1. Time until Newton

2021 ◽  
pp. 1-16
Author(s):  
Jenann Ismael

‘Time until Newton’ begins by describing the historical origin of calendars and mathematical ways of representing time. It discusses the Aristotelian worldview, which formed the dominant understanding of the Universe in the West from the time of Aristotle until the 17th century when Newton proposed his theory of motion. This was the first physical theory in the mathematical form that we expect nowadays and by making space and time subjects of scientific investigation Newton forever changed the way that people studied space and time. After the publication of his theory, a debate about whether space and time were entities or systems of relations broke out between Newton and the philosopher Gottfried Wilhelm Leibniz. A series of letters between Leibniz and the philosopher Samuel Clarke focusing on this question introduced the mathematical tools of symmetry and invariance that would become important in subsequent study of the structure of space and time.

Humanities ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 7
Author(s):  
Yong-Kang Wei

Though applicable in many Western historical-cultural settings, the Aristotelian model of ethos is not universal. As early Chinese rhetoric shows in the example of cheng-yan or “ethos of sincereness,” inspiring trust does not necessarily involve a process of character-based self-projection. In the Aristotelian model, the rhetor stands as a signifier of ethos, with an ideology of individualism privileged, whereas Chinese rhetoric assumes a collectivist model in which ethos belongs, not to an individual or a text, but rather to culture and cultural tradition. This essay will be concentrating on the concept of Heaven, central to the cultural and institutional systems of early Chinese society, in an attempt to explore collective ethos as a function of cultural heritage. Heaven, it shall be argued, plays a key role in the creation of Chinese ethos. This essay will also contrast the logocentrism of Western rhetorical tradition with the ethnocentrism of Chinese tradition. The significance of Heaven in its role as a defining attribute of Chinese ethos is reflective of a unique cultural heritage shaped by a collective human desire in seeking a consciousness of unity with the universe. Just as there are historical, cultural, and philosophical reasons behind logocentrism in the West, so the ethnocentric turn of Chinese rhetoric should be appreciated in light of a cultural tradition that carries its own historical complexities and philosophical intricacies.


Author(s):  
Татьяна Юрьевна Сем

Статья посвящена мифологическому образу космического оленя в традиционной культуре тунгусо-маньчжуров. В работе рассматриваются материалы фольклора, шаманства, промысловых и календарных ритуалов, а также искусства. Впервые систематизированы материалы по всем тунгусо-маньчжурским народам. Образ космического оленя в фольклоре эвенов имеет наиболее близкие аналогии с амурскими народами, которые представляют его с рогами до небес. Он сохранился в сказочном фольклоре с мифологическими и эпическими элементами. В эвенском мифе образ оленя имеет космические масштабы: из тела его происходит земля и всё живущее на ней. У народов Амура образ оленя нашел отражение в космогенезе, отделении неба от земли. Своеобразие сюжета космической охоты характеризует общесибирскую мифологию, относящуюся к ранней истории. В ней наиболее ярко проявляется мотив смены старого и нового солнца, хода времени, смены времен года, календарь тунгусо-маньчжуров. В результате анализа автор пришел к выводу, что олень в тунгусо-маньчжурской традиции моделирует пространство и время Вселенной, характеризует образ солнца и хода времени. Космический олень является архетипичным символом культуры тунгусо-маньчжуров, сохранившим свое значение до настоящего времени в художественной культуре This article is devoted to the mythological image of cosmic deer in traditional Tungus-Manchu culture. It examines materials of folklore, shamanism, trade and calendar rituals as well as art and for the first time systematizes materials from all of the Tungus-Manchu peoples. The image of cosmic deer in the folklore of the Evens has its closest analogy in that of the Amur peoples, reflected in the image of a deer with horns reaching up to the sky. This image is preserved in fairytales with mythological and epic elements. In the Even myth, the image of a deer is on a cosmic scale, as the cosmos issues from its body. Among the Amur peoples, the image of a deer is also related to cosmogenesis, to the separation of the earth from the sky. The plot of a cosmic hunt is reflected in pan-Siberian mythology, dating back to the Bronze Age. It clearly illustrates the motif of the change of the old and new sun, the passage of time, the change of seasons, the Tungus-Manchu calendar. The author comes to the conclusion that deer in the Tungus-Manchu tradition, in depicting the image of the sun and the passage of time, model the space and time of the Universe. The cosmic deer is an archetypal symbol of Tungus-Manchu culture, which has retained its significance in artistic culture to the present day.


