Lori Landay. Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture. (Feminist Cultural Studies, the Media, and Political Culture.) Philadelphia: University of Pennsylvania Press. 1998. Pp. xi, 258. Cloth $45.00, paper $22.50

2021 ◽  
Vol 2 (1) ◽  
pp. 64
Author(s):  
Rizki Setyo Nugroho ◽  
Muhammad Taufiqurrohman ◽  
Lynda Susana Widya Ayu Fatmawaty

This research is aimed to figuring out the fanaticism from the members of an action figure community in Purwokerto called “Figure Purwokerto”. “Figure Purwokerto” community is an action figure community located in Purwokerto, Central Java, Indonesia. The total of the member is about 241 people from different age and culture. The researchers use focus group discussion and interview as the method to gain the information that the researcher needed for research purposes. The researchers applies some theories in order to obtain further analysis related to the issue. Fanaticism theory is used to figure out the fanaticism of “Figure Purwokerto” community’s members. Another theory, the Cultural Studies: Cultural Consumption Research, is added to make a deeper analysis about the consumption of culture from the members of the community. The scope of this research is cultural studies under the umbrella of English Studies which relates to  American culture and supremacy with action figure as the media. Furthermore, the disscussion of this study is divided into two main parts which correspondent with the fanaticism happened in Figure Purwokerto community. The first part explains the portrayal of the fanaticism from the members of the community. The characteristics of a person can be said as a fanatics are included in this part. The second part explains the cultural relation between the members and the action figure as a culture. The result of this research concludes that the members are fanatic based on several aspects and characteristics of a fanatic. This research was also conducted to make another prespective of fanaticism which is seen as a bad term due to it’s relation to religion fanaticism. 


1970 ◽  
Vol 16 (1) ◽  
Author(s):  
Margaret Henderson

A
 couple
 of
 times
 a
 year
 (usually
 around
 International
 Women’s
 Day
 or
 the
latest
 gender
 controversy)
 there’ll
 be
 a
 journalist
 on
 the
 phone,
 asking
 me,
 ‘where
 is
 feminism
 now?’ 
Angela 
McRobbie’s
 The 
Aftermath 
of
 Feminism: Gender,
 Culture
 and
 Social
 Change
 provides
 the
 perfect
 answer,
 though
 one
 that
 probably
 won’t
 be
 dutifully
 reported
 in
 the
 pages
 of
 the
 Courier­ Mail.
 McRobbie
 has
 always
 been
 a
 preeminent
 figure
 in
 feminist
 cultural
 studies,
 and
 this
 work
 highlights
 her
 continuing 
importance.
Indeed, The 
Aftermath 
of 
Feminism
 reminds
 us 
of 
the 
power
 of 
feminist 
cultural
 studies 
to 
explain
 what’s 
going 
on,
whether
 this 
is 
in 
the
media,
 popular
 culture,
 everyday
 life,
 governmentality,
 the
 corporate
 world,
 or
 their
 interrelationships.
 And
 McRobbie’s
 diagnosis
 of
 ‘a
 social
 and
 cultural
 landscape
 which
 could
 be
 called
 post‐feminist’
 
is
 uncompromising,
 far‐reaching 
in
 scope,
 and 
deeply 
disturbing.


