Body schema dynamics in Merleau-Ponty

2021 ◽  
pp. 33-51
Author(s):  
Jan Halák
Keyword(s):  
Body Image ◽  
Body Schema ◽  
The Body ◽  
Ground Structure ◽  
Symbolic Cognition ◽  
The World ◽  
Full Sense ◽  
Perceptual Orientation ◽  
The Relationship

This chapter presents an account of Merleau-Ponty’s interpretation of the body schema as an operative intentionality that is not only opposed to, but also complexly intermingled with, the representation-like grasp of the world and one’s own body, or the body image. The chapter reconstructs Merleau-Ponty’s position primarily based on his preparatory notes for his 1953 lecture ‘The Sensible World and the World of Expression’. Here, Merleau-Ponty elaborates his earlier efforts to show that the body schema is a perceptual ground against which the perceived world stands out as a complex of perceptual figures. The chapter clarifies how Merleau-Ponty’s renewed interpretation of the figure-ground structure makes it possible for him to describe the relationship between body schema and perceptual (body) image as a strictly systematic phenomenon. Subsequently, the chapter shows how Merleau-Ponty understands apraxia, sleep, and perceptual orientation as examples of dedifferentiation and subtler differentiation of the body-schematic system. The last section clarifies how such body-schematic differentiating processes give rise to relatively independent superstructures of vision and symbolic cognition which constitute our body image. It, moreover, explains how, according to Merleau-Ponty, the cognitive superstructures always need to be supported by praxic operative intentionality to maintain their full sense, even though, in some cases, they have the power to compensate for praxic deficiencies.

To Perform the Layered Body

Janus Head ◽  
2006 ◽  
Vol 9 (2) ◽  
pp. 349-383
Author(s):  
Helena De Preester ◽  
Keyword(s):  
Body Image ◽  
Performance Art ◽  
Body Schema ◽  
The Body ◽  
Theoretical Level ◽  
The World ◽  
Layered Body

The aim of this article is to focus on the body as instrument or means in performance-art. Since the body is no monolithic given, the body is approached in terms of its constitutive layers, and this may enable us to conceive of the mechanisms that make performances possible and operational, i.e. those bodily mechanisms that are implicitly or explicitly controlled or manipulated in performance. Of course, the exploitation of these bodily layers is not solely responsible for the generation of meaning in performance. Yet, it is that what fundamentally /enables/ the generation of sense and signification in performance-art. To approach the body in terms of its layers, from body image and body schema to in-depth body, may partly answer the complexity at work in art performances, since these concepts enable us to consider, on a theoretical level, the body as represented object, as subject, as motor means for being-in-the-world, as origin of subjectivity and emotions, as hidden but most intimate place of impersonal life processes, as possibly distant image, as sensitive, fragile and plastic entity, as something we own and are owned by, as our most personal and yet extremely strange body.

scholarly journals Body Representations and Cognitive Ontology: Drawing the boundaries of the body image

2019 ◽  
Author(s):  
Stephen Gadsby
Keyword(s):  
Body Image ◽  
Cognitive Neuroscience ◽  
Body Schema ◽  
Body Representation ◽  
The Body ◽  
Reciprocal Interaction ◽  
Body Representations ◽  
Alice In Wonderland ◽  
The Relationship

The distinction between body image and body schema has been incredibly influential in cognitive neuroscience. Recently, researchers have begun to speculate about the relationship between these representations (Gadsby, 2017; 2018; Pitron & de Vignemont, 2017; Pitron et al., 2018). Within this emerging literature, Pitron and colleagues (2018) proposed that the long-term body image and long-term body schema co-construct one another, through a process of reciprocal interaction. In proposing this model, they make two assumptions: that the long-term body image incorporates the spatial characteristics of tools, and that it is distorted in the case of Alice in wonderland syndrome. Here, I challenge these assumptions, with a closer examination of what the term “long-term body image” refers to. In doing so, I draw out some important taxonomic principles for research into body representation.

Proprioception and body schema

2018 ◽  
Author(s):  
Minoru Asada
Keyword(s):  
Body Image ◽  
Computational Models ◽  
Body Schema ◽  
Body Representation ◽  
The Body ◽  
Proprioceptive Information ◽  
Artificial Agents ◽  
Body Parts ◽  
Joint Angles ◽  
The Relationship

Proprioception is our ability to sense the position of our own limbs and other body parts in space, and body schema is a body representation that allows both biological and artificial agents to execute their actions based on proprioception. The proprioceptive information used by current artificial agents (robots) is mainly related to posture (and its change) and consists of joint angles (joint velocities) given a linked structure. However, the counterpart in biological agents (humans and other animals) includes more complicated components with associated controversies concerning the relationship between the body schema and the body image. A new trend of constructive approaches has been attacking this topic using computational models and robots. This chapter provides an overview of the biology of proprioception and body representation, summarizes the classical use of body schema in robotics, and describes a series of constructive approaches that address some of the mysteries of body representation.

