Birth of the State

2020 ◽  
Author(s):  
Charlotte Epstein
Keyword(s):  
Early Modern ◽  
The State ◽  
Fundamental Rights ◽  
The Body ◽  
Theory And Practice ◽  
Religious Toleration ◽  
Wide Range ◽  
The Subject ◽  
The Universe ◽  
The Way

This book uses the body to peel back the layers of time and taken-for-granted-ness upon the two defining political forms of modernity, the state and the subject of rights. It traces, under the lens of the body, how the state and the subject mutually constituted each other all the way down, by going all the way back, to their original crafting in the seventeenth century. It considers multiple sites of theory and practice and two revolutions. The first, scientific, threw humanity out of the centre of the universe, and transformed the very meanings of matter, space, and the body; while the second, legal and political, re-established humans as the centre-point of a framework of rights. The book analyses the fundamental rights to security, liberty, and property, respectively, as the initial knots where the state-subject relation was first sealed. It develops three arguments, that the body served to naturalise security, to individualise liberty, and to privatise property. Covering a wide range of materials—from early modern anatomy lesson paintings, to the Anglo-Scottish legal struggles of naturalisation, to the emergence of discrete practices of religious toleration in Central Europe—it shows both how the body has operated as history’s great naturaliser, and how it can be mobilised instead as a critical tool that lays bare the deeply racialised and gendered constructions that made both the state and the subject of rights. The book returns to the origins of constructivist and constitutive theorising to reclaim their radical and critical potential.

Denaturalising Security

2020 ◽  
pp. 73-102
Author(s):  
Charlotte Epstein
Keyword(s):  
Early Modern ◽  
Scientific Revolution ◽  
Thomas Hobbes ◽  
The State ◽  
The Body ◽  
Natural Right ◽  
State Practice ◽  
Modern Thought ◽  
The Subject ◽  
The Way

This chapter assesses how security was established as the first absolute and natural right of the subject. Thomas Hobbes remains in focus, insofar as he articulated the furthest what had already become an established dogma of early modern thought, notably in natural right theories, and of nascent state practice. The chapter then considers the different kinds of natures that troubled the enterprise of naturalisation. For nature was also appearing, as a result of the scientific revolution, as a source of disorder. It was no longer simply the stable referent for the task of political ordering. This new, epochal instability in the constructions of nature and the way it was addressed by Hobbes in his epistemological writings contains resources for short-circuiting the naturalising work that Hobbes, amongst others, was engaged in. These resources include Hobbes’s nominalism, which marks him as the original constructivist, and his critique of universals, including ‘paternal dominion’, his term for patriarchy. Hence, the purpose of the chapter is to parse the initial naturalisation of security as the subject’s constitutive right, in order to denaturalise it. Ultimately, Hobbes played a central role, not only in theorising the state, but in securing what the author seeks to unsettle with this book: the body as history’s great naturaliser.

scholarly journals “Were not that a botchy core?”: the Function of Disease in 2 Henry IV, King Lear, Troilus and Cressida, and Twelfth Night

2021 ◽  
Author(s):  
◽  
Catherine Joule
Keyword(s):  
Early Modern ◽  
The State ◽  
The Body ◽  
King Lear ◽  
Twelfth Night ◽  
Troilus And Cressida ◽  
The Social ◽  
Wide Range ◽  
Henry Iv ◽  
Disease Metaphors

<p>The social currency of disease has developed and changed dramatically over the centuries, and this thesis focuses on how Shakespeare used the currency of early modern disease in his plays. Shakespeare’s use of disease and disease metaphors is discussed within the context of four plays: Henry IV Part Two, Twelfth Night, King Lear, and Troilus and Cressida. The first chapter (of three) finds that the purpose of disease within the body politic metaphors is, inevitably, complication. In order to counter and resolve the disease of the state, advisors become physicians, extending the potential of the analogy further until it permeates the social structure of the plays and our perception of the characters. Disease is employed to imply division, instability, and disorder within the imagined body of the state.  The second chapter shows how the idea of infection is used to highlight interpersonal concerns within the plays. The chapter uses references to early modern sources and beliefs about the four humours to illustrate how Shakespeare connects social disorder, disease, morality, and status. The discussion focuses on Galen’s “nonnaturals” which were believed to affect humoral balance, highlighting the significance of early modern conceptions of diet, exercise, miasma, sleep, and stress which serve to create a pervading sense of disease in the social worlds of the plays.  The personal and often horrifying experiences of mental disease we are presented with in King Lear and Twelfth Night are the focus of the third and final chapter. The display of suffering is found to primarily serve to emphasise the commonality of man. In both plays (though at different levels of seriousness) insanity causes a loss of social status for the sufferer and, through this loss of status, their humanity is stressed. The dramatic potential of madness allows the theatre of the courtroom to be parodied to draw questions about injustice into the plays, though without offering any definitive conclusions to them. The literary nature of madness within these plays, furthermore, allows for the clear presentation of issues of class and justice. Generally Shakespeare abandons absolute realism in favour of using disease and disease metaphors as a disrupting influence on social and political order so as to emphasise a wide range of themes and ideas.</p>

