Introduction

Author(s):  
Milena B. Methodieva

In addition to providing an overview of the existing scholarship on the Muslims and Turks in Bulgaria, the introduction presents the subject of this book. The book follows the history of the Muslims in Bulgaria (mostly Turks but also Pomaks, Tatars, and Roma) in the first crucial decades after the establishment of modern Bulgaria on former Ottoman territories. More specifically, it focuses on the activities of a movement for cultural reform and its efforts to reshape local Muslim society, a phenomenon neglected by scholarship so far. The book seeks to bring out the history of Bulgaria’s Muslims from the confines of “minority studies,” and put it in a new framework of inquiry, while underscoring how the community also remained a part of the Ottoman world.

2016 ◽  
pp. 305-311
Author(s):  
Grzegorz Krzywiec

Review of a book by Katarzyna Wrzesińska, Culture and civilization in the thought of National Democratic Party (1893–1918). Between the educational idea and politics, Warszawa: Instytut Slawistyki PAN, Fundacja Slawistyczna 2012, pp. 377.The book by Katarzyna Wrzesińska, a historian of ideas and Polish political thought of the 19th and 20th centuries, a researcher of the Institute of Slavic Studies of the Polish Academy of Sciences, has an ambitious aim to deal with cultural politics of National Democracy, the largest political movement in the history of Polish lands, at the fin-de-siècle. The further themes are, among others, definitions of nation and folk in the nationalist framework, the role and place of educational ideas in a wider scope of the nationalist project, an influence of nationalist ideas on the Polish intelligentsia.Interestingly, Wrzesińska does not correspond with current social sciences debates about definitions and understandings of nationalisms in literature, but tries to step outside them altogether. Undoubtedly, such a new framework would have helped us move forward in studies on Polish nationalism. Paradoxically though, while the book analyzing a wide array of published primary documents, it offers, in the end, a well-known and conventional story on ‘young idealist’ debouched whether by mass-politics or by masses as such. The rhetoric of nationalism is quite evident but not equally obvious from Wrzesińska’s presentation are the ways in which people appropriated that vocabulary and those ideas for their own ends. The author gives then another casual tale on an innocent but cultural nation and, first and foremost, its elites beset by brutal and uncivilized enemies. Epistemological naiveté, surplus of not analyzed details and quotations, and, last but not least, rather surprisingly narrow catalogue of questions does not address how and why the Polish integral nationalists differed from other national strains of this time.All in all, unfortunately, the book does not help to capture the complexity of National Democracy in the Polish history of the period under discussion. Not only it does not substantially extend our knowledge on the subject, but as well obscures and blocks serious questions about this political movement and its toxic legacy.Recenzja: Katarzyna Wrzesińska, Kultura i cywilizacja w myśli Narodowej Demokracji (1893–1918). Między ideą wychowania a polityką, Warszawa: Instytut Slawistyki PAN, Fundacja Slawistyczna 2012, ss. 377.Książka Katarzyny Wrzesińskiej, historyczki idei oraz polskiej myśli politycznej w XIX i XX wieku, związanej z Instytutem Slawistyki PAN, stawia sobie ambitny cel: omówienie polityki kulturowej Narodowej Demokracji, największego ruchu politycznego na ziemiach polskich przełomu XIX i XX stulecia. Książka porusza kwestię definicji „narodu” i „ludu” w nacjonalistycznej ramie pojęciowej, roli pomysłów edukacyjnych w szerszym spektrum projektu nacjonalistycznego oraz wpływu nacjonalistycznych idei na polską inteligencję.K. Wrzesińska nie odnosi się do obecnie toczącej się w naukach społecznych debaty dotyczącej definicji i rozumienia nacjonalizmu w literaturze, decyduje się zupełnie pominąć tę dyskusję. Bez wątpienia nowa rama teoretyczna pozwoliłaby rozwinąć studia nad polskim nacjonalizmem. Paradoksalnie jednak, chociaż autorka analizuje szeroki zestaw publikowanych już, podstawowych dokumentów, na koniec oferuje dobrze znaną i konwencjonalną opowieść o „młodych idealistach”, z czasem uformowanych przez masową politykę lub przez masy jako takie. Retoryka nacjonalizmu jest sama w sobie wystarczająco zrozumiała, jednak w obrazie stworzonym przez Wrzesińską nie jest oczywiste, w jaki sposób nacjonalistyczne słownictwo i idee zostały powszechnie przejęte i wykorzystane. Autorka tworzy za to kolejną wymijającą opowieść o niewinnej i kulturalnej nacji oraz – przede wszystkim – o jej elicie, napastowanej przez brutalnych i niecywilizowanych przeciwników. Epistemologiczna naiwność, nadmiar niezanalizowanych cytatów oraz wąski zestaw pytań badawczych nie pozwalają w pełni przedstawić przyczyn i sposobu, w jaki polski integralny nacjonalizm różnił się od innych nacjonalistycznych nurtów epoki.Niestety książka nie pomaga zrozumieć złożoności sytuacji Narodowej Demokracji w polskiej historii omawianego okresu. Nie tylko w niewystarczający sposób poszerza naszą wiedzę, lecz również blokuje poważne pytania na temat tego ruchu i jego toksycznej spuścizny.


