scholarly journals Aristophanes and de Ste. Croix: The Value of Old Comedy as Evidence for Athenian Popular Culture

Antichthon ◽  
2012 ◽  
Vol 46 ◽  
pp. 14-51 ◽  
Author(s):  
David M. Pritchard

AbstractDe Ste. Croix famously argued that Aristophanes had a conservative political outlook and attempted to use his comedies to win over lower-class audiences to this minority point of view. The ongoing influence of his interpretation has meant that Old Comedy has been largely ignored in the historiography of Athenian popular culture. This article extends earlier critiques of de Ste. Croix by systematically comparing how Aristophanes and the indisputably popular genre of fourth-century oratory represented the social classes of the Athenians and political leaders. The striking parallels between the two suggest that Aristophanes, far from advocating a minority position, exploited the rich and, at times, contradictory views of lower-class citizens for comic and ultimately competitive ends. As a consequence his plays are valuable evidence for Athenian popular culture and help to correct the markedly fourth-century bias in the writing of Athenian cultural history.

2019 ◽  
Vol 7 (2) ◽  
pp. 101-107
Author(s):  
Tefan Randika Putra ◽  
Suseno W S ◽  
Maharani Intan Andalas IRP

Karya sastra merupakan sebuah struktur, namun bukan sesuatu yang statis. Karya sastra adalah cermin dari masyarakat yang mewakilinya. Oleh karena itu, lewat sebuah karya sastra pengarang bisa mengekspresikan gagasannya. Untuk mengetahui pandangan dunia pengarang terhadap kehidupan sosial masyarakat Dayak Benuaq, penelitian ini menggunakan kajian teori strukturalisme genetik Lucien Goldmann. Tujuan dari penelitian ini adalah mendeskripsikan pandangan dunia pengarang terhadap kehidupan masyarakat Dayak Benuaq yang  tercermin dalam Api Awan Asap. Hasil dari penelitian ini disimpulkan bahwa struktur karya sastra dalam novel Api Awan Asap meliputi tokoh, alur, latar, sudut pandang, dan tema yang menggambarkan pandangan dunia Korrie. Kemudian pandangan dunia pengarang dijelaskan melalui latar belakang sosial pengarang, pandangan terhadap kehidupan sosial, dan dialektika. Korrie mengekspresikan bentuk gagasannya bahwa Masyarakat Dayak Benuaq bukan oknum yang merusak hutan. Masyarakat Dayak sangat menjaga hutan dengan sistem masyarakat Dayak Benuaq yang diwariskan oleh nenek moyang. Sistem sosial masyarakat dijelaskan melalui kepercayaan masyarakat, interaksi sosial kemasyarakatan, ekonomi masyarakat, kesenian masyarakat, serta sistem pemeliharaan dan hukum masyarakat Dayak Benuaq. Kemudian pengarang sebagai subjek kolektif menggambarkan perbedaan kelas sosial antara kaum borjuis dengan kaum biasa. Dari penelitian skripsi ini dapat dilihat bahwa masyarakat Dayak memiliki konsep hidup untuk melestarikan alam dan sangat menghargai alam raya. Literature is a structure, but not something static. Literature is a reflection of society that represent it. Therefore, through a literary author can express his ideas. To know the author’s view towards the Dayak Benuaq’s social life, this research uses genetic structuralism theory proposed by Lucien Goldmann. The purpose of this study is to describe the author’s view towards the Dayak Benuaq’s social life that is reflected on a novel entitled Api Awan Asap. The finding of this study concludes that the literary stucture on the novel entitled Api Awan Asap includes character, plot, setting, point of view, and theme which describe the Korrie’s life. Then, the author’s life view is explained through the author’s social background, social life view, and dialectal. Korrie expreesses his ideas that Dayak Benuaq Society is not the doer who destroy the forest. Dayak Benuaq Society maintains the forest sustainability uses their own system that is innherited by their ancestors. Social Society system is exeplained through the society belief, social interaction, scoiety economy, society art, and as well as the maintenance and low system of Dayak Benuaq Society. Then, the author as the collective subject describes the social classes differentiation between the rich and poor people. Build on this study, it can be seen that Dayak Benuaq Society has a living concept to preserve the nature and appreciate the natural kingdom.


