Violence and Sex in the Work of Armando Bó and Isabel Sarli

Author(s):  
Victoria Ruétalo

Director-producer-actor Armando Bó made films featuring nude appearances by the voluptuous star Isabel “Coca” Sarli that challenged the social constraints that were taking hold in a more restrictive and violent Argentina. The period from the fall of Juan Domingo Perón in 1955 until the end of the “Guerra Sucia” or Dirty War in 1983 marked a volatile time in the history of Argentina, with ever-increasing acts of state violence. It coincided with a parallel in the film industry: the state began to intervene in production and exhibition practices through laws that limited what was seen on the screen, until censorship was formally legalized. The work of Bó and Sarli falls perfectly within the historical period of onscreen and offscreen violence. The enterprise began in 1956, and their final film was released in 1984 (after the end of the dictatorship and the death of the director). The couple produced films that suffered from the aggressive effects of censorship—through the cutting of specific scenes that displayed the female body—and reflected the growing violence in everyday life. Films like Carne (Flesh, 1968) and Furia infernal (Ardent summer, 1973) tell simple stories of seemingly weak females and aggressive macho males. A closer look at their narratives, however, reveals a more complex femininity and masculinity, one where violence begets violence. Throughout the twenty-seven films they made together, Bó and Sarli consistently revealed sexuality and gender issues at a time when these were invisible in Latin America.

2021 ◽  
Author(s):  
Fenti Nur Azizah ◽  
Moses Glorino Rumambo Pandin

The book "The History of Indonesian Women's Organizations (1928-1998)" has the aim of showing how the social and political history of the Indonesian women's movement, as time has gone by, the times have been punctured by the times. Apart from that, this book also shows the various issues that were raised, debated, and fought for in different historical contexts and the actors who played a role in the Indonesian women's movement. By showing these two things, readers can have a broad understanding of the Indonesian women's movement.This book is intended for the millennial generation so that they know how the Indonesian women's movement is. Why is that? Because this book deliberately took a very long period of time, namely in the span of seventy years (1928-1998). So that readers, especially the millennial generation, can imagine what happened at that time.History writing about the Indonesian women's movement has been done by many scientists, but in the book "History of Indonesian Women's Organization (1928-1998)" has a difference, namely using detailed references to reliable sources and coverage of a very long historical period. In addition, this book provides information on how the priority of the issues under debate reflected the political context in different historical periods.This book needs to be reviewed because the content in the book is very interesting so that it can be dissected in depth. The author of the book has been doing research for at least the last ten years, it is also interesting why you need to review the book because the author made this book with a long struggle.


Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. Although many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement in the United States (dubbed by B. Ruby Rich the “new queer cinema”), films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms: cross-dressing, same-sex attraction, comedic drag performance; at some points, for example, in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing “history” not as dots on a progressive spectrum but as an uneven story of struggle, the writers in this volume stress that queer cinema did not appear miraculously at one moment but arrived on currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media-makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, foregrounding instead indigenous genders and sexualities or those forged in the Global South or those seeking alternative epistemologies. Finally, though “cinema” is in our title, many scholars in this collection see this term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as “queer cinema” shifts into new configurations.


2008 ◽  
Vol 34-35 (1-2) ◽  
pp. 101-130
Author(s):  
Yannis Yannitsiotis

This article focuses on the evolution of Greek historiography since the 1970s, with an emphasis on issues of class and gender. It is argued that, in the last decades, Greek historiography has been liberated from traditional nationalistic narratives in favor of new intellectual perspectives dealing with social history and the history of “society.” During the 1970s and 1980s, the concept of class—a fundamental concern of social history in European historiography—did not find much room in Greek historiography. Debates about the socioeconomic and political system in modern Greece focused on the importance of immobile political and economic structures as main barriers to modernization and Europeanization. The 1990s were marked by the renewal of the study of the “social,” articulated around two main methodological and theoretical axes, signaling the shift from structures to agency. The first was the conceptualization of class as both a cultural and economic phenomenon. The second was the introduction of gender. The recent period is characterized by the proliferation of studies that conceptualize the “social” through the notion of culture, evoking the historical construction of human experience and talking about the unstable, malleable, and ever changing content of human identities. Cultural historians examine class, gender, ethnicity, and race in their interrelation and treat these layers of identity as processes in the making and not as coherent and consolidated systems of reference.


