scholarly journals Creativity, Collaboration and Development in Jeremy Thurlow's Ouija for Peter Sheppard Skærved

2016 ◽  
Vol 141 (1) ◽  
pp. 113-165 ◽  
Author(s):  
Eric Clarke ◽  
Mark Doffman ◽  
Renee Timmers

ABSTRACTThis article documents and analyses a creative collaboration between the composer Jeremy Thurlow and the violinist Peter Sheppard Skærved in the production of Ouija, a work for solo violin and laptop computer. The article situates the account of this creative process within recent literature on distributed and collaborative creativity, and focuses on three aspects of the project: verbal interaction between the two musicians, analysed in terms of ‘creative-talk’ and ‘face-talk’, and the relationship between immediate and more contextual concerns (‘inside/outside the room’); a quantitative analysis of changes in the musical material, focusing on timing; and a qualitative analysis of the role of the violinist's embodied and instrumental engagement with the music. The article discusses the findings in relation to forwards-orientated (process) and backwards-orientated (product) conceptions of creativity, the operation of different social components in creative collaboration and the relationship between craft, history and embodiment.

Author(s):  
Margaret Morrison

After reviewing some of the recent literature on non-causal and mathematical explanation, this chapter develops an argument as to why renormalization group (RG) methods should be seen as providing non-causal, yet physical, information about certain kinds of systems/phenomena. The argument centres on the structural character of RG explanations and the relationship between RG and probability theory. These features are crucial for the claim that the non-causal status of RG explanations involves something different from simply ignoring or “averaging over” microphysical details—the kind of explanations common to statistical mechanics. The chapter concludes with a discussion of the role of RG in treating dynamical systems and how that role exemplifies the structural aspects of RG explanations which in turn exemplifies the non-causal features.


2019 ◽  
Vol 3 (1) ◽  
pp. 2-27
Author(s):  
Wouter Egelmeers ◽  
Joris Vandendriessche

IMPORTING TEXTS FROM ABROAD Editors’ reuse of foreign historical texts in Dutch periodicals, 1780-1860 This article explores the ways in which the editors of five Dutch history journals and three magazines for general circulation copied historical texts from abroad, between 1780 and 1860. By comparing original texts with reprinted versions, we show that the editors’ work involved not only ‘passive’ duplication (reprinting in full), but also more active forms of intervention, from the selection of text fragments to their translation, modification or critical review. These varied editorial practices point to a broader creative process through which historical knowledge was tailored to an emerging and nationally-oriented academic audience. Editors here assumed the role of mediators, gatekeepers even in the sense that their judgment determined the very choice of texts. At a time when the study of history was evolving at both the national and international level, and when the relationship between actors making up the disciplinary field was also in flux, editors thus became influential figures.


Author(s):  
Jenny Marie

This paper analyses three crucial research skills: problem identification, data collection and hypothesis formation. It concludes that science research students should be taught about the creative process as they are under pressures that can inhibit creative thought. They should also be taught the importance of tacit knowledge for learning how to do research, as this will aid the process. Styles of thought and language allow researchers to identify and solve problems and limit what the latter can be. Students may benefit from further knowledge of these, so they can understand why their interpretations differ from others and how to create truly original hypotheses. The paper calls for further research into the relationship between language and hypothesis formation.


Popular Music ◽  
2003 ◽  
Vol 22 (3) ◽  
pp. 357-374 ◽  
Author(s):  
Sean Albiez

Johnny Rotten / John Lydon was and remains the first voice of British punk and yet consistently refuses to identify with punk as a subculture. In revisiting his observations on his career with the Sex Pistols and Public Image Ltd (PiL) in the 1976–1980 period, this article considers how ‘narratives of self’ enable us to gain insights into individual subjectivity and the (trans) formation of identity. Through this material we can investigate the role of Lydon's idiosyncratic cultural capital in his creative process. It is suggested that this investigation requires us to consider ideas of cultural continuity and flow in relation to Lydon, the creative contexts within which he operated and the relationship between progressive music, punk and post-punk in the 1970s.