2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


1975 ◽  
Vol 4 (3) ◽  
pp. 271-288 ◽  
Author(s):  
Elizabeth Bates ◽  
Laura Benigni

AbstractStudies of address forms have almost always concentrated on a single set of rules, as they would be used by one idealized speaker. We proposed instead to examine the use of address pronouns in Italy as a function of the classical sociological parameters of age, sex and social class. A modified version of the Brown and Gilman questionnaire was administered in interviews with 117 Italian adults. Results indicate a powerful age—class interaction in overall degree of formality. Young upper class Ss are by far the least formal of the social groups — a particularly interesting finding, since Brown and Gilman's original study was drawn entirely from this population. Lower class youth are the most formal, with older Ss falling in between. Most Italians are likely to expect to receive the same address form that they give; the only clearly functional non-reciprocal relationships involve differences in age rather than status. The relationship of the results to political measures are also discussed. Several issues are examined from the point of view of sociolinguistic ‘ideals’ tapped by the questionnaire, vs. actual behavior in social settings. (Address forms (T/V pronouns); social class, age, and sex differences; Italy (Rome).)


2020 ◽  
Vol 24 (4) ◽  
pp. 816-830
Author(s):  
Tatiana A. Ivushkina

The paper is aimed at studying the use of literary words of foreign origin in modern fiction from a sociolinguistic point of view, which presupposes establishing a correlation between this category of words in a speech portrayal or narrative and a social status of the speaker, and verifying that they serve as indices of socially privileged identity in British literature of the XX1st century. This research is the continuation of the diachronic sociolinguistic study of the upper-class speech portrayals which has traced the distinctive features in their speech and has revealed that literary words of foreign origin unambiguously testify to the social position of a character/speaker and serve as social indices. The question arises then whether it holds true for modern upper-class speakers/speech portrayals, given all the transformations a new millennium has brought about. To this end we have selected 60 contexts from two novels by Jeffrey Archer - Not a Penny More, Not a Penny Less (2004) and A Prisoner of Birth (2008) , and subjected them to a careful examination. A graduate from Oxford and representative of socially privileged classes, Archer gives a wide depiction of characters with different social backgrounds and statuses. The analysis of the novels based on the contextual and functional approaches to the study enabled us to categorize the selected words into four relevant groups. The first class represented by terms ( commodity, debenture, assets, luminescence, etc.) serves to unambiguously indicate education, occupation, and fields of knowledge or communicative situations in which a character is involved. The second class is formed of words used in conjunction with their Germanic counterparts ( perspiration - sweat, padre - priest, convivial - friendly ) to contrast the social position of the characters: literary words serving as social indices of upper class speakers, whereas their synonyms of Germanic origin characterize middle or lower class speech portrayals. The third class of words comprises socially marked words (verbs, nouns and adjectives), or U-words (the term first coined by Allan Ross and Nancy Mitford), the status acquired in the course of social history development (elegant, excellent, sophistication, authoritative, preposterous, etc .) . The fourth class includes words used in a humorous or ironic meaning to convey the narrators attitude to the characters or the situation itself ( ministrations, histrionic, etc.). Words of this group are perceived as stylistic aliens, as they create incongruity between style and subject matter. The social implication of the selected words is enhanced by French words and phrases often accompanying them.


2020 ◽  
Vol 12 (2) ◽  
pp. 340-356
Author(s):  
Fitra Nanda ◽  
Rika Astari ◽  
Haji Mohammad Bin Seman

The purpose of this research is to provide insight into the characteristics of the Amiyah Egyptian language from a sociolinguistic point of view. This research was conducted by examining a variety of literature relating to the object of study and also the deepening of the material regarding sociolinguistics itself. The research method used is note taking, which takes data from YouTube consisting of 10 video objects whose results are presented in descriptive form. The procedures of the research are as 1) listening to every phrase which is spoken by the speaker, 2) writing the vocabulary that has phonological differences with Arabic Fusha, 3) classifying data according to sound change prepositions, 4) analyzing data related to phonological and morphological aspects, 5) doing further analysis related to the sociolinguistic point of view, 6) presents the results of the study. The results of this study, Amiyah Arabic is not included as a language but as a dialect that emerges from a basic language, namely Fusha Arabic. However, amiyah language has different phonological and morphological aspects that have become characteristic of being another language. This was explained by the social conditions of the Egyptian community who held that the language variations formed were higher social classes than the existing basic language namely fusha language.


2021 ◽  
Vol 9 (1) ◽  
pp. 87-116
Author(s):  
Alireza Farahbakhsh ◽  
Ramtin Ebrahimi

The purpose of the present article is to study the social implications of repetitive metaphors in the film and of the word Parasite (2019) and to observe what makes the life of a lower-class family parasitic within a typical capitalistic society. In the mainstream discussion, the metaphorical functions of such words as ‘smell,’ ‘insects,’ ‘the rock,’ and ‘the party’ are assessed within the context of the film. The central questions of the article, therefore, are: What are the recurrent and metaphorical motifs in the plotline and how can their implications be related to the overall theme of the film? How does Parasite exhibit the clash of classes in a capitalist society? To answer the questions, the present study offers a comprehensive analysis of its recurring metaphors as well as its treatment of the characters who visibly belong to two completely different classes. Through a complex story of two families whose fate gets intermingled, Bong Joon-ho masterfully presents a metaphoric picture of a society where inequality is rampant and the poor can only experience temporary happiness in the shadow of the rich (represented by the Park family).


