scholarly journals Bad and banned language: Triad secret societies, the censorship of the Cantonese vernacular, and colonial language policy in Hong Kong

1995 ◽  
Vol 24 (2) ◽  
pp. 159-186 ◽  
Author(s):  
Kingsley Bolton ◽  
Christopher Hutton

ABSTRACTThe language of Chinese secret societies (“triads”) in Hong Kong can be studied by relating triad language to anti-languages, to taboo language, and to the status of the vernacular in sociolinguistic theory. Also examined here are the laws in Hong Kong concerning triad language, and the attitudes of government agencies charged with policing the media. One striking feature of the Hong Kong situation is that the use of triad jargon can in some circumstances constitute a serious criminal offense. However, triad language also appears to be a source of innovation, through the popular media, into mainstream Hong Kong Cantonese. Research on triad language is relevant to the relationship between colonialism and language control. (Cantonese, Hong Kong, colonialism, triad secret societies, censorship, vernacular, taboo language, criminal slang)

1997 ◽  
Vol 74 (4) ◽  
pp. 738-756 ◽  
Author(s):  
Lars Willnat ◽  
Zhou He ◽  
Hao Xiaoming

This study examines the relationship between foreign media exposure and stereotypical perceptions of and feelings toward Americans in Hong Kong, Shenzhen (China), and Singapore. In line with previous studies, it finds that foreign TV consumption is related to negative stereotypical perceptions of and feelings toward Americans among all tested subjects. However, it also finds that different types of foreign media, such as newspaper, radio, video, and movies, exhibit very distinct and different relationships with perceptions of Americans by subjects from China and Singapore. It suggests that in studies of foreign media impact, attention should be given to specific foreign media channels, the actual content of the media, the impact of local media, the stages at which other cultures encounter the Western culture, and the cultural context of each society.


2019 ◽  
pp. 100-122
Author(s):  
Francis L. F. Lee

This chapter reviews the relationship between the media and the Umbrella Movement. The mainstream media, aided by digital media outlets and platforms, play the important role of the public monitor in times of major social conflicts, even though the Hong Kong media do so in an environment where partial censorship exists. The impact of digital media in largescale protest movements is similarly multifaceted and contradictory. Digital media empower social protests by promoting oppositional discourses, facilitating mobilization, and contributing to the emergence of connective action. However, they also introduce and exacerbate forces of decentralization that present challenges to movement leaders. Meanwhile, during and after the Umbrella Movement, one can also see how the state has become more proactive in online political communication, thus trying to undermine the oppositional character of the Internet in Hong Kong.


Author(s):  
Carlos Rojas

Through a close reading of several works by contemporary Hong Kong author Dung Kai-Cheung, and particularly his recent novelWorks and Creations, this chapter examines how Dung deploys a dialectics of anticipatory loss and belated recognition to comment not only on the status of contemporary Hong Kong but also on the process of fiction-writing itself. The analysis draws on the precisely inverse Freudian concepts of the fetish and of deferred action, which approach the present through the prism of either an anticipated future loss or a belated reassessment of a past event, while also reflecting more broadly on the relationship between temporality and narration.


2020 ◽  
Author(s):  
Venera Nauryzova ◽  
Umit Kairova

The article examines the history of the development of the Constitution and the status of constitutional values, the rule of law. The foundations of the constitutional reform have been determined. The political system of the state is clearly spelled out in our constitution. At the same time, this law for the first time describes the core of the political system - the presidential system. Today we can say that our Constitution and laws allow us to stimulate creativity and entrepreneurship. This norm defines the main purpose, the scope of public relations to be regulated by constitutional laws, laws, Presidential Decrees, regulations of government agencies of the Republic of Kazakhstan. Attention should be paid to the role, meaning and features of the Constitution of the Republic of Kazakhstan as the main document of the country. In addition, it tells about the adoption of our Constitution, its achievements, measures to prove that Kazakhstan is a legal state. As soon as the draft of the new Constitution was published in the media for public discussion, it can be said that in fact the whole country began its work. It is said that the Constitution of the Republic is the initiator of a new stage of constitutional development, which has a high legal force and stability, strengthens and regulates the basic social relations in the field of legal status of citizens, civil society institutions, state organizations and government agencies.


2022 ◽  
pp. 1-31
Author(s):  
Stuart Hargreaves

Abstract Typically one member of a sitting panel of Hong Kong's Court of Final Appeal is a senior jurist drawn from another common law jurisdiction. In the Court's early years, these ‘overseas judges’ were responsible for writing approximately one quarter of the lead opinions across a vast range of cases. This article demonstrates, however, that this practice has changed. The overseas judges now write a smaller share of lead opinions and no longer write lead opinions related to issues of fundamental human rights or the relationship between Hong Kong and the rest of China. This article suggests this change has been made for good reason. Though valid questions about the legitimacy of the role of the overseas judges can be made, they also continue to perform a valuable communicative role regarding the status of Hong Kong's judicial independence under the ‘one country, two systems’ framework. A recent rise in attacks on overseas and other ‘foreign’ judges in Hong Kong can be understood as part of a broader project that seeks to constrain the role of the independent judiciary. By continuing to invite overseas judges to sit on the Court of Final Appeal but reducing their public prominence, the Court has sought not only to reduce avenues for attacks on the legitimacy of particular decisions, but to protect the autonomy and independence of the judiciary more broadly.


