Introduction
The introduction foregrounds the field of study and introduces the concepts and specific contexts in which the study is undertaken. It problematizes the existing binaries that remain between culture and labour and uncovers the uncanny relationship between them. The chapter asks what happens to culture and labour in their affective and performative turn, especially in ‘folk’ performances in India when labour becomes a performance, performance becomes labour. The irreducibility of such practices to culture or labour demands the formulation of some other category, and I designate it as cultural labour. Cultural labour is the core of the folk performance in South Asia and therefore the chapter argues that it can also work as a framework to study the performance cultures of subaltern communities. The chapter also discusses research method and methodology and introduces the five performances which have been undertaken in this work.