Trading Networks of Malay Merchants and Traders in the Straits of Melaka from 1780 to 1830

2012 ◽  
Vol 40 (1) ◽  
pp. 51-82
Author(s):  
Nordin Hussin
Keyword(s):  
Southeast Asia ◽  
18Th Century ◽  
Early Modern History ◽  
Trace Back ◽  
Late 18Th Century ◽  
History Of ◽  
European Colonialism ◽  
Trading Networks ◽  
The 19Th Century ◽  
Focal Analysis

Abstract Malay merchants and traders played an essential and significant role in the early modern history of trade and commerce in Southeast Asia. Nevertheless records on the history of their entrepreneurship has been hardly written and researched upon. Thus, the main objective of this paper is to trace back the dynamic of Malay trading communities in the late 18th and towards the early decades of the 19th century. The paper would also highlight the importance of Malay traders in early Penang and the survival of Melaka as an important port in the late 18th century. A focal analysis of this study is on the 18th and 19th centuries Malay merchant communities and how their active presence in the Malay waters had given a great impact to the intra-Asian trade in Southeast Asia prior to the period of European colonialism and imperialism.

The Portrayal of Islam in Some Early Nigerian Newspapers (1880-1910)

1989 ◽  
Vol 6 (2) ◽  
pp. 319-328
Author(s):  
Salahudeen Yusuf
Keyword(s):  
18Th Century ◽  
Religious Conflict ◽  
Intellectual Honesty ◽  
The People ◽  
Late 18Th Century ◽  
The Press ◽  
External Threat ◽  
History Of ◽  
The 19Th Century ◽  
The Impact

The history of Islam in part of what is known today as Nigeria datesto about the loth Century. Christianity dates to the late 18th Century. Bythe middle of the 19th Century, when Nigerian newspapers began to appearon the streets of Nigeria, both religions had won so many followers and extendedto so many places in Nigeria that very few areas were untouched bytheir influence. The impact of both religions on their adherents not only determinedtheir spiritual life, but influenced their social and political lives aswell. It therefore became inevitable that both religions receive coverage frommost of the newspapers of the time. How the newspapers as media of informationand communication reported issues about the two religions is thetheme of this paper.Rationale for the StudyThe purpose of this study is to highlight the context in which such earlynewspapers operated and the factors that dictated their performance. Thisis because it is assumed that when a society faces external threat to its territory,culture, and independence, all hands (the press inclusive) ought tobe on deck to resist the threat with all might. Were newspapers used as verbalartillery and how did they present each religion? It is also assumed thatin a multireligious society a true press should be objective and serve as avanguard in the promotion of the interest of the people in general and notcreate or foster an atmosphere of religious conflict. The study also aims atfinding out whether the papers promoted intellectual honesty and fosteredthe spirit of unity particularly when the society was faced with the encroachmentof the British who posed a threat to their freedom, culture, economy ...

The Public and Economic Activities of the Hִatim Family of Istanbul: A Chapter in the History of the Jewish Leadership in Istanbul and Jerusalem in the 19th Century

2021 ◽  
Vol 19 (1) ◽  
pp. 97-127
Author(s):  
Leah Bornstein-Makovetsky
Keyword(s):  
Ottoman Empire ◽  
19Th Century ◽  
18Th Century ◽  
Economic Activities ◽  
The Public ◽  
Economic Elite ◽  
Late 18Th Century ◽  
History Of ◽  
The 19Th Century

This article discusses the biographies and economic and public activities of the Ḥatim family in Istanbul in the late 18th century and throughout the 19th century. Most of the attention is focused on R. Shlomo Ḥatim and his son Yitsḥak, who were members of the Jewish elite in Istanbul and settled in Jerusalem at the ends of their lives. R. Shlomo, who is said to have served the Ottoman authorities in Istanbul, settled in Jerusalem more than ten years before the leaders of the Jewish economic elite in Istanbul were executed in the 1820s. His son, surviving this purge, followed much later, immigrating to Israel in 1846, but died immediately thereafter. This article provides insights into the business activities of the Ḥatim family, as well as the activities of Yitsḥak Ḥatim as an Ottoman official in Istanbul. I also discuss two more generations of this family, considered an elite, privileged one, and that was highly esteemed among well-known rabbis in the Ottoman Empire. I also discuss the ties that developed between the communities of Istanbul and Jerusalem in the first half of the 19th century as a result of initiatives of officials in Istanbul and of immigration from Istanbul to Jerusalem.

