Estimating the Accuracy of Historic Homicide Rates

2001 ◽  
Vol 25 (1) ◽  
pp. 53-66
Author(s):  
Eric H. Monkkonen

Even though it declined in the last decade of the twentieth century, homicide remains anAmerican problem of extraordinary importance. Yet our empirical knowledge is remarkably shortsighted. Simply put, most researchers focus on the past decade or two—usually for reasons having to do with convenience, not theory—and ignore the longer term. However, recent work has shown that past lethality is inherently recoverable, and that there is every reason to expect that comparable homicide rates across time and place should be used to set current research in context (Gurr 1981; Johnson and Monkkonen 1996; Ylkiangas forthcoming; Eisner 2000).This paper builds on some of my recent research and responds to the challenge of a recent paper by Douglas Eckberg (1998), who has shown that not only can we recover the past, but that we can even estimate missing data counts.

2002 ◽  
Vol 32 (1) ◽  
pp. 3-21 ◽  
Author(s):  
Paul M. Dombrowski

The connection between language and empiricism is a central issue in technical writing and communication, more so than in other fields. Our field deals with technical and scientific knowledge which is oftentimes very definite and objective, yet there has been increasing recognition over the past few decades that this knowledge is socially constructed and rhetorically negotiated. Debates have ensued over the rhetoricity of technical communication in contrast to its empirical and instrumental aspects. W. V Quine, one of the most influential American philosophers of the twentieth century, however, rejected the distinction between empirical knowledge and knowledge stemming from language and social negotiation. Understanding technical writing and communication through the lens of Quine's theory ameliorates the tension between instrumental and rhetorical/humanistic views of technical discourse by recognizing the validity of both views and integrating the two. This understanding in turn will facilitate our pedagogical interactions with technical and scientific majors.


Author(s):  
Simon Mussell

Chapter 1 sets out the theoretical terrain on which the wider project is based. It begins by revisiting some of the founding tenets of critical theory in the context of the establishment of the Institute for Social Research in the early twentieth century. The chapter then discusses contemporary theories of affect that have emerged in the past couple of decades as part of the so-called ‘new materialisms’. Taking on board some of the key findings of this recent work on affect, the author also highlights the potential political deficiencies that accompany such accounts, particularly within a growing ‘post-critical’ context. The chapter closes with suggestions as to how early critical theory – read through an affective lens – might provide the social and political grounding that affect theory often lacks, while at the same time noting how theories of affect are invaluable in shedding light on the efficacy of the pre- or extra-rational, so often sacrificed on the altar of political philosophy.


2021 ◽  
Vol 29 (1) ◽  
Author(s):  
Alejandro García-Sanjuán

This article presents a critical review of The Feeling of History, a recent work by the American anthropologist Charles Hirschkind. In this book, the author treats Andalucismo, a political movement that arose in modern Andalusia early in the twentieth century and was chiefly characterized by an extremely positive view of the Islamic Iberian past (al-Andalus)—a tendency that is certainly unusual in Spain and goes against the prevalent Spanish nationalism. In his book, Hirschkind not only develops an uncritical view of Andalucismo and its intrinsically emotional reading of the past but also legitimizes a rather farfetched conflation of modern Andalusia and al-Andalus. Moreover, he offers an extremely shallow and unnuanced reading of current Spanish scholarship on the Middle Ages, branding it wholesale as an heir to Francoism. He also lends legitimacy to those who call into question the origin of al-Andalus in the Islamic conquest of 711 CE—representatives of an unscholarly approach that has been largely dismissed by academic outlets since the 1970s. Burdened by heavy ideological prejudices and hampered by the author’s limited knowledge of the most recent academic historiographic debates in the field of Iberian medieval studies, the book represents a failed attempt to present the Anglophone readership with a consistent introduction to Andalusian nationalism together with a critical appraisal of the Andalusian nationalist interpretation of the medieval Iberian past.


2014 ◽  
Vol 67 (3) ◽  
pp. 755-790 ◽  
Author(s):  
Martin Eisner

AbstractPetrarch’s 1345 discovery of Cicero’s personal letters in Verona has long been regarded as a foundational moment in the historiography of the Renaissance. In the traditional view, Petrarch’s discovery engenders a new historical self-consciousness that has frequently been described, since the middle of the twentieth century, in terms of a contrast between a medieval Dante and a Renaissance Petrarch. In keeping with recent work rethinking periodization, this essay revisits Petrarch’s letters on his discovery to reconsider the distance between Dante and Petrarch and to reveal how Petrarch constructs his new relationship with Cicero through Dante’s characterization of Virgil. While some critics have noted this Dantean presence, they have not examined its meaning. This study argues that Petrarch’s borrowing from Dante is significant because it shows how Dante’s complex relationship to the past embodied in the figure of Virgil shaped Petrarch’s construction of his Cicero and informed Renaissance ideas of history.


What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


2010 ◽  
Vol 5 (2) ◽  
pp. 181-194
Author(s):  
Marjorie Perloff

This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buckminster Fuller's theory of knots) relate Modernism to the larger complex of artefacts within which it functions and, beyond these, to what he takes to be the great works of the past and to the scientific-technological inventions of the present. But the essay also points out that Kenner's is an eccentric canon, which makes no room for Forster, Frost, Lawrence, or Stevens. Furthermore, Kenner's emphasis on the First World War as a great cultural rupture, while plausible, works less well for Joyce and Williams than it does for Pound and Eliot.


Author(s):  
VICTOR BURLACHUK

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.


Author(s):  
Seva Gunitsky

Over the past century, democracy spread around the world in turbulent bursts of change, sweeping across national borders in dramatic cascades of revolution and reform. This book offers a new global-oriented explanation for this wavelike spread and retreat—not only of democracy but also of its twentieth-century rivals, fascism, and communism. The book argues that waves of regime change are driven by the aftermath of cataclysmic disruptions to the international system. These hegemonic shocks, marked by the sudden rise and fall of great powers, have been essential and often-neglected drivers of domestic transformations. Though rare and fleeting, they not only repeatedly alter the global hierarchy of powerful states but also create unique and powerful opportunities for sweeping national reforms—by triggering military impositions, swiftly changing the incentives of domestic actors, or transforming the basis of political legitimacy itself. As a result, the evolution of modern regimes cannot be fully understood without examining the consequences of clashes between great powers, which repeatedly—and often unsuccessfully—sought to cajole, inspire, and intimidate other states into joining their camps.


Author(s):  
James Tweedie

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.


Author(s):  
Rachel Crossland

Chapter 1 explores Woolf’s writings up to the end of 1925 in relation to scientific ideas on wave-particle duality, providing the ‘retrospect of Woolf’s earlier novels’ which Michael Whitworth has suggested shows that she was working ‘in anticipation of the physicists’. The chapter as a whole challenges this idea of anticipation, showing that Woolf was actually working in parallel with physicists, philosophers, and artists in the early twentieth century, all of whom were starting to question dualistic models and instead beginning to develop complementary ones. A retrospect on wave-particle duality is also provided, making reference to Max Planck’s work on quanta and Albert Einstein’s development of light quanta. This chapter pays close attention to Woolf’s writing of light and her use of conjunctions, suggesting that Woolf was increasingly looking to write ‘both/and’ rather than ‘either/or’. Among other texts, it considers Night and Day, Mrs Dalloway, and ‘Sketch of the Past’.


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