A Unified Version of London 2012: New-Media Coverage of Gender, Nationality, and Sport for Olympics Consumers in Six Countries

2014 ◽  
Vol 28 (4) ◽  
pp. 457-470 ◽  
Author(s):  
Andrea Eagleman ◽  
Lauren M. Burch ◽  
Ryan Vooris
Keyword(s):  
New Media ◽  
Media Coverage ◽  
The United States ◽  
Historical Records ◽  
Traditional Media ◽  
Analysis Methodology ◽  
London 2012 ◽  
News Websites ◽  
Spatial Parameters ◽  
Setting Theory

Traditional media coverage of the Olympic Games has been shown to exhibit biases in terms of gender, nationality, and the type of sports covered, which can contribute to negative societal consequences and inaccurate historical records of such events. Scholars have suggested that because of the Internet’s expanded spatial parameters, new media have the ability to provide more equitable coverage of events such as the Olympics. In this study, we used agenda setting theory to employ a content analysis methodology to determine whether different constructions of the 2012 London Olympics were presented to media consumers on news websites in Australia, Brazil, China, Great Britain, Kenya, and the United States. Findings indicated that very few gender, nationalistic, or sport biases existed in any of the countries’ coverage, lending credence to the notion that the Internet affords media managers with an opportunity to provide more equitable coverage and thus a more accurate depiction of events.

scholarly journals A Generational War Is Launched with The Birth of Ok Boomer in The Digital Age

2020 ◽  
Vol 4 (1) ◽  
pp. 1 ◽  
Author(s):  
Young Joon Lim ◽  
Jennifer Lemanski
Keyword(s):  
Social Media ◽  
Diffusion Of Innovation ◽  
Media Coverage ◽  
Social Issues ◽  
Data Gathering ◽  
The United States ◽  
Public Attention ◽  
Traditional Media ◽  
Race And Gender ◽  
And Gender

This study examined recent virality of “Ok Boomer” in the United States. The term of Ok Boomer gained overnight momentum in the public sphere as the symbol of a generational war. While previous research has primarily examined racial and gender tensions, this study introduced a new phenomenon of the generational conflict between “Ok Boomers” and “Baby Boomers,” in which social media originated the term of Ok Boomer and traditional media diffused it with framed meaning. Diffusion of Innovation theory was used to better understand the path of how “Ok Boomer” as a catchphrase, hashtag, noun cluster or trend resulted in attracting a massive amount of media and public attention. Relying on Node XL, Google Trends, and Nexus Nexis for data gathering and analyses, this study categorized four themes for a word, or an idea as an innovation to be publicly acknowledged: collaboration of social media and traditional media, public figures’ involvement for debate; confrontational social issues, and media-framed agenda. In sum, this study argues the term of Ok Boomer symbolizes the advent of a generational war in society in line with the long-standing race and gender wars in the media coverage.

Journalistic Depictions of Uncertainty about Climate Change

2016 ◽  
Author(s):  
James Painter
Keyword(s):  
Climate Change ◽  
New Media ◽  
News Media ◽  
Media Coverage ◽  
Qualitative Content Analysis ◽  
Climate Science ◽  
The United States ◽  
Political Debate ◽  
The Media ◽  
The Many

Media research has historically concentrated on the many uncertainties in climate science either as a dominant discourse in media treatments measured by various forms of quantitative and qualitative content analysis or as the presence of skepticism, in its various manifestations, in political discourse and media coverage. More research is needed to assess the drivers of such skepticism in the media, the changing nature of skeptical discourse in some countries, and important country differences as to the prevalence of skepticism in political debate and media coverage. For example, why are challenges to mainstream climate science common in some Anglophone countries such as the United Kingdom, the United States, and Australia but not in other Western nations? As the revolution in news consumption via new players and platforms causes an increasingly fragmented media landscape, there are significant gaps in understanding where, why, and how skepticism appears. In particular, we do not know enough about the ways new media players depict the uncertainties around climate science and how this may differ from previous coverage in traditional and mainstream news media. We also do not know how their emphasis on visual content affects audience understanding of climate change.

New Media and Political Campaigns

2014 ◽  
Author(s):  
Diana Owen
Keyword(s):  
Political Parties ◽  
New Media ◽  
Media Coverage ◽  
Political Campaigns ◽  
Political Organizations ◽  
Traditional Media ◽  
Campaign Strategies ◽  
Form Function ◽  
Creative Research ◽  
American Elections

New media have been playing an increasingly central role in American elections since they first appeared in 1992. While television remains the main source of election information for a majority of voters, digital communication platforms have become prominent. New media have triggered changes in the campaign strategies of political parties, candidates, and political organizations; reshaped election media coverage; and influenced voter engagement. This chapter examines the stages in the development of new media in elections from the use of rudimentary websites to the rise sophisticated social media. It discusses the ways in which new media differ from traditional media in terms of their form, function, and content; identifies the audiences for new election media; and examines the effects on voter interest, knowledge, engagement, and turnout. Going forward, scholars need to employ creative research methodologies to catalogue and analyze new campaign media as they emerge and develop.