Plutonism versus Neptunism at the southern tip of Africa: the debate on the origin of granites at the Cape, 1776–1844

2009 ◽  
Vol 100 (1-2) ◽  
pp. 1-13 ◽  
Author(s):  
Sharad Master
Keyword(s):  
19Th Century ◽  
Charles Darwin ◽  
18Th Century ◽  
Contact Metamorphism ◽  
Sea Level Changes ◽  
Table Mountain ◽  
Late 18Th Century ◽  
History Of ◽  
Early Palaeozoic ◽  
The 19Th Century

ABSTRACTThe Cape Granites are a granitic suite intruded into Neoproterozoic greywackes and slates, and unconformably overlain by early Palaeozoic Table Mountain Group orthoquartzites. They were first recognised at Paarl in 1776 by Francis Masson, and by William Anderson and William Hamilton in 1778. Studies of the Cape Granites were central to some of the early debates between the Wernerian Neptunists (Robert Jameson and his former pupils) and the Huttonian Plutonists (John Playfair, Basil Hall, Charles Darwin), in the first decades of the 19th Century, since it is at the foot of Table Mountain that the first intrusive granites outside of Scotland were described by Hall in 1812. The Neptunists believed that all rocks, including granite and basalt, were precipitated from the primordial oceans, whereas the Plutonists believed in the intrusive origin of some igneous rocks, such as granite. In this paper, some of the early descriptions and debates concerning the Cape Granites are reviewed, and the history of the development of ideas on granites (as well as on contact metamorphism and sea level changes) at the Cape in the late 18th Century and early to mid 19th Century, during the emerging years of the discipline of geology, is presented for the first time.

scholarly journals UKRAINIAN O'CONNORS: THE FAMILY OF IRISH ANCESTRY IN THE CULTURAL LIFE OF THE 19TH CENTURY UKRAINE

2017 ◽  
pp. 15-18
Author(s):  
G. Kazakevych
Keyword(s):  
18Th Century ◽  
Napoleonic Wars ◽  
Cultural Life ◽  
Late 18Th Century ◽  
The Family ◽  
Political Activist ◽  
National Opera ◽  
History Of ◽  
The Government ◽  
The 19Th Century

The article is devoted to the O'Connor family, which played a noticeable role in the Ukrainian history of the 19 – early 20th centuries. A founder of the family Alexander O'Connor leaved Ireland in the late 18th century. The author assumes that he was a military man who had to emigrate from Ireland shortly after the Irish rebellion of 1798. After some years in France, where he had changed his surname to de Connor, he and his elder son Victor arrived in Russia where Alexander Ivanovich De-Konnor joined the army. As a cavalry regiment commander, colonel De-Konnor took part in the Napoleonic wars. He married a noble Ukrainian woman Anastasia Storozhenko and settled down in her estate in the Poltava region of Ukraine. His three sons (Victor, Alexander and Valerian) had served as army commanders and then settled in Chernihiv, Poltava and Kharkiv regions respectively. Among their descendants the most notable were two daughters of Alexander De-Konnor jr – Olga and Valeria as well as Valerian De-Konnor jr. Olga De-Konnor married a famous Ukrainian composer and public figure Mykola Lysenko. As a professional opera singer, she stood at the origins of the Ukrainian national opera. Her younger sister Valeria was a Ukrainian writer, publicist and political activist who joined the government of the Ukrainian People's Republic in 1917. Valerian De-Konnor jr. is well known for his research works and translations in the field of cynology.

scholarly journals How Style Became Famous and Irrelevant at the Same Time

2015 ◽  
Vol 9 (2) ◽  
pp. 215-230
Author(s):  
Nataša Lah
Keyword(s):  
Cultural Context ◽  
18Th Century ◽  
Theoretical Issue ◽  
Avant Garde ◽  
Late 18Th Century ◽  
Wide Range ◽  
The Status ◽  
History Of ◽  
The 19Th Century ◽  
19Th Century Art

