The Country of the Mind Must Also Attack

2019 ◽  
pp. 16-39
Author(s):  
Kathy Peiss

With war imminent, Librarian of Congress Archibald MacLeish and William “Wild Bill” Donovan, soon to be head of the Office of Strategic Services (OSS), forged a new relationship between libraries and America’s nascent intelligence service. Their urgent call for foreign information was a response to the international crisis, but it was also a culmination of larger changes in American libraries, academia, and cultural institutions. A new sense of purpose had arisen in the interwar years, characterized by national ambition and internationalist commitment. New ideas about organizing and accessing information challenged the traditional book. The Nazi attack on knowledge and culture intensified concerns about preserving, reproducing, and accessing materials. These developments would be yoked to an emergent intelligence apparatus and commitment to open-source collecting as a way to know the enemy. With the outbreak of war, MacLeish and Donovan devised a plan to send American librarians abroad to acquire foreign publications.

2021 ◽  
pp. 104973232110581
Author(s):  
Shahmir H. Ali ◽  
Alexis A. Merdjanoff ◽  
Niyati Parekh ◽  
Ralph J. DiClemente

There is a growing need to better capture comprehensive, nuanced, and multi-faceted qualitative data while also better engaging with participants in data collection, especially in virtual environments. This study describes the development of a novel 3-step approach to virtual mind-mapping that involves (1) ranked free-listing, (2) respondent-driven mind-mapping, and (3) interviewing to enhance both data collection and analysis of complex health behaviors. The method was employed in 32 virtual interviews as part of a study on eating behaviors among second-generation South Asian Americans. Participants noted the mind-mapping experience to be (1) helpful for visual learners, (2) helpful in elucidating new ideas and to structure thoughts, as well as (3) novel and interesting. They also noted some suggestions that included improving interpretability of visual data and avoiding repetition of certain discussion points. Data collection revealed the adaptability of the method, and the power of mind-maps to guide targeted, comprehensive discussions with participants.


Digitized ◽  
2012 ◽  
Author(s):  
Peter J. Bentley

Your ideas, money, memories, and entertainment are dreams in the minds of computers. But the thoughts of each computer are not simple, they are layered like our own minds. Their lowest, most primitive layers are the instincts of the machine. Middle layers perform more general functions of its silicon mind. Higher layers think about overall concepts. Unlike us, the computer has languages for every layer. We can teach it new ideas by changing any one or all of its layers of thought. We can tell it to consider vast and convoluted concepts. But if we make a single mistake in our instructions, the mind of our digital slave may crash in a virtual epileptic fit. When our silicon students are so pedantic, how can we engineer their thoughts to make them reliable and trustworthy assistants? And if their thoughts become more complicated than anything we can imagine, how can we guarantee they will do what we want them to? . . . Light poured in through the large windows of the lecture room. The sound of scratching pens from nearly thirty distinguished engineers and scientists accompanied every word spoken by John Mauchly. One fellow by the name of Gard from the Wright Field’s Armament Laboratory seemed to be especially diligent, writing hundreds of pages of notes. It was Monday morning, a warm mid-summer day of 1946, some three years after his stimulating tea-time discussions with Turing. Claude Shannon was three weeks into the eight-week course at the Moore School of Electrical Engineering, in the University of Pennsylvania. It had been an honour to be one of the select few invited to hear lectures on designing electronic digital computers. This was the first ever course to be taught on computer science, and Shannon was finding many of the ideas highly stimulating. He’d recently learned a new word from Mauchly: ‘program’ used as a verb. To program an electronic computer was an interesting concept. He was also hearing about some of the politics: apparently two of the lecturers, Mauchly and his colleague Eckert, had resigned from the university just four months ago because of some form of disagreement.


Dialogue ◽  
1997 ◽  
Vol 36 (2) ◽  
pp. 361-374 ◽  
Author(s):  
Jeffrey Hershfield

Like Wittgenstein, John Searle believes that much of analytic philosophy—especially the philosophy of mind—is founded on confusion and falsehood. Unlike Wittgenstein, he does not consider this condition to be endemic to philosophy. As a result, Searle's dual goals inThe Rediscovery of the Mindare to rid the philosophy of mind of the fundamental confusions that plague it, and to set the field on the path toward genuine progress. Thus, the book opens with a chapter entitled “What's Wrong with the Philosophy of Mind?” and closes with “The Proper Study.” The text is a blend of old and new: Searle introduces several new ideas, the most important of which is his thesis of the unconscious, and incorporates them into theses that have figured prominently in his previous works. Even for those who will find little to agree with in this book,The Rediscovery of the Mindserves as a testament to the sheer scope and iconoclasm of Searle's work.


