Transcendence and Community in Zwinglian Worship: the Liturgy of 1525 in Zurich
Iconoclasm, rather than liturgical formulation, usually springs to mind when one reflects upon the events in Zurich in the mid-1520s. Indeed, historians of the Swiss Reformation have hardly interested themselves in liturgy, and one searches in vain the most recent and comprehensive treatment of Zwingli’s theology for a discussion of the subject. Ignored by both historians and theologians, the study of liturgy in the Swiss Reformation cuts the figure of the unknown guest at a party who everyone assumes is being entertained by someone else. The consequence has been that liturgy has not been allowed to inform our understanding of Swiss religious change; historians have preferred to leave it in the safe keeping of liturgists who, for the most part, have attended to the history of worship as a separate and distinct act of the community controlled by the clergy. This, surely, can only form part of the picture, for liturgy was perhaps the most inclusive act of the Church: worship was experienced by all levels of society, even if the people brought and took away a panoply of varied levels of comprehension and acceptance. As the central, public act of the Church, the early liturgies of the Reformation articulated the tangled web of convictions, needs, and requirements of communities in transition. Liturgies cannot be separated from either the beliefs which created them or the physical space in which they were performed. The ordered rhythm of words and actions in a particular locality was intended to engage the intellect and senses, drawing out responses at once emotional and cognitive. If we can glimpse something of the experience of worship, whether positive or negative, we shall have an insight into the mental world of the early Reformation.