scholarly journals Common sense politics: religion and belonging in French public space

2020 ◽  
Vol 18 (4) ◽  
pp. 380-404
Author(s):  
Michelle D. Weitzel

Abstract Public “common sense” should be conceptualized as an important force structuring the politics of belonging. Homing in on the embodied and sensory aspects of common, taken-for-granted knowledge and the habits of perception that inform it, this article demonstrates how culturally entrained listening practices structure rights to the city and the exercise of citizenship. By tuning into the significance of ambient religious sound, it offers an empirical, ethnographic investigation into how common sense, in dialogue with constitutional and municipal law, shapes practices of citizenship and participation in French public space. The article argues that common sense deriving from perception and interpretation of public sound among majority French represents a stubborn obstacle to French Muslims’ exercise of full citizenship; indeed, it enacts a kind of violence that locks French Muslims out of agentive citizenry, rendering them objects to be muted at will, not fellow citizens to be heard.

2019 ◽  
pp. 140-166
Author(s):  
Joshua Armstrong

Chapter Six, ‘Deep Dérive,’ explores Philippe Vasset’s La conjuration [The Conjuration] (2013). Vasset’s novel depicts a Paris now fully governed by logics of capitalist urban planning and spectacle. Vasset’s would-be psychogeographer narrator suffers existential crisis in such conditions. For him, the city has reduced its users to the role of those ‘computer-generated nobodies’ who appear in the proudly displayed images of future shopping centers. However, he founds a cult that develops, to mystical proportions, the art of anonymity, until they are able to penetrate undetected into even the most high-security skyscrapers of La Défense. In the ultimate psychogeographical space-hack, the cult is thus able to ‘abolish at will the frontier between public space and private property.’ As they circulate like ‘a school of fish’ through the urban fabric, they would experience the city in all its infinite nuance. However, as their ‘powers’ grow, abstraction and eschatology ultimately depict them as having lost touch with the territory. Their true, ironic, apotheosis comes when they fully resemble those ‘computer-generated nobodies’ that had fascinated the narrator early on. Vasset’s novel is read in the light of Situationist notions of the city and Bruno Latour’s writings on panoptica and oligoptica.


Politeja ◽  
1970 ◽  
Vol 14 (1(46)) ◽  
pp. 329-351
Author(s):  
Małgorzata Osińska

The meaning of Piers’ locations at Hong Kong Island in the background of social change and the process of shaping of local identity The aim of this paper is to understand the meaning of the Star Ferry and Queen’s Pier locations for the process of shaping Hong Kong identity and why unlike in previous similar cases, the latest removal of the Star Ferry and Queen’s Pier met with resistance from Hong Kong citizens. Looking at Piers of the saga from the historical perspective, it is found that spatial practice of the pre‑Second World War (WWII) piers was a mirror of a colonial and racially segregated city. The public space in the commercial heart of Hong Kong that housed the previous generations of piers was not accessible to the Chinese community, thus denying them rights to the city. It was only after WWII when the Government carried out further reclamation to meet the needs of an industrialising economy that inclusive public spaces were conceived in the commercial heart, enabling the general public to enjoy the city. Therefore when the Government decided to remove this very first public space in the political and economic heart of the city to conceive further reclamation for restructuring the economy, the citizens were determined to defend it. Piers were a physical and mental border of the two worlds, the edge of the city. With the social changes after WWII they were transformed into symbolic centres with a crucial meaning for shaping of the Hong Kong identity.


2021 ◽  
Vol 34 (2) ◽  
pp. 221
Author(s):  
Siti Aminah

The pedestrian transformation in Surabaya smart city system encountered critical problem for pedestrians because transformation as a public space has reduced citizens’ rights to the city. Dominant forces tend to subordinate street vendors or Pedagang Kaki Lima (PKL), who require public space. The city or urban government produces pedestrians as public spaces to support the ‘Smart City’ concept. This study explores the government’s ability to guarantee citizens’ rights to the city. In addition, this study seeks to observe the process of public space transformation in cities that implement smart city systems and analyze spatial street vendors’ practices in the pedestrian space. This research applies the right to cities and public space from a Marxian spatial perspective. This research is a case study that uses a qualitative method and interpretive analysis. Research findings indicate pedestrians’ paradox due to the government’s dispossession process to protect pedestrians through ‘furniturization’ policies that reduce smart city implementation. In conclusion, there are dynamics of spatial practice and social expression as pedestrian problems. The smart city system’s implementation causes the loss of fulfillment of the poor and street vendors’ needs and rights to participate inclusively in the social and political process in managing the city’s public spaces.