2020 ◽  
Vol 24 (1) ◽  
pp. 7-8
Author(s):  
Leszek Zinkow

2018 was marked by a variety of celebrations of the 100th anniversary of Poland’s independence. Therefore, it was impossible to ignore this great event also in terms of scientific reflection. We decided to include into this and the next issue a few interesting cultural studies on various aspects of the regained independence. The first mini cycle is comprised of three ar­ticles is dominated by research on the prefiguration of what happened in 1918. Włodzimierz Toruń (KUL) analyzes a few sketches, or rather, liter­ary essays by Cyprian Norwid, written after the fall of the January Upris­ing (1864), expressing the poet’s critical views on the Polish roads to na­tional sovereignty. The Poles “know how combat” but they “do not know how to fight,” Norwid writes, at the same time pointing to the importance of spiritual independence, which in his opinion is more meaningful than the political one. Wilhelm Coindre (UKSW) turns toward interesting in­dependence themes in the works of Maria Dąbrowska. The school strike in Kalisz in 1905 became an inspiration for that writer to undertake deep reflection about what the coming independence is to be like. The triptych is closed by the article by Karol Samsel (UW) on a little-known “post-ro­manticistally entangled” intellectual independence journalism of Joseph Conrad, providing a very interesting analysis from the perspective of the intertextual method, as a precise deconstruction of a highly sophisticated, elegant “literary game.” The second part of the issue consists of a number of highly diverse, but in any case interesting essays. The team of five authors (a setting to which we are not accustomed to in the humanities): Aleksandra Smołka- Majchrzak, Jakub Lickiewicz, Thomas Nag, Conrad Ravnanger, and Marta Makara-Studzińska present the results of their research combining clinical medicine and cultural studies, analyzing the effectiveness of tools to evaluate training geared to prevent aggressive behavior towards medi­cal staff from an intercultural perspective. Further, we include a cross-sec­tional, historical-cultural analysis of the significance of church music in the history of the Church by Fr. Robert Tyrała (UPJPII). An interesting proposal for interpretation of contemporary marketing strategies of book promotion, and more broadly, the “celebritization” of authors, was stud­ied by Edyta Żyrek-Horodyska (Jagiellonian University) on the example of a journalist and writer-reporter Mariusz Szczygieł, who perfectly illus­trates these transformations in the space of media activity (especially so­cial media), where the writer becomes not only an author but also a pro­tagonist of their work. The media study by Olga Białek-Szwed (KUL), in which the author aims to present correlations between contemporary civi­lization and cultural transformations and the situation of the human be­ing as a consumer of the mass media in the 21st century, shows the speci­ficity of some mechanisms governing contemporary media, such as media voyeurism, the so-called online living, or the metaphor of the synopticon. The issue closes with a text by Paweł Krokosz (UPJPII), under the in­triguing title Od przedawcy pierożków do generalissimusa [From pie seller to the generalissimo], bringing closer the little-known figure of Alexander Mienshykov, a man from the social lowlands, who made friends with Tsar Peter I and managed to achieve considerable wealth, prominent state posi­tions and the highest ranks of command in the Russian army and war fleet. He even tried unsuccessfully, after the tsar’s death, to take over the leader­ship of all state affairs. In 1727, he was arrested and convicted to exile in Berezovo, Siberia, with his family. As always, we wish you a pleasant and useful scientific reading!


2020 ◽  
Author(s):  
Joanna Szczepanik

Refugee or "Newcomer". Dispute over the Word: About the Artistic Project "Nowacy" ("Newcomers") by Jana Shostak in the Context of the Construction of Meaning and the Migration CrisisThe artistic diploma project of Jana Shostak, a Polish student from Belarus, assumed the introduction of the word “nowak” (newcomer) into the Polish language as an alternative to the negative term “refugee.” This initiative becomes particularly important in the context of the migration crisis, going beyond the safe sphere of art. The methods of presenting it, both by the artist and by the media, in the form of interviews, press articles and comments on internet forums, were analyzed. The article is an attempt to make a meta-interpretation of this artistic proposal from the perspective of critical cultural studies, emphasizing two main areas: culture as a battlefield and language as a tool of constructing meaning. Methodologically, it is also supported by relativistic linguistic theories, the paradigm of symbolic interactionism, ethnomethodology, the concept of engaged aesthetics and critical theory. Uchodźca, czyli „nowak”. Spór o słowo. O projekcie artystycznym  „Nowacy” Jany Shostak w kotekście konstruowania znaczeń i kryzysu migracyjnegoArtystyczny projekt dyplomowy Jany Shostak zakłada wprowadzenie do języka polskiego słowa „nowak” jako alternatywy dla negatywnie nacechowanego określenia „uchodźca”. Inicjatywa ta nabiera szczególnego znaczenia w kontekście kryzysu migracyjnego, wykraczając poza bezpieczną sferę sztuki. Analizie poddane zostały sposoby jej prezentowania zarówno przez artystkę, jak i przez media, w postaci wywiadów, artykułów prasowych oraz wypowiedzi na forach internetowych. Artykuł jest próbą dokonania meta-interpretacji tej propozycji artystycznej z perspektywy kulturoznawstwa krytycznego z postawieniem akcentu na dwa zasadnicze obszary: kultury jako pola walki oraz języka jako narzędzia konstruującego znaczenie. Metodologicznie wspiera się również relatywistycznymi teoriami lingwistycznymi, paradygmatem interakcjonizmu symbolicznego, etnometodologią, oraz koncepcją estetyki zaangażowanej i teorią krytyczną.