New Media and Political Campaigns

2014 ◽  
Author(s):  
Diana Owen
Keyword(s):  
Political Parties ◽  
New Media ◽  
Media Coverage ◽  
Political Campaigns ◽  
Political Organizations ◽  
Traditional Media ◽  
Campaign Strategies ◽  
Form Function ◽  
Creative Research ◽  
American Elections

New media have been playing an increasingly central role in American elections since they first appeared in 1992. While television remains the main source of election information for a majority of voters, digital communication platforms have become prominent. New media have triggered changes in the campaign strategies of political parties, candidates, and political organizations; reshaped election media coverage; and influenced voter engagement. This chapter examines the stages in the development of new media in elections from the use of rudimentary websites to the rise sophisticated social media. It discusses the ways in which new media differ from traditional media in terms of their form, function, and content; identifies the audiences for new election media; and examines the effects on voter interest, knowledge, engagement, and turnout. Going forward, scholars need to employ creative research methodologies to catalogue and analyze new campaign media as they emerge and develop.

Managing Content in Cross-Cultural Public Relations Campaigns: A Case Study of the Paris Terrorist Attacks

2017 ◽  
Vol 61 (6) ◽  
pp. 624-632 ◽  
Author(s):  
Xavier Ginesta ◽  
Enric Ordeix ◽  
Josep Rom
Keyword(s):  
New Media ◽  
Public Relations ◽  
Media Coverage ◽  
English Language ◽  
Cross Cultural ◽  
Social Dimension ◽  
Traditional Media ◽  
Mainstream Media ◽  
Starting Point ◽  
The Media

This article studies how traditional media functions have changed due the new media growth in terms of consumption and influence and how this has affected the public relations (PR) campaigns in terms of storytelling and managing content. The starting point of this article is the media coverage of the Paris attacks on the 13th November, as well as the institutional ceremonies that the French government organized as a tribute to 120 victims. The methodology of this article is based in a sample of the mainstream media in French and English language published in Europe. The analysis indicators are the following: (a) the “message,” as the story based on organizational essentials, values and identity; (b) the publics in a media relations campaign: opinion leaders and opinion makers; (c) the social dimension and the agenda setting; (d) effectiveness versus excellence and vice versa; (e) role of the media: traditional media (or mainstream media) and new media; (f) trends and challenges for professionals. As we will see, new trends of communication are redirecting the media strategy in PR campaigns in terms of influencing other key publics that generates major engagement in institutional reputation. Hence, traditional media functions (setting agenda, transmitting values, and creating opinion) operate in a new digital context of mashup journalism where cross-cultural PR seeks to better align media agenda’s with public and political agenda’s in order to set frames of sociability and community engagement.

How Will New Media Affect Television?

1998 ◽  
Vol 86 (1) ◽  
pp. 54-62 ◽  
Author(s):  
Tony Branigan
Keyword(s):  
New Media ◽  
Interactive Media ◽  
The United States ◽  
Medium Term ◽  
Traditional Media ◽  
Main Challenge ◽  
Large Numbers ◽  
Program Content ◽  
Pay Tv ◽  
Will Force

The next two decades will force major changes on existing media and leave them with a significantly smaller share of voice, mind and advertising dollars. Pay TV in various forms will be the main challenge, but the Internet and other interactive media also seem certain to change traditional media use and advertising practices. In the United States, cable television has taken large numbers of viewers from free-to-air TV, and is expanding its share of advertising revenue. Pay TV's prospects in Australia are promising, though the largely American program content of advertiser-supported channels may limit their appeal. Pay TV may be in as many as 20 per cent of homes within three years, but its impact on television viewing levels will be only a fraction of that. Free-to-air viewing may decline by as little as 4 per cent by 2000, while television revenue may be unaffected by Pay TV. In the medium term, digital technology will make various forms of interactivity practicable for both free-to-air and Pay TV. This may prove to be more significant than competition for advertising dollars, as it will allow both media to compete for marketing expenditure currently made outside normal advertising media.