scholarly journals Body / image in the discourse of advertising through semiotics Bartlett (Roland Bart): الجسد/الصّورة في الخطاب الإعلاني من خلال السيميائيّة البارتيّة (رولان بارت)

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Awatif Mansour
Keyword(s):  
Body Image ◽  
Female Body ◽  
The Body ◽  
Media Art ◽  
The World ◽  
The Relationship

The specificity of advertising speech consists in settling a fixed mark in the era of globalization. It is based on a duality that inter Wins the body in general, and the body of the finale media Marketing. Starting from the semiotics approach of Roland Barth. We will address to study the image of the female body in the advertising speech and its influential relationship between the producer and the consumer by interpreting the fixed and mobile images and denotes as connotations and messages and energies suggestive and a built-in graphical and unannounced. In general, the body has become on effective feature on the receiver in the world of publicity. As it has become a consume ring product. So the latter turns, in the advertising speech from an image to a mark and icon with interpretive load. It also turns to open several readings where lies the strength of reporting and the elements of semantic, suggestive and effectiveness in influencing the receivers. Based on all this we will try to interpret the female body in the advertising speech from semiotics Barth perspective by focusing on its functions and analysis with an attempt to provide practical models through its presence in pictures such as television, cinema, media, Walls... therefore and artistic elements. So, advertising is a media art based on the visible indicators establishing the relationship between the receiver and the consumers We will work with Roland Barth in an interactive way to infer the image of the body in the advertising speech as a semeologie field and the dismantling of his grades.

The space of the body schema: putting the schema in movement

2021 ◽  
pp. 18-32
Author(s):  
David Morris
Keyword(s):  
Body Image ◽  
Philosophy Of Mind ◽  
Body Schema ◽  
Movement Control ◽  
The Body ◽  
Social Sphere ◽  
The Social ◽  
The World ◽  
Mind And Body ◽  
New Perspective

This chapter contributes to conceptual debates about the body schema and body image by studying the body schema’s role in shaping our sense of lived space. Contra ‘body-in-brain’ or representational views of the body schema as a centralized controller, the chapter supports ‘body-in-world’ views by showing how the body schema is itself of space, founded and actualized in schematizing movements of a body in the world. This suggests that capacities for, and divergences between, a body schema versus a body image emerge when body-schematizing activity runs into resistances or demands from environmental supports, including other perceiving bodies and the social sphere, over various timescales, e.g., of evolution, development, skill, and habit acquisition, as well as cultural formations. The chapter draws on phenomenological and psychological results concerning our sense of space in cases of directly touching and moving with things, but also in cases where movements coupled with surroundings through light (via our eyes or technological devices) yield a sense of distal things. These are complemented by conceptual insights from recent evolutionary-comparative approaches to the philosophy of mind and body, which give a new perspective on just where movement control arises in bodies.

The Role of Hand Size in the Fake-Hand Illusion Paradigm

Perception ◽  
10.1068/p5853 ◽  
2007 ◽  
Vol 36 (10) ◽  
pp. 1547-1554 ◽  
Author(s):  
Francesco Pavani ◽  
Massimiliano Zampini
Keyword(s):  
Body Image ◽  
Body Schema ◽  
Body Representation ◽  
The Body ◽  
Video Image ◽  
Body Parts ◽  
Statistical Correlations ◽  
Hand Size ◽  
Visible Hand

When a hand (either real or fake) is stimulated in synchrony with our own hand concealed from view, the felt position of our own hand can be biased toward the location of the seen hand. This intriguing phenomenon relies on the brain's ability to detect statistical correlations in the multisensory inputs (ie visual, tactile, and proprioceptive), but it is also modulated by the pre-existing representation of one's own body. Nonetheless, researchers appear to have accepted the assumption that the size of the seen hand does not matter for this illusion to occur. Here we used a real-time video image of the participant's own hand to elicit the illusion, but we varied the hand size in the video image so that the seen hand was either reduced, veridical, or enlarged in comparison to the participant's own hand. The results showed that visible-hand size modulated the illusion, which was present for veridical and enlarged images of the hand, but absent when the visible hand was reduced. These findings indicate that very specific aspects of our own body image (ie hand size) can constrain the multisensory modulation of the body schema highlighted by the fake-hand illusion paradigm. In addition, they suggest an asymmetric tendency to acknowledge enlarged (but not reduced) images of body parts within our body representation.

scholarly journals Hyaluronan and the Fascial Frontier

2021 ◽  
Vol 22 (13) ◽  
pp. 6845
Author(s):  
Rebecca L. Pratt
Keyword(s):  
Nerve Fibers ◽  
The Body ◽  
Water Volume ◽  
Cell Behavior ◽  
Connective Tissues ◽  
Wide Range ◽  
The World ◽  
Extracellular Microenvironment ◽  
The Impact ◽  
The Relationship