2017 ◽  
Vol 31 (3) ◽  
pp. 500-517 ◽  
Author(s):  
Ljubica Spaskovska

This article is part of the special section titled The Genealogies of Memory, guest edited by Ferenc Laczó and Joanna Wawrzyniak The article traces certain mnemonic patterns in the ways individuals who belonged to the late-socialist Yugoslav youth elite articulated their values in the wake of Yugoslavia’s demise and the ways they make sense of the Yugoslav socialist past and their generational role a quarter of a century later. It detects narratives of loss, betrayed hopes, and a general disillusionment with politics and the state of post-socialist democracy that appear to be particularly frequent in the testimonies of the media and cultural elites. They convey a sense of discontent with the state of post-Yugoslav democracy and with the politicians—some belonging to the same generation—who embraced conservative values and a semi-authoritarian political culture. The article argues that an emerging new authoritarianism and the very process of progressive disillusionment with post-socialist politics allowed for the emergence and articulation of such alternative, noninstitutionalized individual memories that, whilst not uncritical of the Yugoslav past, tend to highlight its positive aspects.


Author(s):  
Rocío Zamora ◽  
Juan Antonio Marín Albadalejo

Resumen Lo que algunos ya llaman una cultura política del escándalo (Barkin, 1999; Thompson, 2001; Castells, 2009) ha supuesto el reconocimiento del poder de los medios en la construcción simbólica del escándalo, a partir del énfasis en ciertos marcos interpretativos con los que se narran las conductas que condicionan la percepción pública de los escándalos políticos. Este trabajo se centra en la representación simbólica de los escándalos de corrupción política. El análisis de la cobertura periodística sobre un caso de gran actualidad en Murcia, el ‘caso Umbra’, demuestra que, además de por el relato político-técnico, legal y moral, los escándalos de corrupción política pueden ser también enmarcados desde el enfoque reputacional, es decir, a partir de preocupación por el deterioro de la imagen que la proliferación de escándalos de corrupción política ofrece sobre un territorio concreto y  sus instituciones.Palabras clave Escándalo político, corrupción política, framing, cultura política, poder político.AbstractWe live in, as some scholars called, a scandal political culture (Barkin, 1999; Thompson, 2001; Castells, 2009) that has supposed the recognition of the media power in the symbolic construction of scandals, where the emphasis in certain interpretive frames with which behaviours are narrated determine public perceptions of the political scandals. This article focuses on the symbolic representation of political corruption scandals. The analysis of the media coverage on this great current importance case in Murcia, called the ‘Umbra’ case, demonstrates that, besides the political- technical, legal and moral, the political corruption, scandals can be framed also from the reputation approach, that is to say, from the worried deterioration on the public image that political corruption scandals proliferation supposes on a concrete territory and his institutions.Keywords Political scandal, political corruption, framing, political culture, political power.


Author(s):  
Aaron Louis Rosenberg

This chapter investigates the phenomenon of emigrant Zairo-Congolese musicians in Uganda, Kenya, and Tanzania and their attempts to integrate into these societies through a variety of strategies that overtly and covertly employ political elements. Remmy Ongala, Samba Mapangala, and the members of Orchestra Maquis all spent time in one of these countries and shaped their sound and messages in these settings, politics being a significant part of their work. While political communication studies focus on structures, institutions, and the media, it is the case that in numerous African contexts music is an integral part of political understanding and participation. Drawing upon the works of scholars such as Michael Urban, Mark Mattern, and Uche Onyebadi, this chapter combines varied fields such as ethnomusicology, political communication, and cultural studies to provide a close understanding of these musical emigrants as well as an exploration of the social trajectories in their work over the course of the last half century.


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