scholarly journals “Were not that a botchy core?”: the Function of Disease in 2 Henry IV, King Lear, Troilus and Cressida, and Twelfth Night

2021 ◽  
Author(s):  
◽  
Catherine Joule
Keyword(s):  
Early Modern ◽  
The State ◽  
The Body ◽  
King Lear ◽  
Twelfth Night ◽  
Troilus And Cressida ◽  
The Social ◽  
Wide Range ◽  
Henry Iv ◽  
Disease Metaphors

<p>The social currency of disease has developed and changed dramatically over the centuries, and this thesis focuses on how Shakespeare used the currency of early modern disease in his plays. Shakespeare’s use of disease and disease metaphors is discussed within the context of four plays: Henry IV Part Two, Twelfth Night, King Lear, and Troilus and Cressida. The first chapter (of three) finds that the purpose of disease within the body politic metaphors is, inevitably, complication. In order to counter and resolve the disease of the state, advisors become physicians, extending the potential of the analogy further until it permeates the social structure of the plays and our perception of the characters. Disease is employed to imply division, instability, and disorder within the imagined body of the state.  The second chapter shows how the idea of infection is used to highlight interpersonal concerns within the plays. The chapter uses references to early modern sources and beliefs about the four humours to illustrate how Shakespeare connects social disorder, disease, morality, and status. The discussion focuses on Galen’s “nonnaturals” which were believed to affect humoral balance, highlighting the significance of early modern conceptions of diet, exercise, miasma, sleep, and stress which serve to create a pervading sense of disease in the social worlds of the plays.  The personal and often horrifying experiences of mental disease we are presented with in King Lear and Twelfth Night are the focus of the third and final chapter. The display of suffering is found to primarily serve to emphasise the commonality of man. In both plays (though at different levels of seriousness) insanity causes a loss of social status for the sufferer and, through this loss of status, their humanity is stressed. The dramatic potential of madness allows the theatre of the courtroom to be parodied to draw questions about injustice into the plays, though without offering any definitive conclusions to them. The literary nature of madness within these plays, furthermore, allows for the clear presentation of issues of class and justice. Generally Shakespeare abandons absolute realism in favour of using disease and disease metaphors as a disrupting influence on social and political order so as to emphasise a wide range of themes and ideas.</p>

International Relations and the Problem of Time

2020 ◽  
Author(s):  
Andrew R. Hom
Keyword(s):  
International Relations ◽  
International Politics ◽  
Theory And Practice ◽  
Problem Of Time ◽  
Political Processes ◽  
Use Of Time ◽  
Wide Range ◽  
Temporal Dimensions ◽  
The Universe ◽  
The Way

What is time and how does it influence our knowledge of international politics? For decades International Relations (IR) paid little explicit attention to time. Recently this began to change as a range of scholars took an interest in the temporal dimensions of politics. Yet IR still has not fully addressed the issue of why time matters, nor has it reflected on its own use of time—how temporal assumptions and ideas affect the way we understand political phenomena. Moreover, IR remains beholden to two seemingly contradictory visions of time: the time of the clock and a long-standing tradition of treating time as a problem to be solved. International Relations and the Problem of Time develops a unique response to these interconnected puzzles. It reconstructs IR’s temporal imagination by developing an argument that all times—from the rhythms of the universe to individual temporal experience—spring from social and practical timing activities, or efforts to establish meaningful and useful relationships in complex and dynamic settings. In IR’s case, across a wide range of approaches scholars employ narrative timing techniques to make sense of political processes and events. This innovative account of time provides a more systematic and rigorous explanation for all manner of temporal phenomena in international politics. It also develops provocative insights about IR’s own history, its key methodological commitments, supposedly “timeless” statistical methods, historical institutions, and the critical vanguard of time studies. This book invites us to reimagine time in theory and practice, and in so doing to significantly rethink the way we approach the study of international politics.