Determinants of sports coverage: Newsworthiness in US media coverage of foreign athletes during the London 2012 Olympic Games

Journalism ◽  
2017 ◽  
Vol 21 (7) ◽  
pp. 933-949 ◽  
Author(s):  
Seong Choul Hong ◽  
Kyong-Soo Oh
Keyword(s):  
United States ◽  
New York ◽  
Media Coverage ◽  
Olympic Games ◽  
Contextual Factors ◽  
New York Times ◽  
The United States ◽  
London 2012 ◽  
Sports Coverage ◽  
Military Expenditures

This study examined US media coverage of foreign nations and their athletes during the 2012 London Olympic Games. An analysis of NBC primetime telecasts and sports coverage in The New York Times found that foreign nations and their athletes were not significantly affected by any given nation’s performance during the Olympics. However, coverage of the Olympics was actually based on several contextual factors. While a few elite countries’ dominance in the Olympics secured US media coverage, military expenditures, linguistic proximity to the United States, and the number of sports celebrities and gold medals won often predicted a country’s visibility in US media.

scholarly journals The Werther effect of celebrity suicides: Evidence from South Korea

PLoS ONE ◽  
2021 ◽  
Vol 16 (4) ◽  
pp. e0249896
Author(s):  
Jeongmin Ha ◽  
Hee-Seung Yang
Keyword(s):  
New Media ◽  
Media Coverage ◽  
Poisson Regression Model ◽  
Traditional Media ◽  
The Public ◽  
Contagious Nature ◽  
Werther Effect ◽  
Celebrity Suicide ◽  
Media Reports ◽  
Methods Of Suicide

Since 2003 Korea has experienced the highest suicide rate among OECD countries. One of the societal risk factors that triggers suicide is the contagious nature of suicide. This paper empirically examines the effect of celebrity suicide reports on subsequent copycat suicides, using daily suicide data and information of highly publicized suicide stories in Korea from 2005 to 2018. The findings from the Poisson regression model suggest that the number of public suicides soars after media reports on celebrity suicides. On average, the number of suicides in the population increased by 16.4% within just one day after the reports. Further analysis reveals that female and younger subgroups are more likely to be affected by celebrity suicides. Moreover, the public reacts more strongly to suicide incidents of celebrities of the same gender and even imitates the methods of suicide used by celebrities. This paper highlights the significance of careful and responsible media coverage of suicide stories to prevent copycat suicide. For policymakers, it is crucial to implement regulations not only for traditional media but also for new media where younger people can freely access unfiltered information.

scholarly journals The Influence of Communication on College Students’ Self–Other Risk Perceptions of COVID-19: A Comparative Study of China and the United States

2021 ◽  
Vol 18 (23) ◽  
pp. 12491
Author(s):  
Yi Yang ◽  
Ru-De Liu ◽  
Yi Ding ◽  
Jia Wang ◽  
Wei Hong ◽  
...  
Keyword(s):  
United States ◽  
College Students ◽  
New Media ◽  
Interpersonal Communication ◽  
Perceived Risk ◽  
Risk Perceptions ◽  
Media Exposure ◽  
The United States ◽  
Traditional Media ◽  
Chinese College Students

This study aimed to explore cross-country differences in the characteristics and determinations of self–other risk perceptions of the COVID-19 pandemic. We distinguished perceived risk to self from perceived risk to others and subdivided risk perceptions into three levels: personal, group, and societal. We focused on the differential impact of multiple communication channels (i.e., interpersonal communication, traditional media exposure, and new media exposure) on risk perceptions at the three levels. A sample of 790 college students completed self-report online questionnaires from May to June 2020, including 498 in China and 292 in the United States. The results showed an “ascending pattern,” revealing that participants perceived higher levels of risk to others than to themselves. In addition, U.S. college students perceived higher risks of COVID-19 than Chinese college students at all levels. As for the relations between communication and risk perceptions, the results revealed that interpersonal communication and traditional media exposure were more effective with Chinese participants, whereas new media exposure was more effective with U.S. participants. Specifically, interpersonal communication was positively associated with risk perceptions at three levels, and the magnitude of the effect was higher in the Chinese group than in the U.S. group. Traditional media exposure increased societal risk perception only for Chinese college students, and new media exposure increased societal risk perception only for U.S. college students. Our findings provide theoretical implications for the characteristics and forming mechanisms of risk perceptions and also provide practical implications for policymakers in the two countries to implement effective measures to foster individuals’ risk perceptions in relation to preventive behaviors.

Music after the Fall

2017 ◽  
Author(s):  
Tim Rutherford-Johnson
Keyword(s):  
New Media ◽  
Contemporary Music ◽  
The United States ◽  
Art Music ◽  
Sound Art ◽  
Musical Composition ◽  
Western Art ◽  
Wide Range ◽  
Definition Of ◽  
The Cold War

By the start of the 21st century many of the foundations of postwar culture had disappeared: Europe had been rebuilt and, as the EU, had become one of the world’s largest economies; the United States’ claim to global dominance was threatened; and the postwar social democratic consensus was being replaced by market-led neoliberalism. Most importantly of all, the Cold War was over, and the World Wide Web had been born. Music After The Fall considers contemporary musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing on theories from the other arts, in particular art and architecture, it expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter considers a wide range of composers, performers, works, and institutions are considered critically to build up a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from South American electroacoustic studios to pianos in the Australian outback. A new approach to the study of contemporary music is developed that relies less on taxonomies of style and technique, and more on the comparison of different responses to common themes, among them permission, fluidity, excess, and loss.

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