1990 ◽  
Vol 22 (2) ◽  
pp. 201-228 ◽  
Author(s):  
Bat-Zion Eraqi Klorman

The last three messianic claimants to appear in the Jewish diaspora appeared in Yemen in the 19th century. At this time and place the mutual influences of Jews and Muslims were notable both in messianic movements and in literary expression. Muslim society in Yemen was aware of the messianic tension among the Jews, and individual Muslims even took part in each of the known messianic movements. Conversely—and this is the subject of this article—Jewish society, at least on the popular level, was receptive to Muslim apocalyptic ideas and beliefs and integrated them into Jewish apocalyptic anticipations.The belief in messianism and the sharing of ideas on redemption or of the golden age in the eschatological era (i.e., at the End of Time) have long been maintained by the Jews. Some of the concepts that served as paradigms for later messianic speculations were derived from the Bible. For instance, the concept of rescue—the rescue by God of the Israelites from slavery in Egypt—became the example of God's intervention to help his people and mirrored the rescue at the End of Days. Likewise, the Davidic kingdom was believed to be the fulfillment of an ancient covenant between God and the Israelites—and, therefore, the Davidic kingdom became in the history of Jewish messianism the paradigm for how the future kingdom would be, how the covenant would be fulfilled. Also, the term “messiah” (mashiah)—i.e., the anointed one—was originally the official title for the Davidic kings and the early root for the later messiah; hence, it would be a Davidic descendant who would lead the Jews into the messianic age.


Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.


2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.


Author(s):  
John Chambers ◽  
Jacqueline Mitton

The birth and evolution of our solar system is a tantalizing mystery that may one day provide answers to the question of human origins. This book tells the remarkable story of how the celestial objects that make up the solar system arose from common beginnings billions of years ago, and how scientists and philosophers have sought to unravel this mystery down through the centuries, piecing together the clues that enabled them to deduce the solar system's layout, its age, and the most likely way it formed. Drawing on the history of astronomy and the latest findings in astrophysics and the planetary sciences, the book offers the most up-to-date and authoritative treatment of the subject available. It examines how the evolving universe set the stage for the appearance of our Sun, and how the nebulous cloud of gas and dust that accompanied the young Sun eventually became the planets, comets, moons, and asteroids that exist today. It explores how each of the planets acquired its unique characteristics, why some are rocky and others gaseous, and why one planet in particular—our Earth—provided an almost perfect haven for the emergence of life. The book takes readers to the very frontiers of modern research, engaging with the latest controversies and debates. It reveals how ongoing discoveries of far-distant extrasolar planets and planetary systems are transforming our understanding of our own solar system's astonishing history and its possible fate.


Author(s):  
Vera V. Serdechnaia ◽  

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.


2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.


2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.


2018 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Venelin Terziev ◽  
Marin Georgiev

The subject of this article is the genesis of the professional culture of personnel management. The last decades of the 20th century were marked by various revolutions - scientific, technical, democratic, informational, sexual, etc. Their cumulative effect has been mostly reflected in the professional revolution that shapes the professional society around the world. This social revolution has global consequences. In addition to its extensive parameters, it also has intensive ones related to the deeply-rooted structural changes in the ways of working and thinking, as well as in the forms of its social organization. The professional revolutions in the history of Modern Times stem from this theory.Employees’ awareness and accountability shall be strengthened. The leader must be able to formulate and bring closer to the employees the vision of the organization and its future goal, to which all shall aspire. He should pay attention not to the "letter" but to the "spirit" of this approach.


Author(s):  
Katarzyna Czeczot

The article deals with the love of Zygmunt Krasiński to Delfina Potocka. The point of departure is the poet's definition of love as looking and reads Krasiński's relationship with his beloved in the context of two phenomena that fascinated him at the time: daguerreotype and magnetism. The invention of the daguerreotype in which the history of photography and spiritism comes together becomes a pretext for the formulation of a new concept of love and the loving subject. In the era of painting the woman was treated as a passive object of the male gaze; photography reverses this scheme of power. Love ceases to be a static relationship of the subject in love and the passive object – the beloved. The philosophy of developing photographs (and invoking phantoms) allows Krasiński - the writing subject to become like a light-sensitive material that reveals the image of the beloved.


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