The buzz about hyaluronan (HA) is real. Whether found in face cream to increase water volume loss and viscoelasticity or injected into the knee to restore the properties of synovial fluid, the impact of HA can be recognized in many disciplines from dermatology to orthopedics. HA is the most abundant polysaccharide of the extracellular matrix of connective tissues. HA can impact cell behavior in specific ways by binding cellular HA receptors, which can influence signals that facilitate cell survival, proliferation, adhesion, as well as migration. Characteristics of HA, such as its abundance in a variety of tissues and its responsiveness to chemical, mechanical and hormonal modifications, has made HA an attractive molecule for a wide range of applications. Despite being discovered over 80 years ago, its properties within the world of fascia have only recently received attention. Our fascial system penetrates and envelopes all organs, muscles, bones and nerve fibers, providing the body with a functional structure and an environment that enables all bodily systems to operate in an integrated manner. Recognized interactions between cells and their HA-rich extracellular microenvironment support the importance of studying the relationship between HA and the body’s fascial system. From fasciacytes to chronic pain, this review aims to highlight the connections between HA and fascial health.

Body Schema and Body Image

2021 ◽  
Keyword(s):  
Body Image ◽  
Body Dysmorphic Disorder ◽  
Body Schema ◽  
The Body ◽  
Body Parts ◽  
Neural Activities ◽  
Body Shapes ◽  
Influential Book ◽  
Social And Cultural Factors

Body schema refers to the system of sensory-motor functions that enables control of the position of body parts in space, without conscious awareness of those parts. Body image refers to a conscious representation of the way the body appears—a set of conscious perceptions, affective attitudes, and beliefs pertaining to one’s own bodily image. In 2005, Shaun Gallagher published an influential book entitled ‘How the Body Shapes the Mind’. This book not only defined both body schema (BS) and body image (BI), but also explored the complicated relationship between the two. The book also established the idea that there is a double dissociation, whereby body schema and body image refer to two different, but closely related, systems. Given that many kinds of pathological cases can be described in terms of body schema and body image (phantom limbs, asomatognosia, apraxia, schizophrenia, anorexia, depersonalization, and body dysmorphic disorder, among others), we might expect to find a growing consensus about these concepts and the relevant neural activities connected to these systems. Instead, an examination of the scientific literature reveals continued ambiguity and disagreement. This volume brings together leading experts from the fields of philosophy, neuroscience, psychology, and psychiatry in a lively and productive dialogue. It explores fundamental questions about the relationship between body schema and body image, and addresses ongoing debates about the role of the brain and the role of social and cultural factors in our understanding of embodiment.

Ntrauterine programming of women’s health as a determinant of the reproductive potential of a population

2017 ◽  
pp. 10-15
Author(s):  
L.G. Nazarenko ◽  
◽  
N.S. Nestertsova ◽  
Keyword(s):  
World Literature ◽  
System Development ◽  
Reproductive Potential ◽  
The Body ◽  
Large For Gestational Age ◽  
Relevant Research ◽  
Gynecological Diseases ◽  
The World ◽  
Oncological Diseases ◽  
The Relationship

The relationship between the body weight of women at birth and the development in the future of gynecological diseases or deviations in the development of the reproductive system, development of oncological diseases and the timing of menopause have been analyzed. The results of clinical studies conducted at different times in different countries of the world, which cover the topic of this article, are presented. An overview of the world literature presented in the article, substantiates the relevance of conducting relevant research in the Ukrainian population. Key words: low birth weight, large-for-gestational-age fetus, gynecology disease.

scholarly journals The Relationship between Dramatic Text and Performance with the Centrality of the Body with a Look at Anne Bogart’s Rendition of The Persians

1970 ◽  
Vol 2 (2) ◽  
pp. 25-31
Author(s):  
Samin Gheitasy ◽  
Leila Montazeri ◽  
Simin Dolatkhah
Keyword(s):  
The Body ◽  
Physical Approach ◽  
The World ◽  
Dramatic Text ◽  
And Performance ◽  
Anne Bogart ◽  
The Relationship ◽  
Sociological View

The dramatic text defines, to some extent, the structure of the work but the type of performance and the physical approach to the text can represent different meanings. The body of the actor, as a means of conveying concepts from the text to the audience, can be effective in creating different interpretations and meanings of the text. Since eons ago, directors have used the body of the actor with different approaches, and the application of body on the stage has always been underdoing changes. Anne Bogart is one of the few directors who is less known in the Iranian theater despite possessing the most updated and well-known methods of practice and performance in the world. Using her viewpoint method, she brings live and dynamic bodies to the stage; bodies that are able to convey the hidden meanings of the text to the audience in the most suitable way. The overall purpose of this research is to find the relationship between the dramatic text and the performance with the centrality of the body with a sociological view toward the body. To this end, by presenting Foucault's theories, the researchers defines the role of the body in the society and its extent of effectivity and impressibility. Finally, this study explores the implications of this role in each element of Aeschylus’s The Persians, and it shall show how Bogart beautifully represents them using the bodies of her actors during performance.

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