Dante and the Medieval City
This chapter explores the paradox that the most sustained and influential literary representation of the medieval city is set in the afterlife. The chapter begins with a discussion of Dante’s reproduction of the vertical Christian cosmos within the horizontality of everyday life in the city. It then looks at the place of hell within this city, the types of urban experience represented within it, and the relationship of the infernal city to the heavenly city as which Dante figures paradise. The final section of the chapter surveys the dissemination of this urban model into the diverse cityscapes of Boccaccio, Chaucer, François Villon, and Christine de Pizan. The chapter concludes that late medieval urban representations are characterized by the growing insistence on the city as a site of representational difference and local autonomy that remains nevertheless deeply embedded in the spatial dynamics of verticality.