This article analyzes the main problems of urban public spaces, because today public spaces can determine the future of cities. It is noted that parks are multifunctional public spaces in the urban environment, as they are an important element of the citywide system of landscaping and recreation, perform health, cultural, educational, aesthetic and environmental functions. The article notes that the need for easily accessible and well-maintained urban parks remains, however, the state of parks in many cities of Russia remains unsatisfactory, requiring reconstruction. A brief historical background of the Park of Culture and Rest of the Soviet period in Omsk is expounded, the analysis of the existing territory of the Park is presented. It is revealed that the Park, being the largest public space in Omsk, does not meet the requirements of modern urbanism, although it represents a great potential for designing the space for the purpose of recreation of citizens. Performed functional zoning scheme of the territory of the Park in question, where its division into functional areas destined for active recreational users of the Park is presented, considered the interests of senior citizens, people with limited mobility, etc. Reconstruction of Parks of the Soviet period can provide the city with additional recreational opportunities, as well as increase its tourist attractiveness.


Author(s):  
Luna Dolezal

The notion that the body can be changed at will in order to meet the desires and designs of its ‘owner’ is one that has captured the popular imagination and underpins contemporary medical practices such as cosmetic surgery and gender reassignment. In fact, describing the body as ‘malleable’ or ‘plastic’ has entered common parlance and dictates common-sense ideas of how we understand the human body in late-capitalist consumer societies in the wake of commercial biotechnologies that work to modify the body aesthetically and otherwise. If we are not satisfied with some aspect of our physicality – in terms of health, function or aesthetics – we can engage with a whole variety of self-care body practices – fashion, diet, exercise, cosmetics, medicine, surgery, laser – in order to ‘correct’, reshape or restyle the body. In addition, as technology has advanced and elective cosmetic surgery has unapologetically entered the mainstream, the notion of the malleable body has become intrinsically linked to the practices and discourses of biomedicine and, furthermore, has become a significant means to assert and affirm identity.


DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.


2020 ◽  
Vol 13 (1) ◽  
pp. 16-23
Author(s):  
Agatha Maisie Tjandra ◽  
Lalitya Talitha Pinasthika ◽  
Rangga Winantyo

In the recent five years, City parks have been developing rapidly in urban cities in Indonesia. Built in 2007, Taman Gajah Tunggal is one of the city parks located in Tangerang. This park is situated at The Center of Tangerang City on the edge of Cisadane River. Like many public spaces in Indonesia, this park has littering issues by visitors’ lack of care. This re- search is offered to develop social marketing by using a digital game for gaining awareness of Taman Gajah Tunggal’s visitors age 17-30 years old about littering issues. This paper focused on developing the prototyping process in iteration design method by using a digital game to suggest possibilities design for future development interactive installation design in public space which can bring a new experience.


Author(s):  
С. Л. Подвальный ◽  
О. А. Сотникова ◽  
Я. А. Золотухина

Постановка задачи. В настоящее время формирование современной комфортной городской среды приобретает особое социально-экономическое значение и выдвигается в число приоритетных государственных масштабных программ. В связи с этим необходимо разработать концепцию благоустройства ключевого общественного пространства, а именно: определить основные и сопутствующие функции данной территории, создать эскизное предложение проекта благоустройства с учетом всех необходимых норм и стандартов, внедрить современные технологии. Результаты. Выполнен эскизный дизайн-проект «Аллеи архитекторов» по ул. Орджоникидзе г. Воронеж, включающий в себя основные элементы по зонированию территории, проектированию акцентных объектов и внедрению инновационных технологий «умного города», позволяющих повысить уровень комфорта горожан. Выводы. Благоустройство населенных мест приобретает особое значение в условиях дискомфорта среды. С выполнением комплекса мероприятий, направленных на благоустройство, и с внедрением современных технологий значительно улучшается экологическое состояние, внешний облик города. Оздоровление и модернизация среды, которая окружает человека в городе, благотворно влияет на психофизическое состояние, что особенно важно в период интенсивного роста городов. Statement of the problem. Currently the formation of the modern comfortable urban environment is gaining a special social and economic value and moving forward in the priorities of state large-scale programs. The purpose of development of the concept of improvement of public space is definition of the main and accompanying functions of this territory, design of the outline offer of the project of improvement considering all necessary norms and standards and implementation of modern technologies. Results. The conceptual project of “Alley of Architects” includes the basic elements of territory zoning, design of accent objects and implementation of technologies of a “smart-city”. These elements allow one to increase the level of comfort of inhabitants. Conclusions. Improvement of the inhabited places is of particular importance in the conditions of discomfort of the environment. Carrying out a complex of the actions directed to gardening and improvement, introducing modern technologies, the ecological condition, the physical appearance of the city considerably improves. Improvement and modernization of the environment which surrounds the person in the city influences a psychophysical state well that especially important during intensive growth of the cities.


Author(s):  
Samuel Llano

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.


Author(s):  
Samuel Llano

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.


Sign in / Sign up

Export Citation Format

Share Document