The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”, romanticists not only paved the way for Modernism, but also thwarted the application of a newly risen stylistic methodology concerned with the cultural codification of style. The disagreement between the “classicists”, and “romanticists”, eventually culminated in the schism of the Paris Salon and the emergence of a wide range of new trends, heterogeneous conceptions and avant-garde movement, all in a very short space of time. The concept of “the style of epoch” has been staggered by the challenges of the 20th century. The function of culture within the stylistic characteristics of the 19th century art production was appropriated by artists, whose artwork acquired total objectual autonomy. The cultural and stylistic codification of of historical periods conceived in the 18th century could no longer be applied to the heterogeneous art produced during the Modernist era. By affirming the obviousness of the visual, Modernism eluded all the semantic, functional, utilitarian, narrative and symbolic burdens of earlier periods. This article endeavours to show how, subsequent to the epoch of Modernism, style can be discussed exclusively at a level of the apparent expressed features of an artwork. Codification which follows the principle of temporal “anchoring” in the cultural context of the Modernits era of Modernism remains both risky and ineffective stylistic strategy.  

scholarly journals Ukrainian Historiographic Prose of the 18th – the First Half of the 19th century in Assessment of Mykhailo Maksymovych

2019 ◽  
pp. 52-58
Author(s):  
Yaroslav Myshanych
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Research Field ◽  
Historical Novels ◽  
Historical Events ◽  
Critical Attitude ◽  
Historical Processes ◽  
Late 18Th Century ◽  
History Of ◽  
The 19Th Century

The essay reviews the studies of Mykhailo Maksymovych that deal with the three works of the 18th–19th-century Ukrainian historiography. According to M. Maksymovych, one may classify the syncretic historiographic works within three main types. These are Cossack chronicles of the late 17th – early 18th centuries, journalistic pamphlets of the late 18th century, and historical novels of the mid-19th century. The scholar used different approaches analyzing the works from the mentioned groups (chronicle by Hryhorii Hrabianka, “History of Ruthenians”, and “The Commoners’ Council” by Panteleimon Kulish). The scholarly historiography of the time was not still shaped enough and the works from the field could have features of fiction and research studies simultaneously. The authors, who didn’t understand history as a separate research field, were free of modern limits and could easily use both fictional and research techniques within the same work. The strict critical attitude of the scholar towards the chronicle by Hryhorii Hrabianka changed into tolerant in the case of “History of Ruthenians” and moderate critical in the analysis of “The Commoners’ Council”. M. Maksymovych tried to be objective in covering historical processes and worked hard to develop a scholarly approach in the evaluation of Ukrainian historiographical prose. Maksymovych took into account the specificity of every single work and, based on the ideas of his predecessors and contemporaries, rather accurately defined the proper frames of the scholarly historiography. At the same time, the scholar didn’t deny the value of fictional works based on historical events.

scholarly journals Karmicielki świata. Mamki mleczne w świetle reprodukcji życia społecznego

Wielogłos ◽  
2021 ◽  
pp. 1-24
Author(s):  
Katarzyna Szopa
Keyword(s):  
19Th Century ◽  
Social Reproduction ◽  
Karl Marx ◽  
18Th Century ◽  
Economic Changes ◽  
Late 18Th Century ◽  
The Social ◽  
Survival And Reproduction ◽  
History Of ◽  
The 19Th Century

[Feeders of the World. Wet Nurses and Social Reproduction] The article is an attempt to outline the history of wet-nursing on the example of France from the late 18th century until the beginning of the 20th century. The main aim of the article is to highlight the social and economic changes undergone by the profession of wet-nursing. This study explores the process in which increasing industrialisation and urbanisation leads to wet nurses becoming gradually subjected to what Karl Marx described as formal subsumption of labour under capital. Wet-nursing was one of the most important functions contributing to societies’ survival and reproduction, which is why at the turn of the 19th century it was commodified and transformed into one of the most alienated types of labour. These processes were accompanied by a series of changes in the social and cultural perception of wet nurses, notably by the so-called rabble discourse typical for the 19th-century means of racialising working class people.