Author(s):  
Chip Baumgardner

A critical component of the entrepreneurial mindset is the ability to be innovative and creative. Often seen as the top soft skill for entrepreneurs, innovation entails far more than brain storming. One of the most useful tools of innovation is the mind map, a simple tool that blends related and unrelated stimuli into generating new ideas. Given the increased emphasis on craft brewing as a major component of the beer industry, many facets of brewing have become quite popular in higher education. Within brewing education, one must consider the process by how students learn how to engage in multiple activities, including innovation. To address innovation in new flavors, a study of students’ abilities to create new beer flavors by brainstorming was compared with the same students who used mind maps in a pre- and post-test format. The result of the statistical study is to look at the concept of mapping innovation and the truncated findings with an emphasis on generating new ideas on beer flavors for a market with an expanding number of taste connoisseurs.


Heritage ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 1471-1498 ◽  
Author(s):  
Ikrom Nishanbaev ◽  
Erik Champion ◽  
David A. McMeekin

The amount of digital cultural heritage data produced by cultural heritage institutions is growing rapidly. Digital cultural heritage repositories have therefore become an efficient and effective way to disseminate and exploit digital cultural heritage data. However, many digital cultural heritage repositories worldwide share technical challenges such as data integration and interoperability among national and regional digital cultural heritage repositories. The result is dispersed and poorly-linked cultured heritage data, backed by non-standardized search interfaces, which thwart users’ attempts to contextualize information from distributed repositories. A recently introduced geospatial semantic web is being adopted by a great many new and existing digital cultural heritage repositories to overcome these challenges. However, no one has yet conducted a conceptual survey of the geospatial semantic web concepts for a cultural heritage audience. A conceptual survey of these concepts pertinent to the cultural heritage field is, therefore, needed. Such a survey equips cultural heritage professionals and practitioners with an overview of all the necessary tools, and free and open source semantic web and geospatial semantic web platforms that can be used to implement geospatial semantic web-based cultural heritage repositories. Hence, this article surveys the state-of-the-art geospatial semantic web concepts, which are pertinent to the cultural heritage field. It then proposes a framework to turn geospatial cultural heritage data into machine-readable and processable resource description framework (RDF) data to use in the geospatial semantic web, with a case study to demonstrate its applicability. Furthermore, it outlines key free and open source semantic web and geospatial semantic platforms for cultural heritage institutions. In addition, it examines leading cultural heritage projects employing the geospatial semantic web. Finally, the article discusses attributes of the geospatial semantic web that require more attention, that can result in generating new ideas and research questions for both the geospatial semantic web and cultural heritage fields.


On the occasion of completion of ten years of Open Source Systems (OSS) conferences, this paper studies its contribution to the extension of Free and Open Source Software (FOSS) research. An existing taxonomy was used to initially classify the 347 full and short papers presented in the conferences. Because there were many new categories, which did not fit, in existing system, the taxonomy was revised and the reclassified papers are presented in this paper. The analysis of locations, themes, participants and citations of successive conferences results in interesting observation. The major takeaway of this ongoing study is to demonstrate that the goal of OSS conferences, as mentioned in the first edition, “to promote the exchange of new ideas, research and applications in the emerging field of Open Source Software,” is more than successful.


The steady progress of physics requires for its theoretical formulation a mathematics that gets continually more advanced. This is only natural and to be expected. What, however, was not expected by the scientific workers of the last century was the particular form that the line of advancement of the mathematics would take, namely, it was expected that the mathematics would get more and more complicated, but would rest on a permanent basis of axioms and definitions, while actually the modern physical developments have required a mathematics that continually shifts its foundations and gets more abstract. Non-euclidean geometry and non-commutative algebra, which were at one time considered to be purely fictions of the mind and pastimes for logical thinkers, have now been found to be very necessary for the description of general facts of the physical world. It seems likely that this process of increasing abstraction will continue in the future and that advance in physics is to be associated with a continual modification and generalisation of the axioms at the base of the mathematics rather than with a logical development of any one mathematical scheme on a fixed foundation. There are at present fundamental problems in theoretical physics awaiting solution, e.g. , the relativistic formulation of quantum mechanics and the nature of atomic nuclei (to be followed by more difficult ones such as the problem of life), the solution of which problems will presumably require a more drastic revision of our fundamental concepts than any that have gone before. Quite likely these changes will be so great that it will be beyond the power of human intelligence to get the necessary new ideas by direct attempts to formulate the experimental data in mathematical terms. The theoretical worker in the future will therefore have to proceed in a more indirect way. The most powerful method of advance that can be suggested at present is to employ all the resources of pure mathematics in attempts to perfect and generalise the mathematical formalism that forms the existing basis of theoretical physics, and after each success in this direction, to try to interpret the new mathematical features in terms of physical entities (by a process like Eddington’s Principle of Identification).


