Women's Bodies Giving Time for Hospitality

Hypatia ◽  
2009 ◽  
Vol 24 (2) ◽  
pp. 142-163 ◽  
Author(s):  
Rosalyn Diprose
Keyword(s):  
Human Condition ◽  
Domestic Space ◽  
Cultural Tradition ◽  
Women's Bodies ◽  
Political Ontology ◽  
The Past ◽  
Political Forces ◽  
Political Conservatism ◽  
Temporal Dimensions ◽  
Lived Time

This paper explores the gendered and temporal dimensions of the political ontology of hospitality that Derrida has developed from Levinas's philosophy. The claim is that, while hospitality per se takes time, the more that hospitality becomes conditional under conservative political forces, the more that the time it takes is given by women without acknowledgment or support. The analysis revisits Hannah Arendt's claim that central to the human condition and democratic plurality is disclosure of “natality” (innovation or the birth of the new). This can be described as accounting for the “temporalisation of time”: the disruption of the past (cultural tradition) in the present that is a condition of agency and political hospitality. On the other hand, the unpredictability and instability of human affairs that this temporalization of time engenders can, in times of heightened insecurity and fear, give birth to political conservatism that would contain “natality” and dampen the hospitality that characterizes democratic pluralism. The paper examines the connection between this idea of the temporalization of time and feminist observations, overlooked by Arendt, that “lived time” is gendered, that is, that the condition of “natality” and political hospitality is an unacknowledged stability provided by women giving lived time to others, beginning with reproduction in the “home.” The inequities that result are exacerbated, and democracy is further compromised, if this re-gendering of domestic space is accompanied by the deregularization of labor time.

Women's Bodies Between National Hospitality and Domestic Biopolitics

Paragraph ◽  
2009 ◽  
Vol 32 (1) ◽  
pp. 69-86 ◽  
Author(s):  
ROSALYN DIPROSE
Keyword(s):  
Government Regulation ◽  
Human Condition ◽  
The Body ◽  
Women's Bodies ◽  
Political Ontology ◽  
Conservative Government ◽  
Political Forces ◽  
The Human Condition

This paper develops a political ontology of hospitality from the philosophies of Arendt, Derrida and Levinas, paying particular attention to the gendered, temporal, and corporeal dimensions of hospitality. Arendt's claim, that central to the human condition and democratic plurality is the welcome of ‘natality’ (innovation or the birth of the new), is used to argue that the more that this hospitality becomes conditional under conservative political forces, the more that the time that it takes is given by women without acknowledgement or support. Women's bodies are thus caught within the dual poles of conservative government: regulation of the unpredictable expressions of ‘natality’ in the ‘home’ and management of the uniformity and ‘security’ of the nation. The limitations in Arendt's political ontology of hospitality are addressed by adding consideration of the operation of biopolitics and of the body as bios.

Touching the Past to Remember the Past

2020 ◽  
Vol 8 (4) ◽  
pp. 389-397
Author(s):  
Meghan J. Dudley ◽  
Jenna Domeischel
Keyword(s):  
Social Memory ◽  
Special Section ◽  
Daily Basis ◽  
Public Archaeology ◽  
Human Condition ◽  
The Other ◽  
Archaeological Theory ◽  
The Public ◽  
The Past ◽  
Introductory Article

ABSTRACTAlthough we, as archaeologists, recognize the value in teaching nonprofessionals about our discipline and the knowledge it generates about the human condition, there are few of these specialists compared to the number of archaeologists practicing today. In this introductory article to the special section titled “Touching the Past to Learn the Past,” we suggest that, because of our unique training as anthropologists and archaeologists, each of us has the potential to contribute to public archaeology education. By remembering our archaeological theory, such as social memory, we can use the artifacts we engage with on a daily basis to bridge the disconnect between what the public hopes to gain from our interactions and what we want to teach them. In this article, we outline our perspective and present an overview of the other three articles in this section that apply this approach in their educational endeavors.

Houses of cards

2001 ◽  
Vol 14 ◽  
pp. 56-57 ◽  
Author(s):  
Bettina Bergmann
Keyword(s):  
Statistical Analysis ◽  
Domestic Space ◽  
Behavioral Patterns ◽  
Ad Hominem ◽  
The Past ◽  
Recent Scholarship ◽  
New Information ◽  
Exciting Time

We have reached an important moment in the study of the Roman house. The past 20 years have been extremely active, with scholars approaching domestic space down different disciplinary and methodological avenues. Since the important essay on Campanian houses by A. Wallace-Hadrill in 1988, new excavations and scores of books and articles have changed the picture of Pompeii and, with it, that of the Roman house. Theoretical archaeologists have taken the lead, approaching Pompeii as an "archaeological laboratory" in which, armed with the interpretative tools of spatial and statistical analysis, they attempt to recover ancient behavioral patterns. The interdisciplinary picture that emerges is complex and inevitably contradictory. There is so much new information and such a tangle of perspectives that it is time to consider what we have learned and what kinds of interpretative tools we might best employ. Without doubt this is an exciting time in Roman studies. But two overviews of recent scholarship to appear this year, the present one by R. Tybout and another by P. Allison (AJA 105.2 [2001]), express considerable frustration and resort to ad hominem recriminations that signal a heated backlash, at least among some.

