Cathy Marston

Author(s):  
Deborah Kate Norris

British choreographer Cathy Marston has sustained a choreographic career for more than three decades. Her work crosses European ballet cultures and extends from her classical training into a current contemporary ballet context. Focusing on Marston’s narrative works, this chapter demonstrates her position as a translator of literary texts, specifically Charlotte Brönte’s Jane Eyre. Through a dual-layered exploration of her choreographic process, the chapter offers an examination of her use of European theater practices and design strategies, including regietheater, suggesting her liminal positioning between Continental and British stylistic traits. Furthermore, the chapter discusses the collaborative construction methods used by Marston through a descriptive analysis of the development of Jane Eyre, a ballet created for Northern Ballet (Leeds) in 2016.

2019 ◽  
Author(s):  
Menia Mohammad Almenia

This paper examines how hegemonic discourse, or the ideology of a dominant society has essentialized, fixed, and divided identities through the construction of binary division of Western’s ideology as civilized and Others as savages. The development of postcolonial theory will be introduced with special consideration to Said’s (1995) theory of Orientalism and Spivak’s (1988) concept of “silencing the Others.” Sample Western literary texts will show a concerted expression of colonial ideology supporting the concept of binary divisions. These will include The Tempest by William Shakespeare (1990), Robinson Crouse by Daniel Defoe (1899), Jane Eyre by Charlotte Bronte (2001), and Passage to India by E. M. Foster (1985). In contrast, literary works by minority authors, mainly postcolonialists, will be examined and considered according to how effectively they resist Western imperialist ideology.


Author(s):  
Iswadi Bahardur

<p><span lang="EN-US">Writing this article backed by mult</span><span>i</span><span lang="EN-US"> interpretation problems raised by a text, especially literary texts. Mult</span><span>i</span><span lang="EN-US"> interpretation is inseparable from the consciousness and unconscious of the subject of the author, as well as the process of reconstruction by the reader. Based on this article this article aims to describe the results of deconstructing binary opposition readings on the story of <em>Kritikus Adinan</em> by Budi Darma. The data source used is the story of <em>Kritikus Adinan.</em> The research method used is descriptive analysis with the theoretical perspective of deconstruction of Jaques Derrida. Based on the findings and data analysis, the results show the following. <em>First</em>, the deconstruction readings of the <em>Kritikus Adinan</em> can not be separated from the word-scoring process as Jaques Derrida puts it in deconstruction theory. <em>Secondly</em>, the reconstruction of Kritkus Adinan’s story leads to unfamiliarity but leads the reader to discover the marginalized texts.<em> Third</em>, based on the results of deconstruction reading in the story of <em>Kritikus Adinan</em>, there is a binary opposition that has been denied and broken by the author by presenting a reversal of fact.  Suggestions that can be recommended are many other literary works that are worthy and important to be reviewed by other researchers to uncover the phenomenon of reversing the facts by the author.</span></p>


2015 ◽  
Vol 31 (3) ◽  
pp. 213-222 ◽  
Author(s):  
Polly Teale

In this wide-ranging interview of 25 November 2014, Polly Teale, writer, director, and Artistic Director of UK-based Shared Experience theatre company, reflects on her stage adaptations of literary works, the lives of their authors, and the processes of adapting texts between genres. Founded in 1975 by Mike Alfreds, Shared Experience has toured internationally from Sydney to Beijing with highly physical stage adaptations of literary texts and biographies that express the inner lives of complex and fascinating characters. Teale discusses the adaptation of her play Brontë to a screenplay, Shared Experience’s upcoming production of Mermaid, and rehearsal strategies she uses to encourage actors to explore the subjective truths that lie beneath the surface of their characters. Besides Brontë, past productions have included Jane Eyre, The Mill on the Floss, and After Mrs Rochester. Shared Experience was recently awarded a £105,000 grant by the Andrew Lloyd Webber Foundation and has won several theatre awards including Time Out’s Live Award for Best Play in the West End (2004) and an Edinburgh Fringe First Award (2010). Rebecca Waese is a lecturer and researcher in Creative Arts and English at La Trobe University, Melbourne. She is co-writing a book on Polly Teale and has previously written on interdisciplinary adaptations and dramatic modes in Australian and Canadian literature.