scholarly journals How Style Became Famous and Irrelevant at the Same Time

2015 ◽  
Vol 9 (2) ◽  
pp. 215-230
Author(s):  
Nataša Lah
Keyword(s):  
Cultural Context ◽  
18Th Century ◽  
Theoretical Issue ◽  
Avant Garde ◽  
Late 18Th Century ◽  
Wide Range ◽  
The Status ◽  
History Of ◽  
The 19Th Century ◽  
19Th Century Art

The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”, romanticists not only paved the way for Modernism, but also thwarted the application of a newly risen stylistic methodology concerned with the cultural codification of style. The disagreement between the “classicists”, and “romanticists”, eventually culminated in the schism of the Paris Salon and the emergence of a wide range of new trends, heterogeneous conceptions and avant-garde movement, all in a very short space of time. The concept of “the style of epoch” has been staggered by the challenges of the 20th century. The function of culture within the stylistic characteristics of the 19th century art production was appropriated by artists, whose artwork acquired total objectual autonomy. The cultural and stylistic codification of of historical periods conceived in the 18th century could no longer be applied to the heterogeneous art produced during the Modernist era. By affirming the obviousness of the visual, Modernism eluded all the semantic, functional, utilitarian, narrative and symbolic burdens of earlier periods. This article endeavours to show how, subsequent to the epoch of Modernism, style can be discussed exclusively at a level of the apparent expressed features of an artwork. Codification which follows the principle of temporal “anchoring” in the cultural context of the Modernits era of Modernism remains both risky and ineffective stylistic strategy.  

Pictures from the past

1994 ◽  
Vol 48 (1) ◽  
pp. 163-164
Keyword(s):  
18Th Century ◽  
British Library ◽  
Scientific Illustration ◽  
Atomic Nuclei ◽  
Current State ◽  
Late 18Th Century ◽  
History Of ◽  
Coffee Table ◽  
Almost All ◽  
The 19Th Century

Brian J. Ford, Images of Science - A History of Scientific Illustration London: The British Library, 1993. Pp. viii + 208, ISBN 0-7123-0267-0. Almost all scientific images today are photographic, whether of nebulae, action potentials or the disintegration of atomic nuclei, and it was an excellent idea to collect earlier images before photography, when art and science were more closely linked, as they were when Teyler’s museum was founded at Haarlem in the late 18th century. The author takes as his premise that scientific illustrations have two main functions: to instruct and to record the current state of knowledge; and the illustrations he has chosen on these bases span images from cave art to the latter part of the 19th century, including a single historic photograph (1857) of the surface of the Moon. The result is a lavishly illustrated book of coffee-table size (Demi quarto), large enough to ensure that, despite some reduction of the larger images (many in colour), all are very well reproduced.

scholarly journals Tourism. Retrotopian Time-Travel (part one)

2021 ◽  
Vol 19 (2) ◽  
pp. 161-180
Author(s):  
Jan Pezda ◽  
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Innovative Approach ◽  
Modern Times ◽  
Tourist Gaze ◽  
Profound Influence ◽  
Late 18Th Century ◽  
History Of ◽  
Theoretical Conception ◽  
The 19Th Century

The study historicizes the phenomenon of the tourism as a purely modern variety of the mobility of which inner morphology began to take form at the turn of the 19th century. First, the study draws on the innovative approach of Hasso Spode, historian of mentality, who has a profound influence over contemporary research of the history of tourism in German historiography. Using his theoretical framing, the study discloses how a travel that, from the late 18th century, had a diverse set of motives, experiences, ideas and practices, started to be cemented by a psychomental foundation: the tourist gaze. Then, the study interprets tourism as the product of spatialization of time and temporalization of space. Finally, the article, using Zygmunt Bauman´s theoretical conception of “retrotopia“, clips today´s form of tourism together with its primordial form and leads to the conclusion that tourism as a controversial phenomenon of modern times is endowed with human nostalgia, romance, a never-ending desire for authenticity as well as an eternal obsession with the idea of “progress” encompassing also utopian notions.

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