“I'd make thee eat the mischief thou hast vented”: Discourse of Law in Ben Jonson's Catiline His Conspiracy

2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu
Keyword(s):  
Early Modern ◽  
Political Discourse ◽  
Legal Discourse ◽  
The State ◽  
The Political ◽  
State Of Emergency ◽  
Gunpowder Plot ◽  
Effective Use ◽  
Legal Procedures ◽  
The Way

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.

Wicked Mysteries and Notorious Conjurors: Magic, Rape, and Violence in Two Early Modern Pamphlets

2021 ◽  
Vol 51 (3) ◽  
pp. 533-551
Author(s):  
Laura Levine
Keyword(s):  
Early Modern ◽  
The Body ◽  
Evil Spirits ◽  
The Way

Toward the end of the 1628 pamphlet A Briefe Description of the Notorious Life of Iohn Lambe, the pamphleteer describes the violence a crowd inflicts on John Lambe, a cunning man who dabbled in the dark arts. This violence, ultimately fatal, seems to be a response to Lambe's rape of an eleven-year-old child, a rape which he is convicted of but ultimately pardoned for. Earlier in his career, however, Lambe is indicted for using magic to disable the body of a gentleman as well as for invoking evil spirits. What connection exists between the charges against Lambe as a witch and magician and the charges against him as a rapist? This essay argues that long before Lambe gives those around him a basis for violence, he triggers anxieties about what he is, and that these anxieties play a role in the violence against him. The text of A Briefe Description demonstrates the way mechanisms of justice ultimately repeat—reenact and perform—versions of the crimes they seek to examine.

scholarly journals Worms, worms, everywhere, and not a one to see: The connotative role of worms in Shakespeare’s canon

2021 ◽  
Author(s):  
◽  
Christine Reid
Keyword(s):  
Early Modern ◽  
The State ◽  
The Body ◽  
Cultural Constructs ◽  
Body And Soul ◽  
The Individual

The study of animals in Shakespeare’s collected works has expanded over the last 30 years. While a number of different animals have been discussed, the importance of the worm in the larger scope of the canon has largely been ignored. By focusing on the perception and presentation of worms in relation to cultural ideas of death, corruption, and consumption, ideas surrounding the body and soul are brought to the forefront. Worms are integral to our understanding of the Early Modern cultural constructs of the body and soul as the presence of worms reveals the state of the individual or the broader environment. Overall, the depiction of worms in Shakespeare’s works serves as a way to understand the metaphysical processes surrounding death and corruption.

scholarly journals El Cuerpo como Fábrica y el Cirujano como su Arquitecto / The Body as a Factory and the Surgeon as its Architect

2012 ◽  
Vol 1 (1) ◽  
Author(s):  
Cristóbal Pera
Keyword(s):  
Foreign Body ◽  
Human Body ◽  
El Paso ◽  
The Body ◽  
Body Parts ◽  
Expiration Date ◽  
Internal Organs ◽  
The Subject ◽  
The Way

