scholarly journals An Intersectional Feminist Reading of Bapsi Sidhwa's Water

2021 ◽  
pp. 43-55
Keyword(s):  
Social Issues ◽  
English Literature ◽  
Literary Work ◽  
Cultural Norms ◽  
The Novel ◽  
Power Structures ◽  
Bapsi Sidhwa ◽  
Award Winning ◽  
Fiction Writers ◽  
Insight Into

Intersectionality has been recognized and widely taken by interdisciplinary fields that include Cultural studies, American studies, and Media studies to demonstrate a range of social issues. It focuses on the experiences of people in a different social and political context. The intersectional framework confronts significant social division axes that include race, class, gender, and disability that function together and influence each other. These social axes operate the power structures of a particular society that can cause inequality and discrimination. In literary studies, women's representation is no more confined to European and American academic writings. Within the feminist framework, the South Asian fiction writers also demonstrate a feminist approach in their works. Pakistani authors have indicated religion's exploitation as one of the central intersectional tropes in their literary work. Bapsi Sidhwa is one of the prominent feminist voices from Pakistan in diasporic English Literature. One of her novels, Water (2006), is based on Deepa Mehta's award-winning film, explores the life of the marginal and subaltern Hindu widows in India. The novel provides an insight into the intersectional nature of the Indian Hindu widows in a patriarchal society of a subcontinent where different power domains hold and impose dominant hierarchies. The paper's objective is to highlight the intersection of religion, gender, caste and politics against the backdrop of the Indian anti-colonial movement. It shows how power relations can manipulate cultural norms and use religion as a powerful tool to establish its hegemonic control over these marginalized widows who suffer as silent victims.

The Monk

2016 ◽  
Author(s):  
Matthew Lewis
Keyword(s):  
French Revolution ◽  
English Literature ◽  
Young Girl ◽  
The Novel ◽  
Reading Public ◽  
Ghost Stories ◽  
Gothic Fiction ◽  
Black Magic ◽  
Insight Into ◽  
Profound Insight

‘He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.’ The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis’s extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation’s history.

scholarly journals De wereld als sciencefictionroman. Over De goede zoon van Rob van Essen

2021 ◽  
Vol 59 (3) ◽  
pp. 227-242
Author(s):  
Erica van Boven
Keyword(s):  
Science Fiction ◽  
Central Place ◽  
The Novel ◽  
Reading Experience ◽  
Award Winning ◽  
The Rich ◽  
Everyday Reality ◽  
Insight Into

Abstract Rob van Essen’s award-winning novel The good son (2018) offers its readers a puzzling reading experience. It contains a tangle of storylines and seems to lack head or tail. This contribution aims to discover composition and meaning by analyzing various aspects provided by the novel itself: timeline, plot, science fiction, ideas, poetica. This approach provides insight into the rich reservoir of meanings, whereby the importance of imagination and creation appears to have a central place. The novel, which can be labelled as a dystopian science fiction novel, as well as a novel of ideas or a novel of poetics, wants us to become aware of the mysteriousness of everyday reality. Nederlandstalig abstract Rob van Essens bekroonde roman De goede zoon (2018) biedt de lezers een verwarrende leeservaring. De roman bevat een wirwar aan verhaallijnen en heeft op het eerste gezicht nauwelijks samenhang. In deze bijdrage wordt geprobeerd compositie en betekenis te ontdekken door middel van een analyse van verschillende aspecten die uit de roman zelf naar voren komen: tijdsverloop, plot, sciencefiction, ideeën, poëtica. Daarmee ontstaat inzicht in een rijk reservoir aan betekenissen waarin het belang van scheppen en verbeelden een centrale plaats heeft. De roman, die beschouwd kan worden als een dystopische sciencefictionroman maar ook als een ideeënroman of een poëticale roman, lijkt ons te willen doordringen van de raadselachtigheid van de alledaagse werkelijkheid.

scholarly journals THE ANALYSIS OF THE SOCIO-POLITICAL FICTION NOVELS UNDER BINARY OPPOSITION (CASE STUDY OF INDONESIAN NOVEL ENTITLED "ORANG-ORANG PROYEK" BY AHMAD TOHARI)

INFORMASI ◽  
2019 ◽  
Vol 49 (1) ◽  
pp. 65-76
Author(s):  
Abdul Muqit
Keyword(s):  
Social Environment ◽  
Literary Work ◽  
The Novel ◽  
Binary Opposition ◽  
Real Condition ◽  
The Real ◽  
The Social ◽  
Correct Reading ◽  
Insight Into

