Objective Signs Act Done with Intent to Prevent Child Being Born Alive or To Cause It to Die After Birth: National and Indian Experiences

The article analyzes the problems of qualification crime, connected with infanticide. the terms, used in formulation of crime under considering, which demands of unambiguous and luminous exposition are defined. this article illustrates the objective side of the crime structure and its facultative signs and their criminal legal significances belong to offence of infanticide , including the theoretical and practical problems of facultative signs of the objective side of the crime structure, which are specified in the criminal code of the republic of uzbekistan. in addition, proposals and recommendations for further improvement of the criminal legislation. also, in this article, the author analyzes offence of infanticide in national, foreign and Indian experiences. This article illustrates that the facultative signs of the objective side of the crime of offence of infanticide are specified in the Criminal Code as extenuating (qualifying) signs at the qualification of criminal offense and Objective signs of this crime consist in the unlawful deprivation life of a newborn child.On the objective side, the crime under article 99 of the criminal code of the Republic of Uzbekistan has a material structure. It can be committed either through action or inaction. A socially dangerous consequence must be in the necessary cause-and-effect relationship with the mother's act. Keywords: infanticide, criminal law, privileged formal element of a definition of crime, facultative signs of the objective side of the crime; the time, socially dangerous act; socially dangerous consequences; causal link

THE STRUGGLE FOR THE AUDIENCE: METAPHORS IN THE TEXTS OF LATE 19TH AND EARLY 20TH CENTURIES RUSSIAN CONSERVATIVES

The article presents an attempt to reconstruct the system of thinking of Russian conservative nationalists of the late Empire period based on a comparison of the formal and substantive features of their texts, which were dedicated to the "Finnish question". Taken together, these texts constituted a single "anti-Finnish discourse" created in order to influence the government and public opinion on the status of the Grand Duchy of Finland. However, they were united not only by origin and content, but also by common formal characteristics such as rhetorical features and tricks, vocabulary, and syntactic constructions. Metaphors were the most important formal element of this discourse. They can be combined into four conventional metaphorical models: historical, military, criminal, and physiological. The analysis of metaphorical series allows us to make conclusions not only about how well publicists commanded methods of propaganda influence on the audience, but also about the logic of their thinking. With the help of metaphors and auxiliary linguistic tools linked to them, “one’s own” and “alien” social strata were marked, an ideal society was described, and discourse authors’ attitude to the current situation in the country was demonstrated.

Liturgical Anamnesis as an Element of the Euchology of the Mass

In modern liturgical theology, the concept of “anamnesis” has become a dominant feature that defines the liturgy. Without understanding the essence of anamnesis, it is impossible to grasp the essence of the Christian liturgy. In other words, without anamnesis, the liturgy would not be liturgy. Liturgical anamnesis is, above all, an objective remembrance and actualization hic et nunc of the Paschal Mystery of Christ. It is a reminder of the past, but also an anticipation of the salvific future and the heavenly liturgy. In a narrower sense, the anamnesis is an integral part of the Christian euchology. This paper presents the latter understanding of the word “anamnesis” as a formal element in the structure of the euchology that recalls not only the different stages and facts of Christ’s life, but also the entire history of salvation in both a theological and a chronological sense.

Concept of Time in Virginia Woolf’s To the Lighthouse: Bergsonian Study

Time is an important element in modern literature, has always been one of the most important themes of Virginia Woolf’s novels. The purpose of this paper is to look at Woolf treatment of the movement of time within the conscious mind in the novel in title of To the Light House by Virginia Woolf. One conclusion drawn from this study is that Woolf began to use time as a literary element, thereby decreasing her development of plot and characterization. A second conclusion is that she was greatly influenced by the philosophy of Henri Bergson and that consequently her writing increasingly reflects the fluid movement of time within consciousness. This paper demonstrates that Virginia Woolf used time as a formal element of narrative to show the relationship of time to human consciousness; and she never overlooked the fact that time moves human beings toward death. For Woolf, life is characterized by endless variety and movement. Its exquisite beauty is enhanced by knowing that we humans live short lives and lose everything when we die.