scholarly journals Verhale oor die Anglo-Boereoorlog

Literator ◽  
1998 ◽  
Vol 19 (3) ◽  
pp. 85-98
Author(s):  
C. N. Van der Merwe
Keyword(s):  
Human Condition ◽  
Boer War ◽  
The Past ◽  
War Experience ◽  
War Stories

Fiction on the Anglo-Boer War This article gives an overview of fictional prose about the Anglo-Boer War of 1899-1902. In contrast to the desire of many people to “forgive and forget" this past war, some authors for example Gustav Preller and D.F. Malherbe, told stories to remind the reader of the suffering of the past. Stereotypical patterns in a number of conventional war stories are mentioned in the article, followed by a discussion of fictional texts deviating from these conventional patterns - inter alia, works by Johannes van Melle and J.R.L. van Bruggen. In conclusion, texts are analysed which use the war experience to illuminate the general human condition: works by Etienne Leroux, Elsa Joubert and others.

The Life-World of Persons with Mood Disorders

2018 ◽  
pp. 616-633
Author(s):  
Thomas Fuchs
Keyword(s):  
Mood Disorders ◽  
Chronic Depression ◽  
Life World ◽  
The Past ◽  
The World ◽  
The Future ◽  
Implicit And Explicit ◽  
Lived Time

This chapter analyzes mood disorders as disorders of implicit and explicit temporality. First, depression is conceived (a) as a desynchronization from intersubjective time, (b) as an inhibition of conation or basic drive. The inhibition results in a disturbance of cyclical bodily functions and in a retardation of lived time, manifested both in a loss of the future as a space of possibilities, and in a predomincance of the past in the form of accumulated guilt. Depressive delusions may then be described as beliefs which result from the freezing of self-temporalization and which resist an intersubjective alignment of perspectives. Further considerations are given to chronic depression and mania, the latter being described as the opposite type of desynchronization as compared to depression, namely an acceleration and partial decoupling of the inner time from the world time. Finally, consequences for a “resynchronizing therapy” are outlined.

scholarly journals E quando não houver ruínas?

2018 ◽  
Vol 13 (1) ◽  
pp. 95 ◽  
Author(s):  
Roberto Robalinho
Keyword(s):  
Political Action ◽  
Social Reality ◽  
The Past ◽  
Starting Point ◽  
Political Forces

Resumo: Em junho de 2013 as ruas do Brasil foram tomadas por manifestantes. Se os protestos surpreendem e desestabilizam a realidade social com novas formas de ação política, esses processos tomam corpo através de uma relação contígua e simultânea com as imagens. Como podemos olhar para a relação liminar entre a multidão nas ruas e as telas para acessar a produção política e subjetiva de junho de 2013? Benjamin propõe um olhar sobre a história que não seja descritivo, linear e triunfalista, mas lacunar, sintomático, disruptivo, intensificado e capaz de atualizar as forças políticas no presente. Mais do que olhar o passado, Benjamin deseja intervir no presente. É a partir dessa provocação que olhamos as imagens de junho de 2013, mais especificamente para uma série de planos sequência que foram produzidos durante a noite de 17 de julho de 2013 quando o Bairro do Leblon foi tomado por manifestantes e barricadas em chamas. Porque o plano sequência e de que forma esta unidade de linguagem cinematográfica incorpora uma experiência das ruas insurgentes?Palavras-chaves: junho de 2013; imagem; história; produção política; produção subjetiva; plano sequência.Abstract: In June 2013 Brazilian streets were overtaken by protests. If new forms of political action capable of disrupting social reality were invented, this process was lived through a contiguous and simultaneous relation with images. How can we access June’s 2013 political and subjective production through the liminal relation between its images and the crowd on the streets? Benjamin proposes an approach to history that is not explanatory, linear and triumphant, on the contrary is fragmented, symptomatic, disruptive, intensified and able to bring forth political forces in the present. More than looking at the past, Benjamin desires to intervene in the present. This is a starting point to look at June 2013 images, more specifically, to a series of long shots that were produced in 2013 during the night of the 17 of July when the posh neighborhood of Leblon was overwhelmed by protesters and blazing barricades. Why the use of long shots and how does this unity of cinematic discourse express an experience of the insurgent streets?Keywords: June 2013; image; history; political production; subjective production; long shot.

scholarly journals Consumption of Politic Parties, in the Areas Where the Same Party Has Governed (Strongholds)