 The socio-political fiction novel is generally realistic and gives an implicit picture of the social environment of a place. This type of reading is less popular because it is difficult to interpret and is also of less interest to readers than other literature. One of the works that can reflect this literary type is the novel entitled “Orang-Orang Proyek” by Ahmad Tohari, which represents the real condition of the Indonesian community under their politic and social circumstances. This paper tries to break down the literary work using the deconstructive-reading method to read a text with multi-interpretation understanding where the version contains many probabilities of meaning. This study will be able to provide insight into the correct reading method according to the purpose and type of literacy used in literary works.  Novel fiksi sosial-politik umumnya realistis dan memberikan gambaran implisit tentang lingkungan sosial suatu tempat. Jenis bacaan ini kurang populer karena sulit untuk ditafsirkan dan juga kurang menarik bagi pembaca daripada literatur lainnya. Salah satu karya yang dapat mencerminkan jenis sastra ini adalah novel berjudul “Orang-Orang Proyek” oleh Ahmad Tohari, yang mewakili kondisi nyata masyarakat Indonesia di bawah kondisi sosial dan politik mereka. Makalah ini mencoba untuk memecah karya sastra menggunakan metode membaca dekonstruktif untuk membaca teks dengan pemahaman multi-interpretasi di mana representasi mengandung banyak kemungkinan makna. Penelitian ini akan dapat memberikan wawasan tentang metode membaca yang benar sesuai dengan tujuan dan jenis literasi yang digunakan dalam karya sastra. 

scholarly journals Augmented Reality and Life in the Cyberspace in William Gibson’s Neuromancer

2021 ◽  
Vol 12 (4) ◽  
pp. 30
Author(s):  
Md. Shafiqul Islam
Keyword(s):  
Science Fiction ◽  
Literary Work ◽  
The Novel ◽  
Human Capabilities ◽  
Story Line ◽  
The Past ◽  
The Matrix ◽  
Fiction Writers ◽  
Different Dimensions ◽  
The Relationship

This paper attempts a cybercritical reading of William Gibson’s novel Neuromancer (1984) to explore the genesis of cyborgs in the novel, address issues pertaining to cyberpunks and scrutinize the portrayal of a cyberculture set in the futuristic dystopian city of Chiba. The relationship between humans and machines has gone through multiple phases of changes in the recent past. That is why instead of satirizing machinized-humans, science fiction writers have embraced different dimensions of man-machine relationships during the past few decades. ‘Cyborg’ is no longer represented as the ‘mutation of human capabilities’, but as ‘machines with Artificial Intelligence’. Gibson’s Neuromancer, a landmark piece of literary work in the sphere of Sci-Fi literature, specifically predicts a new height of man-machine relationship by employing both human and cyborg characters at the center of his story line. This paper shows how Gibson accurately prophesizes the matrix of machine-human relationship in his novel. It also explores Gibson’s depiction of female characters through the lens of cyberfeminist theories. In view of that, this paper uses contemporary critical and cultural theories including Donna Haraway’s idea of cyberfeminism, Baudrillard’s simulation and simulacra, Foucauldian discourse analysis, Jeremy Bentham’s concept of tabula rasa and other relevant theoretical ideas to examine and evaluate the transformative changes.

Chetan Bhagat’s 2 States : A Study of Cultural Contradictions

IJOHMN ◽  
2016 ◽  
Vol 2 (6) ◽  
pp. 1-10
Author(s):  
Rashmi Ahlawat
Keyword(s):  
Tamil Nadu ◽  
Social Issues ◽  
English Literature ◽  
Cross Cultural ◽  
The Novel ◽  
Indian English ◽  
Cultural Encounters ◽  
The Social ◽  
The Cross ◽  
Cultural Contradictions

This paper deals with the culture issues in Chetan Bhagat 2 States – the story of my marriage. He is one of the most popular contemporary Indian novelists in Indian English Literature. He has represented young ,modern Indian youth and culture. Different characters and incidents portrayed in the novel gives us a vibrant picture about the different culture and tradition prevailing in India. Chetan Bhagat’s novel 2 States focusses on how a particular phenomenon, the notion of love and marriage related to the concept of culture and society with its customs. The novel 2 States deals with the cross-cultural encounters and deals with different experiences . A simple but realistic novel, brilliantly explores the encounter of 2 States, Punjab and TamilNadu. 2 States: The Story of My Marriage is partly an autobiographical novel. The story is about a couple, Krish and Ananya, who hail from two different states of India, Punjab and Tamil Nadu respectively, are deeply in love and want to get married. The novelist while talking about marriage also explores the social issues like dowry in traditional marriages and the shifting paradigms of matrimonial alliances in multicultural and multinational societies. Chetan Bhagat also expresses the cultural diversities.