ABSTRACTIf the human body is really a fabric, should surgeons be considered architects, as some surgeons describe themselves today? The author raises and analyzes this question, and he concludes that vsurgeons cannot be considered as such: the architect is the creator of his work —fabric or building—, but the surgeon is not the creator of this complex biological fabric —vulnerable and subject to deterioration and with an expiration date— which is the human body. This body is the object upon which his hands and instruments operate. The surgeon cures and heals wounds, immobilizes and aligns fractured bones in order to facilitate their good and timely repair, and cuts open the body’s surface in order to reach its internal organs. He also explores the body with his hands or instruments, destroys and reconstructs its ailing parts, substitutes vital organs taken from a donor’s foreign body, designs devices or prostheses, and replaces body parts, such as arteries and joints, that are damaged or worn out. In today’s culture, dominated by the desire to perfect the body, other surgeons keep retouching its aging façade, looking for an iconic and timeless beauty. This longing can drive, sometimes, to surgical madness. The surgeon is not capable of putting into motion, from scratch, a biological fabric such as the human body. Thus, he can’t create the subject of his work in the way that an architect can create a building. In contrast, the surgeon restores the body’s deteriorated or damaged parts and modifies the appearance of the body’s façade.RESUMEN¿Si el cuerpo humano fuera realmente una fábrica, podría el cirujano ser considerado su arquitecto, como algunos se pregonan en estos tiempos? Esta es la cuestión planteada por el autor y, a tenor de lo discurrido, su respuesta es negativa: porque así como el arquitecto es el artífice de su obra —fábrica o edificio— el cirujano no es el artífice de la complejísima fábrica biológica —vulnerable, deteriorable y caducable— que es el cuerpo humano, la cual le es dada como objeto de las acciones de sus manos y de sus instrumentos. El cirujano cura y restaña sus heridas, alinea e inmoviliza sus huesos fracturados para que su reparación llegue a buen término, penetra por sus orificios naturales o dibuja sobre la superficie corporal incisiones que le permitan llegar a sus entrañas, las explora con sus manos o mediante instrumentos, destruye y reconstruye sus partes enfermas, sustituye órganos vitales que no le ayudan a vivir por los extraídos de cuerpos donantes, y concibe, diseña y hace fabricar artefactos o prótesis, como recambio fragmentos corporales deteriorados o desgastados, como arterias o articulaciones. Otros cirujanos, en la predominante cultura de la modificación del cuerpo, retocan una y otra vez su fachada envejecida ineludiblemente por el paso del tiempo, empeñados en la búsqueda incesante de una belleza icónica y mediática e intemporal, una pretensión que puede conducir, y a veces conduce, al desvarío quirúrgico. En definitiva, el cirujano es incapaz de poner de pie, ex novo, una fábrica biológica como la del cuerpo humano y, por lo tanto, no puede ser su artífice, como lo es el arquitecto de su edificio. A lo sumo, es el restaurador de sus entrañas deterioradas y el modificador de su fachada, de su apariencia.

A Conversation with Aliza Shvarts

October ◽  
2021 ◽  
pp. 85-110
Author(s):  
Emily Apter
Keyword(s):  
New York ◽  
The Body ◽  
Yale University ◽  
Wide Range ◽  
The Subject ◽  
First Time ◽  
Rape Kits ◽  
Public Exhibition ◽  
Feminist Practice

Abstract Aliza Shvarts first came to widespread attention when her Untitled [Senior Thesis] (2008), consisting of a yearlong performance of self-induced miscarriages, was declared a “fiction” by Yale University and censored from public exhibition. That controversial work was on view for the first time in New York as part of her 2020 exhibition Purported at Art in General. It frames the areas of inquiry she has continued to explore: how the body means and matters and how the subject consents and dissents. In this in-depth conversation, Emily Apter and Aliza Shvarts discuss the exhibition and a wide range of topics relevant to contemporary feminist practice and thought: the genealogy of citation; the uses of theory; speech action; rape kits; nonconsensual collaboration; queer kinship; and memes.

scholarly journals CONSTITUTIONALISM AND JUDICIALIZATION OF POLITICS: THE “JUDICIAL” RIGHT TO HEALTHCARE IN BRAZIL

2015 ◽  
Vol 3 (3-4) ◽  
pp. 358-393
Author(s):  
Bruno Irion Coletto ◽  
Pedro Da Silva Moreira
Keyword(s):  
Public Policy ◽  
Public Policies ◽  
Public Debate ◽  
The State ◽  
Fundamental Rights ◽  
Scarce Resources ◽  
The Public ◽  
Critical Understanding ◽  
The Right ◽  
The Way

The right to healthcare in Brazil is seriously protected by the courts. Judicialization of everyday implementation of this public policy is a fact. One explanation may be provided by the way judges understand the effectiveness of this right. People hold subjective right to individualized healthcare benefits, and so they hold standing to sue the state in order to achieve it, regardless any consideration of public policies. Through an analysis of the jurisprudence on this issue, this paper aims to provide a critical understanding not just about what is actually happening in Brazilian courts regarding healthcare, but also to criticize it. The conclusion is that a “strong” conception of constitutionalism and fundamental rights may revel itself as “weak,” from the standpoint of general equality. Judicialization ends up empting the public debate, leading the task of solving the distribution of scarce resources to a “gowned aristocracy.” 

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