Education and training policies for research integrity: Insights from a focus group study

Education is important for fostering research integrity (RI). Although RI training (a formal element of RI education) is increasingly provided, there is little knowledge on how research stakeholders view institutional RI education and training policies. Here, we present insights about research stakeholders’ views on what research institutions should take into account when developing and implementing RI education and training policies. We conducted 30 focus groups, engaging 147 participants in 8 European countries. Using a mixed deductive-inductive thematic analysis, we identified five themes: 1) RI education should be available to all; 2) education and training approaches and goals should be tailored; 3) motivating trainees is essential; 4) both formal and informal educational formats are necessary; and 5) institutions should take into account various individual, institutional, and system-of-science factors when implementing RI education. Our findings suggest that institutions should make RI education attractive for all, and tailor training to disciplinary-specific contexts.

Psychologically Traumatic Situation as a Formal Element of an Offence under Article 106 of the Criminal Code of the Russian Federation (Murder by a Mother of Her Newborn Child)

The study is aimed at finding general grounds of criminal responsibility for neonaticide (murder by a mother of her own newborn child). The formal crime signs listed in article 106 of CCRF have been analysed. The theoretical analysis is supplemented with a study of 40 criminal cases. It was concluded that the common ground for inclusion of the three formal elements of the crime (differing in a number of criteria) is the mother's limited capability to consciously and arbitrarily control her behavior while murdering her newborn child. In the first case, the main factor limiting this legally significant capability is a legislator-presumed specific psychophysical condition of the parturient woman, in the second case it is a specific emotional state caused by a psychologically traumatic event associated with pregnancy and childbirth. The third case is a mental disorder not excluding sanity. A remark about the baby-murdering mother's special emotional condition limiting her capability to be aware of her actions (and control them) has been suggested for inclusion in the text of the article. The advisability of obligatory prescription for a comprehensive forensic psychological and psychiatric examination has been substantiated when the offence is categorized under article 106 of CCRF.

Splot głosów. Mowa pozornie zależna w Requiem dla gospodyni Wiesława Myśliwskiego

The article analyzes the drama Requiem dla gospodyni by Wiesław Myśliwski in the context of free indirect discourse as understood in literary criticism. The author of the article discusses the instances of this form of expression used in the utterances of Boleś, a shepherd and country madman of an unknown ontological status. She notices the problems with distinguishing between free indirect speech and the direct quoting of the late titular landlady [gospodyni] with whom Boleś established a strong bond. The author demonstrates that the shepherd plays a significant role both as a part of the storyline and a formal element because his creative capacity (building images) as well as linguistic (creating a binarrative in free direct speech) reveal his meta-dramatic character and privilege the dramatic subject.

Amartia Sen, crítico da teoria da justiça rawsliana

The present paper focuses on Amartia Sen and an aspect of his reflection on the Rawslian theory of justice, especially about the justification of substantive and social rights and more particularly those that demand the discussion about the character and nature of the right to private appropriation of social effort. Thus, tehe focuse is understand an aspect of Amartia Sen's reflection exposed in the 3rd chapter of 'Development as freedom', in which Sen contrast the formulation of Rawls' theory of justice, regarding the priority that the author grants the formal element of freedom to the detriment of its materialization and concretization. In the name of those emerges a clear theoretical (and practical) conflict with the demands for the realization of certain rights, resulting in a dichotomy between liberties (as formal, procedural or negative freedoms) vis-a-vis the liberal-individualist tradition and within which they are opposed freedoms (understood in the context of the debate put there as concrete, material or substantive freedoms). So, we have an antinomy will be confronted with the Hart’s 'Essays in Jurisprudence and philosophy', in the sense of pointing out that a problem with Rawls' formulation is that he does not understand it necessary to reconcile the admission of private property as freedom with the general principle of maximum ‘equal freedom’. So want to ask is whether the model proposed by Sen tackles this issue better and more adequately, which implies a hypothetical framework by which, by establishing a small number of basic freedoms, the Rawslian formulation does nothing more than treat property rights as mere formal guarantee of those who have it and to the detriment of all other components of the social body. It is, therefore, as to the method, of research centered on bibliographic review.

Gone Girls of Escamontage

Escamontage designates the coincidence of a subtle cut in film, made without an apparent break in framing, with the disappearance of a woman’s body. This chapter proposes that escamontage constitutes its own form of editing in which concealment is expressed as a formal element and thematic principle. The history of escamontage is conveyed in three key moments: first, its initial articulation in early cinema with Thomas Edison’s The Execution of Mary, Queen of Scots (1895); its development in classical Hollywood cinema with Alfred Hitchcock’s Rope (1948); and finally, its realization in contemporary digital filmmaking with David Fincher’s Gone Girl (2014).