scholarly journals A Critical Discourse Analysis of 'An American Brat' by Bapsi Sidhwa

2021 ◽  
Vol VI (I) ◽  
pp. 61-69
Author(s):  
Maira Mariam ◽  
Sana Baig ◽  
Fareeha Javed
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Gender Discrimination ◽  
Critical Discourse ◽  
The Novel ◽  
Power Structures ◽  
Roles And Responsibilities ◽  
Bapsi Sidhwa ◽  
The Third World ◽  
Culture And Language

This paper presents a critical discourse analysis of the novel written by an eminent 21st-century female writer Bapsi Sidhwa. The text was analyzed critically in the backdrop of the checklist developed by the researcher. The findings reveal that a significantly tough language has been used for the depiction of men and women. Roles and responsibilities given to them have been found to be assigned on the basis of gender discrimination. Therefore, it is contended that colonialism still prevails in the form of social, economic and educational disparities in the third world countries as compared to the developed and privileged countries. Similarly, power structures have been found functional in every sphere of life and are decided by the institutions which hold the utmost power. Racism has also been revealed in the text. Ethnicity, race, color, culture and language have been found superiority over all the other ethnicities, cultures, races and languages.

scholarly journals Deplorable Condition of Women and Patriarchal Domination in Bapsi Sidhwa’s The Pakistani Bride

2020 ◽  
Vol 8 (5) ◽  
pp. 134
Author(s):  
Anukala K.
Keyword(s):  
English Literature ◽  
Identity Crisis ◽  
Male Dominance ◽  
The Novel ◽  
Indian English ◽  
Native Land ◽  
Self Identity ◽  
Minority Community ◽  
Bapsi Sidhwa ◽  
Condition Of Women

Parsi writers have contributed a lot to Indian English Literature. The Indian Parsi novelists express their feelings in the form of art. The novelists reflect the psychological dilemma of the minority community and its identity crisis through their works. Being a Parsi writer, Bapsi Sidhwa sees a kind of mental migration when she hybrids from her native land, and pours her feelings and thoughts in to her novels. She is known for her exploration of women’s inner psyche who aspire to live in modernity, inept to break traditional quality intrinsic in them. Most of her writings contain a pinch of migration and male dominance taste when one chews them. The expatriate writers face multi-cultural situation which merges with their personal anguish due to prejudice. They project the cultural confusion and confrontation of a multi-racial society. The quest for identity, aspiration for belongingness and love for native land is found as a part of non-erasable conscious in all expatriate writers. This paper reveals the socio-cultural background and the authoritative patriarchal Pakistani society in the novel The Pakistani Bride The novel portrays how the institution of marriage and patriarchy deplores and represses an orphaned girl’s self-identity. It also pinpoints the problems of a little girl Zaitoon as an alien in an alien land or culture. It enforces deportation as a pathway to sculpt for belongingness of her ‘self’. At the end, Zaitoon succeeds by rejecting the alien culture and tradition.

scholarly journals THE PORTRAYAL OF INDIAN BACKDROP IN RUDYARD KIPLING’S KIM: A DIASPORIC PERSPECTIVE

2017 ◽  
Vol 4 (37) ◽  
Author(s):  
Bhagvanbhai H. Chaudhari
Keyword(s):  
English Literature ◽  
Literary Work ◽  
Rural Culture ◽  
Rudyard Kipling ◽  
The Novel ◽  
Indian Diaspora ◽  
Way Of Life ◽  
Diasporic Literature ◽  
The People ◽  
Set Up

The diasporic literature helps us in understanding various cultures in a broader perspective. Indian Diasporic writing seems a very significant set-up linking the entire world. The Indian Diaspora has attempted to bring astonishing realities located in the Indian rural culture. The European travelers and the orientalists have revitalized the varied culture of India and enriched the English literature through their literary work. Rudyard Kipling lived in India for some years, hence was fully acquainted with the people and entire way of life in India. Kim (1901) by Rudyard Kipling, is a remarkable novel which portrays diverse religions of India, its people and culture. The novel represents a multicolored picture of India viewing its indigenous spirit. It focuses on a life of Kim, a boy of Irish descent, who is orphaned and grows up as a native Indian. Taking into consideration the various facets of the novel, it seems that Kipling generates the realistic portrayal of Indian life. He very honestly depicts the indigenous spirit of Indian backdrop through this novel. This beautiful land itself remains the theme of novel.

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2020 ◽  
Vol 3 (II) ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason of these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2019 ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason for these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

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