2019 ◽  
Vol 20 (2) ◽  
Author(s):  
Carol-Anne Rodrigues

In modern day architecture practice, the role of the hand in the design process has been displaced by the advent of new technology. There is an inherent desire in practice to rely fully on the computer, which within its digital parameters removes the direct connection of the architect’s hand from the creative process. To create meaningful architecture, it is imperative to understand that the relationship of the architect’s hand in the design process is as critical as the relationship of the architectural joint to the project. To understand the hand, I approached it architecturally and rigorously studied its form and structure. At the same time, I studied several sculptors and artists, such as Richard Serra, Eduardo Chillida, Robert Morris and Eva Hesse who concentrated on the process over the final product.  I created section drawings of select pieces and analyzed them with hand motions to study their forms. With these analyses, I created a material joint that explored different ways to “hold” masses and “join” different materials. With my hand analyses and material joints, I have understood the level of the “joint” at different scales: from the hand that makes the architecture to the actual structure that holds architecture together.


2013 ◽  
Vol 16 (1) ◽  
pp. 54-64 ◽  
Author(s):  
Diego Rocco ◽  
Rachele Mariani ◽  
Diego Zanelli

Analysis at a paralinguistic level of communication, already conceptualized within the multiple code theory, would appear to be very important in order to fully describe the quality of the patient-therapist relationship. In this study the therapeutic process and microprocess are analyzed taking into consideration a specific paraverbal aspect (speech rate) present in patient and therapist's communication. More specifically, in this paper we aim to investigate the relationship between the speech rate of both patient and therapist with the linguistic aspects of their referential process as obtained by the IDAAP dictionaries, relating to three sessions belonging to different phases of the psychotherapy. The results show that there are many significant correlations between the considered values. These findings are interpreted as an expression of the alignment between patient and therapist which can be linked to the outcome of the psychotherapy.


2020 ◽  
Vol 6 ◽  
Author(s):  
Marco Cantamessa ◽  
Francesca Montagna ◽  
Stefania Altavilla ◽  
Alessandro Casagrande-Seretti

Abstract Digitalization and the momentous role being assumed by data are commonly viewed as pervasive phenomena whose impact is felt in all aspects of society and the economy. Design activity is by no means immune from this trend, and the relationship between digitalization and design is decades old. However, what is the current impact of this ‘data revolution’ on design? How will the design activity change? What are the resulting research questions of interest to academics? What are the main challenges for firms and for educational institutions having to cope with this change? The paper provides a comprehensive conceptual framework, based on recent literature and anecdotal evidence from the industry. It identifies three main streams: namely the consequences on designers, the consequences on design processes and the role of methods for data analytics. In turn, these three streams lead to implications at individual, organizational and managerial level, and several questions arise worthy of defining future research agendas. Moreover, the paper introduces relational diagrams depicting the interactions between the objects and the actors involved in the design process and suggests that what is occurring is by no means a simple evolution but a paradigmatic shift in the way artefacts are designed.


2015 ◽  
Vol 2015 ◽  
pp. 1-6 ◽  
Author(s):  
Shelia M. Kennison ◽  
Jennifer Byrd-Craven

The research investigated the relationship between family dynamics and the beliefs about the benefits of talking to infants. Prior research has shown that language development is enhanced by verbal interaction with others. We tested two hypotheses: (a) men may view talking to infants as less beneficial than women and (b) one’s relationships with parents would be related to the extent to which young adults view talking to infants as beneficial. In a study with 301 undergraduates (181 women, 120 men), we confirmed both hypotheses, showing that (a) men were less likely than women to view talking to infants as beneficial and (b) for both men and women, the more negative their relationship with their mother, the less likely they were to view talking to infants as beneficial. Implications for infant care are discussed.


2009 ◽  
Vol 6 (3) ◽  
pp. 259-271 ◽  
Author(s):  
Janette Hughes

The goal of this research study was to develop a conceptualization of the relationship between new digital media and adolescent students' writing of poetry while immersed in using new media. More specifically, the research focused on the performative affordances of new media and how these interacted with the students' creative processes as they created digital poems. The article examines eight themes that emerged during the study, including the multimodal, multilinear and collaborative nature of the poems, the role of audience and identity in the creative process, and the shifting views of poetry the students experienced.


Author(s):  
Ian MacCormack

Abstract The ruler of the central Tibetan state, the Desi Sangyé Gyatso (1653–1705), recognized its capital city of Lhasa as having the radial form of an eight-petaled flower or eight-spoked wheel. This article examines the Desi’s writings to reflect on the relationship between symbolically ordered space and cosmology. Scholars have often explained such spaces as representing a cosmological model, assigning that model the role of a static foundation and distancing it from human activity. This Tibetan case is read as evidence for another way of thinking about cosmological topography, namely as a creative process in a self-consciously critical relationship with its encompassing world. At stake is the general question of how humans both inhabit the cosmos and actively participate in ordering it.


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