Author(s):  
Fatih Söğüt

The cultural and ideological tools that enable the West to maintain the imperial and colonial rule over the East have been varied. With the help of Western-based digital technologies and communication tools, it is possible to produce, publish, and distribute all kinds of information easily and quickly. The western and Western perspective is also reflected in the media content, and all kinds of popular media texts such as films, music, newspapers, magazines, toys are the bearers of the political social, cultural, and ideological structure of the West. Media texts produce discourses, especially about the ‘East' and position the East as one other. In this context, digital games should not be considered independent of the political, social, cultural, and economic structure in which they exist. The aim of this study is to assess research studies focusing on the orientalist perspective in digital games. While examining the relationship between orientalism and digital games within the framework of the literature, especially the Muslim and Arab representations in the plays were examined.


2016 ◽  
Vol 1 (1) ◽  
Author(s):  
Bayu Adi Wicaksana

Abstract The case that often gain pros and cons in the legal field in today’s world are cases related to negligence. Negligence is usually done by most people that in case of a traffic accident. The Police must have the understanding about the formulation of the crime in relation to their duty in determine the status of the suspect, because the lack of understanding on the formulation of criminal offense would be influential in revealing the relationship of an action and its consequence. The issue to be examined is the Police consideration in dealing with traffic accident which resulted in someone’s death due to a negligence. In order to prove the alleged suspect several things must be done such as investigating the crime the crime scene, listening to witnesses and choosing applicable legal articles. The obstacle faced by the police to process the traffic accident case is related to the witness and the suspect. Keywords : Police, Traffic Accident, Negligence


Author(s):  
Jodie Matthews

This chapter assesses how heritage can be circulated and discussed through active means, looking at the dangerous and damaging stereotypes of the Romani community in the media and on social media. The politics of these translations reflect discourses of racism, commodification, culture, community, and identity in the 21st century. A common consequence of such a discourse is the relegation of visitors to heritage sites — or, in this case, viewers of popular media — to the status of a ‘passive audience’. The point here is that there are alternative ways of both creating and learning about Romani heritage that do not depend on these centralised, powerful forms of production that are then consumed passively. Digital and other collaborative forums for reclaiming Romani heritage by Romani people not only fill a knowledge gap induced by a wider politics of Romani exclusion, they also enable better heritage practices.


2009 ◽  
Vol 199 ◽  
pp. 760-776 ◽  
Author(s):  
Martha Saavedra

AbstractSeveral studies have looked at “Africa” in the Western imagery, and explored how it is constructed for Americans through popular media. This article offers a preliminary query into whether Chinese popular media functions in a similar way by examining a 2004 Hong Kong-produced soap opera that uses a medical humanitarian mission in Kenya to advance its plot and central themes. While many tropes regarding Africa found in Western media are repeated, there is a conscious effort in this production to embody a more enlightened approach. Nevertheless, the core relationship is marked by humanitarianism, and necessarily one embodying unequal power relations. The soap opera thus avoids critical questions of development, globalization or even post-colonial solidarity, and instead rests more on older, safer paradigms of modernization. Still, an analysis of the drama reveals contradictions and unresolved tensions in which the relationship with Africa parallels Hong Kong's relationship with mainland China. This study posits that popular culture can offer unique insights into understanding dynamics affecting the evolving relationship between China and Africa.


Author(s):  
Jernej Čuček Gerbec

The essay provides an introspection into the relationship between our identities and technology. It aims to show how our identities are affected by new modes of operation that were less accessible before the emergence of social networks. Through an observation of popular media (i.e. TV shows) and social media, it reveals how the self is convoluted, resulting into a variety of performed identities. It explores how through social media, individuals are able to create perceived identities, which are to various degrees lived or completely fabricated. The essay uses iZombie and Orphan Black as case studies to showcase how life and the media are intertwined, resulting in the latter holding a mirror to the former. With a distinction between the online and offline personality, it presents the augmentation of identity with the aid of new interfaces, online intermediaries that add to the interpersonal contact; from the initial landline phone to more current modes of communication (Facebook, Tinder…) the essay points out how levels of anonymity aid the emergence of new identities. It provides a mirror of contemporary life and the ways the augmented self-influences the ways we understand and view our identities. Keywords: context collapse, identity, performing the self, social media, TV shows


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