2019 ◽  
Vol 5 (2) ◽  
pp. 110-129
Author(s):  
M Nur Fauzi

This paper tries to explore the consep of maṣlaḥa of Abdurrahman Wahid as known better call his name by Gus Dur and it’s convergence with the utilitarianism ethics. This research starting from the deep curiousity intellectual the writer after saw he’s thinking in few media as such as the magazine, newspaper today, and his books that has codificated in the famous publisher in Indonesia. Even he’s—as we known—never wrote his thinking in a full books as such as academic type, however if we seen of his thinks could be understood if in every his ideas has a metodology and a current basic approach. From this describe we have a few problem research, first, how the truth the concept of maṣlaḥa Abdurrahman Wahid; second, how the convergence of his maṣlaḥa base ethics thinking with the utilitarianism ethics; third, how the relevance his maṣlaḥa based ethics thinking in Indonesia today. This research was library studies that use the deductive and inductive methode. Meanwhile, the research use a few approaches as such as historical-philosopys and descriptive-analysis. This discourse seen important because almost never found the thinking that describe of the concept of maṣlaḥa based ethics of Abdurrahman Wahid especially from islamic law perspective.


2021 ◽  
Vol 14 (1) ◽  
pp. 328
Author(s):  
Marwa Dabaieh ◽  
Dalya Maguid ◽  
Deena El-Mahdy

The mounting climate change crisis and the rapid urbanization of cities have pressured many practitioners, policymakers, and even private investors to develop new policies, processes, and methods for achieving more sustainable construction methods. Buildings are considered to be among the main contributors to harmful environmental impacts, resource consumption, and waste generation. The concept of a circular economy (CE), also referred to as “circularity”, has gained a great deal of popularity in recent years. CE, in the context of the building industry, is based on the concept of sustainable construction, which calls for reducing negative environmental impacts while providing a healthier indoor environment and closing material loops. Both vernacular architecture design strategies and circular economy principles share many of the same core concepts. This paper aims at investigating circular economy principles in relation to vernacular architecture principles in the built environment. The study demonstrates how circular principles can be achieved through the use of vernacular construction techniques and using local building materials. This paper will focus on Egypt as one of the oldest civilizations in the world, with a wide vernacular heritage, exploring how circularity is rooted in old vernacular settlements and how it can inspire contemporary circular practices.


2014 ◽  
Vol 11 (1) ◽  
pp. 86-100 ◽  
Author(s):  
Shelley Anne Galpin

This article examines two recent adaptations of Brontë novels and how they relate to discussions surrounding the adaptation of literary texts into film. The position of Cary Joji Fukunaga and Andrea Arnold as auteurs is considered, as is the way in which this was used in the marketing of the films prior to release. Fukunaga's Jane Eyre (2011) and Arnold's Wuthering Heights (2011) are evaluated as examples of British film-making in terms of heritage/anti-heritage discourses, concluding that while they both reject aspects of the traditional ‘heritage film’, overtly in Arnold's film but more subtly in Fukunaga's, neither can escape the notion of authenticity which is central to discussions surrounding adaptation of classic literature. Although apparently more ‘faithful’, Fukunaga's film stops short of the adherence to source material that was emphasised in the pre-release publicity, ironically suppressing Fukunaga's auteurist vision, while Arnold's more overtly auteurist vision is shown to present difficulties over the issue of authorship when adapting a ‘literary great’. Finally, the article considers the commercial and critical success of both films, noting that the status of both directors as auteurs is a selling point prior to release, but that when tackling period material it can be something of a hindrance in terms of both the commerciality and the artistic style of the piece.


