draws a distinction between the early Soviet “tough” totalitarian regime and the late Soviet — “softened” one, demonstrating, in particular, that the split personality of the Soviet man in the late Soviet period was the output of that era. An attempt is made to single out the subtypes of the late Soviet man, covering such categories as “faithful”, “cosmopolitan” and “detached”, the relationship between which served as a psychological basis for what happened during our reforms.

The plight of China’s journalism education - From the perspective of the sociology of education

China’s journalism education has been changing all the time to meet new demands brought by the political and economic reforms over the last two decades in the 21st century. However, the covert wars between ideology and practice, between classrooms and newsrooms have caused the “split personality” and general confusion among China’s journalism educators and students. Several educational and practical problems thus arise as a result of the tug-of-war between economic and ideological demands. The problems of China’s journalism education are not only from its complex social and economic environments, but also from its weight of history and culture. Although both journalism educators and some media organizations in China are making great effort to heighten awareness of problems and actively attempting to take remedial measures, the transition from the classroom to the newsroom is made more difficult by the complicatedness of the business operation of schools and media organizations, and the systematicity of journalism education remains problematic.

The Split Personality of Beauveria bassiana: Understanding the Molecular Basis of Fungal Parasitism and Mutualism

Fungal pathogenicity toward insects has independently evolved several times, resulting in specialist and generalist pathogens, some of whom have maintained aspects of their previous lifestyles. Being able to grow as an endophyte (engaging in a mutualistic interaction with plants) or saprophyte (recycling nutrients back into the environment), the generalist (broad-host-range) fungus Beauveria bassiana does not need to rely on insect hosts to complete its life cycle.

Evasion and Countermeasures Techniques to Detect Dynamic Binary Instrumentation Frameworks

Dynamic Binary Instrumentation (DBI) is a dynamic analysis technique that allows arbitrary code to be executed when a program is running. DBI frameworks have started to be used to analyze malicious applications. As a result, different approaches have merged to detect and avoid them. Commonly referred to as split personality malware or evasive malware are pieces of malicious software that incorporate snippets of code to detect when they are under DBI framework analysis and thus mimic benign behavior. Recent studies have questioned the use of DBI in malware analysis, arguing that it increases the attack surface. In this paper, we examine the anti-instrumentation techniques that abuse desktop-based DBI frameworks and existing countermeasures to determine if it is possible to reduce the exploitable attack surface introduced by these DBI frameworks. In particular, we review the related literature to identify (i) the existing set of DBI framework evasion techniques and (ii) the existing set of countermeasures to avoid them. We also analyze and compare the taxonomies introduced in the literature, and propose a new taxonomy that expands and completes previous taxonomies. We also note some relevant issues and outline ways of future research in the use of DBI frameworks for security purposes

IN THE INSIDE-OUT WORLD: MADNESS AS A THEME AND PLOT

The paper focuses on the madness as a theme and plot in Ukrainian literature of the 1st half of the 20th century. The researcher analyzes ideological and aesthetic tendencies associated with the understanding of the madness phenomenon, clarifies its functional features, symbolic and ideological significance, and emphasizes the connection between the psychological atmosphere of the totalitarian reality and literary interpretations of madness. The analysis involves works of different genres, styles, and dates of writing in which the theme of madness acquires ideologically engaged and symbolically significant content. In “Sanatorium Zone” by M. Khvylovyi the madness phenomenon is associated with the problems of split personality and suicide. It may be explained in a modernist context, as a reflection of the internally conflicting nature of a man, incapable of changing the existing world or getting adjusted to it. In the tragicomedy “People’s Malakhiy”, M. Kulish introduced the idea of madness into the complex sociopolitical context of the soviet reality which he revealed in various forms (from mythological to social-political) using satirical and grotesque images, philosophical generalization, etc. An episode of madness in the novel “The Garden of Gethsemane” by I. Bahrianyi emphasizes the anomality of the soviet world which is symbolized by the punishment cell and characterized as a “conveyor belt for dismantling human souls”. The story of the romantic poet Hӧlderlin in the novel by V. Domontovych is socially and politically conditioned. It reveals the state of a man and the world in a difficult transitional era. In “The Enameled Bowl”, Domontovych elaborates the theme of illness through the idea of the lack of consistency between the internal and external and understands it as an artistic convention that marks the absurdity of the world. T. Osmachka in his prose was especially focused on the theme of madness. He was interested in mental disorders both as a form of the character’s self-awareness and as a clinical story. The mythological and ideological image of a mentally ill man, reflecting a creative person subjected to repression and persecution, is a symbol of his own biography. In general, the changes in the interpretation of mental disorders are associated with the renewal of the modernist poetics and caused by the writers’ attempts to clarify the connection between the external and internal.

8. External Powers

This chapter explores the external competences and procedures of the European Union. Sadly, the Union here suffers from a ‘split personality’ because it has a split constitutional regime for foreign affairs. It has a general competence for its ‘Common Foreign and Security Policy’ (CFSP) within the TEU; and it enjoys various specific external powers within the TFEU. The chapter analyses each of these competences and their respective nature. It then looks at the procedural dimension of the external relations of the Union. How will the Union act, and which institutions need to cooperate for it to act? This depends on which of the two constitutional regimes applies. While the CFSP is still characterized by an ‘executive’ dominance, the procedures within the Union’s special external powers are closer to the ‘legislative’ branch. Finally, the chapter considers two constitutional safeguards regulating the exercise of shared external competences: mixed agreements and the duty of loyal cooperation.