2018 ◽  
Vol 1 (3) ◽  
pp. 375-380
Author(s):  
Dwi Adi Nugroho

In social life there are always rules, norms and values that organize the behavior or patterns of society. Yet some members of society cannot fulfill the rights and responsibilities in accordance with the norms and rules. Unequal rights and obligations in social life is the reason why there are social classes in society. It means that the people who have wealth and someone who can carry out many rights and obligations will be in the upper classes and those one with little or even no rights and responsibilities will be grouped in the lower classes. This research therefore aims to explain the phenomenon of social classes in the novel Pamela, and social condition in 18th century life in England that reflected in the novel. This research used descriptive  qualitative  method.  It was conducted by describing the data within literary work which were related to the topic of the research. The analysis of the data was done using sociology of literature approach put forward by Swingewood and Laurenson. The results of this research show that during England 18th century, social discrimination has become a major problem in the community. Social status become the standard of interaction in the society. Success and prestige of a person are measured based on his/her birth. Nobody wants to be at the bottom of the social hierarchy. The character of Pamela never think that money and power is everything. She never despise her identity as a lower class citizen who is always treated unequally in the society.


2005 ◽  
Vol 125 ◽  
pp. 73-92 ◽  
Author(s):  
Sara Forsdyke

AbstractPlutarch (probably following Aristotle's lost Constitution of the Megarians) associates several episodes of riotous behaviour with the existence of a radical democracy in Archaic Megara (Moralia 295c-d, 304e-f). Modern historians, in turn, have accepted that Megara was ruled by a democracy in the mid sixth century BC. I suggest that this conclusion is unjustified because the connection between riotous behaviour and democracy in Plutarch is based on fourth-century anti-democratic political thought. I propose instead that anecdotes describing the insolent behaviour of the poor towards the rich are better interpreted in terms of customary rituals of social inversion and transgression. Drawing on comparative examples from the ancient world and early modern Europe, I show that popular revelry involving role reversal and transgression of social norms was an important locus for the negotiation of relations between élites and masses. I argue that such rituals provided temporary release from the constraints of the social hierarchy, and served to articulate symbolically the obligation of the powerful to protect the weak. The comparative examples show that such rituals were usually non-revolutionary, but could turn violent in times of rapid social and economic change. I argue that the violent episodes reported by Plutarch reflect the escalation of ritual revelry into real protest and riot in response to the breakdown of traditional relations of reciprocity between rich and poor in Archaic Megara. I suggest that élites in Archaic Megara successfully warded off more far-reaching rebellion and political reform by enacting new measures for the economic relief of the poor (e.g. the return of interest legislation). In conclusion, I address the broader historical question of why subordinate groups use ritual forms to express discontent.


Author(s):  
Tim Greenwood

Although the Byzantine annexation of Armenian territories in the later tenth and eleventh centuries has been studied from a number of perspectives, little attention has been paid to the subsequent history of those districts, and in particular the circumstances and the responses of the communities who stayed put. This chapter explores the social and cultural history of the district of Tarōn in the century after its incorporation as a theme. Through comparison with the annexation of Vaspurakan in 1021, it argues that both the lay and clerical elite left Tarōn in 966. This affected land tenure in several ways, including the creation of stratiotika ktemata and the imposition of the demosion. Evidence from an Armenian Gospels manuscript indicates that the land tax was still being collected—and the registers updated—as late as 1067. A new network of episcopal sees was established across the former Armenian see of Tarōn. Finally the History of Tarōn, a composition completed in the 980s, shows how one monastic community took advantage of the recent turmoil to promote its claim to foundation and endowment by St Grigor the Illuminator at the start of the fourth century. It also forged multiple links between the activities of St Grigor and the metropolitan see of Caesarea, associating the conversion of Tarōn, and by implication of Armenia, with the Byzantine Church.


Author(s):  
Catarina Sales Oliveira

Mobility is an expression of modernity, and is considered by some an analytical paradigm of contemporary western society (Sheller and Urry, 2006). Stratification, on the other hand, is a classic sociological dilemma. In this article we propose to look at mobility patterns from the point of view of the social composition of their actors in the Portuguese context. Based on the results of PhD research on Portuguese metropolitan mobility patterns, we explore the relationship between mobility and social classes, with particular emphasis on the choice of automobility. We identify different mobility profiles, mainly according to the means of transport and the socio-professional identity of the studied population.


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