2017 ◽  
Vol 6 (1) ◽  
pp. 155-158
Author(s):  
Erindi Bejko
Keyword(s):  
Political Parties ◽  
Scientific Research ◽  
National Election ◽  
Local Elections ◽  
Political Force ◽  
The Past ◽  
Election Process ◽  
Political Forces ◽  
The Future ◽  
General Elections

Abstract Political parties in Albania on several occasions during the past two decades have won the election in certain areas over 3 times in a row. While victory and governance of the same area, for sure creates a margin consumption which has affected the dynamics of the bastions at least in the recent national election. Parties are consumed in their strongholds if they decide the same candidates, either as a political force. In the focus of this article, will be the consuming steps of political parties in their stronghold areas, either reflecting the fall results during the election process. Will we have a final rupture in Albania consumption bastions of political parties and how would be the future of dynamic bastion, will be the question of this article scientific research. A fracture would have strongholds in shqipare perfuindimtare the consumption of political parties and how will be the future of dynamics will be bastions of this artikulil question scientific research. Bastion’s consumption occurs mainly from major political forces on the left if either of right on the study will be taken 4 constituencies which voted for the same party in three elections one by one. In our focus will be general elections, not local elections.

scholarly journals MODERN MIDDLE AGE IN HIGH FASHION THROUGH THE DESIGN OF ALEKSANDAR JOKSIMOVIĆ

2019 ◽  
Vol 31 (3) ◽  
pp. 777-783
Author(s):  
Dragana Frfulanović-Šomođi ◽  
Milena Savić
Keyword(s):  
Middle Age ◽  
Cultural Tradition ◽  
Clear Indication ◽  
Cultural Aspects ◽  
The Past ◽  
Historical Figures ◽  
The Social ◽  
One Step ◽  
The Creation ◽  
The Way

The design of socialist Yugoslavia received a particularly new look through the creation of Aleksandar Joksimović, which gave the new elements a traditional look, equally putting them in rank with world-famous designs of celebrated designers. This paper was created with the idea of emphasizing the importance of the creativity of Joksimović, which is within the framework of socialist norms, as an artist, remained insufficiently recognized, although his work was in the service of exclusive promotion of the cultural aspects of his country. His concept of design based on the medieval cultural tradition emerged from the framework of the then socialist clothes, and it is called grandiose exoticism. The names of the first collections given by the historical figures of medieval Serbian history are a clear indication that it is possible to draw inspiration from the past, if it is professionally approached and adequately, by contemporary trends, the audience and the market. Joksimovic's individualism, apart from design, was also reflected in the way the collection itself was modeled through models and choreographies, and clearly once again showed his step ahead of time, while the social and political circumstances forced him to stay one step behind.

scholarly journals Srebrenica is not a Metaphor

2021 ◽  
pp. 54-64
Author(s):  
Sarina Bakić
Keyword(s):  
Collective Memory ◽  
Bosnia And Herzegovina ◽  
Social Relations ◽  
Sociological Theory ◽  
The Past ◽  
The Social ◽  
The Future ◽  
Temporal Dimensions ◽  
Further Development

The author will emphasize the importance of both the existence and the further development of the Srebrenica - Potočari Memorial Center, in the context of the continued need to understand the genocide that took place in and around Srebrenica, from the aspect of building a culture of remembrance throughout Bosnia and Herzegovina (B&H). This is necessary in order to continue fighting the ongoing genocide denial. At first glance, a culture of remembrance presupposes immobility and focus on the past to some, but it is essentially dynamic, and connects three temporal dimensions: it evokes the present, refers to the past but always deliberates over the future. In this paper, the emphasis is placed on the concept of the place of remembrance, the lieu de memoire as introduced by the historian Pierre Nora. In this sense, a place of remembrance such as the Srebrenica - Potočari Memorial Center is an expression of a process in which people are no longer just immersed in their past but read and analyze it in the present. Furthermore, looking to the future, they also become mediators of relations between people and communities, which in sociological theory is an important issue of social relations. The author of this paper emphasizes that collective memory in the specific case of genocide in and around Srebrenica is only possible when the social relations around the building (Srebrenica - Potočari Memorial Center) crystallize, which is then much more than just the content of the culture of remembrance.

scholarly journals CHINESE SCULPTURE IN THE NEW ERA

2021 ◽  
Vol 17 (5) ◽  
pp. 125-135
Author(s):  
Wei Xiao
Keyword(s):  
Cultural Tradition ◽  
Social Changes ◽  
The West ◽  
New Era ◽  
The Past ◽  
The Future ◽  
National Spirit ◽  
New Challenges ◽  
Cultural Content

With the advent of a new era, universal social changes pose new challenges for the art of sculpture. In terms of cultural content and practice, sculpture needs to keep pace with time. Chinese sculpture should participate in the global processes of modern sculptural development, guided by the literary and artistic concept «do not forget the past, absorb the foreign, look into the future». Not only should it receive inspiration and stimuli for development from the West but find its voice, preserving Chinese cultural tradition and Chinese national spirit.

Sign in / Sign up

Export Citation Format

Share Document