2020 ◽  
Vol 12 (1) ◽  
pp. 48-72
Author(s):  
Hua Tan

The translation of non-literary texts, especially science texts, compared to that of literary texts, tends to receive less attention not only from general readers in public, but also from scholars. One phenomenon of such tendency is that non-literary texts are far less retranslated. Different from literary texts, which could have as many as dozens of retranslations, such as the English novel Jane Eyre, which has more than thirty Chinese retranslations, non-literary texts in general have much fewer retranslations, with many of them never retranslated. The reasons for retranslation of non-literary texts differ from those for literary texts. Literary texts are retranslated, as investigated by many researchers, often because of particular consideration of new target reader groups, language, style, aesthetics, commercial interest, and the like; while non-literary texts tend not to be retranslated for that many different purposes, it is commonly agreed that knowledge dissemination is the major motive behind their retranslations.


2021 ◽  
Vol 322 ◽  
pp. 01007
Author(s):  
Djamhuriyah S. Said ◽  
Novi Mayasari ◽  
Awalina Satya ◽  
Tjandra Chrismadha ◽  
Dwi Febrianti

Oryzias marmoratus is one of the ornamental aquarium fish species that live endemic to Towuti Lake, South of Sulawesi, Indonesia. However, the fish has been categorized as near threatened by IUCN. A current report showed the fish could be cultivated. This research aims to improve the reproduction quality in cultivation by using artificial feed containing Spirulina (A=0, B=3, and C=6) % dry weight. The study was conducted with two replications using an aquarium (80 x 40 x 40 cm) for 40 days (October-December 2020) at Research Center for Limnology-LIPI. Each aquarium contains 21 broodstock (female: male = 2:1). Observation parameters are the total number of spawning/ToS (time), ovulated eggs number/OEN, fertilization ability/FA (%), hatching ability/HA (%), number of larvae/NoL, the egg of incubation time/EIT (day), survival of larvae seven days old after hatching/SR7 (%). Based on descriptive analysis, the use of feed C (containing 6% Spirulina) produced the highest values of ToS, OEN, %HA, NoL, and SR7 (%) were ten times; 89 eggs; 89 larvae, 100%; and 98.89±3.51% respectively. Spirulina could increase the reproduction viability and is presumed to enhance feed efficiency of Oryzias marmoratus, but the optimum levels have not been obtained.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Amr Abdullatif Yassin ◽  
Norizan Abdul Razak ◽  
Murad Abdu Saeed ◽  
Mohammed Ali Abbod Al-Maliki ◽  
Feras Ali Al-Habies

PurposeThis paper aims to investigate the psychological impact of the COVID-19 pandemic on university students in Malaysian universities as well as its effect on their learning.Design/methodology/approachThe study employed a quantitative design, as the data were collected through a survey. The participants were 219 students, divided as follows: 102 local students and 117 international students in Malaysian universities.FindingsThe findings showed no significant difference in terms of the psychological impact of COVID-19 among students according to the variables, nationality (local and international), gender and level of study. The descriptive analysis showed that the outbreak of COVID-19 made the students anxious, worried and restless. Besides, the outbreak of COVID-19 made the students unable to focus on their study, feel anxious about studying, have less confidence on their leaning and commit more mistakes than normal days. The psychological stress made online learning during the isolation period less effective and less helpful for students, which made them more worried about their academic achievement and future study plans.Originality/valueCOVID-19 is a current issue, and the psychological effect of COVID-19 on local and international students and their learning has not been covered in previous literature.


2018 ◽  
Vol 1149 ◽  
pp. 28-40
Author(s):  
Santina Di Salvo

Smart surfaces and materials can play a significant role in intelligent, adaptive and responsive envelopes because of these intrinsic properties. The environmental question and energy efficiency in which the construction sector is involved, is in a process that can not be interrupted and that puts researchers and designers in front of a scientific and design challenge in which it is necessary to contribute to find different ways of study and experimentation on new materials and constructive languages, ranging from the application, to the structural, design and molecular, to mention the main ones. The development of technologies is helping architects of the “biomimetic current” to recreate complex structures that can be found in nature, using innovative construction methods and materials. In this paper, some existing biomimetic design strategies applied for nature emulation are presented with the aim to understand the contribution of biomimetic materials to the design culture. Case studies show the diversity of possible applications of natural phenomena in architecture with the aim to provide user-friendly tools that can facilitate the generation of more in-depth insights, opening new perspectives for new possible technical solutions and showing the potential of nature adaptations to environmental conditions at different climate.


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