Muzikologija ◽  
2016 ◽  
pp. 157-173
Author(s):  
Sabina Hadzibulic

The Foundation of Ilija Milosavljevic Kolarac (also known as Kolarac Foundation; in Serbian: Kolarceva zaduzbina) was established simultaneously with the development of the most important modern cultural institutions in Serbia in the 19th century. The quality and diversity of the program, the ability to recognize important topics in the current time, as well as preservation of the old and encouragement of new ideas in almost all domains of art and science have contributed to its unquestionable reputation throughout the region. However, there have been no significant academic attempts to approach its work analytically and, in particular, its audience. The aim of this paper is to give an overview of the work of Kolarac Foundation by presenting the origin and history of the institution, followed by an analysis of the program of all its activities in the first ten seasons of the new millennium. The central part of the paper is an analysis of its cultural activity in the given period. Finally, by using empirical data, the music audence of Great Hall (Velika Dvorana) of Kolarac Foundation is profiled through its basic socio-demographic characteristics and music practices. The music audience mainly consisted of women, highly educated professionals with a high material standard. The share of the oldest and those from 21 to 30 years old is the highest and, at the same time, equal. This audience is authentically fond of music, with no exceptions at all. Its members listen to music on everyday basis, and they were attending concerts in the year before the investigation. They find music to be an inevitable part of their lives, and cannot imagine emotional expression or making friendships without it. Finally, they sincerely like coming to Kolarac Foundation since they find it to be a place that has all the positive treats of a good cultural institution.


Semiotica ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Ivo A. Ibri

Abstract This essay focuses on the concept of consciousness in C. S. Peirce’s work, revealing how its ways of being are associated with the three Peircean phenomenological categories. In this article, I intend to reflect on the heuristic power of the mind, namely, its ability to bring about new ideas, which, within Peirce’s logic of inquiry, is called by the well-known term of abduction. The abductive logical step promotes a synthesis of signs that constitutes a logical structure capable of proposing a new mediation or representation of a new phenomenon. I make use of a metaphorical passage from Peirce (CP 7.547, undated) not only to give the title to this essay, but also to highlight the importance of the first category as a sort of synechistic envelopment of an unprecedented logical structure of signs that composes a new synthesis. Two continua intertwine themselves, namely, those of the first and third categories, to account for what appears as a fact of the world in the theater of secondness. The essay also seeks to bring to light the core realism of Peirce’s philosophy, the genetic aspect of this bottomless lake, through its cosmology, where the generalization of forms and the acquisition of habits of reality are the proper ground of his Objective Idealism. One of the heuristic aspect of the lake metaphor is a sort of invitation to extend the concept of synthesis from the realm of logical structures to that one of arts, which in this essay will remain as a suggestion for a further reflection.


2019 ◽  
pp. 271-285 ◽  
Author(s):  
Freya Bailes

Musical imagery can be defined as the conscious experience of an internal representation of music—a form of inner hearing. This chapter adopts a psychological approach to considering temporal aspects of musical imagery, from the characteristics and frequency of episodes ranging in scale from seconds and minutes (e.g. the mental continuation of interrupted music), to the potential impact of circadian (24-hour) rhythms upon the subjective experience of musical imagery. The common ground between musical imagery and other forms of spontaneous cognition, combined with evidence of temporal fluctuations in our conscious awareness of inner music, suggests a new cyclical model of musical imagery. Exploring the music in our ‘mind’s ear’ has the potential to shed light on the time course of consciousness, with consequences not just for what it means to re-present music in the mind but also for how and when new ideas come to be experienced in our imaginations.


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