2018 ◽  
Vol 3 (2) ◽  
pp. 3-10
Author(s):  
Dida Ibrahim Abdurrahman ◽  

Configuration of characters in a story is a representative manifestation that is able to communicate the order and value of cultural distinctiveness inherent in him. Along with the phenomenon of globalization, through the practice of appropriation, the various exclusive elements and knowledge of certain groups of society are reconstructed into new cultural entities, even if they do not originate in the space and time in which they created. The configurations Son Goku in manga (typical Japanese comic) Dragon Ball is a transcultural myth of elements in the classic Chinese novel Journey to The West mixed with the popular modern serial story of Superman from the American DC Comics and King Kong, as well as the mythology of lycanthropy from Europe. Through further investigation, the source taken in the Son Goku configuration is suspected of having a relationship with elements and knowledge of different spaces and past times (archaic), so that he is not just a popular myth, he is a collection of texts from various cultural civilizations that are scattered all over the earth.


2021 ◽  
Vol 1 (2) ◽  
pp. 80-87
Author(s):  
Toji Omonovich Norov ◽  

The universe, the space that make up their basis planets in it, their creation, the main essence of their creation, form, composition, meaning, movements, interactions, their influence on human life and activities, the role of man in the universe and in life on Earth, life, the criteria of activity and processes occurring in time and space have long been of interest to humanity. One of the main problems in the history of philosophy is the question of space and time. This problem was defined in different ways in the great schools of thought by thinkers of different periods. One of these great thinkers is Alisher Navoi. Navoi's works, along with other socio-philosophical themes, uniquely express and analyze the problems of the firmament and time. Its main feature is that it is based on the divine (pantheistic) religion, Islam, its holy book, the Koran and other theological sources, as well as on the secrets of nature and the Universe, the main miracle of Allah - human intelligence, the power of enlightenment, they are the key revealing all these secrets.


2019 ◽  
Vol 17 ◽  
pp. 233-243
Author(s):  
Mihaela Denisia Liușnea

In the homage cancellation of the Romanian village, they are proposed to look at the perspectives on certain intellectuals on certain aspects. The village, realized ubiquitously in the collective and individual histories of the Romanians, is established in Orthodox churches, conditioned by the Holy Spirit, represents first, webelieve, the hierarchy of values, it relates the endless space to the universe and while it is limited to eternity: the God’s space and time. The Romanian peasant is not in a hurry, he is not pessimistic, he does not lie in despair, because he lives fulfilling God’s Great and “unchanging“ Plan – history. The peasant must create the thought life and glorify God, who takes care of His presence. Thus, during the work, it is marked by Christian holidays of honor to Him, the Mother of God and the Saints. The conclusion is that the issue of space and time in the Romanian village cannot be addressed from the position of God is present, growth is determinant for dimension (length and time), height, depth of depth that characterizes the two concepts. The relativism of today’s world can encompass the Romanian soul.


Author(s):  
Tuire Valkeakari

The epilogue affirms that the old Anglophone African diaspora in the West is characterized by considerable ethnic, national, socioeconomic, sociocultural, religious, and political diversity as well as by markedly different interplays of race, class, and gender in different geographical locations and microcontexts. Black diasporic sensibilities perpetually renew and transform themselves in response to the limitless variety of life experiences in the diaspora. Nevertheless, rather than merely emphasizing black diversity for its own sake, this book has repeatedly brought the discussion back to the original propellers of the old African diaspora. This book’s diasporic hermeneutics have highlighted the historical origin of the old African diaspora in the Middle Passage and slavery and the cultural mediation of the collective memory of this ur-event. This emphasis on the old African diaspora’s origin in an event has anchored this book’s approach to diaspora in a racially antiessentialist understanding of black diasporic identity formation. Middle Passage narratives both mourn the lives that were lost as a result of the Atlantic slave trade and highlight the survivors’ innovative strategies of survival, acclimatization, and resistance. These themes, in modified yet recognizable forms, are also powerfully present in the novels about later black migrations analyzed in this book.


Author(s):  
Elvan Ozkavruk Adanir ◽  
Berna Ileri

Orientalism is a Western and Western-centric broad field of research that studies the social structures, cultures, languages, histories, religions, and geographies of countries to the east of Europe. The term took on a secondary, detrimental association in the 20th century which looks down on the East. However, this chapter will not dwell on the definition of Orientalism that is debated the most; instead, it will discuss the positive contribution of Orientalism to Western culture. Even though the West otherizes the East in daily life, when it comes to desire, vanity, luxury, and flamboyance without hesitating a moment it adopts these very elements from the Eastern culture. It could be said that this adaptation brings these societies closer in one way or another. The highly admired fashion of Orientalism in the West starting from the 17th century until the 21st century will be the focus of this study.


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