Author(s):  
Rosemary L. Hopcroft

This chapter provides an overview of The Oxford Handbook of Evolution, Biology, and Society. Chapters in the first part of this book address the history of the use of method and theory from biology in the social sciences; the second part includes chapters on evolutionary approaches to social psychology; the third part includes chapters describing research on the interaction of genes (and other biochemicals such as hormones) and environmental contexts on a variety of outcomes of sociological interest; and the fourth part includes chapters that apply evolutionary theory to areas of traditional concern to sociologists—including the family, fertility, sex and gender, religion, crime, and race and ethnic relations. The last part of the book presents two chapters on cultural evolution.


Author(s):  
Ernst Fraenkel

This chapter aims to take an objective view of the appeal of National-Socialism. However, it is argued, people who had an ambivalent attitude toward National-Socialism suffered from two principal misconceptions. Firstly, the German ideology of Gemeinschaft (community) is just a mask hiding the still existing capitalist structure of society. Secondly, this ideological mask equally hides the existence of the prerogative state operating by arbitrary means. Any critical examination which attempts to reveal the social structure of the National-Socialist state, it is stated, must discover whether or not the essential criteria of the dual state have appeared in any earlier historical period. The chapter, therefore, looks in detail at the history of the dual state in Prussia and Germany as a whole.


1998 ◽  
Vol 46 (3) ◽  
pp. 483-504 ◽  
Author(s):  
Ian Burkitt

This paper concentrates on the recent controversy over the division between sex and gender and the troubling of the binary distinctions between gender identities and sexualities, such as man and woman, heterosexual and homosexual. While supporting the troubling of such categories, I argue against the approach of Judith Butler which claims that these dualities are primarily discursive constructions that can be regarded as fictions. Instead, I trace the emergence of such categories to changing forms of power relations in a more sociological reading of Foucault's conceptualization of power, and argue that the social formation of identity has to be understood as emergent within socio-historical relations. I then consider what implications this has for a politics based in notions of identity centred on questions of sexuality and gender.


2011 ◽  
Vol 6 (3) ◽  
pp. 357-379 ◽  
Author(s):  
Merry E. Wiesner-Hanks

AbstractTransnational history and the history of gender and sexuality have both been concerned with the issue of borders and their crossing, but the two fields themselves have not intersected much in the past. This is beginning to change, and this article surveys recent scholarship that draws on both fields, highlighting work in six areas: movements for women’s and gay rights; diverse understandings of sexuality and gender; colonialism and imperialism; intermarriage; national identity and citizenship; and migration. This new research suggests ways in which the subject matter, theory, and methodology in transnational history and the history of gender and sexuality can interconnect: in the two fields’ mutual emphasis on intertwinings, relationships, movement, and hybridity; their interdisciplinarity and stress on multiple perspectives; and their calls for destabilization of binaries.


2010 ◽  
Vol 42 ◽  
pp. 55-76 ◽  
Author(s):  
Nerina Weiss

AbstractThis article calls for a critical scholarly engagement with women's participation in the Kurdish movement. Since the 1980s, women have appropriated the political sphere in different gender roles, and their activism is mostly seen as a way of empowerment and emancipation. Albeit legitimate, such a claim often fails to account for the social and political control mechanisms inherent in the new political gender roles. This article presents the life stories of four Kurdish women. Although politically active, these women do not necessarily define themselves through their political activity. Thus they do not present their life story according to the party line, but dwell on the different social and political expectations, state violence and the contradicting role models with whom they have to deal on a daily basis. Therefore, the status associated with their roles, especially those of the “new” and emancipated woman, does not necessarily represent their own experiences and subjectivities. Women who openly criticize the social and political constraints by transgressing the boundaries of accepted conduct face social as well as political sanctions.


Sign in / Sign up

Export Citation Format

Share Document